Inscribed (verso): v[ost]re tout (entirely yours) / m[archio] e[stensis] (marquis of Este) [twice] / francisque (Francesco); incised (verso, upper left, at slightly later date): non plus / courcelles [no longer Courcelles; referring possibly to the village of Corcelles, near the Grandson battlefield, where the sitter may conceivably have died in 1476]

London. Grafton Galleries. "Old Masters," October 4–December 28, 1911, no. 90.

New York. The Metropolitan Museum of Art. "Fiftieth Anniversary Exhibition," May 8–August 1920, unnumbered cat.

London. Burlington House. "Flemish & Belgian Art: 1300–1900," 1927, no. 25.

New York. F. Kleinberger Galleries. "Flemish Primitives," 1929, no. 9.

New York. The Metropolitan Museum of Art. "The Michael Friedsam Collection," November 15, 1932–April 9, 1933, no catalogue.

Ferrara. Palazzo dei Diamanti. "Pittura ferrarese del rinascimento," May–October 1933, no. 23.

Paris. Musée de l'Orangerie. "De van Eyck à Bruegel," November–December 1935, no. 92.

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Bernard Berenson. Letter to Isabella Stewart Gardner. July 18, 1910 [published in Ref. Hadley, 1987, p. 475].

Roger Fry. "A Portrait of Leonello d'Este by Roger van der Weyden." Burlington Magazine 18 (January 1911), pp. 200–202, ill. p. 198 (in color) and p. 203 (reverse).

Roger Fry. "Exhibition of Old Masters at the Grafton Galleries—II." Burlington Magazine 20 (December 1911), p. 161.

A Catalogue of an Exhibition of Old Masters in Aid of the National Art-Collections Fund: Grafton Galleries 1911. Exh. cat.London, 1911, pp. 85–86, no. 90, pl. 68.

A. Van de Put. "Additional Note on the Coat of Arms of Leonello d'Este." Burlington Magazine 18 (January 1911), pp. 235–36.

[Adolfo Venturi]. "Bollettino Bibliografico: Fry (Roger). A Portrait of Leonello d'Este by Roger Van der Weyden . . ." L'arte 14 (1911), pp. 398–99.

Paul Lafond. Roger van der Weyden. Brussels, 1912, pp. 107–8, ill. opp. p. 12.

W[oldemar]. v[on]. Seidlitz. "Ausstellungen und Auktionen: Die Grafton-Ausstellung in London." Repertorium für Kunstwissenschaft 35 (1912), p. 86.

Friedrich Winkler. Der Meister von Flémalle und Rogier van der Weyden. Strasbourg, 1913, pp. 120, 169–70.

Max J. Friedländer. Von Eyck bis Bruegel: Studien zur Geschichte der Niederländischen Malerei. Berlin, 1916, pp. 30, 175.

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"Pictures Lent for the Fiftieth Anniversary Exhibition." Metropolitan Museum of Art Bulletin 15 (August 1920), p. 186.

Martin Conway. The Van Eycks and Their Followers. London, 1921, p. 143.

Max J. Friedländer. "The Pictures of Rogier van der Weyden in America." Art in America 9 (1921), pp. 62–63, 65, ill.

Willy Burger. Roger van der Weyden. Leipzig, 1923, pp. 51, 70, pl. 45B.

Max J. Friedländer. "Rogier van der Weyden und der Meister von Flémalle." Die altniederländische Malerei. 2, Berlin, 1924, pp. 20, 99, no. 23, pl. 20.

Friedrich Winkler. Die altniederländische Malerei: Die Malerei in Belgien und Holland von 1400–1600. Berlin, 1924, pp. 85, 87.

Wilhelm Stein. "Die Bildnisse von Roger van der Weyden." Jahrbuch der Preuszischen Kunstsammlungen 47 (1926), pp. 30–31.

Ludwig Baldass. "Die Niederländer des 15. und 16. Jahrhunderts auf der Ausstellung flämischer Kunst in London." Belvedere 11 (September 1927), pp. 84–85.

Tancred Borenius in Catalogue of the Loan Exhibition of Flemish & Belgian Art: A Memorial Volume. Exh. cat., Royal Academy of Arts. London, 1927, pp. 13–14.

[Hippolyte] Fierens-Gevaert. "Les continuateurs des Van Eyck." Histoire de la peinture flamande des origines à la fin du XVe siècle. 2, Paris, 1928, p. 54.

Max J. Friedländer in The Michael Friedsam Collection. [completed 1928], p. 123a.

Franz Dülberg. Niederländische Malerei der Spätgotik und Renaissance. Potsdam, 1929, p. 57.

Sidney P. Noe. "Flemish Primitives in New York." American Magazine of Art 21 (January 1930), p. 32.

Arnold Goffin. "À propos du voyage de Roger de le Pasture (Van der Weyden) en Italie." Mélanges Hulin de Loo. Brussels, 1931, pp. 198–200.

G. Agnelli. Letter to Margaretta Salinger. October 3, 1932.

Bryson Burroughs and Harry B. Wehle. "The Michael Friedsam Collection: Paintings." Metropolitan Museum of Art Bulletin 27, section 2 (November 1932), pp. 16–19, ill.

Maurice W. Brockwell. "The Ferrara Exhibition." Connoisseur 92 (July 1933), p. 35, ill.

Catalogo della esposizione della pittura ferrarese del rinascimento. Exh. cat., Palazzo dei Diamanti. Ferrara, 1933, pp. 26–27, no. 23, ill.

Adolfo Venturi. "L'esposizione della pittura ferrarese del rinascimento per il centenario ariostesco." L'arte 36 (September 1933), p. 368, fig. 1.

Roberto Longhi. Officina ferrarese. Rome, 1934, p. 208.

G. J. Hoogewerff. Vlaamsche kunst en Italiaansche Renaissance. Mechelen, [1935?], pp. 30–31, pl. 4.

Introduction by Paul Jamot Preface by Paul Lambotte in De Van Eyck à Bruegel. Exh. cat., Musée de l'Orangerie. [Paris], 1935, pp. 66–67, no. 92, ill.

Leo van Puyvelde. "Die Flämische Kunst auf der Ausstellung zu Brüssel." Pantheon 16 (July–December 1935), p. 323, ill. opp. p. 321 [with ring revealed in recent cleaning].

Leo van Puyvelde. "Les primitifs flamands à l'exposition de Bruxelles." Revue belge d'archéologie et d'histoire de l'art 5 (1935), pp. 312–13.

Hans Tietze. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935, p. 333, pl. 126 [English ed., "Masterpieces of European Painting in America," New York, 1939, p. 317, pl. 126].

A. Van de Put. Letter to Margaretta Salinger. June 1, 1935.

Adolfo Venturi. Letter to Margaretta Salinger. September 20, 1935.

D. Roggen. "Lionello of Meliaduse d'Este." Gentsche bijdragen tot de kunstgeschiedenis 3 (1936), pp. 112–14.

Martin Davies. "National Gallery Notes. III.—Netherlandish Primitives: Rogier van der Weyden and Robert Campin." Burlington Magazine 71 (September 1937), p. 143 n. 2.

Alan Burroughs. Art Criticism from a Laboratory. Boston, 1938, p. 218.

Wolfgang Schöne. Dieric Bouts und seine Schule. Berlin, 1938, p. 61.

Ernst Kantorowicz. "The Este Portrait by Roger van der Weyden." Journal of the Warburg and Courtauld Institutes 3 (1939–40), pp. 165–80, ill. (recto and verso).

E. P. Richardson. "Rogier van der Weyden's Cambrai Altar." Art Quarterly 2 (1939), pp. 62, 65–66 n. 7, ill.

F. Winkler in Allgemeines Lexikon der bildenden Künstler. 35, Leipzig, 1942, pp. 469, 472, 475.

Harry B. Wehle and Margaretta Salinger. The Metropolitan Museum of Art: A Catalogue of Early Flemish, Dutch and German Paintings. New York, 1947, pp. 35–38, ill.

Theodor Musper. Untersuchungen zu Rogier van der Weyden und Jan van Eyck. Stuttgart, 1948, p. 24.

Leo van Puyvelde. The Flemish Primitives. Brussels, 1948, p. 27, pl. 43.

Hermann Beenken. Rogier van der Weyden. Munich, 1951, pp. 72–73, 104 n. 54, pl. 113.

Erwin Panofsky. Early Netherlandish Painting: Its Origins and Character. Cambridge, Mass., 1953, vol. 1, pp. 272–73, 291, 294, 477 n. 5 (to p. 291); vol. 2, fig. 366.

Leo van Puyvelde. La peinture flamande au siècle des van Eyck. Paris, 1953, pp. 144–45, 150, 157, 167, 180, ill.

Ferdinando Bologna. "Un 'San Girolamo' lombardo del Quattrocento." Paragone 5, no. 49 (January 1954), p. 48.

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Ruth Massey Tovell. Roger van der Weyden and the Flémalle Enigma. Toronto, 1955, p. 45.

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Mario Salmi. Cosmè Tura. [Milan], [1957], p. 14.

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Erik Larsen. Les primitifs flamands au Musée Metropolitain de New York. Utrecht, 1960, pp. 59–61, 115, fig. 11.

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Colin Eisler. "Erik Larsen, Les primitifs flamands au Musée Metropolitain de New York, 1960." Art Bulletin 46 (March 1964), p. 102.

Max J. Friedländer comments and notes by Nicole Veronée-Verhaegen in "Rogier van der Weyden and the Master of Flémalle." Early Netherlandish Painting. 2, New York, 1967, pp. 15, 65, 100 n. 32, no. 23, pl. 44.

J.-K. Huysmans. Trois primitifs: les Grünewald du musée de Colmar, le Maître de Flémalle et la Florentine du musée de Francfort-sur-le-Main. reprint with added notes [first ed. 1905]. Paris, 1967, p. 167, ill. (recto and verso).

Leo van Puyvelde. "La genèse de la forme artistique chez Rogier van der Weyden." Stil und Überlieferung in der Kunst des Abendlandes: Akten des 21. Internationalen Kongresses für Kunstgeschichte in Bonn 1964. Berlin, 1967, vol. 1, pp. 48, 56.

Charles D. Cuttler. Northern Painting from Pucelle to Bruegel. New York, 1968, pp. 125–26, ill.

Anne Markham Schulz. "The Columba Altarpiece and Roger van der Weyden's Stylistic Development." Münchner Jahrbuch der Bildenden Kunst, 3rd ser., 22 (1971), p. 109 n. 35.

Martin Davies. Rogier van der Weyden: An Essay, with a Critical Catalogue of Paintings Assigned to Him and to Robert Campin. London, 1972, pp. 25, 229, 244, pls. 111–112 (recto and verso).

Lorne Campbell. "Studies in Early Netherlandish Art." Apollo 98 (July 1973), p. 63.

Josua Bruyn. "The Literature of Art: A New Monograph on Rogier [Review of Martin Davies, Rogier van der Weyden . . ., 1972]." Burlington Magazine 116 (September 1974), p. 541.

Gustav Künstler. "Vom entstehen des Einzelbildnisses und seiner frühen Entwicklung in der flämischen Malerei." Wiener Jahrbuch für Kunstgeschichte 27 (1974), p. 46, fig. 15.

Margaretta Salinger in "The Price Was Not Too High." The Chase, the Capture: Collecting at the Metropolitan. New York, 1975, pp. 195–96.

V. Denis. La peinture flamande 15e–16e–17e siècles. Brussels, 1976, pp. 66, 70.

L. A. J. Armstrong in A. G. Dickens. The Courts of Europe: Politics, Patronage and Royalty 1400–1800. London, 1977, pp. 72, 74, ill.

Lorne Campbell. Letter to Katharine Baetjer. November 3, 1977.

Lorne Campbell in "The Portrait Art in the Work of Van der Weyden." Rogier van der Weyden / Rogier de le Pasture: Official Painter to the City of Brussels, Portrait Painter of the Burgundian Court. Exh. cat., Musée de la Ville de Bruxelles, Maison du Roi. Brussels, 1979, pp. 57–59, 62, 154, no. 17, ill. (color) [not in exhibition].

Rollin van N. Hadley. "What Might Have Been: Pictures Mrs. Gardner Did Not Acquire." Fenway Court (1979), pp. 50–51, no. 67, ill.

John [Rigby] Hale. Letter to Sir John Pope-Hennessy. January 3, 1980.

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, pp. 188, 192, 199, fig. 362 (color).

Lorne Campbell. Unpublished notes. 1981.

Penny Howell Jolly. "Rogier van der Weyden's Escorial and Philadelphia 'Crucifixions' and Their Relation to Fra Angelico at San Marco." Oud-Holland 95, no. 3 (1981), p. 124 n. 16.

Liana Castelfranchi Vegas. Italie et Flandres dans la peinture du XVe siècle. Milan, 1984, p. 73 no. 27 [Italian ed., 1983].

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Guy Bauman. "Early Flemish Portraits, 1425–1525." Metropolitan Museum of Art Bulletin 43 (Spring 1986), pp. 38–39, 41–42, ill. in color on front cover and on p. 39 (recto); ill. in color on back cover and on p. 28 (verso).

Walter Prevenier and Wim Blockmans. The Burgundian Netherlands. Cambridge, 1986, p. 323, ill.

Martha Wolff in John Oliver Hand and Martha Wolff. Early Netherlandish Painting [National Gallery of Art]. Washington, 1986, p. 191.

The Letters of Bernard Berenson and Isabella Stewart Gardner, 1887–1924, with Correspondence by Mary Berenson. 1987, p. 476.

Helmut Nickel. "A Heraldic Note about the Portrait of Ladislaus, Count of Haag, by Hans Mielich." Metropolitan Museum Journal 22 (1987), pp. 144–47, ill. (recto and veso).

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Lorne Campbell. Renaissance Portraits. New Haven, 1990, pp. 16, 37, 61, 72, 96, 128–29, 257 n. 31, pl. 154 (recto).

Angelica Dülberg. Privatporträts: Geschichte und Ikonologie einer Gattung im 15. und 16. Jahrhundert. Berlin, 1990, pp. 113, 176, figs. 356–57, ill. (recto and verso).

Andrea Bacchi. Francesco del Cossa. Soncino, 1991, p. 44.

Alfons Lieven Dierick, Hélène Verougstraete-Marcq, and Roger van Schoute. "La lecture des textes." Le dessin sous-jacent dans la peinture. Colloque 8, Louvain, 1991, pp. 182–83, pl. 103b (detail of verso).

Annarita Mandrioli et al. in Le muse e il principe: arte di corte nel Rinascimento padano. Exh. cat., Museo Poldi Pezzoli. Modena, 1991, pp. 22, 54, 68, 73, 314, figs. 16 and 17 (recto and verso).

Shirley Neilsen Blum, Selected by Guy C. Bauman, and Walter A. Liedtke in Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America. Antwerp, 1992, pp. 24, 40–42, no. 4, ill. in color (recto and verso).

Colnaghi in America: A Survey to Commemorate the First Decade of Colnaghi New York. New York, 1992, pp. 25, 131, ill.

Hans Belting and Christiane Kruse. Die Erfindung des Gemäldes: Das erste Jahrhundert der niederländischen Malerei. Munich, 1994, pp. 48, 193, no. 121, ill. p. 47 (obverse and reverse) and colorpl. 121.

Dirk De Vos. Hans Memling: The Complete Works. Ghent, 1994, p. 366, ill.

Lorne Campbell in The Dictionary of Art. New York, 1996, p. 123.

Roberta Iotti et al. Gli Estensi. Exh. cat., Biblioteca Estense Universitaria di Modena. Modena, 1997, vol. 1 (La Corte di Ferrara), pp. 8, 157–58, 194, ill. in color (recto and verso).

Michael Kimmelman. "At the Met with Chuck Close: Sought or Imposed, Limits Can Take Flight." New York Times (July 25, 1997), C section, ill.

Otto Pächt. Early Netherlandish Painting from Rogier van der Weyden to Gerard David. London, 1997, pp. 71–72, ill.

John Oliver Hand. "New York. From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art." Burlington Magazine 140 (December 1998), p. 855.

Catherine A. Metzger and Michael Palmer in "The Washington 'Portrait of a Lady' by Rogier van der Weyden Reconsidered in Light of Recent Investigations." Painting Techniques, History, Materials and Studio Practice: Contributions to the Dublin Congress, 7–11 September 1998. London, 1998, p. 94 n. 1.

Mary Sprinson de Jesús in From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art. Exh. cat., The Metropolitan Museum of Art. New York, 1998, pp. vii, 24, 40, 60 n. 6, pp. 69, 74, 140–41, 154–55, 160, 163, no. 23, ill. (color, obverse and reverse).

Albert Châtelet. Rogier van der Weyden: Problèmes de la vie et de l'oeuvre. Strasbourg, 1999, pp. 201–2.

Dirk De Vos. Rogier van der Weyden: The Complete Works. New York, 1999, pp. 112, 302–4, ill. in color (recto and verso).

Elisabeth Dhanens and Jellie Dijkstra. Rogier de le Pasture van der Weyden: Introduction à l'oeuvre, relecture des sources. Tournai, 1999, pp. 49, 51–52, 144, ill. in color (recto and verso).

Rona Goffen in "Crossing the Alps: Portraiture in Renaissance Venice." Renaissance Venice and the North: Crosscurrents in the Time of Bellini, Dürer and Titian. Exh. cat., Palazzo Grassi. Milan, 1999, p. 127, ill.

Stephan Kemperdick. Rogier van der Weyden 1399/1400–1464. Cologne, 1999, pp. 102–03, 105, ill. (color).

Arlette Smolar Meynart. "Relazioni politiche ed artistiche tra la corte di Borgogna a Bruxelles e la corte estense a Ferrara nel XV secolo." Musei Ferraresi 18 (1999), pp. 56–59, ill. (recto).

Reinhard Liess. Zum Logos der Kunst Rogier van der Weydens: Die 'Beweinungen Christi' in den Königlichen Museen in Brüssel und in der Nationalgalerie in London. Münster, 2000, vol. 2, pp. 644, 709.

Philippe Lorentz and Micheline Comblen-Sonkes. Musée du Louvre, Paris. III [Les primitifs flamandes, I: Corpus de la peinture des anciens Pays-Bas méridionaux et de la principauté de Liège au quinzième siècle, vol. 19]. Brussels, 2001, text vol., p. 187.

Oliver Bradbury and Nicholas Penny. "The Picture Collecting of Lord Northwick: Part I." Burlington Magazine 144 (August 2002), p. 491.

Lorne Campbell. "Letters: Lord Northwick's Collection and Rogier van der Weyden's Portrait of Francesco d'Este." Burlington Magazine 144 (November 2002), p. 696, ill. (verso).

Lorne Campbell in Stephen J. Campbell. Cosmè Tura: Painting and Design in Renaissance Ferrara. Exh. cat., Isabella Stewart Gardner Museum. Milan, 2002, pp. 75–76, ill.

Stephen J. Campbell. Cosmè Tura: Painting and Design in Renaissance Ferrara. Exh. cat., Isabella Stewart Gardner Museum. Boston, 2002, pp. 75–76, ill.

Mauro Lucco in Till-Holger Borchert. "Burgundian Art for Italian Courts." The Age of Van Eyck: The Mediterranean World and Early Netherlandish Painting 1430–1530. Exh. cat., Groeningen Museum, Bruges. Ghent, 2002, p. 110, ill. (color).

Lorne Campbell. Van der Weyden. London, 2004, pp. 114–15, nos. 78 and 79, ill. (verso and recto).

Paula Nuttall. From Flanders to Florence: The Impact of Netherlandish Painting, 1400–1500. New Haven, 2004, pp. 214–15, 265 n. 16, pl. 232.

Maryan W. Ainsworth in Memling's Portraits. Exh. cat., Museo Thyssen-Bornemisza, Madrid. Ghent, 2005, p. 99.

Till-Holger Borchert. "Collecting Early Netherlandish Paintings in Europe and the United States." Early Netherlandish Paintings: Rediscovery, Reception and Research. English ed. Amsterdam, 2005, p. 215 [Dutch ed., "'Om iets te weten van de oude meesters'. De Vlaamse Primitieven—herontdekking, waardering en onderzoek," Nijmegen, 1995].

Cecilia Cavalca in Cosmè Tura e Francesco del Cossa: l'arte a Ferrara nell'età di Borso d'Este. Exh. cat., Palazzo dei Diamanti and Palazzo Schifanoia. Ferrara, 2007, p. 412.

Mauro Natale and Giovanni Sassu in Cosmè Tura e Francesco del Cossa: l'arte a Ferrara nell'età di Borso d'Este. Exh. cat., Palazzo dei Diamanti and Palazzo Schifanoia. Ferrara, 2007, p. 43.

Marcello Toffanello in Cosmè Tura e Francesco del Cossa: l'arte a Ferrara nell'età di Borso d'Este. Exh. cat., Palazzo dei Diamanti and Palazzo Schifanoia. Ferrara, 2007, p. 412.

Everett Fahy in Art and Love in Renaissance Italy. Exh. cat., The Metropolitan Museum of Art. New York, 2008, pp. 18, 26 n. 4.

Catherine A. Metzger and Michael Palmer. "The Creative Process in Rogier van der Weyden's Portraits." Invention: Northern Renaissance Studies in Honor of Molly Faries. Turnhout, Belgium, 2008, pp. 72, 75–76, 84 n. 2, p. 85 n.27, figs. 6, 15 (overall and infrared reflectogram detail).

Stephan Kemperdick in The Master of Flémalle and Rogier van der Weyden. Exh. cat., Städel Museum, Frankfurt. Ostfildern, 2009, p. 265 [German ed., "Der Meister von Flémalle und Rogier van der Weyden," Ostfildern, 2008].