Pavillon de la Ville de Paris. "Salon des Indépendants (4e exposition)," March 22–May 3, 1888, no. 614 (as "Parade de cirque," marked for sale).

Brussels. Musée d'art moderne. "Neuvième exposition annuelle des XX," February 6–March 6, 1892, no. 10 (lent by Mme Seurat).

Pavillon de la Ville de Paris. "Salon des Indépendants (8e exposition)," March 19–April 27, 1892, no. 1084 (lent by Mme Seurat).

Paris. Revue Blanche. "Georges Seurat (1860 [sic]–1891): Œuvres peintes et dessinées," March 19–April 5, 1900, no. 32.

Paris. Bernheim-Jeune. "Georges Seurat (1859–1891)," December 14, 1908–January 9, 1909, no. 69 (lent by MM. J[osse]. and G[aston]. B[ernheim].-J[eune].).

Paris. Bernheim-Jeune. "Exposition de peinture moderne," June 14–23, 1917, no. 30.

Paris. Bernheim-Jeune. "Georges Seurat (1859–1891)," January 15–31, 1920, no. 28.

Paris. Théâtre de la Cigale. "L'art au théâtre, au music-hall, au cirque," May 17–June 30, 1924, no. 38 [see Ref. de Hauke 1961; Ref. Sterling and Salinger 1967 gives the dates of this exhibition as 1923–24 and the title as "Soirées de Paris . . . l'art au music-hall, au théâtre et au cirque"].

Paris. Bernheim-Jeune. "Exposition d'oeuvres des XIXe et XXe siècles," June–July 1925, no. 116.

Paris. Grand Palais des Champs-Elysées. "Trente ans d'art indépendant: 1884–1914," February 20–March 21, 1926, no. 3216 (lent by MM. Bernheim-Jeune et cie.).

Lucerne. location unknown. "Peintures des écoles impressionniste et néo-impressionniste," February 1929, no. 20 [no exh. cat. located in RLIN per Jayne Warman 9/06; see Ref. de Hauke 1961].

Glasgow. Lefevre Gallery. "Ten Masterpieces by Nineteenth Century French Painters," April 1929, no. 8 [see Refs. de Hauke 1961 and Dorra and Rewald 1959].

London. Lefevre Fine Art Ltd. "Masterpieces by Nineteenth Century French Painters," June 1929, no. 7.

New York. Museum of Modern Art. "First Loan Exhibition: Cézanne, Gauguin, Seurat, van Gogh," November 8–December 7, 1929, no. 55 (as "Side Show [La parade]," lent by M. Knoedler and Company, New York, London, and Paris).

Providence. Rhode Island School of Design. "Modern French Art," March 11–31, 1930, no. 36 (lent by M. Knoedler & Co., New York).

Paris. Galerie Georges Petit. "Cent ans de peinture française," June 15–30, 1930, no. 31.

New York. Knoedler Galleries. "Masterpieces by Nineteenth Century French Painters," October–November 1930, no. 11.

London. Royal Academy of Arts. "Exhibition of French Art: 1200–1900," January 4–March 12, 1932, no. 552 (lent by Roland F. Knoedler) [commemorative cat., no. 509].

New York. Museum of Modern Art. "Modern European Art," October 4–25, 1933, unnumbered cat. (lent from a private collection).

San Francisco. California Palace of the Legion of Honor. "Exhibition of French Painting from the Fifteenth Century to the Present Day," June 8–July 8, 1934, no. 148 (lent by Mr. Stephen C. Clark, New York).

New York. Museum of Modern Art. "Modern Works of Art," November 20, 1934–January 20, 1935, no. 29 (lent from a private collection).

Cleveland Museum of Art. "Twentieth Anniversary Exhibition," June 26–October 4, 1936, no. 313 (lent by Mr. Stephen C. Clark, New York).

New York. Museum of Modern Art. "Art in Our Time," May 10–September 30, 1939, no. 76 (lent by Stephen C. Clark, New York).

New York. Museum of Modern Art. "Modern Masters from European and American Collections," January 26–March 24, 1940, no. 13 (lent by Stephen C. Clark, New York).

New York. World's Fair. "Masterpieces of Art: European & American Paintings, 1500–1900," May–October 1940, no. 366 (lent by Mr. Stephen C. Clark, New York).

New York. Museum of Modern Art. "Art in Progress," 1944, unnumbered cat. (lent by Stephen C. Clark).

New York. Century Association. "Paintings from the Stephen C. Clark Collection," June 6–September 28, 1946, unnum. checklist.

New York. Century Association. "Trends in European Painting, 1880–1930," February 2–March 31, 1949, no. 3 (lent by Stephen C. Clark, New York).

New York. Knoedler Galleries. "Seurat, 1859–1891: Paintings and Drawings," April 19–May 7, 1949, no. 22 (lent by Stephen C. Clark, Esq.).

New York. M. Knoedler & Co.. "A Collectors Taste: Selections from the Collection of Mr. and Mrs. Stephen C. Clark," January 12–30, 1954, no. 20.

New York. Museum of Modern Art. "Paintings from Private Collections," May 31–September 5, 1955, unnumbered cat. (as "La parade [The Come-On]," lent by Stephen C. Clark).

New York. The Metropolitan Museum of Art. "Paintings from Private Collections: Summer Loan Exhibition," July 1–September 1, 1958, no. 124 (lent by Stephen C. Clark).

New York. The Metropolitan Museum of Art. "Paintings from Private Collections: Summer Loan Exhibition," July 7–September 7, 1959, no. 101 (lent by Stephen C. Clark).

New York. The Metropolitan Museum of Art. "Paintings from Private Collections: Summer Loan Exhibition," July 6–September 4, 1960, no. 112 (lent by Stephen C. Clark).

New York. Solomon R. Guggenheim Museum. "Neo-Impressionism," February 9–April 7, 1968, no. 82.

New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 15, 1970–February 15, 1971, no. 387 (as "Invitation to the Side-Show [La parade]").

New York. The Metropolitan Museum of Art. "Impressionism: A Centenary Exhibition," December 12, 1974–February 10, 1975, not in catalogue.

Paris. Galeries Nationales du Grand Palais. "Seurat, 1859–1891," April 9–August 12, 1991, no. 198.

New York. The Metropolitan Museum of Art. "Georges Seurat, 1859–1891," September 24, 1991–January 12, 1992, no. 200.

New York. Robert Lehman Collection. "Neo-Impressionism: The Circle of Paul Signac," October 1–December 31, 2001, no catalogue.

New York. The Metropolitan Museum of Art. "The Clark Brothers Collect: Impressionist and Early Modern Paintings," May 22–August 19, 2007, no. 378.

Paul Adam. "Les impressionnistes à l'exposition des indépendants." La vie moderne (April 15, 1888), p. 229.

Félix Fénéon. "Le néo-impressionnisme à la IVe exposition des artistes indépendants." L'art moderne 8 (April 15, 1888), p. 122.

Gustave Geffroy. "Pointillé-Cloisonnisme." La justice (April 11, 1888), p. ? [see Ref. ].

Gustave Kahn. "Peinture: Exposition des Indépendants." Revue indépendante de littérature et d'art 7 (1888), p. 161.

Néo [Paul Signac]. "IVe Exposition des artistes indépendant—Lettre de Néo à Trublot [Paul Alexis]." Le cri du peuple. March 29, 1888 [Ref. Sterling and Salinger 1967 also lists the date as March 29, but Ref. Dorra and Rewald 1959 lists it as March 24].

Félix Fénéon. "5e Exposition de la société des artistes indépendants." La vogue (September 1889), p. ? [reprinted in "L'art moderne," Brussels, October 27, 1889 and in Ref. Dorra and Rewald 1959, p. XXIV].

Gustave Kahn. "Seurat." L'art moderne 11 (April 5, 1891), p. 110.

Inventaire de l'atelier de Seurat. 1891 [published in Ref. Darragon 1991, pp. 288–89].

T. de Wyzewa. "Georges Seurat." L'art dans les deux mondes no. 22 (April 18, 1891), p. 263.

Albert Arnay. "L'annuel des XX." Floréal 1 (March 1892), p. 84.

Catalogue des oeuvres exposées, 1892: 8me exposition de la société des artistes indépendants. Exh. cat., Pavillon de la Ville de Paris. Paris, 1892, p. 66, no. 1084.

Georges Seurat (1860 [sic]–1891): Œuvres peintes et dessinées. Exh. cat., Revue Blanche. Paris, 1900, no. 32.

Julius Meier-Graefe. Entwicklungsgeschichte der Modernen Kunst. Stuttgart, 1904, vol. 1, pp. 231–32.

Julius Meier-Graefe. Modern Art, Being a Contribution to a New System of Aesthetics. London, 1908, vol. 1, p. 314.

Exposition Georges Seurat (1859–1891). Exh. cat., Bernheim Jeune & Cie. Paris, 1908, p. 12, no. 69.

Lucie Cousturier. "Georges Seurat (1859–1891)." L'Art décoratif 27 (June 1912), pp. 357, 361, 368, ill. [reprinted as Seurat (Paris, 1921, and later eds.)].

Bissière. "Notes sur l'art de Seurat." L'esprit nouveau no. 1 (October 15, 1920), p. 23, ill.

Exposition Georges Seurat (1859–1891). Exh. cat., Bernheim-Jeune. Paris, 1920, unpaginated, no. 28, ill.

André Salmon. "Georges Seurat." Burlington Magazine 37 (September 1920), p. 121.

Lucie Cousturier. Seurat. Paris, [1921], pp. 12, 21.

Henri de Régnier. Vestigia flammæ; poèmes. Paris, 1921 [see Ref. Sutter 1970].

André Lhote. Georges Seurat, avec 32 réproductions en phototypie. Rome, 1922, p. 13, pl. VIII.

Charles Angrand. Letter to Gustave Coquiot. August 16, 1923 [published in "Charles Angrand: Correspondances, 1883–1926," 1988, p. 313].

Walter Pach. Georges Seurat. New York, 1923, pp. 27–29, pl. 14.

Gustave Coquiot. Seurat, avec 24 réproductions. Paris, 1924, pp. 43, 134, 151, 186, 226–28, ill. opp. p. 80.

[Félix Fénéon]. "Précisions concernant Seurat." Bulletin de la vie artistique 5 (August 15, 1924), pp. 354–60, ill. (detail).

"Cologne has Exhibition of Art in Rhineland." New York Times (August 16, 1925), p. X6.

Lucie Cousturier. Seurat. Paris, 1926, pp. 12, 21.

Henri Focillon. "Les salons de 1926." Gazette des beaux-arts 68 (May 1926), pp. 260–61, ill.

Les dessins de Georges Seurat (1859–1891). Exh. cat., Bernheim-Jeune. Paris, 1926, unpaginated, ill.

Ruth Green Harris. "Bits of Personal History Please Paris Art World." New York Times (January 23, 1927), p. X11.

Notice de Waldemar George. Seurat, 24 phototypies. Paris, [1928], unpaginated, ill.

Gustave Kahn. Les dessins de Georges Seurat (1859–1891). Paris, 1928, vol. 1, unpaginated [English ed., "The Drawings . . . ].

Robert Allerton Parker. "The Drawings of Georges Seurat." International Studio 91 (September 1928), pp. 17, 21, 23.

A[lfred]. H. B[arr]. Jr. First Loan Exhibition: Cézanne, Gauguin, Seurat, van Gogh. Exh. cat., Museum of Modern Art. New York, 1929, pp. 25–26, 43, no. 55, ill. (overall and detail).

Roger Fry. "Seurat's 'La parade'." Burlington Magazine 55 (December 1929), pp. 290–291, 293, ill. (color).

Vincent van Gogh en zijn tijdgenooten. Exh. cat., Stedelijk Museum. Amsterdam, 1930, p. 92.

Curt Glaser. "Pariser Saison." Kunst und Künstler 28 (October 1930), pp. 506, 508, ill.

Ruth Green Harris. "Masterpieces Abound: Three Exhibitions Contain Well Chosen Examples of the Work of Famous Artists." New York Times (November 2, 1930), p. X15.

Kasper Niehaus. "Georges Seurat." Elsevier's Geïllustreerd Maandschrift 40 (January–June 1930), pp. 299, 309, pl. LXIV.

Cent ans de peinture française. Exh. cat., Galerie Georges Petit. Paris, 1930, unpaginated, no. 31, ill.

Robert Rey. La peinture française à la fin du XIXe siècle: la Renaissance du sentiment classique. Paris, 1931, pp. 123–24, 131, 144.

Claude Roger-Marx. Seurat. Paris, 1931, p. 14, fig. 16.

R. H. Wile[n]ski. French Painting. Boston, 1931, pp. 319, 321.

P. G. Konody and Xenia de Tunzelmen. An Introduction to French Painting. London, 1932, p. 223, ill. opp. p. 222.

Exhibition of French Art, 1200–1900. Exh. cat., Royal Academy of Arts. London, 1932, pp. 248–49, no. 552.

Elisabeth Luther Cary. "Seurat to Surrealisme." New York Times (July 16, 1933), p. X5, ill.

Modern Works of Art. Exh. cat., Museum of Modern Art. New York, 1934, pp. 12, 25, no. 29, pl. 29.

[René] Édouard-Joseph. Dictionnaire biographique des artistes contemporains 1910–1930. 3, Paris, 1934, p. 295, ill.

Exhibition of French Painting from the Fifteenth Century to the Present Day. Exh. cat., California Palace of the Legion of Honor. San Francisco, 1934, p. 60, no. 148, ill.

André Lhote in "Arts et littératures dans la société contemporaine." Encyclopédie française. 16, part 1, Paris, 1935, p. 16.30-7, ill. pp. 16.30-6. 16.31-7.

Daniel Catton Rich. Seurat and the Evolution of "La Grande Jatte". Chicago, 1935, p. 4 n. 3, p. 16 n. 2.

Alfred H. Barr Jr. in Cubism and Abstract Art. Exh. cat., Museum of Modern Art. New York, 1936, pp. 22, 223.

Twentieth Anniversary Exhibition of the Cleveland Museum of Art. Exh. cat., Cleveland Museum of Art. Cleveland, 1936, p. 119, no. 313, pl. LXIX.

William M. Milliken. "The Twentieth Anniversary Exhibition of the Cleveland Museum of Art." Art News 34 (June 13, 1936), pp. 13–14, ill.

Edward Alden Jewell. "Gallery to Open in Capital Today." New York Times (November 14, 1937), p. 51.

James Laver with notes on artists and pictures by Michael Sevier in French Painting and the Nineteenth Century. New York, 1937, p. 96, no. 136, ill.

André Salmon. Propos d'atelier. Paris, 1938, p. 51.

Christian Zervos. Histoire de l'art contemporain. Paris, 1938, ill. p. 84.

James W. Lane. "Thirty-three Masterpieces in a Modern Collection: Mr. Stephen C. Clark's Paintings by American and European Masters." Art News Annual 37 (February 25, 1939), pp. 130, 133–34, ill. (color).

Art in our Time. Exh. cat., Museum of Modern Art. New York, 1939, unpaginated, no. 76, ill.

Gaston Bernheim de Villers. Petites histoires sur de grands artistes. Paris, 1940, p. 117.

Alfred M. Frankfurter. "[On the Italian Masters at the Museum of Modern Art] . . . And the Modern Masters." Art News 38 (January 27, 1940), p. 30, ill.

Alfred M. Frankfurter. "383 Masterpieces of Art." Art News, (The 1940 Annual), 38 (May 25, 1940), p. 66.

D[orothy]. C. M[iller]. Modern Masters from European and American Collections. Exh. cat., Museum of Modern Art. New York, 1940, pp. 8, 23, no. 13, ill.

Walter Pach in Masterpieces of Art: Catalogue of European and American Paintings, 1500–1900. Exh. cat., World's Fair. New York, 1940, pp. 240, 248, no. 366.

R. H. Wilenski. Modern French Painters. New York, [1940], pp. 94, 108, 257, 309, 348.

Robert J. Goldwater. "Some Aspects of the Development of Seurat's Style." Art Bulletin 23 (June 1941), pp. 121–25, 126 n. 28, 127, 129–30, fig. 16.

Bernard Dorival. La peinture française. Paris, 1942, vol. 2, p. 115, pl. XLVI.

Bernard Dorival. "De l'impressionisme au fauvism, 1883–1905." Les étapes de la peinture française contemporaine. 1, [Paris], 1943, pp. 242, 245–47.

John Rewald. Georges Seurat. [2nd, revised ed. 1946; French ed. 1948]. New York, 1943, pp. 58, 70, 72, 79 n. 125, fig. 77.

Art in Progress. Exh. cat., Museum of Modern Art. New York, 1944, pp. 30, 224, ill.

Lionello Venturi. "The Art of Seurat." Gazette des beaux-arts, 6th ser., 26 (July 1944), p. 427.

Jacques de Laprade. Georges Seurat. Monaco, 1945, pp. IV, VII, ill. p. 48.

Bernard Dorival. Images de la peinture française contemporaine. Paris, [1946], p. 15.

John Rewald. Georges Seurat. second revised ed. New York, 1946, pp. 58, 70, 72, 79 n.125, fig. 77.

Germain Seligman. The Drawings of Georges Seurat. New York, 1947, pp. 11–12, 17, 19–21, 23–25, 28, 38, 59, under nos. 21–23, p. 60, under no. 24.

Howard Devree. "Stephen C. Clarks Open Art Show at Home to Help Fresh Air Association of St. John." New York Times (April 2, 1948), p. 21.

André Lhote. Seurat. Paris, 1948, p. 11.

John Rewald. Georges Seurat. Paris, 1948, pp. 117, 127, 137–38, fig. 82.

Howard Devree. "Seurat Art Show Will Assist Blind." New York Times (April 19, 1949), p. 23.

Trends in European Painting 1880–1930. Exh. cat., Century Association. New York, 1949, unpaginated, no. 3, ill.

Seurat, 1859–1891: Paintings and Drawings. Exh. cat., Knoedler Galleries. New York, 1949, unpaginated, no. 22, ill.

John Rewald. Seurat (1859–1891). [1st ed.]. Paris, [1949?], unpaginated, fig. 39.

John Rewald. "Seurat: The Meaning of the Dots." Art News 48 (April 1949), p. 62, ill. p. 62 (color).

R[eginald]. H[oward]. Wilenski. Seurat (1859–1891). Exh. cat., Faber Gallery. London, 1949, pp. 2, 5.

Umbro Apollonio. Georges Seurat. Exh. cat., Galleria dell'Obelisco. Rome, 1950, unpaginated.

Lionello Venturi. Impressionists and Symbolists. 2, New York, 1950, p. 152.

Jacques de Laprade. Seurat. Paris, 1951, pp. 18, 63, 81–83, 87, ill.

Dora Panofsky. "Gilles or Pierrot? Iconographic Notes on Watteau." Gazette des beaux-arts, 6th ser., 39 (May–June 1952), p. 325 n. 19.

A Collector's Taste: Selections from the Collection of Mr. and Mrs. Stephen C. Clark. Exh. cat., M. Knoedler & Co. New York, 1954, unpaginated, no. 20, ill.

Aline B. Louchheim. "Rare Art Works on View Tonight." New York Times (January 11, 1954), p. 19.

Introduction by Alfred H. Barr Jr. "Paintings from Private Collections." Museum of Modern Art Bulletin 22 (Summer 1955), pp. 14, 35, no. 139, ill.

Paintings from Private Collections. Exh. cat., Museum of Modern Art. New York, 1955, p. 19.

John Rewald. Post-Impressionism: From Van Gogh to Gauguin. [1st ed.]. New York, 1956, pp. 141–42, 420, 427, 516, 543.

Pierre Courthion. Paris des temps nouveaux. Geneva, 1957, pp. 44, 46, ill. (color).

Etienne Gilson. Painting and Reality. New York, 1957, p. 43, pl. 15.

William I. Homer. "Seurat's Port-en-Bessin." Minneapolis Institute of Arts Bulletin 46 (Summer 1957), pp. 34, 36, 38.

Robert L. Herbert. "Seurat in Chicago and New York." Burlington Magazine 100 (May 1958), p. 152.

John O'Connell Kerr. "Seurat the Silent Post-Impressionist." The Studio 155 (May 1958), p. 133.

Seurat: Paintings and Drawings. Exh. cat., Art Institute of Chicago. Chicago, 1958, pp. 17–18.

Meyer Schapiro. "New Light on Seurat." Art News 57 (April 1958), pp. 22, 45, fig. 3 (detail).

Henri Dorra and John Rewald. Seurat: L'œuvre peint, biographie et catalogue critique. Paris, 1959, pp. XXII, XXIV, LXII–LXIV, LXVII, LXXV–LXXVI, LXXVIII, XCII–XCIV, C, CIV n. 46, CIX–CX, 224–227, no. 181, ill.

William I. Homer. "Henri Dorra and John Rewald, Seurat; l'œuvre peint; biographie et catalogue critique." Art Bulletin 42 (September 1960), pp. 229, 231.

C[ésar]. M[ange]. de Hauke. Seurat et son œuvre. Paris, 1961, vol. 1, pp. IX, XXVI, XXVIII, XXIX, XXX, 150–53, 197, 211, 222, 228–29, 231, 239, 246, 250, no. 187, ill.

"Ninety-first Annual Report of the Trustees for the Fiscal Year 1960–1961." Metropolitan Museum of Art Bulletin 20 (October 1961), pp. 44, 64, ill.

Stephen C. Clark Art Collection and House. New York, 1961, unpaginated, no. 9, ill. (color).

Stuart Preston. "Metropolitan Museum Displays Paintings and Drawings Received in 1960." New York Times (October 17, 1961), p. 47.

Robert L. Herbert. Seurat's Drawings. New York, 1962, pp. 127–28, 131, 174, 181, colorpl. VIII.

Charles Bouleau. Charpentes: La géométrie secrète des peintres. [Paris], 1963, pp. 210, 216, ill.

William Innes Homer. Seurat and the Science of Painting. Cambridge, Mass., 1964, pp. 164, 175–79, 183, 188, 219–220, 223, 229, 240, 246, 298 n. 42, p. 300 n. 53, p. 303 n. 81, fig. 49.

J[ean].-F[rançois]. Revel. "Charles Henry et la science des arts." L'Oeil no. 119 (November 1964), p. 44.

Meyer Schapiro. "Seurat: Reflections." Art News Annual 29 (1964), pp. 25, 41, ill. (color).

Sir Anthony Blunt in Roger Fry. Seurat. London, 1965, pp. 7–8, 74, 77, 83–85, colorpls. 39–40 (overall and detail).

Albert Boime. "Seurat and Piero della Francesca." Art Bulletin 47 (June 1965), p. 267, fig. 6.

William A. Camfield. "Juan Gris and the Golden Section." Art Bulletin 47 (March 1965), p. 131, fig. 1 (after p. 132).

John Russell. Seurat. New York, 1965, pp. 11, 76, 78, 197, 212, 214–16, 218–19, 222, 226, colorpl. 194.

Carla Lonzi. Georges Seurat. Milan, [1966], unpaginated, ill. (overall and detail) and colorpl. X–XI.

Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, pp. 193, 197–200, ill.

Pierre Courthion. Georges Seurat. 1st ed. New York, [1968], pp. 11, 32, 40, 44, 46–48, 138, 140–41, ill. (color).

Robert L. Herbert. Neo-Impressionism. Exh. cat., Solomon R. Guggenheim Museum. New York, 1968, pp. 99, 118–19, no. 82, ill. (color).

Max Kozloff. "Neo-Impressionism and the Dream of Analysis." Artforum 6 (April 1968), p. 44.

Margaretta M. Salinger. "Windows Open to Nature." Metropolitan Museum of Art Bulletin 27 (Summer 1968), p. 48, ill.

Introduction by Kenneth Clark in Masterpieces of Fifty Centuries. Exh. cat., The Metropolitan Museum of Art. New York, 1970, p. 320, no. 387, ill.

Mark Roskill. Van Gogh, Gauguin, and the Impressionist Circle. Greenwich, Conn., 1970, pp. 89, 96–97, 298, pl. 76.

J[ames]. H[enry]. Rubin. "Seurat and Theory: The Near-Identical Drawings of the Café-Concert." Gazette des beaux-arts, 6th ser., 76 (October 1970), pp. 239, 243.

Jean Sutter in The Neo-Impressionists. Greenwich, Conn., 1970, pp. 19, 22, 231, ill.

Niels Luning Prak. "Seurat's Surface Pattern and Subject Matter." Art Bulletin 53 (September 1971), pp. 372, 375, 378.

Theodore Reff. "Harlequins, Saltimbanques, Clowns, and Fools." Artforum 10 (October 1971), p. 40.

Louis Hautecœur. Georges Seurat. Milan, 1972, pp. 30, 42, 48, 53–56, 64–66, 68, 70, 83, ill. (color and b&w diagram).

Fiorella Minervino in L'opera completa di Seurat. [1st, French ed., 1973]. Milan, 1972, pp. 7, 85, 87, 90, 106–8, no. 188, ill. p. 107 and colorpl. LII-LIII.

Iku Takenaka et al. Seurat et le néo-impressionnisme. [Tokyo], 1972, p. 110, no. 10, ill. (color and b&w).

Violette de Mazia. "Creative Distortion: III. In Portraiture." Barnes Foundation Journal of the Art Department 4 (Autumn 1973), p. 16 n., pl. 42.

Everett Fahy in "Paintings, Drawings." The Wrightsman Collection. 5, [New York], 1973, p. 205.

Mitsuhiko Kuroe. Pissarro/Sisley/Seurat. Tokyo, 1973, p. 142, no. 63, ill. (color and b&w).

Carl R. Baldwin The Metropolitan Museum of Art. The Impressionist Epoch. [New York], 1974, pp. 19–20.

Edward B. Henning. "Plane, Structue, Color, and Content." Cleveland Museum of Art Bulletin 61 (September 1974), p. 231, fig. 16.

René Huyghe Lydie Huyghe in La Relève du réel: la peinture française au XIXe siècle: impressionnisme, symbolisme. Paris, 1974, pp. 242, 465, figs. 226–27.

John Russell. "Met Museum Serves Up A Feast of Impressionism." New York Times (December 12, 1974), p. 58.

Douglas Cooper. Alex Reid & Lefevre 1926–1976. [London], 1976, pp. 84–85, ill.

Roger Copeland. "An Avant-Gardist Toys With the Past." New York Times (March 7, 1976), p. D13.

Peter F. Blume. French Masterpieces of the 19th Century from the Henry P. McIlhenny Collection. Exh. cat., Allentown Art Museum. Allentown, Pa., 1977, p. 82.

Eleanor Pearson. "Seurat's 'Le cirque'." Marsyas 19 (1977–78), p. 48.

Antoine Terrasse. Seurat's Universe. Paris, 1977, p. 58.

Seurat in Perspective. Englewood Cliffs, N.J., 1978, p. 9 n. 13, p. 11 n. 19, pp. 121 n. 1, 177, p. 179, fig. 21.

Bernard Denvir. "Beyond the Picturesque." Art & Artists 13 (December 1978), pp. 21–23.

Maurice Sérullaz in Phaidon Encyclopedia of Impressionism. Oxford, 1978, pp. 181–82, ill.

Robert Goldwater. Symbolism. New York, 1979, p. 141, fig. 117.

Richard Shone. The Post-Impressionists. London, 1979, pp. 43–44, pl. 37.

[Sarane] Alexandrian. Seurat. New York, 1980, pp. 66–67, 77–78, 85, 93, ill. (color).

Robert L. Herbert. "'Parade de cirque' de Seurat et l'esthétique de Charles Henry." Revue de l'art 50 (1980), pp. 9–23, fig. 1 (color) and ill. on cover (color detail).

John House. "Meaning in Seurat's Figure Paintings." Art History 3 (September 1980), pp. 352, 356 n. 28, pl. 57.

Theodore Reff. "Picasso's Three Musicians: Maskers, Artists & Friends." Art in America 68 (December 1980), p. 138, fig 19 (color).

Patrizia Magnani. "Produzione di musica e rappresentazione." Casabella 45, no. 473 (1981), ill. p. 52.

Robert Rosenblum. "Fernand Pelez, or The Other Side of the Post-Impressionist Coin." Art, The Ape of Nature: Studies in Honor of H. W. Janson. New York, 1981, pp. 711–12, fig. 4.

Bogomila Welsh-Ovcharov. Vincent van Gogh and the Birth of Cloisonism. Exh. cat., Art Gallery of Ontario. Toronto, 1981, p. 240, fig. 86.

Joel Isaacson. "Impressionism and Journalistic Illustration." Arts Magazine 56 (June 1982), p. 114 n. 46.

Erich Franz and Bernd Growe. Georges Seurat, Zeichnungen. Exh. cat., Kunsthalle Bielefeld. Munich, 1983, pp. 86–87, 91 nn. 25–26, 193, 199, colorpl. 14 [English ed., 1984].

Metropolitan Museum, New York. Milan, 1983, pp. 79, 155, colorpl. 90.

Roger Herz-Fischler. "An Examination of Claims Concerning Seurat and 'The Golden Number'." Gazette des beaux-arts, 6th ser., 101 (March 1983), pp. 109–12 n. 12.

Jo Ann Wein. "Delacroix's 'Street in Meknes' and the Ideology of Orientalism." Arts 57 (June 1983), p. 108, fig. 3.

Lincoln Kirstein. Four Centuries of Ballet: Fifty Masterworks. New York, 1984, pp. 210, 271, fig. 407.

Nan Robertson. "Patinkin Sits for a Portrait." New York Times (May 22, 1984), p. C11.

Charles F. Stuckey. Seurat. Mount Vernon, N.Y., 1984, pp. 23–24, 32 n. 8, colorpl. 11.

Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art. New York, 1985, pp. 11, 226–27, 255, ill. (color).

Richard Thomson. Seurat. Oxford, 1985, pp. 133, 141, 147–48, 152–56, 166, 168, 176, 185, 197, 205, 209, 212, 214, 220–23, 231 n. 80, colorpl. 154.

Alan Lee. "Seurat and Science." Art History 10 (June 1987), pp. 218, 221–22.

Gary Tinterow et al. "Modern Europe." The Metropolitan Museum of Art. 8, New York, 1987, pp. 10, 69, colorpl. 49.

Joan Ungersma Halperin. Félix Fénéon: Aesthete & Anarchist in Fin-de-Siècle Paris. New Haven, 1988, pp. 115, 126–30, ill.

Herbert Wotte. Georges Seurat: Wesen, Werk, Wirkung. Dresden, 1988, pp. 47, 65, 72–77, 79, 82, 94, 96, 110, 210, 216, colorpl. 73.

Éric Darragon. "Pégase à Fernando: A propos de Cirque et du réalisme de Seurat en 1891." Revue de l'art no. 86 (1989), pp. 48–49.

Henri Dorra. "Japanese Sources for Two Paintings by Seurat." Gazette des beaux-arts, 6th ser., 114 (September 1989), pp. 95–97, 99, fig. 1.

Jean-Claude Lebensztejn. Chahut. Paris, 1989, pp. 14, 17, 25–26, 31–32, 67–70, 83, 91, 116, 119, 124, 137, 138 n., 143, 149, ill.

William M. Butler in Seurat at Gravelines: The Last Landscapes. Exh. cat.Indianapolis, 1990, p. 69.

Jonathan Crary in Seurat at Gravelines: The Last Landscapes. Exh. cat.Indianapolis, 1990, pp. 62–63.

Milton Esterow. "Masterpiece Theater." Art News 89 (Summer 1990), pp. 133–34, ill. (color).

Catherine Grenier. Seurat: Catalogo completo dei dipinti. Florence, 1990, pp. 9, 123–25, 154, no. 188, ill. (color).

Martin Kemp. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. New Haven, 1990, p. 318.

Alain Madeleine-Perdrillat. Seurat. New York, 1990, pp. 109–18, 124, 126, 141, 147, 150, 157–58, 167, 207–9, 213, ill. (color, overall and detail).

Rodolphe Rapetti in L'art du XIXe siècle, 1850–1905. Paris, 1990, p. 75.

John Rewald. Seurat: A Biography. New York, 1990, pp. 159, 162, 164, 167, 178, 193, 199, 220 n. 14, p. 229, ill. (color, overall and details).

MaryAnne Stevens in The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. Bührle, Zurich. Exh. cat., National Gallery of Art, Washington. Zürich, 1990, p. 184, fig. 65a.

Guy Burn. "Letter from Paris." Arts Review 43 (May 17, 1991), p. 242, ill.

Françoise Cachin. Seurat: Le rêve de l'art-science. Paris, 1991, pp. 96–99, 101, 111, 141, ill. (color).

Françoise Cachin in Georges Seurat, 1859–1891. Exh. cat., The Metropolitan Museum of Art. New York, 1991, pp. 275, 278, 423 [French ed., "Seurat," Grand Palais, Paris, 1991, pp. 14, 313, 317].

Éric Darragon in Seurat: Correspondances, témoinages, notes inédites, critiques. Paris, 1991, pp. 19, 322.

Anne Distel in Georges Seurat, 1859–1891. Exh. cat., The Metropolitan Museum of Art. 1991, pp. 360–61, 363, 408 [French ed., "Seurat," Grand Palais, Paris, 1991, pp. 39, 410–11, 413].

Robert L. Herbert et al. Georges Seurat, 1859–1891. Exh. cat., The Metropolitan Museum of Art. New York, 1991, pp. vii, 3, 68, 233, 262–63, 266, 272, 327, 342, 376, 392–93, 433, ill. frontispiece (color detail) [French ed., "Seurat," Grand Palais, Paris, 1991, pp. 20, 110, 268, 300, 302, 308, 371, 389, 424, 442–43].

Richard Kendall. "Highlights and Shadows: Seurat Retrospective at the Grand Palais." Apollo 133 (June 1991), pp. 420–21.

Michael Kimmelman. "Seurat: The Enigma Behind the Luster." New York Times (September 22, 1991), pp. H1, H35, ill.

Luc de Nanteuil. "Seurat: une certaine révolution." Connaissance des arts no. 470 (April 1991), pp. 38, 42.

John Russell. "Seurat Beckons to Many Worlds Beyond the Dot." New York Times (April 28, 1991), p. H33.

Paul Smith. "Was Seurat's Art Wagnerian? And What if it Was?" Apollo 133 (July 1991), pp. 24–26, 28, colorpl. 1.

Catherine Strasser. Seurat: Cirque pour un monde nouveau. Paris, 1991, pp. 5, 15, 19, 46, 52, 62.

Richard Thomson in Toulouse-Lautrec. Exh. cat., Hayward Gallery, London. New Haven, 1991, p. 231 [French ed., "Seurat," Grand Palais, Paris, 1991].

Richard Tilston. Seurat. London, 1991, pp. 22, 25–26, 28, 130, 132–33, 136, 150, 170, ill. (color).

Gary Tinterow in Georges Seurat, 1859–1891. Exh. cat., The Metropolitan Museum of Art. New York, 1991, pp. 303–16, no. 200, ill. (color, overall & details) [French ed., "Seurat," Grand Palais, Paris, 1991, pp. 337, 344, 347–56, 358–60, no. 198, ill. (color, overall and details)].

Michael F. Zimmermann. Seurat and the Art Theory of His Time. Antwerp, 1991, pp. 44, 216, 262, 268, 289, 296, 306, 317, 320, 324–25, 335, 337, 345–50, 354–56, 362, 364–66, 372, 374, 377–79, 388, 418, 440, 442, 446, 448, 270 nn. 81, 126, fig. 495 (color), ill. p. 322 (color detail).

Youssef Ishaghpour L'Échoppe. Seurat: La pureté de l'élément spectral. Caen, 1992, unpaginated.

Ellen W[ardwell]. Lee. "Seurat Centenary." Art Journal 51 (Summer 1992), p. 105, ill.

Floyd Ratliff. Paul Signac and Color in Neo-Impressionism. New York, 1992, p. 186.

Sarah Carr-Gomm. Seurat. London, 1993, pp. 34, 36–37, 110, 112–13, ill. (color).

Karal Ann Marling. "A Blessing on Your Head." New York Times (April 18, 1993), p. BR39.

A[braham]. M. Hammacher. Silhouette of Seurat. Exh. cat., Kröller-Müller Museum. Otterlo, 1994, pp. 18, 21, 34–35, 39–40, 43, 52, ill. (color).

John G. Hutton. Neo-Impressionism and the Search for Solid Ground: Art, Science, and Anarchism in Fin-de-Siècle France. Baton Rouge, 1994, pp. 192–99, fig. 45.

Ségolène Le Men. Seurat & Cheret: Le peintre, le cirque, et l'affiche. Paris, 1994, pp. 16, 19, 21–28, 67, 73, 94, 117–18, 125, 135, 137, 146, 149, 178 n. 268, pl. 1 (color).

Natasha Staller. "Babel: Hermetic Languages, Universal Languages, and Anti-Languages in Fin de Siècle Parisian Culture." Art Bulletin 76 (June 1994), pp. 331, 346, fig. 2 (detail).

David Sweetman. Paul Gauguin: A Complete Life. London, 1995, p. 130.

Jane Block in The Dictionary of Art. 22, New York, 1996, pp. 745–46, ill.

Paul Smith in The Dictionary of Art. 28, New York, 1996, pp. 502, 504.

John Leighton and Richard Thomson. Seurat and the Bathers. Exh. cat., National Gallery. London, 1997, pp. 147, 149, 153.

Albert Schug in Pointillismus: Auf den Spuren von Georges Seurat. Exh. cat., Wallraf-Richartz-Museum, Cologne. Munich, 1997, p. 22 [French ed., "Pointillisme: Sur les traces de Seurat," Lausanne, Fondation de l'Hermitage, 1998, p. 22].

Paul Smith. Seurat and the Avant-Garde. New Haven, 1997, pp. 111, 123–24, 126, 130, 132, 136, 141–43, 145–46, 149, 159, color figs. 134 (overall), 119, 138, 169 (details).

Uwe Westfehling. Pointillismus: Auf den Spuren von Georges Seurat. Exh. cat., Wallraf-Richartz-Museum, Cologne. Munich, 1997, p. 228 [French ed., "Pointillisme: Sur les traces de Seurat," Lausanne, Fondation de l'Hermitage, 1998, pp. 227–28].

Patricia Mainardi in Courbet: Artiste et promoteur de son oeuvre. Exh. cat., Musée cantonal des Beaux-Arts de Lausanne. Paris, 1998, p. 104.

Eberhard Roters. Malerei des 19. Jahrhunderts: Themen und Motive. Cologne, 1998, vol. 1, pp. 382–83, ill.

Jonathan Crary. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, Mass., 1999, pp. 5, 7, 149–54, 156, 160, 163, 175–78, 181, 187–214, 217–18, 220, 223–25, 227–29, 236, 238–41, 243–44, 246, 256–58, 269, 273, 278, 280, 366, ill. (overall and details).

Nancy Forgione. "'The Shadow Only': Shadow and Silhouette in Late Nineteenth-Century Paris." Art Bulletin 81 (September 1999), pp. 495, 497–99, 500, 502, 505, fig. 10.

Denis Pelli. "An Artist's Work Blurs Lines Between Art and Science." New York Times (August 10, 1999), p. A1, ill. (detail).

Peter Paquet. Helldunkel, Raum und Form: Georges Seurat als Zeichner. Frankfurt am Main, 2000, pp. 187–89, 196, 241, 380, 398, 402, 407, 412, 422, 425, 431, 438, 452.

Prof. Dr. Michel Draguet. Signac, Seurat: Le néo-impressionnisme. Paris, 2001, pp. 25, 36–38, 40, 71–73, ill. (color).

Robert L. Herbert. Seurat: Drawings and Paintings. New Haven, 2001, pp. vii, x, 14, 16, 107, 109, 137–38, 140–53, 156, colorpls. 121, 124 (overall and detail).

Chiao-Mei Liu Université de Paris. Cézanne: La série de Château Noir. Villeneuve d'Ascq, 2001, p. 75, fig. 26.

Roberta Smith. "A Crucial Link Between Two Styles of the Paris Avant-Garde." New York Times (October 12, 2001), p. E34.

Richard Thomson in Vincent van Gogh and the Painters of the Petit Boulevard. Exh. cat., Saint Louis Art Museum. St. Louis, 2001, p. 92.

John G. Hutton in Georges Seurat et le néo-impressionnisme, 1885–1905. Exh. cat., Museum of Art, Kochi. Tokyo, 2002, pp. 237–38, 259, 270, 279 n. 3, p. 299, fig. 6 (color).

Laura Iamurri. "Gli appunti di viaggio di Lionello Venturi, 1932–1935." Storia dell'arte no. 101 (2002), pp. 96–98 n. 17.

Neil Harris in Seurat and the Making of "La Grande Jatte". Exh. cat., Art Institute of Chicago. Chicago, 2004, p. 259 n. 52.

Robert L. Herbert et al. Seurat and the Making of "La Grande Jatte". Exh. cat., Art Institute of Chicago. Chicago, 2004, pp. 132, 137, 143, 144, 149, 154, fig. 5 (color).

Marina Ferretti-Bocquillon in Le Néo-impressionnisme de Seurat à Paul Klee. Exh. cat., Musée d'Orsay. Paris, 2005, pp. 22, 180, 266.

Adèle Lespinasse in Le Néo-impressionnisme de Seurat à Paul Klee. Exh. cat., Musée d'Orsay. Paris, 2005, p. 260.

Marianne Mathieu in Le Néo-impressionnisme de Seurat à Paul Klee. Exh. cat., Musée d'Orsay. Paris, 2005, p. 262.

Sylvie Patry in Le Néo-impressionnisme de Seurat à Paul Klee. Exh. cat., Musée d'Orsay. Paris, 2005, p. 154.

Richard R. Brettell and Stephen F. Eisenman. Nineteenth-Century Art in the Norton Simon Museum. 1, New Haven, 2006, p. 432.

Daniel Cohen-McFall in The Clark Brothers Collect: Impressionist and Early Modern Paintings. Exh. cat., Sterling and Francine Clark Art Institute. Williamstown, Mass., 2006, figs. 248, 259 (installation photographs of Exhs. New York 1929, New York 1961).

Neil Harris in The Clark Brothers Collect: Impressionist and Early Modern Paintings. Exh. cat., Sterling and Francine Clark Art Institute. Williamstown, Mass., 2006, p. 201.

Sarah Lees in The Clark Brothers Collect: Impressionist and Early Modern Paintings. Exh. cat., Sterling and Francine Clark Art Institute. Williamstown, Mass., 2006, pp. 153, 315, 344, no. 378, fig. 125 (color).

Gilbert T. Vincent and Sarah Lees in The Clark Brothers Collect: Impressionist and Early Modern Paintings. Exh. cat., Sterling and Francine Clark Art Institute. Williamstown, Mass., 2006, pp. 150, 156, 188, 196 nn. 81, 82, p. 198 n. 129, p. 199 n. 154, fig. 155 (color installation photograph of Stephen Clark's townhouse).

Robyn Roslak. Neo-Impressionism and Anarchism in Fin-de-Siècle France: Painting, Politics and Landscape. Aldershot, England, 2007, p. 86, fig. 3.11.

Susan Alyson Stein in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 178–79, 303–5, no. 166, ill. (color and bw).

Richard Thomson in Jodi Hauptman. Georges Seurat: The Drawings. Exh. cat., Museum of Modern Art. New York, 2007, pp. 173–76, fig. 2 (color).

Gary Tinterow in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, p. xix.

Gary Tinterow in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, p. 11.

Chris Stolwijk in Van Gogh and the Colours of the Night. Exh. cat., Museum of Modern Art. New York, 2008, pp. 35, 146 n. 64.