Signed and dated (lower right): Claude Monet. / 1872.

Paris. Musée de l'Orangerie. "Claude Monet: Exposition rétrospective," 1931, no. 20.

Paris. Durand-Ruel. "Claude Monet de 1865 à 1888," 1935, no. 11.

New York. Wildenstein & Co., Inc.. "Children of France," March 1942, unnum. checklist.

Paris. Galerie Beaux-Arts. "Claude Monet," June 19–July 17, 1952, no. 21.

San Francisco. M. H. de Young Memorial Museum. "Nathan Cummings Collection," n.d., no catalogue?

The Hague. Gemeentemuseum. "Claude Monet," July 24–September 22, 1952, no. 23.

Kunsthaus Zürich. "Claude Monet, 1840–1926," May 10–June 15, 1952, no. 27.

Paris. Musée des Arts Décoratifs. "Collection Nathan Cummings d'art ancien du Pérou," March–May 1956, no. 3.

Rome. Palazzo Venezia. "Collezione Nathan Cummings d'arte antica del Perù," June–July 1956, no. ?

Edinburgh. Royal Scottish Academy Building. "Claude Monet," August–September 1957, no. 30.

London. Tate Gallery. "Claude Monet," September 26–November 3, 1957, no. 30.

Palm Beach. Society of the Four Arts. "Loan Exhibition of Paintings by Claude Monet," January 3–February 2, 1958, no. 7.

Minneapolis Institute of Arts. "Paintings from the Cummings Collection," January 14–March 7, 1965, unnumbered cat.

New York. Wildenstein. "Olympia's Progeny," October 28–November 27, 1965, no. 9.

Washington. National Gallery of Art. "Selections from the Nathan Cummings Collection," June 28–September 11, 1970, no. 11.

New York. The Metropolitan Museum of Art. "Nathan Cummings Collection," July 1–September 7, 1971, no. 48.

New York. Wildenstein & Co., Inc.. "Faces from the World of Impressionism and Post-Impressionism," November 2–December 9, 1972, no. 47.

Art Institute of Chicago. "Major Works from the Collection of Nathan Cummings," October 20–December 9, 1973, no. 3.

Art Institute of Chicago. "Paintings by Monet," March 15–May 11, 1975, no. 30.

New York. Acquavella Galleries, Inc.. "Claude Monet," October 27–November 28, 1976, no. 14.

Rotterdam. Museum Boymans-van Beuningen. "De Fiets," April 7–June 12, 1977, no. 76.

Museum of Fine Arts, Boston. "Prized Possessions: European Paintings from Private Collections of Friends of the Museum of Fine Arts, Boston," June 17–August 16, 1992, no. 93.

Art Institute of Chicago. "Claude Monet, 1840–1926," July 22–November 26, 1995, no. 27.

Laren. Singer Museum. "The Sara Lee Collection: An Impressionist Legacy," October 18, 1997–February 15, 1998, no catalogue.

Canberra. National Gallery of Australia. "Monet to Moore: The Millennium Gift of Sara Lee Corporation," June 11–August 22, 1999, no. 31.

Portland Art Museum. "Monet to Moore: The Millennium Gift of Sara Lee Corporation," November 19, 1999–January 23, 2000, no. 31.

Raleigh. North Carolina Museum of Art. "Monet to Moore: The Millennium Gift of Sara Lee Corporation," September 10–November 7, 1999, no. 31.

Singapore Museum of Art. "Monet to Moore: The Millennium Gift of Sara Lee Corporation," April 1–May 30, 1999, no. 31.

Art Institute of Chicago. "Monet to Moore: The Millennium Gift of Sara Lee Corporation," March 13–May 28, 2000, no. 31.

Kunsthaus Zürich. "Monet's Garden," October 29, 2004–March 13, 2005.

Berlin. Neue Nationalgalerie. "Französische Meisterwerke des 19.Jahrhunderts aus dem Metropolitan Museum of Art, New York," June 1–October 7, 2007, unnumbered cat.

Museum of Fine Arts, Houston. "The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920," February 4–May 6, 2007, no. 86.

Helen Comstock. "The Connoisseur in America: French Art for French Children." The Connoisseur 109 (July 1942), pp. 146–47, ill.

Maurice Malingue. Claude Monet. Monaco, 1943, p. 146, pl. 58.

Douglas Cooper. Claude Monet. Exh. cat., Royal Scottish Academy Building. Edinburgh, 1957, p. 45, no. 30, pl. 17i.

Raymond Cogniat. Monet and His World. London, 1966, p. 135, ill. p. 50.

Luigina Rossi Bortolatto. L'opera completa di Claude Monet, 1870–1889. Milan, 1966, p. 93, no. 61, ill. p. 92.

Carol Cutler. Selections from the Nathan Cummings Collection. Exh. cat., National Gallery of Art. Washington, 1970, p. 24, no. 11, ill. in color (p. 24 and cover).

Marie-Claude Wrenn. "In the Art Market, Nobody Doesn't Like Mr. Sara Lee." Life 69 (October 23, 1970), p. 76, ill. (color).

René Huyghe. Impressionism. New York, 1973, p. 152, ill.

Daniel Wildenstein. "1840–1881: Peintures." Claude Monet: Biographie et catalogue raisonné. 1, Lausanne, 1974, pp. 62, 216–17, no. 238, ill.

Paul Hayes Tucker. Monet at Argenteuil. New Haven, 1982, pp. 131, 139, fig. 104.

John House. Monet: Nature into Art. New Haven, 1986, p. 34, pl. 44.

Perrin Stein in Prized Possessions: European Paintings from Private Collections of Friends of the Museum of Fine Arts, Boston. Exh. cat., Museum of Fine Arts, Boston. Boston, 1992, pp. 181, no. 93, colorpl. 130.

Paul Hayes Tucker. Claude Monet: Life and Art. New Haven, 1995, pp. 65–66, 68, colorpl. 74.

Daniel Wildenstein. "Catalogue raisonné–Werkverzeichnis: Nos. 1–968." Monet. 2, 2nd ed. Cologne, 1996, pp. 104–5, no. 238, ill. (color).

Daniel Wildenstein. Monet or the Triumph of Impressionism. 1, 2nd ed. Cologne, 1996, p. 99, ill. p. 95 (color).

Richard R. Brettell. Monet to Moore: The Millennium Gift of Sara Lee Corporation. Exh. cat.New Haven, 2000, pp. xi–xii, xiv, xx, 116–21, no. 31, fig. 7, fig. 21, pp. xi, xx, ill. in color (the whole, partial, and details).

Gary Tinterow in "Recent Acquisitions, A Selection: 1999–2000." Metropolitan Museum of Art Bulletin 58 (Fall 2000), pp. 5, 45, ill. (color).

Christoph Becker et al. Monet's Garden. Exh. cat., Kunsthaus Zürich. Ostfildern-Ruit, Germany, 2004, pp. 23, 195, no. 8, ill. p. 24 (color).

Paul Hayes Tucker. "Monet and the Bourgeois Dream: Argenteuil and the Modern Landscape." Modernism and Modernity: The Vancouver Conference Papers. 2nd (1st ed., 1983). Halifax, 2004, pp. 28, 34.

Clare A. P. Willsdon. In the Gardens of Impressionism. New York, 2004, pp. 129, 264 n. 7.

Doris Kutschbach. Living Monet: The Artist's Gardens. Munich, 2006, p. 15, ill. p. 19 (color).

Hugues Wilhelm in Women in Impressionism: From Mythical Feminine to Modern Woman. Exh. cat., Ny Carlsberg Glyptotek, Copenhagen. Milan, 2006, p. 280.

Gary Tinterow in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, pp. 122, 239, no. 86, ill. (color and bw).

Gary Tinterow in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 138, 281–82, no. 127, ill. (color and bw).

Eric M. Zafran in Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff. Exh. cat., Wildenstein & Co., Inc. New York, 2007, pp. 131, 141.