Signed, dated, and inscribed (lower right): J.BASTIEN-LEPAGE / DAMVILLERS Meuse / 1879

Ghent. Casino. "Tentoonstelling," 1880, no. 27.

Paris. Salon. May 1–?, 1880, no. 177 (as "Jeanne d'Arc").

New York. Society of American Artists. "Fourth Annual Exhibition," March 28–April 29, 1881, no. 26.

Boston. New England Manufacturers' and Mechanics' Institute. "Second Annual Exhibition Fair," September 6–November ?, 1882, no cat. number (ill., with a note that it will be added to the exhibition "about October 10th").

Paris. École Nationale des Beaux-Arts. "Exposition des oeuvres de Jules Bastien-Lepage," March–April 1885, no. 112 (as "Jeanne d'Arc écoutant les voix," lent by M. Davis).

Paris. Exposition Internationale Universelle. "Exposition centennale de l'art français (1789–1889)," May–November 1889, no. 18 (lent by M. Davis).

New York. The Metropolitan Museum of Art. "The Taste of the Seventies," April 2–September 10, 1946, no. 63.

New York. The Metropolitan Museum of Art. "Impressionism: A Centenary Exhibition," December 12, 1974–February 10, 1975, not in catalogue.

Musée des Beaux-Arts, Rouen. "Jeanne d'Arc: Les tableaux de l'Histoire, 1820–1920," May 30–September 1, 2003, no. 68.

Museum of Fine Arts, Houston. "The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920," February 4–May 6, 2007, no. 103.

Berlin. Neue Nationalgalerie. "Französische Meisterwerke des 19.Jahrhunderts aus dem Metropolitan Museum of Art, New York," June 1–October 7, 2007, unnumbered cat.

"Chronique française et étrangère." L'Art 19 (1879), p. 142.

Edwin Austin Abbey. Letters. May 31 and June 3, 1880 [excerpts published in E. V. Lucas, "Edwin Austin Abbey, Royal Academician: The Record of His Life and Work," vol. 1, New York, 1921, p. 103].

Marie Bashkirtseff. Journal entry. April 30, 1880 [published in "Journal de Marie Bashkirtseff," Paris, 1928, vol. 2, pp. 184–85].

Jules Bastien-Lepage. Letter to M. de Montesquiou. January 16, 1880 [published in Ref. Aubrun 1985, pp. 14, 175].

Ph[ilippe]. Burty. "Le Salon de 1880." L'Art 21 (1880), pp. 153, 178–80.

Ph[ilippe]. de Chennevières. "Le Salon de 1880." Gazette des beaux-arts 21 (June 1880), pp. 511–12 [reprinted as "Le Salon de peinture en 1880," 1880].

"Expositions." L'Art 23 (1880), p. 48.

Olivier Merson. "Salon de 1880." Le Monde Illustré 47 (July 3, 1880), p. 10.

Émile Michel. "Le Salon de 1880." Revue des deux mondes, 3ème pér., 39 (May 1, 1880), pp. 670–71.

Henri Olleris. Mémento du Salon de peinture de gravure et de sculpture en 1880. Paris, 1880, pp. 22–23.

Roger-Ballu. La Peinture au Salon de 1880. Paris, 1880, pp. 13–16.

Maurice du Seigneur. L'Art et les artistes au Salon de 1880. Paris, 1880, pp. 6–8.

Frédéric de Syène. "Salon de 1880." L'Artiste, 9ème série, 31 (May–June 1880), p. 344.

Émile Zola. "Le Naturalisme au Salon." Le Voltaire (June 18–22, 1880) [reprinted in F.W.J. Hemmings and Robert J. Niess, eds., "Émile Zola, Salons," Geneva, 1959, pp. 246–48].

Edwin Austin Abbey. Letter to Charles Parsons. 1881 [excerpt published in E. V. Lucas, "Edwin Austin Abbey, Royal Academician: The Record of His Life and Work," vol. 1, New York, 1921, pp. 103–4].

The Salon: A Collection of the Choicest Paintings Recently Executed by Distinguished European Artists. New York, 1881, pp. 8, 11–12.

René Ménard. "Le Salon de 1881." L'Art 25 (1881), pp. 225–26.

James Parton. "The Trial of Jeanne Darc [sic]." Harper's New Monthly Magazine 63 (June 1881), ill. p. 93 (engraving).

"Bastien Lepage." Scribner's Monthly 22 (June 1881), pp. 230, 232–35, ill. (detail).

Eugène Montrosier. "Les Peintres d'histoire, paysagistes, portraitistes et sculpteurs." Les Artistes modernes. 3, Paris, 1882, p. 59.

W. C. Brownell. "Bastien-Lepage: Painter and Psychologist." Magazine of Art 6 (1883), pp. 269–70.

J.-K. Huysmans. "Le Salon officiel de 1880." L'Art moderne. Paris, 1883, pp. 132–34, 145.

Emmanuel Ducros. "Bastien-Lepage." L'Artiste 54 (December 1884), pp. 462–63.

Olivier Merson. "Bastien Lepage." Le Monde illustré 54–55 (December 20, 1884), p. 390.

G. Dargenty. "Bastien-Lepage." L'Art 38 (1885), p. 166.

Emmanuel Ducros. "L'Exposition de l'oeuvre de Bastien-Lepage." L'Artiste 55 (May 1885), pp. 391, 394.

L. de Fourcaud. Bastien-Lepage: Sa vie et ses oeuvres, 1848–1884. Paris, [1885], pp. 26–28, 30–31, unnumbered pl.

L. de Fourcaud. "Artistes Contemporains: Jules Bastien-Lepage." Gazette des beaux-arts, 2nd ser., 31 (February 1885), pp. 108, 115–16.

L. de Fourcaud. "Exposition des oeuvres de Bastien-Lepage." Gazette des beaux-arts, 2nd ser., 31 (March 1885), pp. 259–64, 267.

A[rthur]. Hustin. "Bastien-Lepage." L'Art 38 (1885), pp. 14, 17.

"Jules Bastien-Lepage." Studio, n.s., no. 13 (January 31, 1885), pp. 146–50.

John Twachtman. Letter to J. Alden Weir. January 2, 1885 [published in Lisa N. Peters, "John Twachtman (1853–1902) and the American Scene in the Late Nineteenth Century: The Frontier within the Terrain of the Familiar," PhD dissertation, City University of New York, 1995, p. 542].

Albert Wolff. La Capitale de l'art. 2nd. ed. Paris, 1886, p. 262.

Charles Bigot. Peintres français contemporains. Paris, 1888, pp. 167, 169–70.

Clarence Cook. Art and Artists of Our Time. New York, 1888, vol. 1, p. 77; vol. 2, p. 154.

William Howe Downes. "Boston Painters and Paintings." Atlantic Monthly 62 (October 1888), pp. 507–8.

C. H. Stranahan. A History of French Painting from Its Earliest to Its Latest Practice. New York, 1888, p. 470.

Edwin Austin Abbey. Letter. 1889 [excerpt published in E. V. Lucas, "Edwin Austin Abbey, Royal Academician: The Record of His Life and Work," vol. 1, New York, 1921, p. 200].

Montezuma [Montague Marks]. "My Note Book." Art Amateur (May 1889), p. 122.

Jules Breton. Nos peintres du siècle. Paris, [189?], p. 219.

Armand Dayot. Un siècle d'art: Notes sur la peinture française à l'exposition centennale des beaux-arts. Paris, 1890, pp. 80, 118.

Prince Bojidar Karageorgevitch. "Personal Reminiscences of Jules Bastien-Lepage." Magazine of Art 13 (1890), pp. 86–88.

"Some Former Picture Auctions." Art Amateur 24 (March 1891), p. 6.

George Clausen. "Jules Bastien-Lepage as Artist." Jules Bastien-Lepage and His Art: A Memoir. London, 1892, pp. 123, 125.

Camille Pissarro. Letter to Octave Mirbeau. January 12, 1892 [published in Janine Bailly-Herzberg, ed., "Correspondance de Camille Pissarro," vol. 3, Paris, 1988, p. 186, no. 743].

Walter Richard Sickert. "Modern Realism in Painting." Jules Bastien-Lepage and His Art: A Memoir. London, 1892, p. 142.

André Theuriet. Jules Bastien-Lepage and His Art: A Memoir. London, 1892, pp. 53–54, 57–58, 60, 99, ill. p. 55 (detail).

Julia Cartwright. Jules Bastien-Lepage. London, 1894, pp. 8, 17, 34, 49–54, 70, ill. on frontispiece (detail engraving by Walter L. Colls) and p. 51.

"The Metropolitan Museum of Art—The French Painters." New York Times (May 22, 1895), p. 4.

Richard Muther. The History of Modern Painting. 3, London, 1896, pp. 24–26, ill. p. 19.

"Metropolitan Museum of Art: New Purchases and Loans." New York Times (May 4, 1896), p. 4.

J. Alden Weir. "Jules Bastien-Lepage." Modern French Masters: A Series of Biographical and Critical Reviews by American Artists. repr. (1st ed., 1889). New York, 1896, pp. 230–31, 234, ill. opp. p. 228 (detail engraving by Timothy Cole).

[Albert Marie Léon] Le Nordez. Jeanne d'Arc racontée par l'image d'après les sculpteurs, les graveurs, et les peintres. [Paris], 1898, ill. opp. p. 20 (engraving).

William Sharp. "The Art Treasures of America (Concluded.)." Living Age, 7th ser., 1 (December 3, 1898), p. 606.

Arthur Hoeber. The Treasures of The Metropolitan Museum of Art of New York. New York, 1899, pp. 76–78, ill.

W. C. Brownell. French Art: Classic and Contemporary Painting and Sculpture. New York, 1901, pp. 82, 85–86, ill. between pp. 84 and 85 (detail).

Théodore Guédy. Manuel pratique du collectioneur de tableaux comprenant les principales ventes des XVIII, XIX siècles jusqu'à nos jours... Paris, [1905], p. 12.

Masters in Art: Bastien-Lepage (1908), pp. 492–95, 498–500, 502, 506, pl. 1.

Frank Fowler. "The Field of Art: Modern Foreign Paintings at the Metropolitan Museum, Some Examples of the French School." Scribner's Magazine 44 (September 1908), p. 382.

Léonce Bénédite. La Peinture au XIXième siècle d'après les chefs-d'oeuvre des maîtres et les meilleurs tableaux des principaux artistes. Paris, [1909], p. 184.

D[aniel]. Cady Eaton. A Handbook of Modern French Painting. New York, 1909, p. 318, fig. 223.

Emile de Forceville. "Jeanne d'Arc dans l'art français du XIXe siècle." Études 119 (April–June 1909), pp. 213, 215–17, pl. V,1.

Gustave Geffroy in Allgemeines Lexikon der bildenden Künstler. 3, Leipzig, 1909, pp. 25–26.

Fr[ançois]. Crastre. Bastien Lepage. New York, [1914], pp. 58, 61–63 [French ed., Paris, n.d., pp. 58–61].

L[ouis]. Dimier. Histoire de la peinture française au XIXe siècle (1793–1903). Paris, 1914, p. 233.

B[ryson]. B[urroughs]. "Nineteenth-Century French Painting." Metropolitan Museum of Art Bulletin 13 (August 1918), p. 180.

Maitland Armstrong. Day Before Yesterday: Reminiscences of a Varied Life. New York, 1920, p. 272.

Duncan Phillips. "J. Alden Weir." Art Bulletin 2 (June 1920), p. 198.

Edward Simmons. From Seven to Seventy: Memories of a Painter and a Yankee. New York, 1922, pp. 146–47.

"The Story of a Picture: Joan of Arc, by Bastien-Lepage." Mentor 12 (October 1924), pp. 48–49, ill.

Virginie Demont-Breton. "Peintres et savants, l'audition colorée." Les Maisons que j'ai connues. 3, Paris, 1929, pp. 55–58.

Harry B. Wehle. "Seventy-Five Years Ago." Metropolitan Museum of Art Bulletin 4 (April 1946), p. 202.

Dorothy Weir Young. The Life and Letters of J. Alden Weir. New Haven, 1960, pp. 145, 166.

Charles Sterling and Margaretta M. Salinger. "XIX Century." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 2, New York, 1966, pp. 207–10, ill.

Kermit S. Champa and Kate H. Champa. German Painting of the Nineteenth Century. Exh. cat., Yale University Art Gallery. New Haven, 1970, pp. 64–65.

E[gbert]. Haverkamp-Begemann and Anne-Marie S. Logan. European Drawings and Watercolors in the Yale University Art Gallery, 1500-1900. New Haven, 1970, vol. 1, p. 44, under no. 78.

William Steven Feldman. "The Life and Work of Jules Bastien-Lepage (1848–1884)." PhD diss., New York University, 1973, pp. 33–35, 37, 84, 98, 115–42, 158, 164, 225, 228, 230–31, 256, 258–59, 261, 265, 271, 306, fig. 41 (overall and details).

John Rewald. "Should Hoving Be De-accessioned?" Art in America 61 (January–February 1973), p. 28.

Richard J. Boyle. American Impressionism. Boston, 1974, pp. 74–75, 137, 160, ill.

Denys Sutton in Paris—New York: A Continuing Romance. Exh. cat., Wildenstein. New York, 1977, p. 27, pl. IX.

Kenneth McConkey. "The Bouguereau of the Naturalists: Bastien Lepage and British Art." Art History 1 (September 1978), p. 375, pl. 50.

Richard J. Boyle. John Twachtman. New York, 1979, pp. 15, 34, ill.

K. McC[onkey] in The Realist Tradition: French Painting and Drawing 1830–1900. Exh. cat., Cleveland Museum of Art. Cleveland, 1980, p. 211 n. 1, p. 268.

Gary A. Reynolds in Walter Gay: A Retrospective. Exh. cat., Grey Art Gallery and Study Center, New York University. New York, 1980, p. 32, fig. 13.

Gabriel P. Weisberg. "Museum News: Realists Resurrected." Art Journal 40 (Fall/Winter 1980), p. 401, fig. 32 (image reversed).

Gabriel P. Weisberg. The Realist Tradition: French Painting and Drawing 1830–1900. Exh. cat., Cleveland Museum of Art. Cleveland, 1980, pp. 205–7.

Patricia G. Berman. "Unholy Ghosts in Jules Bastien-Lepage's 'Joan of Arc Listening to the Voices'." Marsyas 21 (1981–82), pp. 51–54, figs. 1, 2 (overall and detail).

Kenneth McConkey. "'Pauvre Fauvette' or 'Petite Folle': A Study of Jules Bastien-Lepage's 'Pauvre Fauvette'." Arts Magazine 55 (January 1981), pp. 140, 142–43, fig. 2.

Frances Weitzenhoffer. "First Manet Paintings to Enter an American Museum." Gazette des beaux-arts, 6th ser., 97 (March 1981), pp. 126–27, 129 n. 6.

Kenneth McConkey. "Listening to the Voices: A Study of Some Aspects of Jules Bastien-Lepage's 'Joan of Arc Listening to the Voices'." Arts Magazine 56 (January 1982), pp. 154–60, fig. 1.

Richard R. Brettell and Caroline B. Brettell. Painters and Peasants in the Nineteenth Century. Geneva, 1983, pp. 96–97, ill.

Christian Debize and Philippe Pagnotta in Jules Bastien-Lepage, Damvilliers 1848–Paris 1884. Exh. cat., Musée de la Princerie, Verdun. [Bar-le-Duc], 1984, pp. 68, 70.

William Steven Feldman in Jules Bastien-Lepage, Damvilliers 1848–Paris 1884. Exh. cat., Musée de la Princerie, Verdun. [Bar-le-Duc], 1984, pp. 25–26, 28, 32 nn. 1, 8, pp. 113–14, 119, 125, ill. on frontispiece (color) and p. 125.

John Pope-Hennessy. "Roger Fry and The Metropolitan Museum of Art." Oxford, China, and Italy: Writings in Honour of Sir Harold Acton on his Eightieth Birthday. London, 1984, p. 231.

Richard Shiff. Cézanne and the End of Impressionism. Chicago, 1984, pp. 201–2, fig. 43.

Marie-Madeleine Aubrun. Jules Bastien-Lepage, 1848-1884: Catalogue raisonné de l'oeuvre. [Paris], 1985, pp. 14–15, 23, 29, 172–80, no. 249, ill. pp. 57 (color) and 173.

Salme Sarajas-Korte. "Jules Bastien-Lepage—'ylivertainen vaikuttaja'." Taidehistoriallisia Tutkimuksia 11 (1988), pp. 115, 117–18, fig. 3.

Charles F. Stuckey in The Art of Paul Gauguin. Exh. cat., National Gallery of Art. Washington, 1988, p. 246.

Kenneth McConkey in Landschaft im Licht: Impressionistische Malerei in Europa und Nordamerika, 1860-1910. Exh. cat., Wallraf-Richartz-Museum. Cologne, 1990, p. 126, ill.

Michael F. Zimmermann. Seurat and the Art Theory of His Time. Antwerp, 1991, p. 78.

Rodolphe Rapetti in Lost Paradise: Symbolist Europe. Exh. cat., Montreal Museum of Fine Arts. Montreal, 1995, p. 229.

La Belle Époque: Paintings, Drawings and Sculpture. Sotheby's, New York. May 24, 1995, unpaginated, under no. 274.

Dorine Cardyn-Oomen in Tranches de vie: Le naturalisme en Europe, 1875–1915. Exh. cat., Musée Royal des Beaux-Arts d'Anvers. Ghent, 1996, p. 254.

Leen de Jong in Tranches de vie: Le naturalisme en Europe, 1875–1915. Exh. cat., Musée Royal des Beaux-Arts d'Anvers. Ghent, 1996, pp. 86, 206.

Nathalie Monteyne in Tranches de vie: Le naturalisme en Europe, 1875–1915. Exh. cat., Musée Royal des Beaux-Arts d'Anvers. Ghent, 1996, pp. 63–64, 66.

Tomaz Brejc Narodna galerija. "Realism and Allegory: 'Summer (Poletje)' by Ivana Kobilca." Essays on European Art: A Tribute to Ksenija Rozman. Ljubljana, 1999, p. 272, fig. 6 (color).

Caroline Igra. "Measuring the Temper of Her Time: Joan of Arc in the 1870s and 1880s." Konsthistorisk Tidskrift 68 (1999), pp. 122–23, fig. 7.

Madeleine Fidell-Beaufort. "The American Art Trade and French Painting at the End of the 19th century." Van Gogh Museum Journal (2000), p. 107 n. 30.

Barbara Paul in "Stimmen für Frankreich: Jules Bastien-Lepages Gemälde 'Jeanne d'Arc écoutant les voix' von 1879." Jenseits der Grenzen: Französische und deutsche Kunst vom Ancien Régime bis zur Gegenwart. Thomas W. Gaehtgens zum 60.Geburtstag. Band II: Kunst der Nationen. Cologne, 2000, pp. 245–61, fig. 1.

William H. Gerdts. American Impressionism. 2nd ed. New York, 2001, pp. 27, 32, 105, pl. 15.

Marie-Claude Coudert in Jeanne d'Arc: Les tableaux de l'Histoire, 1820–1920. Exh. cat., Musée des Beaux-Arts, Rouen. Paris, 2003, pp. 130–32, 136, 144, 163, no. 68, ill. (color).

Marek Zgorniak in Jeanne d'Arc: Les tableaux de l'Histoire, 1820–1920. Exh. cat., Musée des Beaux Arts, Rouen. Paris, 2003, pp. 70, 74, 76.

Joachim Pissarro. Pioneering Modern Painting: Cézanne & Pissarro 1865–1885. Exh. cat., Museum of Modern Art. New York, 2005, p. 32, fig. 21 (color).

Victorian & Edwardian Art. Sotheby's, London. March 10, 2005, p. 60, under no. 249.

The Irish Sale. Sotheby's, London. May 13, 2005, p. 50, under no. 36.

Jacques Thuillier. Jules Bastien-Lepage. Metz, 2005, pp. 84, 86, 88, 100, 106, 142, ill. pp. 5, 99, 100–103 (color, overall and details).

Petra ten-Doesschate Chu. Nineteenth-Century European Art. 2nd ed. Upper Saddle River, N.J., 2006, pp. 385–86, 447, 461, fig. 16-17 (color).

Laura Coyle in Nora M. Heimann and Laura Coyle. Joan of Arc: Her Image in France and America. Exh. cat., Corcoran Gallery of Art. Washington, 2006, p. 59.

Nora M. Heimann in Nora M. Heimann and Laura Coyle. Joan of Arc: Her Image in France and America. Exh. cat., Corcoran Gallery of Art. Washington, 2006, pp. 48–49, fig. 13 (color).

Pierre Rosenberg. Only in America: One Hundred Paintings in American Museums Unmatched in European Collections. Milan, 2006, p. 21, fig. 29 (color).

Emmanuelle Amiot-Saulnier in Jules Bastien-Lepage (1848–1884). Exh. cat., Musée d'Orsay. Paris, 2007, pp. 62, 67–68.

Kathryn Calley Galitz in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 159, 212, no. 148, ill. (color and bw).

Kathryn Calley Galitz in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, pp. 141, 180, no. 103, ill. (color and bw).

Dominique Lobstein in Jules Bastien-Lepage (1848–1884). Exh. cat., Musée d'Orsay. Paris, 2007, pp. 32–34, 37, 39, 49 nn. 158, 162, 169, 178, p. 122, fig. 6 (color).

Jérôme Montchal in Jules Bastien-Lepage (1848–1884). Exh. cat., Musée d'Orsay. Paris, 2007, pp. 94, 142.

Frances Fowle. Impressionism and Scotland. Exh. cat., National Gallery Complex. Edinburgh, 2008, pp. 27, 29.