London. Royal Academy. 1790, no. 171.

Manchester. Museum of Ornamental Art. "Art Treasures of the United Kingdom," May 5–October 17, 1857, no. 183.

London. South Kensington Museum. "Second Special Exhibition of National Portraits," May 1, 1867, no. 858.

Leeds City Museum. "National Exhibition of Works of Art," 1868, no. 1113.

London. Grafton Galleries. "Fair Women," Summer 1894, no. 75.

London. Royal Academy of Arts. "Winter Exhibition," January 4–March 12, 1904, no. 106.

London. Thos. Agnew & Sons. "Annual Exhibition," November–December 1906, no. 25.

Berlin. Königliche Akademie der Künste. "Aelterer Englischer Kunst," January 26–February 23, 1908, no. 72.

Copenhagen. Ny Carlsberg Glyptotek. "Ældre Engelsk Kunst," 1908, no. 17.

New York. The Metropolitan Museum of Art. "Collection of Paintings lent by J. Pierpont Morgan," 1913, unnumbered cat.

New York. The Metropolitan Museum of Art. "The J. Pierpont Morgan Collection," February 18, 1914–May 28, 1916, unnumbered cat.

New York. Century Club. "Masters of portraiture," March 6–April 3, 1938, no. 5.

New York. World's Fair. "Masterpieces of Art: European Paintings and Sculpture from 1300–1800," May–October 1939, no. 208.

New York. The Metropolitan Museum of Art. "Harkness Memorial Exhibition," October 12, 1951–January 1, 1952, no catalogue.

Hempstead, N.Y. Hofstra College. "Metropolitan Museum Masterpieces," June 26–September 1, 1952, no. 31.

New York. The Metropolitan Museum of Art. "Art Treasures of the Metropolitan," November 7, 1952–September 7, 1953, no. 137.

New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 15, 1970–February 15, 1971, no. 339.

London. National Portrait Gallery. "Sir Thomas Lawrence, 1769–1830," November 9, 1979–March 16, 1980, no. 4.

Madrid. Museo del Prado. "Pintura Británica: de Hogarth a Turner," October 18, 1988–January 8, 1989, no. 41.

Fort Worth. Kimbell Art Museum. "Sir Thomas Lawrence: Portraits of an Age, 1790–1830," May 15–July 11, 1993, no. 18.

New Haven. Yale Center for British Art. "Sir Thomas Lawrence: Portraits of an Age, 1790–1830," February 27–April 25, 1993, no. 18.

Richmond. Virginia Museum of Fine Arts. "Sir Thomas Lawrence: Portraits of an Age, 1790–1830," July 31–September 26, 1993, no. 18.

New Haven. Yale Center for British Art. "Great British Paintings from American Collections: Holbein to Hockney," September 27–December 30, 2001, no. 37.

San Marino, Calif. Huntington Library. "Great British Paintings from American Collections: Holbein to Hockney," February 3–May 5, 2002, no. 37.

English Chronicle (April 29–May 1, 1790) [see Ref. Levey 1979, p. 27].

Thomas Lawrence Sr. Letter to the Reverend Henry Kent. April 1790 [published in Edward Kite, "Some New Lawrence Letters," Connoisseur 56 (April 1920), p. 243].

Thomas Lawrence Sr. Letter to the Reverend Henry Kent. April 30, 1790 [published in Edward Kite, "Some New Lawrence Letters," Connoisseur 56 (April 1920), p. 244].

Sir Thomas Lawrence. Letter to Elizabeth Farren. 1790 [published in Ref. Layard 1906, pp. 12–13].

St. James's Chronicle (May 4, 1790) [see Ref. Levey 1979, p. 27].

[unidentified newspaper] (1790) [see Ref. Whitley 1928, p. 130].

Elizabeth Farren. Letter to Thomas Lawrence. 1792 [published in Ref. Layard 1906, p. 14].

Elizabeth Farren. Letter to Thomas Lawrence. 1792 [published in Ref. Layard 1906, pp. 14–15].

D. E. Williams. The Life and Correspondence of Sir Thomas Lawrence, Kt. London, 1831, vol. 1, pp. 124–25, 128.

Allan Cunningham. The Lives of the Most Eminent British Painters and Sculptors. 5, New York, 1868, pp. 147–48.

E. Barrington Nash. "Miss Farren: Painted by Lawrence, Engraved by Bartolozzi." Magazine of Art 9 (1886), p. 143, ill. between pp. 142 and 143.

Charlotte Louise Henrietta Papendiek. Court and Private Life in the Time of Queen Charlotte. London, 1887, vol. 2, p. 199.

Ronald Gower. Romney and Lawrence. London, 1892, pp. 30–31, 95.

Julian Marshall. A Catalogue of Engraved National Portraits in the National Art Library. London, 1895, p. 175.

Ronald Sutherland Gower. Sir Thomas Lawrence. London, 1900, pp. 7–8, 127, ill. opp. p. 8 (Bartolozzi engraving).

Armand Dayot. Famous Beauties in Art. Boston, 1901, pp. 247–49, ill.

John van Dyke and Timothy Cole. Old English Masters Engraved by Timothy Cole. New York, 1902, pp. 166, 169–70, ill.

Louise M. Richter. "The Old English and Italian Masters at Burlington House." Connoisseur 8 (March 1904), p. 169, ill. p. 171.

Beatrice Erskine. Beautiful Women in History and Art. London, 1905, ills. (one in color) between pp. 210 and 211 (engravings after Bertolozzi).

Sir Thomas Lawrence's Letter-Bag. New York, 1906, pp. 11–15.

R. S. Clouston. Sir Thomas Lawrence. London, [1907], p. x, ill.

Masters in Art: Lawrence 8 (January 1907), pp. 35–36, pl. I.

W[illiam]. Roberts. "Mr. J. Pierpont Morgan's Pictures: The Early English School, III." Connoisseur 17 (February 1907), pp. 71–73, ill.

W[illiam]. Roberts in "Modern Schools." Pictures in the Collection of J. Pierpont Morgan at Princes Gate & Dover House, London. 3, London, 1907, ill. (color, frontispiece).

W[illiam]. Roberts in "English School." Pictures in the Collection of J. Pierpont Morgan at Princes Gate & Dover House, London. 1, London, 1907, unpaginated.

Philip L. Hale. Great Portraits: Women. Boston, 1909, unnumbered pl.

Freeman O'Donoghue. Catalogue of Engraved British Portraits Preserved in the Department of Prints and Drawings in the British Museum. 2, London, 1910, p. 39.

M. H. Spielmann. British Portrait Painting to the Opening of the Nineteenth Century. London, 1910, vol. 2, pp. 62, 67–68, pl. 108.

W. J. Lawrence. "The Portraits of Elizabeth Farren, Countess of Derby." Connoisseur 29 (February 1911), pp. 98–100.

Walter Armstrong. Lawrence. New York, 1913, pp. 29–32, 131, pl. XVI.

"Paintings in the Morgan Collection." Art and Progress 4 (July 1913), ill. p. 1035.

B[ryson]. B[urroughs]. "A Loan Exhibition of Mr. Morgan's Paintings." Metropolitan Museum of Art Bulletin 8 (January 1913), p. 13, ill. on cover [reprinted as pamphlet, "Collection of Paintings Lent by J. Pierpont Morgan," at least 7 eds., p. 12, ill. on cover].

Algernon Graves in Sixty Drawings by Sir Thomas Lawrence, P.R.A. Exh. cat., Edward Gallery. London, 1913, p. 8.

Guide to the Loan Exhibition of the J. Pierpont Morgan Collection. Exh. cat., The Metropolitan Museum of Art. New York, 1914, pp. 104–5.

Walter Armstrong. Art in Great Britain and Ireland. New York, 1921, p. 205, fig. 370 (print).

William T. Whitley. "An Eighteenth-Century Art Chronicler: Sir Henry Bate Dudley, Bart." Walpole Society 13 (1924–25), p. 48.

William T. Whitley. Artists and Their Friends in England, 1700–1799. London, 1928, vol. 2, pp. 129–31.

Esther Singleton. Old World Masters in New World Collections. New York, 1929, pp. 420–22, ill.

C. H. Collins Baker. British Painting. London, 1933, p. 281.

T. L[eman]. H[are]. "Masterpieces from the Morgan Collection Sold." Apollo 21 (March 1935), p. 167, ill.

"Rundschau: Amerika, New York." Pantheon 15 (May 1935), p. 150, ill. p. 147.

Millia Davenport. The Book of Costume. New York, 1948, vol. 2, p. 788, no. 2222, ill.

Paintings by Sir Thomas Lawrence, P.R.A. Exh. cat., Thos. Agnew & Sons. London, 1951, p. 33.

"Met Reviews Its Harkness Benefactions." Art Digest 26 (October 1, 1951), ill. p. 13.

Elizabeth E. Gardner. "Portrait of an Actress." Metropolitan Museum of Art Bulletin 9 (April 1951), pp. 197–200, ill. (whole and two details), color detail on cover.

Douglas Goldring. Regency Portrait Painter: The Life of Sir Thomas Lawrence, P.R.A. London, 1951, pp. 81–85, ill. opp. p. 48.

H[enry]. L[a]. F[arge]. "In the Harkness Manner." Art News 50 (October 1951), p. 41, ill. (overall and color detail).

"Illustrations of Outstanding Harkness Gifts." Metropolitan Museum of Art Bulletin 10 (October 1951), ill. p. 67.

Kenneth Romney Towndrow. "The Craft and Appreciation of Stipple and Crayon Engraving in England." Apollo 57 (February 1953), pp. 45–47, figs. I, III (engraving, overall and detail).

Kenneth Garlick. Sir Thomas Lawrence. London, 1954, pp. 3–4, 37, 67, pl. 3.

Theodore Rousseau Jr. "A Guide to the Picture Galleries." Metropolitan Museum of Art Bulletin 12, part 2 (January 1954), ill. p. 43.

A. Hyatt Mayor. "The Gifts that Made the Museum." Metropolitan Museum of Art Bulletin 16 (November 1957), p. 106.

David Piper. The English Face. London, 1957, p. 230 [ed. 1992, p. 176, colorpl. 182].

Great Paintings from The Metropolitan Museum of Art. New York, 1959, unpaginated, no. 48, ill. (color).

Worcester Art Museum. Sir Thomas Lawrence, Regency Painter. Exh. cat.Worcester, Mass., 1960, pp. 10–11.

Kenneth Garlick. "A Catalogue of the Paintings, Drawings, and Pastels of Sir Thomas Lawrence." Walpole Society 39 (1962–64), p. 79.

Geoffrey Agnew. Agnew's, 1817–1967. London, 1967, unpaginated, ill.

The Genius of British Painting. London, 1975, ill. p. 241.

Edward Morris and Martin Hopkinson. Walker Art Gallery, Liverpool: Foreign Catalogue. [Liverpool], 1977, text vol., p. 354.

Geraldine Norman. Nineteenth-Century Painters and Painting: A Dictionary. Berkeley, 1977, p. 129, ill.

Suzanne Farran. "Portrait of a Great Lady." Country Life (November 1, 1979), p. 1532.

Michael Levey. Sir Thomas Lawrence, 1769–1830. Exh. cat., National Portrait Gallery. 1979, pp. 11, 15–16, 27, no. 4, ill. p. 27 and colorpl. I.

Aileen Ribeiro. "Furs in Fashion: The Eighteenth and Early Nineteenth Centuries." Connoisseur 202 (December 1979), p. 228, ill.

Kenneth Garlick. "The Glamour of Lawrence." Apollo 111 (January 1980), pp. 66–67, ill.

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, pp. 378, 384, fig. 680 (color).

Adeline R. Tintner. "Henry James's 'The Outcry' and the Art Drain of 1908–9." Apollo 113 (February 1981), p. 112.

John Hayes and Lindsay Stainton. Gainsborough Drawings. Exh. cat., National Gallery of Art. Washington, 1983, p. 180, ill.

Aileen Ribeiro Courtauld Institute of Art, London. The Dress Worn At Masquerades in England, 1730 to 1790, and Its Relation to Fancy Dress in Portraiture. New York, 1984, pl. 112.

Kenneth Garlick. Sir Thomas Lawrence: A Complete Catalogue of the Oil Paintings. Oxford, 1989, pp. 16, 24, 187–88, no. 294a, colorpl. 5.

John Wilson. "The Romantics, 1790–1830." The British Portrait, 1660–1960. Woodbridge, England, 1991, pp. 257, 261, 264, colorpl. 44.

John Human Wilson. "The Life and Work of John Hoppner (1758–1810)." PhD diss., Courtauld Institute of Art, London, 1992, vol. 1, pp. 63, 158.

Kenneth Garlick. Sir Thomas Lawrence: Portraits of an Age, 1790–1830. Exh. cat., Yale Center for British Art, New Haven. Alexandria, Va., 1993, pp. 10, 13, 54–55, no. 18, ill. (color).

J. G. Links. Letter to Katharine Baetjer. September 13, 1993.

Vivien Raynor. "British Portraitist Makes the Most of the Romantic Moment." New York Times (March 21, 1993), p. 24, ill.

Leonée Ormond in The Dictionary of Art. 18, New York, 1996, pp. 891, 894, fig. 2.

Katharine Baetjer. "British Portraits in The Metropolitan Museum of Art." Metropolitan Museum of Art Bulletin 57 (Summer 1999), pp. 4, 64–68, ill. (color), details on front and back covers (color).

Bettina Gockel. Kunst und Politik der Farbe: Gainsboroughs Portraitmalerei. Berlin, 1999, p. 87, fig. 84 (in reverse).

Jean Strouse. Morgan: American Financier. New York, 1999, pp. 7, 504.

Ruth Pullin in European Masterpieces: Six Centuries of Paintings from the National Gallery of Victoria, Australia. Exh. cat., National Gallery of Victoria. Melbourne, 2000, p. 104.

Jean Strouse. "J. Pierpont Morgan, Financier and Collector." Metropolitan Museum of Art Bulletin 57 (Winter 2000), p. 32–33, fig. 36 (color).

Robyn Asleson in British Paintings at the Huntington. [San Marino, Calif.], 2001, p. 5.

Ian McIntyre. Joshua Reynolds: The Life and Times of the First President of the Royal Academy. London, 2003, p. 506.

Michael Levey. Sir Thomas Lawrence. New Haven, 2005, pp. 8–9, 14, 90, 92–93, 291, 306–7, 314, 316, 321 n. 21, p. 325 n. 65, ill. p. vi (color detail), colorpls. 6, 48, 170 (overall and details).

Elizabeth A. Pergam. "From Manchester to Manhattan: The Transatlantic Art Trade After 1857." Bulletin of the John Rylands Library 87, no. 2 (2005), pp. 68–69, 87, 88.