Notes The only fully signed and dated painting by Brosamer is a portrait of Chancellor Johannes von Othera of Fulda (1536; private collection, Switzerland). The MMA painting is recorded as having the monogram "HB," the date 1524, and "KATHARINA MERIAN AET. 38." inscribed on the verso (see Ref. Lehner 1871), but this inscription is no longer visible. It has been grouped stylistically with a number of portraits bearing the artist's monogram and also provisionally attributed to Brosamer. The sides of the panel have been cut, but only to the edges of the painted surface; the bottom and top edges are original.
Provenance Fürsten von Hohenzollern-Sigmaringen, Meersburg and Sigmaringen; Fürst Karl Anton von Hohenzollern, Sigmaringen (by 1871–d. 1885; cat., 1871, no. 54, inv. 2182, as by HB; cat., 1883, no. 54, as by HB); Fürst Leopold von Hohenzollern, Sigmaringen (1885–d. 1905); Fürst Wilhelm von Hohenzollern, Sigmaringen (1905–d. 1927); Fürst Friedrich von Hohenzollern, Sigmaringen (1927–28 or soon after; cat., 1928, no. 13); Han Coray, Erlenbach, Switzerland (until 1930; his sale, Wertheim, Berlin, October 1, 1930, no. 42, as by Brosamer, to Bottenwieser); [Paul Bottenwieser, Berlin, 1930–at least 1931]; [P. Jackson Higgs, New York, until 1932; sale, American Art Association/Anderson Galleries, New York, December 7–9, 1932, no. 26, for $725 to Fox]; William Fox, New York (from 1932); Mrs. William Fox, New York (until 1942; sale, Kende Galleries, New York, December 1–2, 1942, no. 35, for $750); Mr. and Mrs. Jack Linsky, New York (until his d. 1980); The Jack and Belle Linsky Foundation, New York, (1980–82)
Exhibition History Frankfurt. Städelschen Kunstinstitut. "Sigmaringer Sammlungen," 1928, no. 13.
References F. A. Lehner. Fürstlich Hohenzollern'sches Museum zu Sigmaringen: Verzeichniss der Gemälde . Sigmaringen, 1871, p. 16, no. 54, inv. no. 2182. F. A. von Lehner. Fürstlich Hohenzollern'sches Museum zu Sigmaringen: Verzeichniss der Gemälde . 2nd ed. Sigmaringen, 1883, p. 18, no. 54. [Gustav] Pauli in Allgemeines Lexikon der bildenden Künstler . 5, Leipzig, 1911, p. 66. Franz Rieffel. "Das Fürstlich Hohenzollernsche Museum zu Sigmaringen: Gemälde und Bildwerke." Städel-Jahrbuch 3–4 (1924), p. 64, fig. 59. Sascha Schwabacher. "Erwerbung des Sigmaringer Museums für Frankfurt." Der Cicerone 20 (July 1928), pp. 455–56. Charles L. Kuhn. A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections . Cambridge, Mass., 1936, p. 90, no. 410. Irene Kunze. "Der Meister HB mit dem Greifenkopf: Ein Beitrag zur Brosamer-Forschung." Zeitschrift des Deutschen Vereins für Kunstwissenschaft 8 (1941), pp. 233–35, fig. 28. Irene Kühnel-Kunze. "Hans Brosamer und der Meister HB mit dem Greifenkopf: Ein weiterer Beitrag zur Brosamer-Forschung." Zeitschrift für Kunstwissenschaft 14 (1960), pp. 74, 77–78. Kurt Löcher in "Nürnberger Bildnisse nach 1520." Kunstgeschichtliche Studien für Kurt Bauch zum 70. Geburtstag von seinen Schülern . Munich, 1967, pp. 120–21, fig. 5. Kurt Löcher. "Ein Bildnis der Anna Dürer in der Sammlung Thyssen-Bornemisza." Wallraf-Richartz-Jahrbuch 39 (1977), p. 87, fig. 6. Katharine Baetjer in The Jack and Belle Linsky Collection in The Metropolitan Museum of Art . New York, 1984, pp. 107–8, no. 39, ill. (color). Jutta Zander-Seidel. Textiler Hausrat: Kleidung und Haustextilien in Nürnberg von 1500–1650 . Munich, 1990, p. 131, fig. 121.