Signed (lower left): Manet

Paris. La vie moderne. "Œuvres nouvelles d'Édouard Manet," April 1880, no. 15 (as "Portrait de M. G. M.) [see Ref. Wilson-Bareau 1991].

Paris. École nationale des beaux-arts. "Exposition des œuvres de Édouard Manet," January 6–28, 1884, no. 153 (lent by Mme Manet) [see Ref. Tabarant 1930].

New York. The Metropolitan Museum of Art. "The H. O. Havemeyer Collection," March 10–November 2, 1930, no. 182 [2nd ed., 1958, no. 162].

New York. The Metropolitan Museum of Art. "Impressionism: A Centenary Exhibition," December 12, 1974–February 10, 1975, not in catalogue.

New York. The Metropolitan Museum of Art. "Manet, 1832–1883," September 10–November 27, 1983, no. 176.

New York. The Metropolitan Museum of Art. "Splendid Legacy: The Havemeyer Collection," March 27–June 20, 1993, no. A360.

Paul Alexis. "Manet." La revue moderne et naturaliste (1880), pp. 289–95 [see Ref. Rouart and Wildenstein 1975].

Gustave Goetschy. "Édouard Manet." La vie moderne no. 16 (April 17, 1880), p. 250.

Edmond Bazire. Manet. Paris, 1884, p. 118.

George Moore. Modern Painting. New York, 1898, ill. (frontispiece).

Théodore Duret. Histoire d'Édouard Manet et de son œuvre. Paris, 1902, pp. 136, 159, 298, no. 67, ill.

George Moore. "Erinnerungen an die Impressionisten." Kunst und Künstler 5 (October 1906), p. 20, ill.

Étienne Moreau-Nélaton. Manuscript Catalogue of the Paintings and Pastels of Édouard Manet. [1906], unpaginated, no. 362 [Département des Estampes, Bibliothèque Nationale, Paris].

A. Chatte. "Notes sur Manet, V. la vente Manet en 1884 (4-5 Fevrier)." Journal des curieux (March 10, 1907), p. 13, no. 27 [see Ref. Jamot and Wildenstein 1975].

Erich Hancke. "Manet als Porträtmaler." Kunst und Künstler 8 (February 1910), p. 248.

Théodore Duret. Manet and the French Impressionists. 2nd ed. [1st ed. 1910]. London, 1912, p. 254, no. 67.

Julius Meier-Graefe. Édouard Manet. Munich, 1912, pp. 272, 326, no. 96.

Jacques-Émile Blanche. De David à Degas. Paris, 1919, p. 149.

Étienne Moreau-Nélaton. Manet raconté par lui-même. Paris, 1926, vol. 2, p. 65, figs. 259 and 347.

Jacques-Émile Blanche. Mes modèles. Paris, 1928, pp. 210–11.

A. Tabarant. "Les Manet de la collection Havemeyer." La Renaissance 13 (February 1930), pp. 73–74, ill.

A. Tabarant. Manet, histoire catalographique. Paris, 1931, p. 468, no. 30.

Paul Colin. Édouard Manet. Paris, 1932, p. 74.

Paul Jamot and Georges Wildenstein. Manet. Paris, 1932, vol. 1, p. 164, no. 365; vol. 2, fig. 207.

A. Tabarant. "Les quatre-vingts ans de George Moore." L'œuvre (October 9, 1932), ill. [see Ref. Sterling and Salinger 1967].

Jacques-Émile Blanche. Portraits of a Lifetime: The Late Victorian Era, The Edwardian Pageant, 1870–1914. [reprint; 1st ed. 1937]. 1938, pp. 136–37.

Gotthard Jedlicka. Édouard Manet. Zürich, 1941, pp. 117–19, 281, ill. opp. p. 289.

Douglas Cooper. "George Moore and Modern Art." Horizon: A review of literature and art 11 (February 1945), p. 120.

John Rewald. Édouard Manet: Pastels. Oxford, 1947, pp. 37, 48, 56, fig. 1 (color).

A. Tabarant. Manet et ses œuvres. 4th ed. (1st. ed. 1942). Paris, 1947, pp. 360–61, 376, 546, no. 475, fig. 475.

S. Lane Faison, Jr. "Manet's Portrait of Zola." Magazine of Art 42 (May 1949), p. 168, fig. 15.

George Heard Hamilton. Manet and His Critics. New Haven, 1954, p. 227.

Georges Bataille. Manet: Biographical and Critical Study. New York, 1955, pp. 116–17, 120, ill. (color).

Margaretta Salinger. "Manet and George Moore." Metropolitan Museum of Art Bulletin 15 (January 1957), pp. 117–19, ill. (on cover in color).

Kurt Martin. Édouard Manet: Aquarelle und Pastelle. Basel, 1958, unpaginated, no. 21, ill. (color).

Louisine W. Havemeyer. Sixteen to Sixty: Memoirs of a Collector. New York, 1961, pp. 234–36.

John Rewald. The History of Impressionism. rev., enl. ed. New York, 1961, pp. 401–2, ill.

Pierre Courthion. Édouard Manet. New York, 1962, pp. 138–39, ill. (color).

Henri Perruchot. Édouard Manet. New York, 1962, pp. 68, 73–74, ill.

Ronald Pickvance. "A Newly Discovered Drawing by Degas of George Moore." Burlington Magazine 105 (June 1963), pp. 278–79, fig. 40.

Sandra Orienti in The Complete Paintings of Manet. New York, 1967, pp. 110–11, no. 278B, ill.

Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, pp. 48–50, ill.

Merete Bodelsen. "Early Impressionist Sales 1874–94 in the Light of some Unpublished 'procès verbaux'." Burlington Magazine 110 (June 1968), p. 341–42.

Pierre Schneider. The World of Manet, 1832–1883. New York, 1968, pp. 136, 187, ill. (color detail on slipcase and b&w).

John Rewald. "Should Hoving Be De-accessioned?" Art in America 61 (January–February 1973), p. 27.

Carl R. Baldwin The Metropolitan Museum of Art. The Impressionist Epoch. [New York], 1974, p. 27.

Denis Rouart and Daniel Wildenstein. Édouard Manet, catalogue raisonné. Paris, 1975, vol. 2, pp. 4–5, no. 11, ill.

Lillian Browse. Forain: The Painter, 1852–1931. London, 1978, p. 98, under no. 6.

Charles S. Moffett in Manet, 1832–1883. Exh. cat., The Metropolitan Museum of Art. New York, 1983, pp. 427–29, no. 176, colorpl. 176 [French ed., 1983, pp. 427–29, no. 176, colorpl. 176].

Denys Sutton. "Édouard Manet: The Artist as Dandy." Apollo 118 (October 1983), pp. 337–38, ill. (in color on cover).

Juliet Wilson-Bareau in Charles S. Moffett and Françoise Cachin. Manet, 1832–1883. Exh. cat., The Metropolitan Museum of Art. New York, 1983, p. 412 [French ed., 1983, p. 412].

Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art. New York, 1985, pp. 44–45, ill. (color).

Frances Weitzenhoffer. The Havemeyers: Impressionism Comes to America. New York, 1986, pp. 115–16, 256 n. 15, pl. 70.

Éric Darragon. Manet. Paris, 1989, pp. 314, 323–24.

Françoise Cachin. Manet. [Paris], 1990, pp. 135, 158, fig. 6 (color).

Éric Darragon. Manet. Paris, 1991, pp. 302–3, 306, 314, colorpl. 212.

Sarah Carr-Gomm. Manet. London, 1992, pp. 128–29, ill. (color).

Louisine W. Havemeyer. Sixteen to Sixty: Memoirs of a Collector. 3rd ed. [1st ed. 1930, repr. 1961]. New York, 1993, pp. 233–36, 334 n. 339.

Vivien Perutz. Édouard Manet. Lewisburg, Pa., 1993, pp. 194–96, colorpl. 53.

Susan Alyson Stein in Splendid Legacy: The Havemeyer Collection. Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. 220.

Gary Tinterow. "The Havemeyer Pictures." Splendid Legacy: The Havemeyer Collection. Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. 27, colorpl. 26.

Gretchen Wold in Splendid Legacy: The Havemeyer Collection. Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. 356–37, no. A360, ill.

Hans Körner. Edouard Manet: Dandy, Flaneur, Maler. Munich, 1996, pp. 171–72, fig. 145.

Thomas W. Gaehtgens. Max Liebermann: Jahrhundertwende. Exh. cat., Alte Nationalgalerie. Berlin, 1997, p. 147, fig. 4.

Tobias G. Natter and Julius H. Schoeps in Max Liebermann und die französischen Impressionisten. Exh. cat., Jüdisches Museum der Stadt Wien. Vienna, 1997, p. 214, ill.

Gary Tinterow in La collection Havemeyer: Quand l'Amérique découvrait l'impressionnisme. Exh. cat., Musée d'Orsay. Paris, 1997, pp. 52–53, 108, fig. 22.

Carol Armstrong. Manet Manette. New Haven, 2002, p. 250.