London. Tate Gallery. "The Annenberg Collection," September 2–October 8, 1969, no. 9 (as Mont Sainte-Victoire).

Philadelphia Museum of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," May 21–September 17, 1989, unnumbered cat.

Washington. National Gallery of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," May 6–August 5, 1990, unnumbered cat.

Los Angeles County Museum of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," August 16–November 11, 1990, unnumbered cat.

New York. The Metropolitan Museum of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," June 4–October 13, 1991, unnumbered cat.

New York. The Metropolitan Museum of Art. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," September 13, 2006–January 7, 2007, no. 49.

John Rewald and Léo Marschutz. "Cézanne et la Provence." Le Point 4 (August 1936), ill. p. 22.

Lionello Venturi. Cézanne: son art—son oeuvre. Paris, 1936, vol. 1, pp. 64, 236, no. 804; vol. 2, pl. 266, no. 804.

Fritz Novotny. Cézanne und das Ende der Wissenschaftlichen Perspektive. Vienna, 1938, pp. 11–12, 204, no. 94.

Liliane Guerry. Cézanne et l'expression de l'espace. Paris, 1950, p. 194 n. 47.

Kurt Badt. The Art of Cézanne. [German ed., 1956]. Berkeley, 1965, pp. 163, 310.

C[harles]. F[erdinand]. Ramuz. Cézanne: Form. Lausanne, 1968, colorpl. 28.

M. Roy Fisher. The Annenberg Collection. Exh. cat., Tate Gallery. London, 1969, unpaginated, no. 9, ill. (color).

Sandra Orienti in L'opera completa di Cézanne. [French ed., 1975; English ed., 1985]. Milan, 1970, pp. 120–21, no. 765, ill.

François Daulte. "Une collection impressionniste à Regent's Park." L'Oeil (February 1974), pp. 40–41, figs. 8, 10.

A. Barskaya. Paul Cézanne. Leningrad [St. Petersburg], 1975, pp. 191, 198, ill.

Lawrence Gowing in Cézanne: The Late Work. Exh. cat., Museum of Modern Art. New York, 1977, p. 68.

Geneviève Monnier in Cézanne: The Late Work. Exh. cat., Museum of Modern Art. New York, 1977, p. 116.

Theodore Reff in Cézanne: The Late Work. Exh. cat., Museum of Modern Art. New York, 1977, p. 27, colorpl. 125.

John Rewald in Cézanne: The Late Work. Exh. cat., Museum of Modern Art. New York, 1977, p. 98.

Geneviève Monnier in Cézanne les dernières années (1895–1906). Exh. cat., Galeries Nationales du Grand Palais. Paris, 1978, p. 45.

and John Rewald Adrien Chappuis in Cézanne les dernières années (1895–1906). Exh. cat., Galeries Nationales du Grand Palais. Paris, April 20–July 23, 1978, p. 198.

Judith Wechsler. The Interpretation of Cézanne. Ann Arbor, Mich., 1981, p. 50.

Jean Arrouye in "Le dépassement de la nostalgie." Cézanne, ou la peinture en jeu. Limoges, 1982, p. 131.

John Rewald. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston, 1983, p. 239, under no. 594.

Robert Tiers. "Le testament de Paul Cézanne et l'inventaire des tableaux de sa succession, rue Boulegon à Aix en 1906." Gazette des beaux-arts 106 (November 1985), p. 178 n. 7.

Jacques Teboul. Les Victoires de Cézanne. Paris, 1988, p. 115, fig. 28 (color; overall and detail).

Denis Coutagne et al. Sainte-Victoire, Cézanne, 1990. Exh. cat., Musée Granet. Aix-en-Provence, 1990, colorpl. 204.

Jérôme Coignard. "Le Salon de peinture de Mr. et Mrs. Annenberg." Beaux arts no. 92 (July–August 1991), p. 69.

Joseph J. Rishel in Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection. Exh. cat., Philadelphia Museum of Art. Philadelphia, 1991, pp. 88–91, 187, ill. (color and b&w), figs. 136–37 (photograph circa 1935 and with lines to indicate the artist's additions) [1st edition has different page numbers].

Gary Tinterow. "Miracle au Met." Connaissance des arts no. 472 (June 1991), p. 39, ill. (color).

Götz Adriani Walter Feilchenfeldt in Cézanne: Gemälde. Exh. cat., Kunsthalle Tübingen. Cologne, 1993, p. 263 n. 1.

C. F. Ramuz. Paul Cézanne. Lausanne, 1995, p. 73, ill. (color).

Gary Tinterow in "Recent Acquisitions, A Selection: 1994–1995." Metropolitan Museum of Art Bulletin 53 (Fall 1995), pp. 4, 49, ill. (color).

Pavel Machotka. Cézanne: Landscape into Art. New Haven, 1996, p. 117.

John Rewald in collaboration with Walter Feilchenfeldt and Jayne Warman in The Paintings of Paul Cézanne: A Catalogue Raisonné. New York, 1996, vol. 1, pp. 536, 540, no. 915; vol. 2, p. 321, fig. 915.

Joseph J. Rishel et al. in Cézanne. Exh. cat., Philadelphia Museum of Art. Philadelphia, 1996, pp. 468–69, 579, fig. 1.

Ira Berkow. "Jewels in the Desert." Art News 97 (May 1998), pp. 148–49, ill. (color, installation photo).

Conversations with Cézanne. Berkeley, 2001, pp. 207–8.

Mario Maffi in "Cézanne e il 'segreto' di Hemingway." Il Cézanne degli scrittori dei poeti e dei filosofi. Milan, 2001, p. 205, fig. 21.

Hidemichi Tanaka. "Cézanne and Japonisme." Artibus et historiae 44 (2001), p. 219 n. 43.

Andrea Crawford. "Publisher, Collector, Philathropist." Art News 101 (November 2002), p. 106.

Jayne Warman in "A Dual Legacy: Cézanne - Rewald." Atelier Cézanne. [Aix-en-Provence], 2002, p. 173.

Gary Tinterow. "Recent Acquisitions, A Selection: 2002–2003." Metropolitan Museum of Art Bulletin 61 (Fall 2003), p. 35.

Joachim Pissarro. Pioneering Modern Painting: Cézanne & Pissarro 1865–1885. Exh. cat., Museum of Modern Art. New York, 2005, p. 69, fig. 64 (color).

Philip Conisbee in Philip Conisbee and Denis Coutagne. Cézanne in Provence. Exh. cat., National Gallery of Art. Washington, 2006, p. 2, fig. 1 (color).

Denis Coutagne. Cézanne en vérité(s). [Arles], 2006, pp. 491–93.

Ann Dumas in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. Exh. cat., The Metropolitan Museum of Art. New York, 2006, fig. 9 (color).

Jayne S. Warman in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. Exh. cat., The Metropolitan Museum of Art. New York, 2006, pp. 344–45, no. 49, ill.

Linda Nochlin. Courbet. New York, 2007, p. 221 n. 9.