Art Institute of Chicago. "A Century of Progress," June 1–November 1, 1934, no. 154.

Copenhagen. Charlottenborg Palace. "Exposition de l'art français au XVIIIe siècle / Udstillingen af frankrigs kunst fra det XVIII. aarhundrede," August 25–October 6, 1935, no. 260.

New York. The Metropolitan Museum of Art. "French Painting and Sculpture of the XVIII Century," November 6, 1935–January 5, 1936, no. 5.

Paris. Palais National des Arts. "Chefs d'œuvre de l'art français," July–September 1937, no. 77.

New York. Wildenstein & Co., Inc.. "Masterpieces from Museums and Private Collections," November 8–December 15, 1951, no. 17.

New York. The Metropolitan Museum of Art. "Art Treasures of the Metropolitan," November 7, 1952–September 7, 1953, no. 127.

Museum of Fine Arts, Boston. "Masterpieces of Painting in The Metropolitan Museum of Art," September 16–November 1, 1970, unnumbered cat.

New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 15, 1970–February 15, 1971, no. 303.

New York. Wildenstein & Co., Inc.. "Paris — New York, A Continuing Romance," November 3–December 17, 1977, no. 54.

Paris. Galeries Nationales du Grand Palais. "Watteau, 1684–1721," October 23, 1984–January 28, 1985, no. 49.

Washington. National Gallery of Art. "Watteau, 1684–1721," June 17–September 23, 1984, no. 49.

Berlin. Schloss Charlottenburg. "Watteau, 1684–1721," February 23–May 27, 1985, no. 119.

Ottawa. National Gallery of Canada. "The Age of Watteau, Chardin, and Fragonard: Masterpieces of French Genre Painting," June 6–September 7, 2003, no. 10.

Washington. National Gallery of Art. "The Age of Watteau, Chardin, and Fragonard: Masterpieces of French Genre Painting," October 12, 2003–January 11, 2004, no. 10.

Gemäldegalerie Staatliche Museen zu Berlin. "The Age of Watteau, Chardin, and Fragonard: Masterpieces of French Genre Painting," February 8–May 9, 2004, no. 10.

New York. The Metropolitan Museum of Art. "Watteau, Music, and Theater," September 22–November 29, 2009, no. 12.

L'oeuvre d'Antoine Watteau . . . gravé d'après les tableaux et desseins originaux . . . par les soins de M. de Julienne [called the "Recueil Jullienne"]. Paris, 1735, vol. 1, unpaginated, folio 34 [the engraving by Audran as bound in folio in MMA Drawings and Prints Department].

Catalogue des tableaux de Mr. de Jullienne. [ca. 1756] [manuscript in Pierpont Morgan Library] p. 71, no. 157, ill. opp. p. 71 (watercolor drawing as a horizontal oval in a rectangular frame, in an interior: the "Cabinet," presumably this picture).

P. Hédouin. "Watteau. Catalogue de son oeuvre." L'Artiste, 4th ser., 5 (November 30, 1845), p. 78, no. 43.

Paul Lacroix. "Musée du Palais de l'Ermitage sous le règne de Catherine II." Revue universelle des arts 13 (1861), p. 178, no. 402.

Edmond de Goncourt and Jules de Goncourt. Journal entry. 1865 [see Ref. Rosenberg 1984, p. 363, who cites this passage as appearing in "Journal des Goncourt's, mémoires de la vie littéraire," 1888, vol. 2, pp. 245–46, under the date 1865; it was not possible to find the citation in the 1956 Flammarion edition].

G[ustav]. F[riedrich]. Waagen. Die Gemäldesammlung in der Kaiserlichen Eremitage zu St. Petersburg. 2nd ed. St. Petersburg, 1870, pp. 304–5, no. 1503.

Edmond de Goncourt. Catalogue raisonné de l'oeuvre peint, dessiné et gravé d'Antoine Watteau. Paris, 1875, pp. 80–81, no. 86.

R. Dohme. "Die Französische Schule des XVIII. Jahrhunderts, 1. Antoine Watteau." Jahrbuch der königlich preussischen Kunstsammlungen 4 (1883), p. 241 n. 1.

John W. Mollett. Watteau. London, 1883, p. 66, no. 86.

Emil Hannover. Antoine Watteau. Berlin, 1889, pp. 70, 124 n. 94.

Paul Mantz. "Watteau (deuxiéme article)." Gazette des beaux-arts, 3rd ser., 1 (1889), ill. opp. p. 190 (engraving by L. Muller).

G. Dargenty [Arthur d'Echérac]. Antoine Watteau. Paris, 1891, ill. p. 63 (Audran engraving).

Georges Duplessis. Les Audran. Paris, [1892], p. 68, ill. p. 71 (Audran engraving).

Paul Mantz. Antoine Watteau. Paris, 1892, p. 182, ill. opp. p. 88 (Muller engraving).

Claude Phillips. Antoine Watteau. London, 1895, p. 72.

Lady [Emilia Francis Strong] Dilke. French Painters of the XVIIIth Century. London, 1899, p. 82.

A. Somof. "École anglaise et école française." Ermitage Impérial. Catalogue de la galerie des tableaux. 3, St. Petersburg, 1903, pp. 107–8, no. 1503, ill.

L. de Fourcaud. "Antoine Watteau." Revue de l'art ancien et moderne 9 (January–June 1904), pp. 137, 139–40.

Virgile Josz. Antoine Watteau. Paris, [1904], ill. between pp. 110–11.

J. J. Foster. French Art from Watteau to Prud'hon. 1, London, 1905, p. 100, pl. 29.

Nicolas Wrangell. Les chefs-d'oeuvre de la galerie de tableaux de l'Ermitage Impérial à St.-Pétersbourg. London, [1909], pp. XXXII, ill. p. 219.

Edmond Pilon. Watteau et son école. Brussels, 1912, p. 95, ill. opp. p. 92.

E. Heinrich Zimmermann. Watteau: Des Meisters Werke. Stuttgart, 1912, p. 187, no. 41, pl. 41.

Raymond Bouyer. "Les éprouvés de la guerre: Le Musée de l'Ermitage, à Petrograd." Le Cousin Pons 3 (January 15, 1918), p. 315, ill. p. 313.

Alexander Benua. Putevoditel po kartinnoi galereye imperatorskago Ermitazha [Guide to the Paintings Galleries of the Hermitage]. St. Petersburg, [192?], pp. 172–75, no. 1503, ill. p. 153.

Émile Dacier. "Les premiers amateurs de Watteau en France." Revue de l'art ancien et moderne 40 (June–December 1921), pp. 118, 120.

Émile Dacier and Albert Vuaflart. "III. – Catalogue." Jean de Jullienne et les graveurs de Watteau au XVIIIe siècle. 3, Paris, 1922, pp. 100–101, no. 215.

Émile Dacier and Albert Vuaflart. "II. – Historique." Jean de Jullienne et les graveurs de Watteau au XVIIIe siècle. 2, Paris, 1922, pp. 97, 102.

Edmund Hildebrandt. Antoine Watteau. Berlin, 1922, pp. 27–28, pl. 5.

Louis Réau. Histoire de la peinture française au XVIIIe siècle. 1, Paris, 1925, p. 18, pl. 12.

Louis Réau. "Catalogue de l'art français dans les musées russes." Bulletin de la Société de l'Histoire de l'Art Français (1928), p. 227, no. 414, ill. opp. p. 226.

Louis Réau in Les peintres français du XVIIIe siècle: Histoire des vies et catalogue des oeuvres. 1, Paris, 1928, p. 34, no. 57.

Émile Dacier, Albert Vuaflart, and Jacques Herold. "I – Notices et documents biographiques." Jean de Jullienne et les graveurs de Watteau au XVIIIe siècle. 1, Paris, 1929, pp. 223–24.

Louis Réau. Catalogue de l'art français dans les musées russes. Paris, 1929, p. 67, no. 414, ill. opp. p. 66 [reprint of catalogue published in Ref. Réau 1928].

Louis Réau and Georges Loukomski. Catherine La Grande, inspiratrice d'art et mécène. Paris, 1930, p. 84, pl. 54.

R. H. Wile[n]ski. French Painting. Boston, 1931, p. 108, pl. 44b.

Émile Dacier. "La curiosité au XVIIIe siècle: La vente Charles Coypel d'après les notes manuscrites de P.-J. Mariette." Revue de l'art ancien et moderne 61 (January–May 1932), pp. 131, 133, ill. (the Audran engraving).

Catalogue of A Century of Progress Exhibition of Paintings and Sculpture, 1934. Exh. cat., Art Institute of Chicago. Chicago, 1934, pp. 27–28, no. 154, ill. (color, frontispiece).

Exposition de l'art français au XVIIIe siècle. Exh. cat., Charlottenborg Palace. Copenhagen, 1935, pp. 80–81, no. 260, ill. (frontispiece).

Harry B. Wehle. "Le Mezzetin by Antoine Watteau." Metropolitan Museum of Art Bulletin 30 (January 1935), pp. 12–18, ill. (overall on cover, and detail).

Charles Sterling in Chefs d'oeuvre de l'art français [official catalogue]. Exh. cat., Palais National des Arts. Paris, 1937, pp. 115–16, no. 231.

Josephine L. Allen. "Drawings from the Biron Collection." Metropolitan Museum of Art Bulletin 33 (March 1938), pp. 77–78.

K. T. Parker. "Netherlandish, German, French and Spanish Schools." Catalogue of the Collection of Drawings in the Ashmolean Museum. 1, Oxford, 1938, p. 270.

Gilbert W. Barker. Antoine Watteau. London, 1939, p. 137.

H. W. Williams Jr. "Some French Drawings from the Biron Collection." Art Quarterly 2 (1939), p. 51, fig. 3.

Hans Vollmer in Allgemeines Lexikon der bildenden Künstler. 35, Leipzig, 1942, p. 193.

Michael Benisovich. "The French Drawings of the Metropolitan Museum." Burlington Magazine 82 (March 1943), p. 70.

A. E. Brinckmann. J. A. Watteau. Vienna, 1943, pp. 29, 60, no. 62, ill.

The Metropolitan Museum of Art. "Flemish, Dutch, German, Spanish, French, and British Drawings." European Drawings from the Collections of The Metropolitan Museum of Art. 2, New York, 1943, mentioned under pl. 31.

Xavier de Courville. Un apôtre de l'art du théâtre au XVIIIème siècle, Luigi Riccoboni dit Lélio, Tome II (1716–1731): L'expérience française. 2, Paris, 1945, pp. 191–200, pl. 46 [see Ref. Sterling 1955].

Hans Tietze. European Master Drawings in the United States. New York, 1947, p. 166.

Millia Davenport. The Book of Costume. New York, 1948, vol. 2, p. 664, no. 1780, ill. (cropped).

Michel Florisoone. La peinture française: Le dix-huitième siècle. Paris, 1948, p. 34, colorpl. 18.

Hélène Adhémar. Watteau, sa vie — son œuvre. Paris, 1950, pp. 100, 119, 127, 230, no. 206, pl. 144 (detail), and colorpl. 145.

René Huyghe in Hélène Adhémar. Watteau, sa vie — son œuvre. Paris, 1950, pp. 28, 47, 54 n. 25, p. 56 n. 44.

Regina Shoolman and Charles E. Slatkin. Six Centuries of French Master Drawings in America. New York, 1950, p. 42.

René Huyghe. "Vers une psychologie de l'art." Revue des arts 3 (September 1951), pp. 134–35, 138–39, 141, ill. (overall and details).

Art Treasures of the Metropolitan: A Selection from the European and Asiatic Collections of The Metropolitan Museum of Art. Exh. cat., The Metropolitan Museum of Art. New York, 1952, p. 230, no. 127, ill. (color).

Jean Lévy. "Watteau's 'Le Lorgneur'." Burlington Magazine 96 (July 1954), p. 198.

Theodore Rousseau Jr. "A Guide to the Picture Galleries." Metropolitan Museum of Art Bulletin 12, part 2 (January 1954), p. 5.

Charles Sterling. "XV–XVIII Centuries." The Metropolitan Museum of Art: A Catalogue of French Paintings. 1, Cambridge, Mass., 1955, pp. 105–8, ill.

Hélène Adhémar. "Watteau et ses amis." L'Oeil no. 14 (February 1956), p. 20.

Jacques Mathey. "Une feuille d'études pour le 'Gilles' et le 'Mezzetin à la guitare' de Watteau." Münchner Jahrbuch der bildenden Kunst, 3rd ser., 7 (1956), p. 215.

K. T. Parker and J. Mathey. Antoine Watteau: Catalogue complet de son œuvre dessiné. Paris, 1957, vol. 2, pp. 337, 339, under no. 726.

Charles Sterling. Great French Painting in the Hermitage. New York, [1958], p. 231 n. 12.

Jacques Mathey. "Le rôle décisif des dessins dans l'oeuvre de Watteau." Connaissance des arts no. 86 (April 1959), p. 43, ill.

J. Mathey. Antoine Watteau: Peintures réapparues . . . Paris, 1959, pp. 36, 55, 68.

Pierre Descargues. The Hermitage. London, 1961, p. 32, ill. opp. p. 32.

Albert P. de Mirimonde. "Les sujets musicaux chez Antoine Watteau." Gazette des beaux-arts, 6th ser., 58 (November 1961), pp. 250, 252–53, 261, fig. 1.

Jean Cailleux. "A Rediscovered Painting by Watteau: 'La Partie Quarrée' [in L'art du dix-huitième siècle, an advertisement supplement to Burlington Magazine]." Burlington Magazine 104 (April 1962), p. iii, pl. 7 (detail of guitar).

A. P. de Mirimonde. "Les instruments de musique chez Antoine Watteau." Bulletin de la Société de l'Histoire de l'Art Français (1962), p. 49.

Allardyce Nicoll. The World of Harlequin: A Critical Study of the Commedia dell'Arte. Cambridge, 1963, p. 78, fig. 51.

Jacob Bean. 100 European Drawings in The Metropolitan Museum of Art. New York, [1964?], unpaginated, under no. 56 (MMA drawing for head).

Colin Eisler. "Two Immortalized Landscapes—Watteau and the Recueil Jullienne." Metropolitan Museum of Art Bulletin 24 (January 1966), p. 166, fig. 3.

Michael Levey. Rococo to Revolution: Major Trends in Eighteenth-Century Painting. New York, 1966, pp. 72, 78, colorpl. 41.

Anita Brookner. Watteau. London, 1967, p. 38, colorpl. 37.

Pierre Schneider. The World of Watteau, 1684–1721. New York, 1967, p. 104, ill. in color (p. 105, and detail on book jacket).

Ettore Camesasca in The Complete Paintings of Watteau. New York, 1968, pp. 119, 121–22, no. 193, ill. (black and white and colorpl. 56) [same text as Ref. Montagni 1968].

E. C. Montagni in L'opera completa di Watteau. Milan, 1968, pp. 118–19, no. 193, ill. (black and white and colorpl. 56) [same text as Camesasca 1968].

José de Azeredo Perdigão. Calouste Gulbenkian, Collector. Lisbon, 1969, pp. 109–10, 113, 229.

Raymond Charmet. French Paintings in Russian Museums. New York, [1970], p. 8.

Introduction by Kenneth Clark in Masterpieces of Fifty Centuries. Exh. cat., The Metropolitan Museum of Art. New York, 1970, pp. 274, 277, no. 303, ill. pp. 58 (color) and 274.

Edith A. Standen in Masterpieces of Painting in The Metropolitan Museum of Art. Exh. cat., Museum of Fine Arts, Boston. New York, [1970], p. 66, ill. (color).

Calvin Tomkins. Merchants and Masterpieces: The Story of The Metropolitan Museum of Art. New York, 1970, p. 225 [rev., enl. ed., 1989].

Jean Ferré. Watteau. Madrid, [1972], vol. 1, in chronology under the dates 1753 and 1877; vol. 2, p. 461, fig. 319 (Audran engraving), p. 659, fig. 418 (colorpl. of painting); vol. 3, p. 811, fig. 600 (detail), pp. 812, 898–901, no. A 37, figs. 723–727; vol. 4, pp. 1099, 1103.

Julius S. Held and Donald Posner. 17th and 18th Century Art: Baroque Painting, Sculpture, Architecture. Englewood Cliffs, N.J., [1972], p. 303, colorpl. 45.

Saint-Paulien in Jean Ferré. Watteau. Madrid, [1972], vol. 1, pp. 151, 208, 215–16, 251, 264.

Yvonne Boerlin-Brodbeck Universität Basel. Antoine Watteau und das Theater. 1973, pp. 170, 173–76, 231, 256 n. 49.

Yu. Zolotov. Antoine Watteau. Leningrad [St. Petersburg], 1973, pp. 14, 25.

John Hayes. Gainsborough: Paintings and Drawings. London, 1975, p. 201, pl. 3 (detail of landscape).

Ronald Paulson. Emblem and Expression: Meaning in English Art of the Eighteenth Century. Cambridge, Mass., 1975, pp. 95–97, fig. 49.

Pierre Rosenberg. The Age of Louis XV: French Painting, 1710–1774. Exh. cat., Toledo Museum of Art. [Toledo], 1975, p. 85, no. 121, pl. 21, colorpl. 4.

Margaretta Salinger in "The Price Was Not Too High." The Chase, the Capture: Collecting at the Metropolitan. New York, 1975, pp. 198–200, fig. 50.

Oliver T. Banks Princeton University. Watteau and the North: Studies in the Dutch and Flemish Baroque Influence on French Rococo Painting. New York, 1977, pp. 121, 183–84, figs. 35, 119 (detail and whole).

Emmanuel Bondeville in "Watteau et la musique." Pèlerinage à Watteau. Exh. cat., Hôtel de la Monnaie. Paris, 1977, vol. 1, p. 101.

Martin P. Eidelberg Princeton University. Watteau's Drawings: Their Use and Significance. New York, 1977, pp. i–ii, 22–24, 28, fig. 8.

A. P. de Mirimonde. L'iconographie musicale sous les rois Bourbons: La musique dans les arts plastiques (XVIIe–XVIIIe siècles). 2, Paris, 1977, pp. 34–35.

Michel Sanvoisin in "Les musiciens de Watteau." Pèlerinage à Watteau. Exh. cat., Hôtel de la Monnaie. Paris, 1977, vol. 1, pp. 106–9.

Denys Sutton in Paris—New York: A Continuing Romance. Exh. cat., Wildenstein. New York, 1977, pp. 53–54, no. 54, fig. 31.

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, pp. 356, 367, fig. 664 (color).

Robert C. Williams. Russian Art and American Money, 1900–1940. Cambridge, Mass., 1980, pp. 149, 160–61, 180, 182.

Margaret Morgan Grasselli in Watteau, 1684–1721. Exh. cat., National Gallery of Art. Washington, 1984, p. 188.

François Moureau in Margaret Morgan Grasselli and Pierre Rosenberg. Watteau, 1684–1721. Exh. cat., National Gallery of Art. Washington, 1984, pp. 509–10, 528, 535–36, ill. (details).

Donald Posner. Antoine Watteau. Ithaca, N.Y., 1984, pp. 57–58, 206, 208, 224–25, 258, 288 n. 16, colorpl. 48.

Marianne Roland Michel. Watteau: An Artist of the Eighteenth Century. New York, 1984, pp. 156–58, 204, 266, 269, 272–73, fig. 144, colorpl. 38 (detail of head).

Pierre Rosenberg et al. in Watteau, 1684–1721. Exh. cat., National Gallery of Art. Washington, 1984, pp. 246, 362–65, no. 49, ill. fig. 10 (the Audran engraving), p. 363 (color).

Helmut Börsch-Supan. Watteau, 1684–1721: Führer zur Ausstellung im Schloß Charlottenburg. Exh. cat., Schloss Charlottenburg. [Berlin], 1985, pp. 80–81, no. 119, ill.

Denys Sutton. "Antoine Watteau—Enigmatic Ironist." Apollo 121 (March 1985), p. 156, ill. on cover (color).

Jacob Bean with the assistance of Lawrence Turcic. 15th–18th Century French Drawings in the Metropolitan Museum of Art. New York, 1986, p. 297.

Youri Zolotov. Antoine Watteau: Gemälde und Zeichnungen in sowjetischen Museen. Düsseldorf, 1986, pp. 10, 13, ill.

Yvonne Boerlin-Brodbeck in "La figure assise dans un paysage." Antoine Watteau (1684–1721): Le peintre, son temps et sa légende. Paris, 1987, p. 167, pl. 63.

Martin Eidelberg in "Watteau in the Atelier of Gillot." Antoine Watteau (1684–1721): Le peintre, son temps et sa légende. Paris, 1987, p. 55, pl. 63.

Florence Gétreau in "Watteau et la musique: Réalité et interprétations." Antoine Watteau (1684–1721): Le peintre, son temps et sa légende. Paris, 1987, p. 241, pl. 63, fig. 18 (detail).

Thierry Lefrançois. "L'influence d'Antoine Watteau sur l'oeuvre de Charles Coypel." Antoine Watteau (1684–1721): Le peintre, son temps et sa légende. Paris, 1987, p. 65, pl. 63.

Evanghélos A. Moutsopoulos. "Les structures de la temporalité chez Watteau." Antoine Watteau (1684–1721): Le peintre, son temps et sa légende. Paris, 1987, p. 147, pl. 63.

Kimerly Rorschach in Claude to Corot: The Development of Landscape Painting in France. Exh. cat., Colnaghi. New York, 1990, pp. 111–12, fig. 2.

Étienne Jollet. Watteau: Les fêtes galantes. Paris, 1994, pp. 54–56, ill. (color).

Nicole Garnier-Pelle. Chantilly, Musée Condé: Peintures du XVIIIe siècle. Paris, 1995, pp. 152–53.

Pierre Rosenberg and Louis-Antoine Prat. Antoine Watteau, 1684–1721: Catalogue raisonné des dessins. Milan, 1996, vol. 2, p. 1048.

Alan Wintermute. Watteau and His World: French Drawing from 1700 to 1750. Exh. cat., Frick Art Museum. London, 1999, p. 170, fig. 91.

Helmut Börsch-Supan. Antoine Watteau, 1684–1721. Cologne, 2000, pp. 124–25, ill. (color).

Julie Anne Plax. Watteau and the Cultural Politics of Eighteenth-Century France. Cambridge, 2000, pp. 131, 135, 138–39, fig. 52.

Renaud Temperini. Watteau. Paris, 2002, pp. 119, 146, no. 102, ill. (color).

Alan Wintermute in The Age of Watteau, Chardin, and Fragonard: Masterpieces of French Genre Painting. Exh. cat., National Gallery of Canada, Ottawa. New Haven, 2003, pp. 140–41, 357, no. 10, ill. (color).

Joseph Baillio et al. The Arts of France from François Ier to Napoléon Ier. Exh. cat., Wildenstein & Co., Inc. New York, [2005], pp. 53, 72, no. 24, ill.

Katja Schmitz-von Ledebur in Goya: Prophet der Moderne. Exh. cat., Alte Nationalgalerie [Berlin]. Cologne, 2005, pp. 66, 348, ill. (color).

Julie Anne Plax. "Belonging to the In Crowd: Watteau and the Bonds of Art and Friendship." French Genre Painting in the Eighteenth Century. Washington, 2007, pp. 53–54, 64–65, fig. 9.

Colin B. Bailey in French Art of the Eighteenth Century at The Huntington. [San Marino, Calif.], 2008, p. 342, fig. 130.

Katharine Baetjer in Watteau, Music, and Theater. Exh. cat., The Metropolitan Museum of Art. New York, 2009, pp. 44–47, no. 12, ill. (color) and color detail on dustjacket.

Georgia J. Cowart in Watteau, Music, and Theater. Exh. cat., The Metropolitan Museum of Art. New York, 2009, p. 13.

Perrin Stein in Watteau, Music, and Theater. Exh. cat., The Metropolitan Museum of Art. New York, 2009, pp. 82, 84.