Pavillon de la Ville de Paris. "Salon des Indépendants (6e exposition)," March 20–April 27, 1890, no. 832 (as "Le cyprès," probably this picture).

Pavillon de la Ville de Paris. "Salon des Indépendants (7me exposition)," March 20–April 27, 1891, no. 1195 (as "Cyprès," possibly this picture).

Paris. Galerie Bernheim-Jeune. "Exposition Vincent van Gogh," March 15–31, 1901, no. 35 (as "Cyprès en Provence," lent by M. Julien Leclercq).

Munich. Galerien Thannhauser. "Van Gogh," 1907, no. 43 [see Ref. Sterling and Salinger 1967].

Paris. Galerie E. Druet. "Quelques oeuvres de Vincent van Gogh," January 6–18, 1908, no. 4 (as "Cyprès," lent by M.M. Fabre) [see Refs. La Faille 1939 and 1970].

Cologne. Städtische Ausstellungshalle. "Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Künstler," May 25–September 30, 1912, no. 108 (lent by Fritz Meyer, Zürich).

Kunsthalle Basel. "Vincent van Gogh," March 27–April 21, 1924, no. 60 (as lent by a private collection, Lucerne).

Berliner Künstlerhaus. "Erste Sonderausstellung in Berlin," January 9–mid-February 1927, no. 119.

Paris. Bernheim-Jeune. "Vincent van Gogh: l'époque française," June 20–July 2, 1927, no catalogue [see Ref. La Faille 1928].

New York. Museum of Modern Art. "First Loan Exhibition: Cézanne, Gauguin, Seurat, van Gogh," November 8–December 7, 1929, no. 85 (lent by Justin Thannhauser, Berlin).

Cleveland Museum of Art. "Work by Vincent van Gogh," November 3–December 12, 1948, no. 18 (lent anonymously).

New York. The Metropolitan Museum of Art. "Van Gogh: Paintings and Drawings," October 21, 1949–January 15, 1950, no. 112.

Art Institute of Chicago. "Van Gogh: Paintings and Drawings," February 1–April 15, 1950, no. 112.

Hempstead, N.Y. Hofstra College. "Metropolitan Museum Masterpieces," June 26–September 1, 1952, no. 15.

West Palm Beach, Fla. Norton Gallery and School of Art. "French Painting—David to Cézanne," February 4–March 1, 1953, no. 26.

Coral Gables, Fla. Lowe Gallery. "French Painting—David to Cézanne," March 11–31, 1953, no. 26.

Sarasota, Fla. John and Mable Ringling Museum of Art. "Directors' Choice," February 6–March 4, 1955, no. 26.

Bronx County Courthouse. "Paintings from the Metropolitan, Pinturas del Metropolitano," May 12–June 13, 1971, no. 18.

New York. The Metropolitan Museum of Art. "Van Gogh as Critic and Self-Critic," October 30, 1973–January 6, 1974, no. 7.

New York. The Metropolitan Museum of Art. "Impressionism: A Centenary Exhibition," December 12, 1974–February 10, 1975, not in catalogue.

New York. The Metropolitan Museum of Art. "Van Gogh in Saint-Rémy and Auvers," November 25, 1986–March 22, 1987, no. 15.

Amsterdam. Rijksmuseum Vincent van Gogh. "Vincent van Gogh: Paintings," March 30–July 29, 1990, no. 90.

Art Institute of Chicago. "Van Gogh and Gauguin: The Studio of the South," September 22, 2001–January 13, 2002, no. 117.

Amsterdam. Van Gogh Museum. "Van Gogh and Gauguin: The Studio of the South," February 9–June 2, 2002, no. 117.

New York. The Metropolitan Museum of Art. "Vincent van Gogh: The Drawings," October 12–December 31, 2005, no. 109.

Museum of Fine Arts, Houston. "The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920," February 4–May 6, 2007, no. 109.

Berlin. Neue Nationalgalerie. "Französische Meisterwerke des 19.Jahrhunderts aus dem Metropolitan Museum of Art, New York," June 1–October 7, 2007, unnumbered cat.

New Haven. Yale University Art Gallery. "Van Gogh's Cypresses and The Starry Night: Visions of Saint-Rémy," June 15–September 7, 2008, no catalogue.

Kunstmuseum Basel. "Vincent van Gogh—Between Earth and Heaven: The Landscapes," April 26–September 27, 2009, no. 50.

Vincent van Gogh. Letter to his brother Theo. [June 25, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, pp. 184-86, letter no. 596].

Vincent van Gogh. Letter to his brother Theo. [September 28, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 219, letter no. 608].

Lucien Moline. Letter to Johanna van Gogh-Bonger. June 14, 1895 [Van Gogh Museum, Amsterdam].

Julien Leclercq. Letter to Johanna van Gogh-Bonger. February 20, 1901 [Van Gogh Museum, Amsterdam].

Julius Meier-Graefe. Entwicklungsgeschichte der Modernen Kunst. Stuttgart, 1904, vol. 1, pp. 119–20 n. 1.

R. Meyer-Riefstahl. "Vincent van Gogh—I." Burlington Magazine 18 (November 1910), ill. p. 96.

E. A. Seemann. Bildende Kunst 10 (July 1912), p. 229.

Camera Work special no. (June 1913), pl. IV.

Max Deri. Die Malerei im XIX. Jahrhundert. Berlin, 1920, vol. 1, p. 227; vol. 2, pl. 57.

Curt Glaser. Vincent van Gogh. Leipzig, 1921, pl. 16.

Jahrbuch der Kunst (1922), p. 32.

Wissen und Leben 17, no. 1 (October 1, 1923), p. 1, ill.

Roch Grey. Vincent van Gogh. Rome, 1924, ill.

J.-B. de La Faille. "Vincent van Gogh." L'Art vivant 3 (August 1, 1927), ill. p. 626.

Julius Meier-Graefe. "Die Franzosen in Berlin." Der Cicerone 19 (January 1927), ill. p. 54.

Max Osborn. "Klassiker der französischen Moderne die Galerien Thannhauser im Berliner Künstlerhaus." Deutsche Kunst und Dekoration 59 (March 1927), ill. p. 336.

Florent Fels. Vincent van Gogh. Paris, 1928, ill. (color, frontispiece).

J.-B. de La Faille. L'Oeuvre de Vincent van Gogh: Catalogue Raisonné. Paris, 1928, vol. 1, pp. 172–73, no. 613; vol. 2, pl. 171.

Ralph Flint. "The Current American Art Season." Art and Understanding 1 (March 1930), p. 184, ill. p. 176.

J.-B. de La Faille. Les Faux Van Gogh. Paris, 1930, pp. 7–8, 44, pl. 6.

Alfred Bader. Künstler-Tragik: Karl Stauffer, Vincent van Gogh. Basel, 1932, pp. 89–90, pl. 47.

W. Scherjon. Catalogue des tableaux par Vincent van Gogh décrits dans ses lettres. Périodes: St. Rémy et Auvers sur Oise. Utrecht, 1932, p. 22, no. 10, ill.

Jean de Beucken. Vincent van Gogh: un portrait. [Brussels], n.d., p. 94, ill. p. 103 (color).

W. Scherjon and Jos. De Gruyter. Vincent van Gogh's Great Period: Arles, St. Rémy and Auvers sur Oise (complete catalogue). Amsterdam, 1937, p. 212, St. Rémy no. 10, ill.

J.-B. de La Faille. Vincent van Gogh. London, [1939], pp. 425, 559, 574, 588, no. 616, ill.

M. M. van Dantzig. Vincent?: A New Method of Identifying the Artist and His Work and of Unmasking the Forger and His Products. Amsterdam, [1947], pp. 89–90, 95–96, pl. 6.

Isabella H. Perry. "Vincent van Gogh's Illness: A Case Record." Bulletin of the History of Medicine 21, no. 2 (1947), p. 169.

Georg Schmidt. Van Gogh. Bern, 1947, pp. 26–27, pl. 38.

"Notes on the Cover." Metropolitan Museum of Art Bulletin 8 (October 1949), opp. p. 49, ill. in color on cover.

Murray Pease. "The Hand and the Brush." Art News Annual 19 (1950), pp. 90–96, ill. overall (color and black and white) and four details (black and white).

Jean Leymarie. Van Gogh. [Paris], 1951, pp. 91, 125, no. 116, ill.

Margaretta M. Salinger. The Metropolitan Museum of Art Miniatures: Vincent van Gogh. New York, 1952, unpaginated, ill. (color).

John Rewald. Post-Impressionism: From Van Gogh to Gauguin. [1st ed.]. New York, 1956, p. 334, ill. p. 335 (color) [3rd, rev. ed., 1978, p. 311, ill. p. 314 (color)].

August Kuhn-Foelix. Vincent van Gogh: Eine Psychographie. Bergen, Germany, 1958, p. 146, pl. 37 (cropped).

Catalogue of Colour Reproductions of Paintings—1860 to 1961. Paris, 1961, p. 165, no. 420, ill.

H. R. Graetz. The Symbolic Language of Vincent van Gogh. New York, 1963, pp. 185–88, 191, 193–94, 311, colorpl. 72.

Paolo Lecaldano. "Da Arles a Auvers." L'opera pittorica completa di Van Gogh e i suoi nessi grafici. 2, repr. [1st ed., 1966]. Milan, 1977, p. 220, no. 668, ill. p. 218.

Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, pp. 188–89, ill.

Alan Bowness. Vincent van Gogh: Paintings and Drawings from the Collection of the Vincent van Gogh Foundation, Amsterdam. Exh. cat., Hayward Gallery. [London], [1968], pp. 110–11.

Jean Leymarie. Van Gogh. [1st ed., 1968]. New York, 1977, pp. 152, 164, 209, ill. p. 153 (color).

Margaretta M. Salinger. "Windows Open to Nature." Metropolitan Museum of Art Bulletin 27 (Summer 1968), unpaginated, ill.

J.-B. de La Faille. The Works of Vincent van Gogh: His Paintings and Drawings. Amsterdam, 1970, pp. 246–47, 528, 635, no. 613, ill.

Hope Benedict Werness. "Essays on van Gogh's Symbolism." PhD diss., University of California, Santa Barbara, 1972, p. 219 n. 17.

Matthias Arnold. "Duktus und Bildform bei Vincent van Gogh." PhD diss., Ruprecht-Karl University, Heidelberg, 1973, pp. 108–110, 155–56, 194 n. 406.

Carl R. Baldwin The Metropolitan Museum of Art. The Impressionist Epoch. [New York], 1974, p. 20, ill.

Jan Hulsker. The Complete Van Gogh: Paintings, Drawings, Sketches. [1st ed., Amsterdam, 1977]. New York, 1980, pp. 398, 404, no. 1746, ill.

Paul Hefting. Vincent van Gogh: A Detailed Catalogue of the Paintings and Drawings by Vincent van Gogh in the Collection of the Kröller-Müller National Museum. 4th rev. ed. Otterlo, 1980, p. 103 [1st Dutch ed., 1957; 1st English ed., 1959].

Carol Donnell-Kotrozo. Critical Essays on Postimpressionism. London, 1983, ill. [plates unpaginated].

Albert Boime. "Van Gogh's 'Starry Night': A History of Matter and a Matter of History." Arts Magazine 59 (December 1984), p. 87, fig. 6.

Patricia Mathews. "Aurier and Van Gogh: Criticism and Response." Art Bulletin 68 (March 1986), p. 95, fig. 3 [the captions to figs. 2–4 are mixed up].

Ronald Pickvance The Metropolitan Museum of Art. Van Gogh in Saint-Rémy and Auvers. New York, 1986, pp. 108–10, 113, 189, 191, 298–99, no. 15, ill. (black and white and color).

Lauren Soth. "Van Gogh's Agony." Art Bulletin 68 (June 1986), p. 309 n. 41.

John Leighton in "Vincent van Gogh's 'A Cornfield, with Cypresses'." National Gallery Technical Bulletin 11 (1987), pp. 44–45 n. 8.

Gary Tinterow et al. "Modern Europe." The Metropolitan Museum of Art. 8, New York, 1987, pp. 64–65, colorpl. 43 (overall and detail).

Walter Feilchenfeldt. Vincent van Gogh & Paul Cassirer, Berlin: The Reception of Van Gogh in Germany from 1901 to 1914. Zwolle, The Netherlands, 1988, pp. 107, 149, 158, ill.

Marja Supinen. "Julien Leclercq-Vincent van Goghin varhainen puolustaja." Taidehistoriallisia Tutkimuksia Konsthistoriska Studier 11 (1988), pp. 82, 87–89, 92, 109, fig. 8.

Fritz Erpel. Vincent van Gogh: Lebensbilder, Lebenszeichen. Munich, 1989, colorpl. 440.

Uwe M. Schneede. Van Gogh in St. Rémy und Auvers: Gemälde 1889/1890. Munich, 1989, unpaginated, colorpl. 7.

Roland Dorn in Vincent van Gogh and the Modern Movement: 1890–1914. Exh. cat., Museum Folkwang, Essen. Freren, Germany, 1990, pp. 170, 172, 189 n. 2.

Walter Feilchenfeldt in Vincent van Gogh and the Modern Movement: 1890–1914. Exh. cat., Museum Folkwang, Essen. Freren, Germany, 1990, p. 44.

Stanley David Gedzelman. "The Meteorological Odyssey of Vincent van Gogh." Leonardo 23, no. 1 (1990), pp. 110–11, fig. 6.

Charles S. Moffett in The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. Bührle, Zürich. Exh. cat., National Gallery of Art, Washington. Zürich, 1990, p. 176.

Ronald Pickvance in Vincent van Gogh: Drawings. Exh. cat., Rijksmuseum Kröller-Müller, Otterlo. Milan, 1990, p. 286.

Marja Supinen. "Julien Leclerq: A Champion of the Unknown Vincent van Gogh." Jong Holland 6, no. 6 (1990), p. 14, fig. 11.

Evert van Uitert et al. Vincent van Gogh: Paintings. Exh. cat., Rijksmuseum Vincent van Gogh, Amsterdam. Milan, 1990, pp. 210–12, no. 90, ill. (color).

Jan Hulsker. Vincent van Gogh: A Guide to His Work and Letters. Amsterdam, 1993, pp. 41, 54–55, 61, 76.

Vojtech Jirat-Wasiutynski. "Vincent van Gogh's Paintings of Olive Trees and Cypresses from St.-Rémy." Art Bulletin 75 (December 1993), pp. 656–58, 667, fig. 11.

Gary Tinterow in "Recent Acquisitions, A Selection: 1992–1993." Metropolitan Museum of Art Bulletin 51 (Fall 1993), p. 51.

Matthias Arnold. Vincent van Gogh: Werk und Wirkung. Munich, 1995, pp. 485, 494, colorpl. 277.

Louis van Tilborgh in In Perfect Harmony: Picture + Frame, 1850–1920. Exh. cat., Van Gogh Museum. Amsterdam, 1995, p. 172.

Jan Hulsker. The New Complete Van Gogh: Paintings, Drawings, Sketches. rev. ed. Amsterdam, 1996, pp. 398, 496, no. 1746, ill. p. 404.

Naomi Margolis Maurer. The Pursuit of Spiritual Wisdom: The Thought and Art of Vincent van Gogh and Paul Gauguin. Madison, N.J., 1998, p. 92, fig. 154 (color).

Bogomila Welsh-Ovcharov. Van Gogh in Provence and Auvers. [New York], 1999, pp. 235, 238, ill. p. 240 (color).

Ronald Pickvance. Van Gogh. Exh. cat., Fondation Pierre Gianadda. Martigny, 2000, pp. 35, 90.

Douglas Druick and Peter Kort Zegers et al. Van Gogh and Gauguin: The Studio of the South. Exh. cat., Art Institute of Chicago. New York, 2001, pp. 289, 294, 408, no. 117, fig. 47 (color).

The Berggruen Collection. Phillips, New York. May 7, 2001, p. 54, fig. 7.

Louis van Tilborgh and Ella Hendriks. "The Tokyo 'Sunflowers': A Genuine Repetition by Van Gogh or a Schuffenecker Forgery?" Van Gogh Museum Journal (2001), p. 28 n. 71, pp. 30–31 n. 86.

Pierre Cabanne. Van Gogh. Paris, 2002, p. 178.

Chris Stolwijk and Han Veenenbos. The Account Book of Theo van Gogh and Jo van Gogh-Bonger. Amsterdam, 2002, pp. 47, 105, 142, 181, 183, ill.

Hildelies Balk in The Paintings of Vincent van Gogh in the Collection of the Kröller-Müller Museum. Otterlo, 2003, p. 440.

Frances Fowle. "Painting Like a Provençal: Cézanne, Van Gogh, and the Secret of Monticelli's 'Alchemy'." Soil and Stone: Impressionism, Urbanism, Environment. Aldershot, England, 2003, p. 147.

Teio Meedendorp in The Paintings of Vincent van Gogh in the Collection of the Kröller-Müller Museum. Otterlo, 2003, pp. 298–99, ill. (color).

Sjraar van Heugten. Van Gogh Draughtsman: The Masterpieces. Exh. cat., Van Gogh Museum. Amsterdam, 2005, pp. 163, 167, 191, fig. 147 (color).

Marije Vellekoop in Vincent van Gogh: The Drawings. Exh. cat., Van Gogh Museum, Amsterdam. New York, 2005, pp. 312, 314–15, no. 109, ill. (color).

Lupina Lara Elizondo in Lupina Lara Elizondo. Van Gogh, Atl, O'Higgins: Expresión humana, esencia del paisaje. Mexico City, 2006, pp. 111, 257, ill. p. 103 (color).

Walter Feilchenfeldt. By Appointment Only: Cézanne, Van Gogh and Some Secrets of Art Dealing. English ed. London, 2006, ill. p. 72 (color).

Susan Alyson Stein in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, pp. 148–49, 219, no. 109, ill. (color and bw).

Susan Alyson Stein in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 170, 258–59, no. 158, ill. (color and bw).

Gary Tinterow in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, fig. 17 (installation photo, color).

Marije Vellekoop in Van Gogh: Heartfelt Lines. Exh. cat., Albertina, Vienna. Cologne, 2008, pp. 60, 67 n. 1.

Marie-Paule Vial in Van Gogh Monticelli. Exh. cat., Centre de la Vieille Charité, Marseille. [Paris], 2008, p. 34, fig. 13 (color).

Gottfried Boehm in Vincent van Gogh—Between Earth and Heaven: The Landscapes. Exh. cat., Kunstmuseum Basel. Ostfildern, 2009, pp. 34, 46.

Seraina Werthemann and Nina Zimmer in Vincent van Gogh—Between Earth and Heaven: The Landscapes. Exh. cat., Kunstmuseum Basel. Ostfildern, 2009, pp. 241–43, 246–47, 304, no. 50, ill. (color).