Paris. Galerie Vollard. "Exposition Paul Cézanne," November–December 1895, no catalogue [see Refs. Mack 1935 and Venturi 1936].

Vienna. Secession. "Secession," 1907, no. 19? [see Refs. Ternovietz 1925 and Rewald 1996].

Paris. Grand Palais des Champs-Élysées. "Salon d'automne," October 1–22, 1907, no. 25 (as "La Dame en noir," lent by Pellerin, possibly this picture) [see Ref. Rewald 1996].

Berlin. Paul Cassirer. "III. Ausstellung," November 17–December 12, 1909, no. 17.

London. Grafton Galleries. "Manet and the Post-Impressionists," November 8, 1910–January 15, 1911, no. 11 (as "Portrait de Mme. Cézanne," lent by M. Vollard, possibly this picture).

Moscow. Museum of Modern Western Art. "Paul Cézanne (1839–1906), Vincent van Gogh (1853–1890)," 1926, no. 15.

Art Institute of Chicago. "A Century of Progress," June 1–November 1, 1934, no. 296 (as "Madame Cézanne in the Conservatory," lent anonymously).

New York. Museum of Modern Art. "Modern Works of Art," November 20, 1934–January 20, 1935, no. 5 (lent from a private collection).

New York. Century Club. "French Masterpieces of the Nineteenth Century," January 11–February 10, 1936, no. 17 (lent by Stephen C. Clark, Esq.).

Cleveland Museum of Art. "Twentieth Anniversary Exhibition," June 26–October 4, 1936, no. 254 (lent by Stephen C. Clark, New York).

San Francisco Museum of Art. "Paul Cézanne: Exhibition of Paintings, Water-colors, Drawings and Prints," September 1–October 4, 1937, no. 27.

New York. Durand-Ruel. "Exhibition of Masterpieces by Cézanne," March 29–April 16, 1938, no. 16 [see Ref. Sterling and Salinger 1967 and Ref. Rewald 1996 who gives incorrect dates].

New York. Museum of Modern Art. "Art in Our Time," May 10–September 30, 1939, no. 60.

New York. World's Fair. "Masterpieces of Art: European & American Paintings, 1500–1900," May–October 1940, no. 341.

New York. Paul Rosenberg & Co.. "Paintings by Cézanne (1839–1906)," November 19–December 19, 1942, no. 15.

New York. Century Association. "Paintings from the Stephen C. Clark Collection," June 6–September 28, 1946, unnum. checklist.

New York. Wildenstein & Co., Inc.. "Cézanne," March 27–April 26, 1947, no. 48 (lent by Mr. and Mrs. Stephen C. Clark).

New York. M. Knoedler Galleries. "To Honor Henry McBride: An Exhibition of Paintings, Drawings, and Water Colors," November 29–December 17, 1949, no. 2.

Art Institute of Chicago. "Cézanne: Paintings, Watercolors & Drawings," February 7–March 16, 1952, no. 68.

New York. The Metropolitan Museum of Art. "Cézanne: Paintings, Watercolors & Drawings," April 4–May 18, 1952, no. 68.

New York. M. Knoedler & Co.. "A Collectors Taste: Selections from the Collection of Mr. and Mrs. Stephen C. Clark," January 12–30, 1954, no. 12.

New York. Museum of Modern Art. "Paintings from Private Collections," May 31–September 5, 1955, unnumbered cat. (lent by Stephen C. Clark).

New York. The Metropolitan Museum of Art. "Paintings from Private Collections: Summer Loan Exhibition," July 1–September 1, 1958, no. 16 (lent by Stephen C. Clark).

New York. The Metropolitan Museum of Art. "Paintings from Private Collections: Summer Loan Exhibition," July 7–September 7, 1959, no. 9 (lent by Stephen C. Clark).

New Haven. Yale University Art Gallery. "Paintings, Drawings, and Sculpture Collected by Yale Alumni," May 19–June 26, 1960, no. 76.

New York. The Metropolitan Museum of Art. "Paintings from Private Collections: Summer Loan Exhibition," July 6–September 4, 1960, no. 9 (lent by Stephen C. Clark).

Museum of Fine Arts, Boston. "Masterpieces of Painting in The Metropolitan Museum of Art," September 16–November 1, 1970, unnumbered cat. (p. 82).

New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 15, 1970–February 15, 1971, not in catalogue.

New York. The Metropolitan Museum of Art. "Impressionism: A Centenary Exhibition," December 12, 1974–February 10, 1975, not in catalogue.

Naples. Museo di Capodimonte. "Capolavori Impressionisti dei Musei Americani," December 3, 1986–February 1, 1987, no. 7.

Milan. Pinacoteca di Brera. "Capolavori Impressionisti dei Musei Americani," March 4–May 10, 1987, no. 7.

Yokohama Museum of Art. "Treasures from The Metropolitan Museum of Art: French Art from the Middle Ages to the Twentieth Century," March 25–June 4, 1989, no. 92.

Essen. Museum Folkwang. "Morozov and Schtschukin—The Russian Collectors: Monet to Picasso," June 25–October 31, 1993, no. 34.

Moscow. Pushkin Museum. "Morozov and Schtschukin—The Russian Collectors: Monet to Picasso," November 30, 1993–January 30, 1994, no. 34.

St. Petersburg [Leningrad]. Hermitage. "Morozov and Schtschukin—The Russian Collectors: Monet to Picasso," February 16–April 16, 1994, no. 34.

Stockholm. Nationalmuseum. "Cézanne," October 17, 1997–January 11, 1998, no. 7.

Washington. National Gallery of Art. "Cézanne in Provence," January 29–May 7, 2006, no. 37.

Aix-en-Provence. Musée Granet. "Cézanne in Provence," June 9–September 17, 2006, no. 37.

Museum of Fine Arts, Houston. "The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920," February 4–May 6, 2007, no. 78.

New York. The Metropolitan Museum of Art. "The Clark Brothers Collect: Impressionist and Early Modern Paintings," May 22–August 19, 2007, no. 55.

Julius Meier-Graefe. Impressionisten. 2nd ed. Munich, 1907, ill. p. 201.

Rainer Maria Rilke. Letter. October 16, 1907 [published in Rainer Maria Rilke, trans. Joel Agee, "Letters on Cézanne," Clara Rilke, ed., New York, 1985, pp. 57–58].

C. J. Holmes. Notes on the Post-Impressionist Painters: Grafton Galleries, 1910–11. London, 1910, p. 20.

Julius Meier-Graefe. Paul Cézanne. 3rd ed., rev. and expanded. Munich, 1910, ill. p. 46.

Sergei Makovskii. "French Artists in the Morosoff Collection." Apollon, part 1, 1, nos. 3–4 (1912), p. 23, ill. after p. 28.

Jean Royère. "Paul Cézanne, Erinnerungen." Kunst und Künstler 10 (July 1912), ill. p. 479.

Fritz Burger. Cézanne und Hodler: Einführung in die Probleme der Malerei der Gegenwart. Munich, 1913, vol. 1, pp. 86–87; vol. 2, pl. 69.

Ambroise Vollard. Paul Cézanne. [Eng. ed., 1923]. Paris, 1914, p. 58, pl. 24.

Julius Meier-Graefe. Entwicklungsgeschichte der modernen Kunst. 3, 2nd ed. [English ed. "Cézanne" 1927]. Munich, 1915, pl. 497.

Roger Fry. "'Paul Cézanne' by Ambroise Vollard." Burlington Magazine 31 (August 1917), p. 61, pl. 3.

Max Deri. Die Malerei im XIX. Jahrhundert. Berlin, 1920, vol. 1, pp. 201–3; vol. 2, pl. 46.

Georges Rivière. Le maître Paul Cézanne. Paris, 1923, p. 218.

[Boris Nikolaevich] Ternovietz. "Le Musée d'Art Moderne de Moscou." L'Amour de l'art 6 (December 1925), p. 470, ill. p. 473.

Paul Ettinger. "Die modernen Franzosen in den Kunstsammlungen Moskaus." Der Cicerone 18, no. 4 (1926), p. 111, ill. p. 114.

Julius Meier-Graefe. Cézanne. London, 1927, p. 63, pl. XCIII.

Christian Zervos. "Idéalisme et Naturalisme dans la peinture moderne, II.—Cézanne, Gauguin, Van Gogh." Cahiers d'art 2 (1927), ill. p. 333.

Musée d'art moderne de Moscou: Catalogue illustré. Moscow, 1928, p. 98, no. 560, pl. 25.

Louis Réau. Catalogue de l'art français dans les musées russes. Paris, 1929, p. 100, no. 742.

Joachim Gasquet. Cézanne. Berlin, 1930, ill. opp. p. 148.

John Becker. "The Museum of Modern Western Painting in Moscow—Part I." Creative Art 10 (March 1932), pp. 195, 200, ill.

Georges Rivière. Cézanne: le peintre solitaire. Paris, 1933, p. 145.

Art News 32 (May 12, 1934), ill. p. 3.

Modern Works of Art. Exh. cat., Museum of Modern Art. New York, 1934, pp. 11, 23, no. 5, pl. 5.

Bulletin of the Art Institute of Chicago 28 (April–May 1934), pp. 51–52, ill.

A Century of Progress Exhibition of Paintings and Sculpture. Exh. cat., Art Institute of Chicago. Chicago, 1934, p. 46, no. 296, pl. L.

Gerstle Mack. Paul Cézanne. New York, 1935, p. 341.

Lionello Venturi. "Cézanne." L'arte, n.s., 6 (September 1935), pp. 393–94, pl. IX, fig. 19.

Twentieth Anniversary Exhibition of the Cleveland Museum of Art. Exh. cat., Cleveland Museum of Art. Cleveland, 1936, p. 100, no. 254, pl. LXV, fig. 254.

Alfred M. Frankfurter. "French Masterpieces, 1850–1900: An Important Loan Exhibition of Painting Currently at the Century Club." Art News 34 (February 1, 1936), p. 6, ill. on cover.

Exhibition of French Masterpieces of the Nineteenth Century. Exh. cat., Century Club. New York, 1936, unpaginated, no. 17, ill.

Charles Sterling. Cézanne. Exh. cat., Musée de l'Orangerie. Paris, 1936, p. 146, under no. 160.

Lionello Venturi. Cézanne: son art—son oeuvre. Paris, 1936, vol. 1, pp. 60–61, 188, no. 569; vol. 2, pl. 181, no. 569.

Alfred M. Frankfurter. "Cézanne: Intimate Exhibition." Art News, no. 26, section II, 36 (March 26, 1938), p. 17, ill. p. 15.

Alfred M. Frankfurter. "Cézanne in New York." Burlington Magazine 72 (May 1938), p. 243.

Robert J. Goldwater. "Cézanne in America: The Master's Paintings in American Collections." Art News, section I (The 1938 Annual), 36 (March 26, 1938), p. 156, ill. on cover (color).

A Treasury of Art Masterpieces, from the Renaissance to the Present Day. New York, 1939, pp. 533–35, colorpl. 130.

James W. Lane. "Thirty-three Masterpieces in a Modern Collection: Mr. Stephen C. Clark's Paintings by American and European Masters." Art News Annual 37 (February 25, 1939), pp. 133, 138, ill.

Art in our Time. Exh. cat., Museum of Modern Art. New York, 1939, unpaginated, no. 60, ill.

John Rewald. Cézanne: Sa vie, son oeuvre, son amitié pour Zola. Paris, 1939, p. 346.

Alfred M. Frankfurter. "383 Masterpieces of Art." Art News, (The 1940 Annual), 38 (May 25, 1940), pp. 39, 64, ill. (color).

R. H. Wilenski. Modern French Painters. New York, [1940], p. 346.

"Important Cézanne Survey Staged as Benefit for Fighting French." Art Digest 17 (December 1, 1942), pp. 5, 17, ill.

[Paul Rosenberg]. Paintings by Cézanne (1839–1906). Exh. cat., Paul Rosenberg & Co. November 19–December 19, 1942, pp. 17, 30–31, 55, no. 15, ill.

Lionello Venturi. "Cézanne, Fighter for Freedom." Art News 41 (November 15–30, 1942), pp. 18–19, ill. (color).

Evelyn Marie Stuart. "Editor's Letters." Art News 41 (January 15–31, 1943), p. 4.

Preface by Edward Alden Jewell in French Impressionists and Their Contemporaries Represented in American Collections. New York, 1944, ill. p. 135 (color).

Göran Schildt. Cézanne. Stockholm, 1946, fig. 24.

Bernard Dorival. Cézanne. Fr. ed. [Eng. ed., New York, 1948]. Paris, 1948, pp. 59, 61, 163–64, pl. 112.

Alonzo Lansford. "Clark Collection Shown for Charity." Art Digest 22 (March 15, 1948), p. 9.

Henry McBride. To Honor Henry McBride: An Exhibition of Paintings, Drawings and Water Colours. Exh. cat., M. Knoedler Galleries. 1949, unpaginated, no. 2, ill.

"L'art moderne français dans les collections des musées étrangers—I. Musée d'Art Moderne Occidental à Moscou." Cahiers d'art 25, no. 2 (1950), p. 338, no. 16.

Lionello Venturi. Impressionists and Symbolists. 2, New York, 1950, pp. 134–35, fig. 134.

James M. Carpenter. "Cézanne and Tradition." Art Bulletin 33 (September 1951), p. 182.

Marion Downer. Paul Cézanne. New York, 1951, unpaginated, ill.

Daniel Catton Rich in Cézanne: Paintings, Watercolors & Drawings. Exh. cat., Art Institute of Chicago. [Chicago], 1952, pp. 62, 65, no. 68, ill. on cover (color).

Theodore Rousseau Jr. The Metropolitan Museum of Art Miniatures: Paintings by Paul Cézanne. 35, New York, 1952, unpaginated, ill. in color.

Meyer Schapiro. Paul Cézanne. 1st ed. New York, 1952, pp. 82–83, ill.

Winthrop Sergeant. "Cézanne." Life 32 (February 25, 1952), p. 76, ill. (color).

Theodore Rousseau Jr. Paul Cézanne (1839–1906). New York, 1953, unpaginated, colorpl. 21.

A Collector's Taste: Selections from the Collection of Mr. and Mrs. Stephen C. Clark. Exh. cat., M. Knoedler & Co. New York, 1954, unpaginated, no. 12, ill.

Maurice Raynal. Cézanne. Lausanne, 1954, ill. p. 87 (color).

Introduction by Alfred H. Barr Jr. "Paintings from Private Collections." Museum of Modern Art Bulletin 22 (Summer 1955), pp. 11, 30, no. 17, ill.

Lionello Venturi. Four Steps Toward Modern Art: Giorgione, Caravaggio, Manet, Cézanne. New York, 1956, p. 72, fig. 29.

Hilton Kramer. "Month in Review." Arts 34 (1960), pp. 56–57, ill.

"Ninety-first Annual Report of the Trustees for the Fiscal Year 1960–1961." Metropolitan Museum of Art Bulletin 20 (October 1961), p. 64, ill. (color, frontispiece).

Peter H. Feist. Paul Cézanne. Leipzig, 1963, pp. 17, 32, 76, pl. 47.

Kurt Badt. The Art of Cézanne. [German ed., 1956]. Berkeley, 1965, p. 187.

Anne H. van Buren. "Madame Cézanne's Fashions and the Dates of her Portraits." Art Quarterly 29 (1966), pp. 118–21, 123–24 nn. 5, 17, 18, p. 127 n. 18 (cont'd), fig. 12.

Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, pp. 100–102, 109, ill.

Richard W. Murphy et al. The World of Cézanne: 1839–1906. New York, 1968, pp. 104–5, ill. (color), and ill. on slipcase.

Margaretta M. Salinger. "Windows Open to Nature." Metropolitan Museum of Art Bulletin 27 (Summer 1968), pp. 38–39, ill.

Frank Elgar. Cézanne. New York, [1969], pp. 152, 158, 279, fig. 91.

Jack Lindsay. Cézanne: His Life and Art. Greenwich, Conn., 1969, p. 351, fig. 76.

Wayne Andersen. Cézanne's Portrait Drawings. Cambridge, Mass., 1970, p. 98, under no. 70.

Leland Bell et al. "The Metropolitan Museum, 1870–1970–2001." Art News 68 (January 1970), pp. 38–39, ill. (color).

Sandra Orienti in L'opera completa di Cézanne. [French ed., 1975; English ed., 1985]. Milan, 1970, p. 112, no. 569, ill.

Edith A. Standen in Masterpieces of Painting in The Metropolitan Museum of Art. Exh. cat., Museum of Fine Arts, Boston. New York, [1970], p. 82, ill. (color).

Marcel Brion. Paul Cézanne. Milan, 1972, p. 49, ill. (color).

Adrien Chappuis. The Drawings of Paul Cézanne: A Catalogue Raisonné. Greenwich, Conn., 1973, vol. 1, p. 246, under no. 1068.

John Rewald. "The Impressionist Brush." Metropolitan Museum of Art Bulletin 32, no. 3 (1973/1974), pp. 40–41, 46, no. 26, ill. (overall and color detail).

Meyer Schapiro. P. Cézanne. Paris, 1973, unpaginated, colorpl. 27.

Carl R. Baldwin The Metropolitan Museum of Art. The Impressionist Epoch. [New York], 1974, ill. p. 18.

René Huyghe Lydie Huyghe in La Relève du réel: la peinture française au XIXe siècle: impressionnisme, symbolisme. Paris, 1974, p. 435.

Bernard Dunstan. "Notes on Painting from the Model." American Artist 39 (1975), p. 37, ill. (color).

Sidney Geist. "The Secret Life of Paul Cézanne." Art International 19 (November 20, 1975), pp. 13–14, ill.

Cézanne in Perspective. Englewood Cliffs, N.J., 1975, fig. 11.

Alice Bellony-Rewald. The Lost World of the Impressionists. London, 1976, p. 227.

Vivian Endicott Barnett. The Guggenheim Museum: Justin K. Thannhauser Collection. New York, 1978, p. 33.

Joyce E. Brodsky. "Cézanne and the Image of Confrontation." Gazette des beaux-arts, 6th ser., 92 (September 1978), p. 85.

John Rewald. Letter to Margaretta Salinger. March 3, 1978.

Lionello Venturi. Cézanne. Geneva, 1978, pp. 113, 115, ill. (color).

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, pp. 429–30, fig. 789 (color).

Albert Elsen. Purposes of Art. 4th ed. [1st ed. 1962]. New York, 1981, p. 326, ill.

John Rewald. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston, 1983, p. 132, under no. 194.

Bruno Ely et al. in Cézanne au Musée d'Aix. Aix-en-Provence, 1984, pp. 192, 195, 221, ill.

Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art. New York, 1985, pp. 11, 182–83, 253, ill. (color).

John Rewald. Cézanne: A Biography. New York, 1986, pp. 191, 277, no. 191, ill. (color).

Gary Tinterow et al. Capolavori impressionisti dei musei americani. Exh. cat., Museo di Capodimonte, Naples. Milan, 1987, pp. 24–25, no. 7, ill. (color).

Gary Tinterow et al. "Modern Europe." The Metropolitan Museum of Art. 8, New York, 1987, p. 53, colorpl. 32.

Sidney Geist. Interpreting Cézanne. Cambridge, Mass., 1988, p. 164, pl. 134.

Ettore Camesasca. The São Paulo Collection: From Manet to Matisse. Exh. cat., Rijksmuseum Vincent Van Gogh, Amsterdam. Milan, 1989, p. 112, ill.

Gary Tinterow in Treasures from The Metropolitan Museum of Art: French Art from the Middle Ages to the Twentieth Century. Exh. cat., Yokohama Museum of Art. [Tokyo?], 1989, pp. 146–47, no. 92, ill. (color).

Hajo Düchting. Paul Cézanne 1839–1906: Natur wird Kunst. [Eng. ed., 1999]. Cologne, 1990, p. 155, 157, ill. (color).

Mary Louise Krumrine Christian Geelhaar in Paul Cézanne: The Bathers. Exh. cat., Museum of Fine Arts, Basel. Basel, 1990, p. 258 n. 85, p. 302 n. 113.

Götz Adriani Walter Feilchenfeldt in Cézanne: Gemälde. Exh. cat., Kunsthalle Tübingen. Cologne, 1993, p. 310 n. 35.

A[lbert]. K[ostenevich]. et al. Morozov and Shchukin—The Russian Collectors: Monet to Picasso. Exh. cat., Museum Folkwang, Essen. Cologne, 1993, pp. 103, 336, 387, no. 34, colorpl. 34, ill. pp. 103, 439 (installation view and detail), p. 355 (color) [German ed., 1993, pp. 108, 348–49, 397, no. 34, colorpl. 34, ills. pp. 108, 449 (installation view and detail), p. 367 (color)].

Maria Teresa Benedetti. Cézanne. [Italian ed., 1995]. Paris, 1995, pp. 170, 187, ill. (color).

Jean-Jacques Lévêque. Paul Cézanne: Le précurseur de la modernité, 1839–1906. Paris, 1995, p. 115, ill. (color).

Linda Nochlin. Cézanne's Portraits. Lincoln, Neb., 1996, p. 19.

Linda Nochlin. "Cézanne: Studies in Contrast." Art in America 84 (June 1996), p. 66.

John Rewald in collaboration with Walter Feilchenfeldt and Jayne Warman in The Paintings of Paul Cézanne: A Catalogue Raisonné. New York, 1996, vol. 1, pp. 441–42, 562–63, 567–72, no. 703; vol. 2, p. 241, fig. 703.

Joseph J. Rishel et al. in Cézanne. Exh. cat., Philadelphia Museum of Art. Philadelphia, 1996, pp. 272, 575, fig. 2 [French ed., "Cézanne," Paris, RdMN, 1995, pp. 272, 575, fig. 2].

Görel Cavalli-Björkman in Cézanne. Exh. cat., Nationalmuseum. Stockholm, 1997, pp. 42–43, no. 7, ill. (color).

Görel Cavalli-Björkman. "Cézanne i blickpunkten: Focus on Cézanne." Art Bulletin of Nationalmuseum Stockholm 4 (1997), pp. 53–54, ill.

Evelyn Benesch Christina Feilchenfeldt in Cézanne: Finished, Unfinished. Exh. cat., Kunstforum Wien. Ostfildern-Ruit, Germany, 2000, pp. 52–54, 156, fig. 18.

Mary Tompkins Lewis. Cézanne. London, 2000, pp. 240, 242–243, 252, fig. 149 (color).

Philippe Cros. Paul Cézanne. Paris, 2002, pp. 157, 164, ill. (color).

Albert Kostenewitsch in Die russische Avantgarde und Paul Cézanne. Exh. cat., Gustav-Lübcke-Museum. Bönen, 2002, pp. 16, 25.

Nina Maria Athanassoglou-Kallmyer. Cézanne and Provence: The Painter in His Culture. Chicago, 2003, pp. 48–50, fig. 1.37 (color).

Denis Coutagne in Philip Conisbee and Denis Coutagne. Cézanne in Provence. Exh. cat., National Gallery of Art. Washington, 2006, pp. 91–92, 318, no. 37, colorpl. 37.

Sarah Lees in The Clark Brothers Collect: Impressionist and Early Modern Paintings. Exh. cat., Sterling and Francine Clark Art Institute. Williamstown, Mass., 2006, pp. 245, 248, 251, 315, 321, no. 55, ill. p. 244 (color detail) and fig. 182 (color overall).

Gilbert T. Vincent and Sarah Lees in The Clark Brothers Collect: Impressionist and Early Modern Paintings. Exh. cat., Sterling and Francine Clark Art Institute. Williamstown, Mass., 2006, p. 156.

Susan Alyson Stein in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, pp. 112, 189–91, no. 78, ill. (color and bw).

Susan Alyson Stein in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 128, 223–24, no. 117, ill. (color and bw).

Gary Tinterow in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, p. xix.

Gary Tinterow in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, p. 11.

Carolyn Lanchner in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, p. 394, fig. 14.14 (color).