Signed and inscribed: (on card in bird's beak) Dn Franco Goya; (bottom) EL Sr. Dn. MANVEL OSORIO MANRRIQVE DE ZVÑIGA Sr. DE GINES NACIO EN ABR A II DE 1784 (Señor Don Manuel Osorio Manrique de Zuñiga, señor of Ginés [Canary Islands], born on April 2, 1784

New York. The Metropolitan Museum of Art. "Spanish Paintings from El Greco to Goya," February 17–April 1, 1928, no. 19.

New York. M. Knoedler & Co.. "Loan Exhibition of Paintings by Goya," April 9–21, 1934, no. 1.

Brooklyn Museum. "Exhibition of Spanish Painting," October 4–31, 1935, no. 24.

Baltimore Museum of Art. "A Survey of Spanish Painting through Goya," January 3–31, 1937, no. 19.

San Francisco. California Palace of the Legion of Honor. "Exhibition of Paintings, Drawings, and Prints by Francisco Goya (1746–1828)," June 5–July 4, 1937, no. 3.

New York. World's Fair. "Masterpieces of Art: European Paintings and Sculpture from 1300–1800," May–October 1939, no. 150.

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New York. The Metropolitan Museum of Art. "Goya: Drawings and Prints," May 4–May 30, 1955, no. 166.

Paris. Orangerie des Tuileries. "Goya," September 25–December 7, 1970, no. 10.

The Hague. Mauritshuis. "Goya," July 4–September 13, 1970, no. 10.

Venice. Galleria Internazionale d'Arte Moderna di Ca' Pesaro [Venice]. "Goya, 1746–1828," May 7–July 30, 1989, no. 25.

Athens. National Gallery Alexandros Soutzos Museum. "From El Greco to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington, and The Metropolitan Museum of Art, New York," December 13, 1992–April 11, 1993, no. 34.

Stockholm. Nationalmuseum. "Goya," October 7, 1994–January 8, 1995, no. 8.

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Oslo. Nasjonalgalleriet. "Francisco Goya: Maleri, Tegning, Grafikk," February 10–April 14, 1996, no. 6.

Palais des Beaux-Arts, Lille. "Goya: Un regard libre," December 12, 1998–March 14, 1999, no. 19.

Philadelphia Museum of Art. "Goya: Another Look," April 11–July 11, 1999, unnumbered cat.

Madrid. Museo Nacional del Prado. "El retrato español: Del Greco a Picasso," October 20, 2004–February 6, 2005, no. 53.

Berlin. Alte Nationalgalerie. "Goya: Prophet der Moderne," July 13–October 3, 2005, no. 18.

Kunsthistorisches Museum Wien. "Goya: Prophet der Moderne," October 18, 2005–January 8, 2006, no. 18.

Paris. Galeries Nationales du Grand Palais. "Portraits publics, portraits privés, 1770–1830," October 4, 2006–January 9, 2007, no. 48.

London. Royal Academy of Arts. "Citizens and Kings: Portraits in the Age of Revolution, 1760–1830," February 3–April 20, 2007, no. 102.

Valerian von Loga. Francisco de Goya. Berlin, 1903, pp. 40, 201, no. 290, pl. 12 [2nd ed., 1921].

Albert F. Calvert. Goya, an Account of His Life and Works. London, 1908, p. 137, no. 193.

Hugh Stokes. Francisco Goya: A Study of the Work and Personality of the Eighteenth Century Spanish Painter and Satirist. London, 1914, pp. 252, 333, no. 145.

August L. Mayer. Francisco de Goya. Munich, 1923, pp. 59, 197, no. 365 [English ed., 1924, pp. 47, 162, no. 365].

"From El Greco to Goya." American Magazine of Art 19 (April 1928), ill. p. 186.

Édouard Brandus. "La collection des tableaux anciens de M. Jules S. Bache, à New-York." La Renaissance 11 (May 1928), p. 190, ill. p. 191.

X. Desparmet Fitz-Gerald. L'oeuvre peint de Goya: Catalogue raisonné. Paris, 1928–50, vol. 2, pp. 51, 313, 328, no. 332, pl. 259.

"Cover." International Studio 91 (September 1928), ill. cover (color).

Tomás G. Larraya. Goya: Su vida, sus obras. Barcelona, 1928, p. 180.

August L. Mayer. "Francisco de Goya." Pantheon 1 (April 1928), ill. p. 191.

A Catalogue of Paintings in the Collection of Jules S. Bache. New York, 1929, unpaginated, ill.

Walter Heil. "The Jules Bache Collection." Art News 27 (April 27, 1929), p. 4, ill. p. 19 (color).

Harry Adsit Bull. "Notes of the Month." International Studio 95 (January 1930), p. 58.

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Virginia Nirdlinger. "Children Now—And Then." Parnassus 3 (December 1931), p. 4.

Javier de Salas. "Lista de cuadros de Goya hecha por Carderera." Archivo español de arte y arqueología 7 (1931), p. 176, no. 29.

Helen Comstock. "Loan Exhibition of Goya's Paintings." Connoisseur 93 (May 1934), p. 333, ill.

Ella S. Siple. "A Goya Exhibition in America." Burlington Magazine 64 (June 1934), p. 287.

"Brooklyn Museum Opens Great Exhibition of Spanish Masterpieces." Art Digest 10 (October 1, 1935), p. 6.

"'Spanish Painting Through Goya' Opens the Year in Baltimore." Art Digest 11 (January 15, 1937), p. 15, ill.

A Catalogue of Paintings in the Bache Collection. under revision. New York, 1937, unpaginated, no. 42, ill.

Benno Fleischmann. Francisco Goya. Vienna, [1937?], p. 32, colorpl. 3.

R. J. McKinney. "Seeing the Shows: Spain at Baltimore." Magazine of Art 30 (February 1937), p. 113, ill. p. 112.

Mercedes C. Barbarrosa. The Living Goya. Boston, 1939, p. 194, ill. p. 177.

Duveen Pictures in Public Collections of America. New York, 1941, unpaginated, no. 234, ill.

José Gudiol. Goya. New York, 1941, p. 62, ill. p. 15 (color).

Regina Shoolman and Charles E. Slatkin. The Enjoyment of Art in America. Philadelphia, 1942, p. 471, pl. 426.

A Catalogue of Paintings in the Bache Collection. rev. ed. New York, 1943, unpaginated, no. 41, ill.

Martin S. Soria. "Agustín Esteve and Goya." Art Bulletin 25 (September 1943), p. 257.

Harry B. Wehle. "The Bache Collection on Loan." Metropolitan Museum of Art Bulletin 1 (June 1943), p. 290.

Margaret Breuning. "Metropolitan Re-Installs Its Treasures in Attractive Settings." Art Digest 18 (June 1, 1944), p. 6.

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Louis S. Levy. The J. S. Bache Collection. [after 1943], pp. 14, 23, 36.

Carlyle Burrows. "Portrait of Don Juan Osorio-Alvarez." New York Herald Tribune (July 22, 1945), section 4, p. 4, ill.

Introduction by Harry B. Wehle in Masterpieces in Color at The Metropolitan Museum of Art, New York. New York, 1945, p. 13, colorpl. 42.

Herbert Weissberger. "Goya and His Handwriting." Gazette des beaux-arts 29 (February 1946), p. 115, fig. 1 (detail of signature).

Henry S. Francis. "'Don Juan Maria Osorio-Alvarez: The Boy with a Linnet' by Goya." Bulletin of the Cleveland Museum of Art (June 1947), p. 113.

Enrique Lafuente Ferrari. Antecedentes, coincidencias e influencias del arte de Goya: Catalogo ilustrado de la exposicion celebrada en 1932. Madrid, 1947, p. 276.

Millia Davenport. The Book of Costume. New York, 1948, vol. 2, pp. 731–32, no. 2055, ill. (cropped).

Elizabeth E. Gardner. "Notes." Metropolitan Museum of Art Bulletin 7 (June 1949), p. 260, ill. cover (color detail) and p. 260.

J. M. Pita Andrade. "Aportaciones recientes a la historia del arte español." Archivo español de arte 22 (October–December 1949), p. 371, pl. 2.

Francisco J. Sánchez Cantón in "Los niños en las obras de Goya." Goya (Cinco estudios). Saragossa, 1949, pp. 77–78, pl. 12 [2nd ed., 1978].

Antonina Vallentin. This I Saw: The Life and Times of Goya. New York, 1949, p. 68, ill. opp. p. 56.

André Malraux. "Goya." Art News Annual, part 2, 49 (November 1950), p. 52, ill. p. 39 (color).

André Malraux. Saturne. Paris, 1950, pp. 27–28 [English ed., 1957, pp. 21–23, ill. (color)].

J. K. Reed. "Goya Forerunner of the Art Movement in Major New York Show." Art Digest 25 (November 15, 1950), p. 28.

F. J. Sanchez Canton. Vida y obras de Goya. Madrid, 1951, pp. 42–43, 168, pl. 24.

Antonina Vallentin. Goya. Paris, [1951], pp. 85–86.

S. N. Behrman. Duveen. New York, 1952, pp. 113–16.

Theodore Rousseau Jr. "A Guide to the Picture Galleries." Metropolitan Museum of Art Bulletin 12, part 2 (January 1954), p. 5.

Pierre Gassier. Goya. New York, 1955, p. 32, ill. p. 10 (color).

F. M. Godfrey. Child Portraiture from Bellini to Cézanne. London, 1956, pp. 44–45.

A. Hyatt Mayor. "The Gifts that Made the Museum." Metropolitan Museum of Art Bulletin 16 (November 1957), p. 106.

Martin S. Soria. Agustin Esteve y Goya. Valencia, 1957, pp. 72, 78, fig. 24.

Juan Antonio Gaya Nuño. La pintura española fuera de España. Madrid, 1958, p. 158, no. 885.

Roberta M. Alford. "Francisco Goya and the Intentions of the Artist." Journal of Aesthetics and Art Criticism. 18, June 1960, pp. 484–85, fig. 1.

Gerald Reitlinger. "The Rise and Fall of Picture Prices, 1760–1960." The Economics of Taste. [1], London, 1961, p. 331.

George Savage. "Two Centuries of Picture Sales." Studio International 162 (November 1961), p. 194.

Julián Gállego. La peinture espagnole. Paris, 1962, pp. 182–83, ill. p. 179 (color).

Nigel Glendinning. "Goya and His Times at Burlington House." Connoisseur 155 (January 1964), p. 19.

Francisco Javier Sánchez Cantón. Goya. New York, [1964], p. 14.

Elizabeth du Gué Trapier. Goya and His Sitters: A Study of His Style as a Portraitist. New York, 1964, pp. 5–6, 52, figs. 9, 11 (the whole and detail).

José Gudiol. Goya. New York, 1965, pp. 25, 90, ill. opp. p. 90 (color).

Claus Virch. Francisco Goya. New York, 1967, pp. 34–35, no. 3, ill.

Gaspar Gómez de la Serna. Goya y su España. Madrid, 1969, pp. 60, 279.

D[iego]. A[ngulo]. Í[ñiguez]. "Exposición de Goya en los museos de la Haya y del Louvre." Archivo español de arte 43 (July–September 1970), p. 361.

J[eannine]. B[aticle]. "Chronique des musées: Expositions, Orangerie des Tuileries, Itinéraire de l'exposition Goya." Revue du Louvre et des musées de France 20 (1970), p. 256, ill. p. 255.

Jeannine Baticle. Goya. Exh. cat., Mauritshuis. The Hague, 1970, unpaginated, no. 10, ill. and frontispiece (color) [Dutch and French eds., 1970].

Jean Chatelain. "Chronique des musées: Expositions, Orangerie des Tuileries, Goya." Revue du Louvre et des musées de France 20 (1970), p. 254.

Jacques Paul Dauriac. "Orangerie des Tuileries. Exposition: Goya." Pantheon 28 (November–December 1970), p. 535.

Julián Gállego. "Crónica de Paris." Goya (November–December 1970), p. 167.

Pierre Gassier and Juliet Wilson Enrique Lafuente Ferrari in Vie et oeuvre de Francisco Goya. Fribourg, Switzerland, 1970, pp. 61, 68, 78, no. 233, ill. p. 95 [English ed., 1971].

José Gudiol. Goya 1746–1828: Biographie, analyse critique et catalogue des peintures. Paris, 1970, vol. 1, pp. 68, 70, 256, no. 251; vol. 2, figs. 355, 356 (color detail) [Spanish ed., 1969–70; English ed., 1971, vol. 1, pp. 70, 73, 262, no. 251; vol. 2, figs. 355, 356 (color detail)].

Fred Licht. "Nouveau regards sur Goya." L'Oeil (October 1970), pp. 10–11, fig. 15.

José López-Rey. "Goya: Madmen and Monarchs." Art News 69 (October 1970), p. 56.

Marcel Pleynet. "Lettre de Paris." Art International 14 (December 1970), p. 57.

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Enrique García-Herraiz. "Crónica de Nueva York." Goya (September–October 1972), p. 107.

William G. Niederland, M. D. "Goya's Illness: A Case of Lead Encephalopathy?" New York State Journal of Medicine (February 1, 1972), pp. 413–14, fig. 1 [reprinted in Leonardo, vol. 6, Spring 1973, pp. 157–61].

Boyce Rensberger. "Goya Grotesquery Laid to Lead's Use." New York Times (February 28, 1972), p. 33, ill.

Everett Fahy. "European Paintings: Goya's Portraits of Pepito Costa y Bonells." Metropolitan Museum of Art Bulletin 31 (Summer 1973), p. 174, ill.

Rita de Angelis. L'opera pittorica completa di Goya. Milan, 1974, pp. 84, 87, 102–03, no. 229, ill.

Edward Fowles. Memories of Duveen Brothers. London, 1976, pp. 149–50.

Sarah Symmons. Goya. London, 1977, pp. 11, 24, colorpl. 1 and ill. cover (color).

Lorenz Eitner in "Cages, Prisons, and Captives in Eighteenth-Century Art." Images of Romanticism: Verbal and Visual Affinities. New Haven, 1978, pp. 18–19, fig. 9.

Fred Licht. Goya: The Origins of the Modern Temper in Art. New York, 1979, pp. 180, 193, 230, 232, 234, fig. 112.

Victor Chan. "Time and Fortune in Three Early Portraits by Goya." Arts Magazine 55 (December 1980), pp. 107, 112, 114, 117, fig. 10.

Nigel Glendinning in "Convention and Character in Goya's Portraits." Biography in the 18th Century. New York, 1980, p. 171 n. 16, pp. 183–84.

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, pp. 394, 398, fig. 716 (color).

Nigel Glendinning. "Goya's Patrons." Apollo 114 (October 1981), pp. 239, 247 n. 11.

Pierre Gassier. Goya dans les collections suisses. Exh. cat., Fondation Pierre Gianadda. Martigny, 1982, p. 38.

Edward J. Sullivan. Goya and the Art of His Time. Exh. cat., Meadows Museum, Southern Methodist University. Dallas, 1982, p. 84, fig. 37.

Nancy Coe Wixom in "European Paintings of the 16th , 17th, and 18th Centuries." The Cleveland Museum of Art Catalogue of Paintings. part 3, 1982, p. 482.

Julián Gállego in Goya en las colecciones madrileñas. Exh. cat., Museo Nacional del Prado. Madrid, 1983, pp. 64, 92, fig. 21 (color) [French translation of this essay is published in "Goya," Musées Royaux des Beaux-Arts, Belgium, 1985].

Pierre Gassier. Goya: Témoin de son temps. Secaucus, 1983, pp. 114, 120, fig. 65 [French ed., 1983].

Wilhelm Messerer. Francisco Goya: Form und Gehalt seiner Kunst. Freren, Germany, 1983, p. 118.

Charles S. Moffett in Manet, 1832–1883. Exh. cat., The Metropolitan Museum of Art. New York, 1983, pp. 76, 301 [French ed., 1983].

Ronald Paulson. Representations of Revolution (1789–1820). New Haven, 1983, pp. 358, 361, fig. 90.

Edward J. Sullivan. "Goya's 'Two Portraits' of Amalia Bonells de Costa." Arts Magazine 57 (January 1983), p. 78.

Barbara Burn. Metropolitan Children. New York, 1984, p. 67, ill. (color).

John Dowling. "The Crisis of the Spanish Enlightenment: "Capricho 43" and Goya's Second Portrait of Jovellanos." Eighteenth-Century Studies 18 (Spring 1985), p. 341, fig. 2.

Jeannine Baticle. Goya d'or et de sang. Paris, 1986, pp. 58, 61, ill. p. 61 (color).

John F. Moffitt. "Goya's Emblematic Portrait of Don Manuel María Osorio de Moscoso y Álvarez de Toledo." Konsthistorisk tidskrift 56 (1987), pp. 145–56, figs. 1, 1a, 1b (the whole and details).

Gary Tinterow et al. Capolavori impressionisti dei musei americani. Exh. cat., Museo di Capodimonte, Naples. Milan, 1987, p. 54.

Jeannine Baticle. "Goya portraitiste." Biennale des antiquaires no. 439 (September 1988), p. 92, ill. p. 93 (detail).

Sarah Symmons. Goya: In Pursuit of Patronage. London, 1988, pp. 126, 132, 135, 137–38, ill. p. 127.

Marianna Minola de Gallotti. "Cronica de Italia." Goya (July–October 1989), p. 104, ill. p. 103 (color).

José Luis Morales y Marín in Goya, 1746–1828. Exh. cat., Galleria Internazionale d'Arte Moderna di Ca' Pesaro [Venice]. Milan, 1989, pp. 106, 240, no. 25, ill. in color (cover and p. 107).

Alfonso E. Pérez Sánchez. Goya. Paris, 1989, p. 58, fig. 4 (color).

Janis A. Tomlinson. Francisco Goya: The Tapestry Cartoons and Early Career at the Court of Madrid. Cambridge, 1989, pp. 138, 147, 168, 253 n. 54, fig. 89.

Monique de Beaucorps. La peinture espagnole. Paris, 1990, p. 114, ill. p. 115 (color).

Milton Esterow. "Masterpiece Theater." Art News 89 (Summer 1990), pp. 134–35.

Jeannine Baticle. Goya. Paris, 1992, p. 132, ill. between pp. 272–73.

Colnaghi in America: A Survey to Commemorate the First Decade of Colnaghi New York. New York, 1992, p. 88.

Deborah Krohn et al. in From El Greco to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington, and The Metropolitan Museum of Art, New York. Exh. cat., National Gallery Alexandros Soutzos Museum. Athens, 1992, pp. 16, 26, 37–38, 308, no. 34, ill. (color).

William L. Pressly. "Goya's 'Don Manuel Osorio de Zuñiga': A Christological Allegory." Apollo 135 (January 1992), pp. 12–20, colorpl. 1.

John F. Moffitt. "Los 'Emblemas Morales' de Francisco de Goya y de Sebastián de Covarrubias." Goya (July–October 1994), pp. 45–47, fig. 1.

José Luis Morales y Marín. Goya: Catálogo de la pintura. Saragossa, 1994, p. 204, no. 178, ill. [English ed., 1997].

Janis Tomlinson. Francisco Goya y Lucientes, 1746–1828. London, 1994, pp. 65–66, 73, figs. 44–45 (color; the whole and detail).

Holland Cotter. "World of Goya and Those Who Would Be Goya." New York Times (September 15, 1995), p. C30.

Paul Jeromack. "Goya: Truth and Enlightenment." Art Newspaper no. 51 (September 1995), p. 12.

Susan Alyson Stein in Goya in The Metropolitan Museum of Art. Exh. cat., The Metropolitan Museum of Art. New York, 1995, pp. 14, 45, 55, 57, 67, fig. 1 (color), color detail on front cover, and fig. 27 (installation view).

José Manuel Arnaiz. "Nuevas andanzas de Goya: Falsos y auténticos en el Metropolitan." Galeria antiquaria no. 136 (February 1996), pp. 43–44, ill. p. 40 (color).

Jean-Louis Augé. "Le portrait de Manuel Osorio à l'âge de trois ans." Dossier de l'art (December 1996), p. 44, ill. in color: p. 45, and details (on front cover and p. 44).

Jeannine Baticle. "Goya au Metropolitan." Connaissance des arts no. 527 (April 1996), p. 60, fig. 1 (color).

Juan J. Luna in Goya: 250 aniversario. Exh. cat.Madrid, 1996, p. 410 under no. 140.

Juliet Wilson-Bareau. "Goya in The Metropolitan Museum of Art." Burlington Magazine 138 (February 1996), p. 102.

Jean-Louis Augé in Goya: Un regard libre. Exh. cat., Palais des Beaux-Arts, Lille. Paris, 1998, pp. 61, 70, 156, 158, no. 19, ill. pp. 157, 159, cover (color; the whole and detail).

Jonathan Brown in Charles Sterling et al. "Fifteenth- to Eighteenth-Century European Paintings." The Robert Lehman Collection. 2, New York, 1998, p. 183.

David McTavish. "From Rembrandt to Renoir in Toronto: Frank P. Wood's Role as Private Collector, Public Adviser and Munificent Patron." The Private Collector and the Public Institution. [Toronto], 1998, p. 21.

Sarah Symmons. Goya. London, 1998, pp. 119–20, fig. 76 (color).

Joseph J. Rishel. Goya: Another Look. Exh. cat., Philadelphia Museum of Art. Philadelphia, 1999, p. 38, ill. p. 43 (color).

Isadora Rose-de Viejo. "Goya. Lille and Philadelphia." Burlington Magazine 141 (April 1999), p. 248.

Robert Hughes. Goya. New York, 2003, p. 115, ill. p. 114 (color).

Dagmar Feghelm. I, Goya. Munich, 2004, pp. 66, 69, ill. p. 67 (color).

Manuela B. Mena Marqués in The Spanish Portrait: From El Greco to Picasso. Exh. cat., Museo Nacional del Prado. London, 2004, pp. 210, 356–57, no. 53, ill. p. 228 (color) [Spanish ed., 2004].

Meryle Secrest. Duveen: A Life in Art. New York, 2004, pp. 200–201, 446.

Werner Hofmann in Goya: Prophet der Moderne. Exh. cat., Alte Nationalgalerie [Berlin]. Cologne, 2005, pp. 27–28.

Manuela Mena Marqués in Goya: Prophet der Moderne. Exh. cat., Alte Nationalgalerie [Berlin]. Cologne, 2005, pp. 14, 110, no. 18, ill. p. 111 (color).

Katharine Baetjer in The Metropolitan Museum of Art, New York: Chefs-d'œuvre de la peinture européenne. Exh. cat., Fondation Pierre Gianadda. Martigny, 2006, pp. 20–22 [Catalan ed., Barcelona, 2006, p. 19].

Amar Arrada in Citizens and Kings: Portraits in the Age of Revolution, 1760–1830. Exh. cat., Royal Academy of Arts. London, 2007, pp. 184, 202, 327, no. 102, ill. p. 203 (color) [French ed., Portraits publics, portraits privés, 1770–1830, Paris, 2006, no. 48].

Gudrun Maurer in Goya en tiempos de guerra. Exh. cat., Museo Nacional del Prado. Madrid, 2008, p. 220.