Signed and dated (on arm of chair): vincent / arles 89; inscribed (lower right): La / Berceuse

Paris. Société des artistes indépendants. "Exposition rétrospective Vincent van Gogh," March 24–April 30, 1905, no. 39 (lent by Amédée Schuffenecker).

Paris. Galerie E. Druet. "Quelques oeuvres de Vincent van Gogh," January 6–18, 1908, no. 27 (lent by Amédé Schuffnecher [sic], possibly this work).

London. Grafton Galleries. "Manet and the Post-Impressionists," November 8, 1910–January 15, 1911, no. 76 (lent by Bernheim Jeune & Cie).

Kunsthalle Basel. "Vincent van Gogh," March 27–April 21, 1924, no. 38 (as lent by a private collection, Basel).

Kunsthalle Bern. "Französische Meister des 19. Jahrhunderts und van Gogh," February 18–April 2, 1934, no. 61 (as "Die Frau an der Wiege") [see Ref. Rishel 1991].

Paris. Palais de Tokyo. "La vie et l'oeuvre de van Gogh," 1937, no. 36 (lent by M. R. Staechelin, Basel).

Basel. Galerie M. Schulthess. "25 Werke von Vincent van Gogh," June 23–August 19, 1945, no. 13.

Kunstmuseum Basel. "Sammlung Rudolf Staechelin: Gedächtnis-Ausstellung zum 10. Todesjahr des Sammlers," May 13–June 17, 1956, no. 38.

Paris. Musée National d'Art Moderne. "Fondation Rodolphe Staechelin, de Corot à Picasso," April 10–June 28, 1964, no. 32.

London. Tate Gallery. "The Annenberg Collection," September 2–October 8, 1969, no. 19.

Philadelphia Museum of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," May 21–September 17, 1989, unnumbered cat.

Washington. National Gallery of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," May 6–August 5, 1990, unnumbered cat.

Los Angeles County Museum of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," August 16–November 11, 1990, unnumbered cat.

New York. The Metropolitan Museum of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," June 4–October 13, 1991, unnumbered cat.

New York. The Metropolitan Museum of Art. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," September 13, 2006–January 7, 2007, no. 124.

Vincent van Gogh. Letter to his brother Theo. [January 22 or 23, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 127, letter no. 573].

Vincent van Gogh. Letter to his brother Theo. [March 29, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 146, letter no. 582].

Vincent van Gogh. Letter to his brother Theo. [June 18, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 182, letter no. 595].

Vincent van Gogh. Letter to A. H. Koning. [January 22 or 23, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, pp. 123–24, letter no. 571a].

Vincent van Gogh. Letter to his brother Theo. [January 28, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 129, letter no. 574].

Vincent van Gogh. Letter to his brother Theo. [January 30, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, pp. 132–33, letter no. 575].

Vincent van Gogh. Letter to his brother Theo. [February 3, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, pp. 133–34, letter no. 576].

Vincent van Gogh. Letter to his brother Theo. [about February 22, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 137, letter no. 578].

Vincent van Gogh. Letter to his brother Theo. [May 25, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, pp. 171–72, letter no. 592].

Vincent van Gogh. Letter to his brother Theo. [September 7 or 8, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 211, letter no. 605].

Vincent van Gogh. Letter to Émile Bernard. [about November 20, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 522, letter no. B21].

Vincent van Gogh. Letter to Paul Gauguin. [January 23 or 24, 1889] [published in Ref. Cooper 1983, p. 269].

G.-Albert Aurier. "Les isolés: Vincent van Gogh." Mercure de France (January 1890) [p. 28 in repr. ed., Vaduz [Switzerland], 1965; repr., and trans. into English, in "Van Gogh in Saint-Rémy and Auvers," by Ronald Pickvance, New York, 1986, p. 314].

Vincent van Gogh. Letter to his brother Theo. [May 3,1890] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 269, letter no. 632].

Vincent van Gogh. Letter to Émile Bernard. 1890 [published in Ref. Vollard 1911, p. 145, letter no. 21, ill. hors texte (color)].

E. Bernard. "Vincent van Gogh." Les Hommes d'Aujourd'hui 8, no. 390 (1891), unpaginated.

C. J. Holmes. Notes on the Post-Impressionist Painters: Grafton Galleries, 1910–11. London, 1910, pp. 28–29.

"The Latest Revolt in Art: The New French School at the Grafton Gallery." Sphere (November 5, 1910), ill. p. 130.

Théodore Duret. Van Gogh Vincent. Paris, 1916, p. 53.

Gustave Coquiot. Vincent van Gogh. Paris, 1923, p. 289, ill. opp. p. 288.

Florent Fels. Vincent van Gogh. Paris, 1928, pp. 206–7, ill.

J.-B. de La Faille. L'Oeuvre de Vincent van Gogh: Catalogue Raisonné. Paris, 1928, vol. 1, pp. 144–45, no. 505; vol. 2, fig. 505.

R. H. Wile[n]ski. French Painting. Boston, 1931, p. 297 n. 1.

Van Gogh: Exposition internationale de 1937, Group I, Classe III. Exh. cat., Palais de Tokyo. Paris, 1937, p. 14, no. 36, ill.

W. Scherjon and Jos. De Gruyter. Vincent van Gogh's Great Period: Arles, St. Rémy and Auvers sur Oise (complete catalogue). Amsterdam, 1937, Arles no. 149, ill. p. 171.

Vincent van Gogh: Letters to Émile Bernard. London, 1938, p. 102 n. 7.

J.-B. de La Faille. Vincent van Gogh. London, [1939], between pp. 432 and 433, pp. 567, 573, 587, colorpl. 14.

R. H. Wilenski. Modern French Painters. New York, [1940], p. 214.

Edward Alden Jewell. Vincent van Gogh. New York, 1946, p. 79, ill. p. 72 (color).

Georg Schmidt. Van Gogh. Bern, 1947, p. 20, colorpl. 26.

Maurice Raynal and Jean Leymarie. History of Modern Painting from Baudelaire to Bonnard: The Birth of a New Vision. Geneva, 1949, p. 69, ill. p. 68 (color).

Werner Weisbach. Vincent van Gogh: Kunst und Schicksal. 2, Basel, [1951], p. 133, fig. 58.

Paul Gachet. Vincent van Gogh aux "Indépendants". Paris, 1953, unpaginated.

J.-N. Priou. "Van Gogh et la famille Roulin." Revue des PTT de France 10, no. 3 (May–June 1955), p. 27.

John Rewald. Post-Impressionism: From Van Gogh to Gauguin. [1st ed.]. New York, 1956, p. 240 n. 54, pp. 314–15 [3rd, rev. ed., 1978, p. 216 n. 57, pp. 292–93].

August Kuhn-Foelix. Vincent van Gogh: Eine Psychographie. Bergen, Germany, 1958, p. 138, fig. 28.

Philippe Huisman. Van Gogh Portraits. English ed. [French ed. (1960)]. Lausanne, [1962], pp. 50, 52, colorpl. 20.

John Rewald. Letter to A. M. Hammacher. April 29, 1962.

Paolo Lecaldano. "Da Arles a Auvers." L'opera pittorica completa di Van Gogh e i suoi nessi grafici. 2, repr. [1st ed., 1966]. Milan, 1977, p. 218, no. 637, ill. p. 216.

M. Roy Fisher. The Annenberg Collection. Exh. cat., Tate Gallery. London, 1969, unpaginated, no. 19, ill. (color).

J.-B. de La Faille. The Works of Vincent van Gogh: His Paintings and Drawings. Amsterdam, 1970, pp. 204, 224–25, 631, no. 505, ill.

Mark Roskill. Van Gogh, Gauguin, and French Painting of the 1880s: A Catalogue Raisonné of Key Works. Ann Arbor, Mich., 1970, pp. 83–85.

Mark Roskill. Van Gogh, Gauguin, and the Impressionist Circle. Greenwich, Conn., 1970, p. 242.

Van Gogh's "Diary": The Artist's Life in His Own Words and Art. New York, 1971, pp. 118–19, ill.

Hope Benedict Werness. "Essays on van Gogh's Symbolism." PhD diss., University of California, Santa Barbara, 1972, pp. 57–58 n. 8.

Charles W. Millard. "A Chronology for Van Gogh's Drawings of 1888." Master Drawings 12 (Summer 1974), p. 162.

Brian Petrie. Van Gogh: Paintings, Drawings and Prints. London, 1974, unpaginated, no. 83, ill. (color).

Aimée Brown Price. "Two Portraits by Vincent van Gogh and Two Portraits by Pierre Puvis de Chavannes." Burlington Magazine 117 (November 1975), p. 718.

Arthur F. Valenstein and Anne Stiles Wylie. "A Discussion of the Paper by Marcel Heiman on 'Psychoanalytic Observations on the Last Painting and Suicide of Vincent van Gogh'." International Journal of Psycho-Analysis 57 (1976), pp. 82–83 n. 2.

Bogomila Welsh-Ovcharov Universiteit Utrecht. Vincent van Gogh: His Paris Period, 1886–1888. Utrecht, 1976, pp. 194–95, 207 n. 96.

Jan Hulsker. The Complete Van Gogh: Paintings, Drawings, Sketches. [1st ed., Amsterdam, 1977]. New York, 1980, pp. 380, 386, 484 n. 8, no. 1669, ill. p. 385.

Paul Hefting. Vincent van Gogh: A Detailed Catalogue of the Paintings and Drawings by Vincent van Gogh in the Collection of the Kröller-Müller National Museum. 4th rev. ed. Otterlo, 1980, pp. 92, 96 [1st Dutch ed., 1957; 1st English ed., 1959].

Griselda F. S. Pollock. "Vincent van Gogh and Dutch Art." PhD diss., Courtauld Institute of Art, 1980, vol. 1, pt. 3, pp. 489–91, 512 nn. 94, 96, pp. 519–21, 525, 564–66, 592–93, 613 n. 108; vol. 2, pt. 2, fig. 236.

Evert van Uitert. "Vincent van Gogh and Paul Gauguin in Competition: Vincent's Original Contribution." Simiolus 11, no. 2 (1980), p. 83 n. 12.

Haruo Arikawa in "'La Berceuse': An Interpretation of Vincent van Gogh's Portraits." Annual Bulletin of the National Museum of Western Art no. 15 (1981 [published 1982]), pp. 31–75, fig. 2.

Bogomila Welsh-Ovcharov. Vincent van Gogh and the Birth of Cloisonism. Exh. cat., Art Gallery of Ontario. Toronto, 1981, pp. 148–49, under no. 34B.

Douglas Cooper. Paul Gauguin: 45 Lettres à Vincent, Théo et Jo van Gogh. The Hague, 1983, p. 269.

Ronald Pickvance. Van Gogh in Arles. Exh. cat., The Metropolitan Museum of Art. New York, 1984, pp. 248, 265.

Roland Scotti. Die "Internationale Kunst–Ausstellung" 1907 in Mannheim. Mannheim, 1985, pp. 37, 42.

Van Gogh: A Retrospective. New York, 1986, p. 192, ill.

Jean-Louis Bonnat. "Les adresses d'un tableau: 'La Berceuse' (V. van Gogh)." Psychanalyse à l'université 12 (July 1987), pp. 374, 377, 395, 402–3.

Jack Flam. "In a Different Light." Art News 88 (Summer 1989), pp. 113, 116, ill. (color).

Roland Dorn Johannes-Gutenberg-Universität zu Mainz. Décoration: Vincent van Goghs Werkreihe für das Gelbe Haus in Arles. Hildesheim, 1990, pp. 155–56, 255 n. 104, p. 303 n. 455, p. 305 n. 462, pp. 414, 431, 462.

Christian Geelhaar in Hans-Joachim Müller. NAFEA: Die Sammlung Rudolf Staechelin Basel / La collection Rudolf Staechelin Bâle. Basel, 1990, pp. 160, 163.

Jan Hulsker. Vincent and Theo van Gogh: A Dual Biography. Trans. and rev. ed. [1st ed. Weesp, Holland, 1985]. Ann Arbor, Mich., 1990, pp. 341, 343.

Evert van Uitert et al. Vincent van Gogh: Paintings. Exh. cat., Rijksmuseum Vincent van Gogh, Amsterdam. Milan, 1990, pp. 20–21, 195–96, fig. 10.

Jérôme Coignard. "Le Salon de peinture de Mr. et Mrs. Annenberg." Beaux arts no. 92 (July–August 1991), p. 72.

Joseph J. Rishel in Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection. Exh. cat., Philadelphia Museum of Art. Philadelphia, 1991, pp. cover, ix, 102–5, 196–98, ill. (color [overall and detail] and b&w) [1st edition has different page numbers].

Jan Hulsker. "Van Gogh, Roulin and the Two Arlésiennes: Part I." Burlington Magazine 134 (September 1992), pp. 570–77, fig. 3 (color).

Judy Sund. True to Temperament: Van Gogh and French Naturalist Literature. Cambridge, 1992, pp. 217, 236.

Henk Conradi in "Vincent van Gogh: The Great Desire." Dutch Art and Character: Psychoanalytic Perspectives on Bosch, Bruegel, Rembrandt, Van Gogh, Mondrian, Willink, Queen Wilhelmina. Amsterdam, 1993, pp. 100, 102–4.

John House. "Van Gogh's 'La Berceuse'." Burlington Magazine 135 (July 1993), p. 485.

Jan Hulsker. Vincent van Gogh: A Guide to His Work and Letters. Amsterdam, 1993, pp. 17, 23, 41, 54, 67–68, 70, 75.

Fred Leeman in The Mythology of Vincent van Gogh. English ed. Tokyo, 1993, p. 61.

Nobuo Nakatani in The Mythology of Vincent van Gogh. English ed. Tokyo, 1993, p. 88, fig. 52 (color).

Kermit Swiler Champa. 'Masterpiece' Studies: Manet, Zola, Van Gogh, and Monet. University Park, Pa., 1994, pp. 92, 97–99, 104–18.

Thomas Noll. "Der große Sämann": Zur Sinnbildlichkeit in der Kunst von Vincent van Gogh. Worms, 1994, pp. 124–25, 133, fig. 45.

Matthias Arnold. Vincent van Gogh: Werk und Wirkung. Munich, 1995, pp. 164, 173–77, 186, 222, 224, 661, 747.

Clifford Walter Edwards. "Van Gogh's Spiritual Quest: Toward a Theology of Vulnerability." Van Gogh 100. Westport, Conn., 1996, p. 259.

Cornelia Homburg. The Copy Turns Original: Vincent van Gogh and a New Approach to Traditional Art Practice. Amsterdam, 1996, pp. 67–68, 76–77, 94, 119.

Jan Hulsker. The New Complete Van Gogh: Paintings, Drawings, Sketches. rev. ed. Amsterdam, 1996, pp. 7, 386, 491, 496, no. 1669 [mislabeled on pp. 386 and 491 as no. 1670], ill. p. 385.

Orlindo Gouveia Pereira. "The Role of Copying in Van Gogh's Oeuvre and Illness." Van Gogh 100. Westport, Conn., 1996, p. 165.

Judy Sund. "Van Gogh's 'Berceuse' and the Sanctity of the Secular." Van Gogh 100. Westport, Conn., 1996, pp. 206, 209, 214–16, 218, 220–25.

Hope B. Werness. "The Symbolism of Van Gogh's Flowers." Van Gogh 100. Westport, Conn., 1996, pp. 49–53.

Janice Anderson. Van Gogh's Flowers and Landscapes. New York, 1997, p. 45, ill. (color).

Susan Alyson Stein in "Recent Acquisitions, A Selection: 1996–1997." Metropolitan Museum of Art Bulletin 55 (Fall 1997), p. 55, ill. (color).

Carol Zemel. Van Gogh's Progress. Berkeley, 1997, pp. 17, 90, 118–21.

Ira Berkow. "Jewels in the Desert." Art News 97 (May 1998), ill. p. 147 (color, installation photo).

Bogomila Welsh-Ovcharov. Van Gogh in Provence and Auvers. [New York], 1999, p. 126.

Roland Dorn in Van Gogh Face to Face: The Portraits. Exh. cat., Detroit Institute of Arts. Detroit, 2000, p. 252 n. 6.

Ronald Pickvance. Van Gogh. Exh. cat., Fondation Pierre Gianadda. Martigny, 2000, pp. 29, 85, 277, 306.

George T. M. Shackelford in Van Gogh Face to Face: The Portraits. Exh. cat., Detroit Institute of Arts. Detroit, 2000, p. 114.

Debora Silverman. Van Gogh and Gauguin: The Search for Sacred Art. New York, 2000, pp. 8, 313, 316, 319–20, 346–47, 353, 358–59, 426, 473 n. 21, fig. 131 (color).

Elizabeth C. Childs in Cornelia Homburg. Vincent van Gogh and the Painters of the Petit Boulevard. Exh. cat., Saint Louis Art Museum. St. Louis, 2001, pp. 132, 150–51 n. 68.

Douglas Druick and Peter Kort Zegers et al. Van Gogh and Gauguin: The Studio of the South. Exh. cat., Art Institute of Chicago. New York, 2001, pp. 272, 393 nn. 20, 26–27, fig. 19 (color).

Lynn DuBard in Cornelia Homburg. Vincent van Gogh and the Painters of the Petit Boulevard. Exh. cat., Saint Louis Art Museum. St. Louis, 2001, p. 224.

Kristin Hoermann Lister. "Tracing a Transformation: Madame Roulin into 'La Berceuse'." Van Gogh Museum Journal (2001), pp. 71–73, 75–76 n. 27, pp. 77–80, fig. 6b (color).

Kristin Hoermann Lister, and Cornelia Peres, and Inge Fiedler in Van Gogh and Gauguin: The Studio of the South. Exh. cat., Art Institute of Chicago. New York, 2001, p. 366.

Debora Silverman. "Framing Art and Sacred Realism: Van Gogh's Ways of Seeing Arles." Van Gogh Museum Journal (2001), p. 60.

Belinda Thomson. Van Gogh. Chicago, 2001, pp. 65, 70, fig. 23.

Louis van Tilborgh and Ella Hendriks. "The Tokyo 'Sunflowers': A Genuine Repetition by Van Gogh or a Schuffenecker Forgery?" Van Gogh Museum Journal (2001), p. 22 n. 27.

Sjraar van Heugten in Van Gogh and Flowers. Exh. cat., Seiji Togo Memorial Sompo Japan Museum of Art. [Tokyo], 2003, pp. 28, 31.

Shôko Kobayashi in Van Gogh and Flowers. Exh. cat., Seiji Togo Memorial Sompo Japan Museum of Art. [Tokyo], 2003, p. 141, fig. 3 (color).

Teio Meedendorp and Robert Verhoogt in The Paintings of Vincent van Gogh in the Collection of the Kröller-Müller Museum. Otterlo, 2003, pp. 275–76 n. 4, ill. (color).

Viviane Rose Universite de Toulouse-Le-Mirail. "Peinture et affectivité (Monet, Cézanne, van Gogh)." Temps, Affect, Sensation: de Cézanne à Matisse. 1, Lille, [2003], pp. 181–83.

Cliff Edwards. The Shoes of Van Gogh: A Spiritual and Artistic Journey to the Ordinary. New York, 2004, pp. 81, 84–89.

Martin Bailey in Van Gogh and Britain: Pioneer Collectors. Exh. cat., Compton Verney, Warwickshire. Edinburgh, 2006, p. 136 n. 17.

Ann Dumas and Jonathan Pascoe Pratt in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. Exh. cat., The Metropolitan Museum of Art. New York, 2006, p. 379, no. 124, ill.

Walter Feilchenfeldt. By Appointment Only: Cézanne, Van Gogh and Some Secrets of Art Dealing. English ed. London, 2006, p. 297, ill. p. 296 (color).

Martin Gayford. The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles. New York, 2006, pp. 270, 293, 295.

Laurence Madeline. Van Gogh, Picasso. Paris, 2006, pp. 18, 130, 168 n. 27, p. 176 n. 23.

Jonathan Pascoe Pratt in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. Exh. cat., The Metropolitan Museum of Art. New York, 2006, pp. 51, 55, 59 n. 32, fig. 52 (color) [French ed., "De Cézanne à Picasso: Chefs-d'oeuvre de la galerie Vollard," Paris, 2007, pp. 61, 63, 68 n. 32].

Susan Alyson Stein in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 172, 257–58, no. 160, ill. (color and bw).

Jill Elyse Grossvogel. Claude-Emile Schuffenecker: Catalogue Raisonné, Supplement. Chicago, 2008, p. 43.

Fred Leeman in Van Gogh: Heartfelt Lines. Exh. cat., Albertina, Vienna. Cologne, 2008, p. 92.

Louis van Tilborgh. Van Gogh and the Sunflowers. Amsterdam, 2008, pp. 62–64, 81, fig. 50 (color).

Marije Vellekoop in Van Gogh: Heartfelt Lines. Exh. cat., Albertina, Vienna. Cologne, 2008, p. 55.