New York. The Metropolitan Museum of Art. "The H. O. Havemeyer Collection," March 10–November 2, 1930, no. 6 (as "Landscape") [2nd ed., New York, 1958, no. 62].

New York. The Metropolitan Museum of Art. "Landscape Paintings," May 14–September 30, 1934, no. 54.

New York. World's Fair. "Masterpieces of Art: European & American Paintings, 1500–1900," May–October 1940, no. 342 (as "Mont Ste. Victoire").

Art Institute of Chicago. "Cézanne: Paintings, Watercolors & Drawings," February 7–March 16, 1952, no. 53.

New York. The Metropolitan Museum of Art. "Cézanne: Paintings, Watercolors & Drawings," April 4–May 18, 1952, no. 53.

New York. The Metropolitan Museum of Art. "Art Treasures of the Metropolitan," November 7, 1952–September 7, 1953, no. 149 [withdrawn early?].

Aix-en-Provence. Musée Granet. "Cézanne: Peintures, Aquarelles, Dessins," July 3–August 5, 1953, no. 14.

Musée des Beaux-Arts, Nice. "Cézanne: Peintures, Aquarelles, Dessins," August 8–September 12, 1953, no. 14.

Grenoble. Musée de Peinture et de Sculpture. "Cézanne: Peintures, Aquarelles, Dessins," September 15–November 1, 1953, no. 14.

Museum of Fine Arts, Boston. "Masterpieces of Painting in The Metropolitan Museum of Art," September 16–November 1, 1970, unnumbered cat. (p. 81).

New York. The Metropolitan Museum of Art. "Impressionism: A Centenary Exhibition," December 12, 1974–February 10, 1975, not in catalogue.

Athens. National Pinakothiki, Alexander Soutzos Museum. "Treasures from The Metropolitan Museum of Art, New York: Memories and Revivals of the Classical Spirit," August 15–November 15, 1979, no. 102.

Aix-en-Provence. Musée Granet. "Cézanne," June 12–August 31, 1982, no. 4.

Naples. Museo di Capodimonte. "Capolavori Impressionisti dei Musei Americani," December 3, 1986–February 1, 1987, no. 5.

Milan. Pinacoteca di Brera. "Capolavori Impressionisti dei Musei Americani," March 4–May 10, 1987, no. 5.

Edinburgh. National Gallery of Scotland. "Cézanne and Poussin: The Classical Vision of Landscape," August 1–October 19, 1990, no. 38.

New York. The Metropolitan Museum of Art. "Splendid Legacy: The Havemeyer Collection," March 27–June 20, 1993, no. A74 (as "Mont Sainte-Victoire and the Viaduct of the Arc River Valley").

Paris. Galeries Nationales du Grand Palais. "Cézanne," September 25, 1995–January 7, 1996, no. 89 (as "La Montagne Sainte-Victoire vue de Bellevue").

London. Tate Gallery. "Cézanne," February 8–April 28, 1996, no. 89.

Philadelphia Museum of Art. "Cézanne," May 30–September 1, 1996, no. 89.

Paris. Musée d'Orsay. "La collection Havemeyer: Quand l'Amérique découvrait l'impressionnisme...," October 20, 1997–January 18, 1998, no. 37.

Musée de Grenoble. "Le sentiment de la montagne," March 1–June 1, 1998, no. 208.

Washington. National Gallery of Art. "Cézanne in Provence," January 29–May 7, 2006, no. 67 (as "Montagne Sainte-Victoire Seen from Montbriand").

Aix-en-Provence. Musée Granet. "Cézanne in Provence," June 9–September 17, 2006, no. 67 (as "Montagne Sainte-Victoire Seen from Montbriand").

New York. The Metropolitan Museum of Art. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," September 13, 2006–January 7, 2007, no. 36.

Art Institute of Chicago. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," February 17–May 13, 2007, no. 36.

Paris. Musée d'Orsay. "De Cézanne à Picasso: Chefs d'oeuvre de la galerie Vollard," June 19–September 16, 2007, no. 26.

Philadelphia Museum of Art. "Cézanne and Beyond," February 26–May 31, 2009, unnumbered cat. (pl. 199).

"Havemeyer Collection at Metropolitan Museum: Havemeyers Paid Small Sums for Masterpieces." Art News 28 (March 15, 1930), p. 43, ill.

Alan Burroughs. "The Links of Tradition: A Study of the H. O. Havemeyer Collection." Creative Art 7 (November 1930), pp. 333–34, 337, ill.

Frank Jewett Mather Jr. "The Havemeyer Pictures." The Arts 16 (March 1930), pp. 450, 469, 483, ill.

"The H. O. Havemeyer Collection." Parnassus 2 (March 1930), p. 7.

Harry B. Wehle. "The Exhibition of the H. O. Havemeyer Collection." Metropolitan Museum of Art Bulletin 25 (March 1930), p. 58.

H. O. Havemeyer Collection: Catalogue of Paintings, Prints, Sculpture and Objects of Art. n.p., 1931, pp. 56–57, ill.

Élie Faure. Cézanne. Paris, [1936], fig. 9.

Lionello Venturi. Cézanne: son art—son oeuvre. Paris, 1936, vol. 1, p. 162, no. 452; vol. 2, pl. 132, no. 452.

Ambroise Vollard. Recollections of a Picture Dealer. London, 1936, p. 142.

Sam A. Lewisohn. Painters and Personality: A Collector's View of Modern Art. [New York], 1937, pl. 17.

Fritz Novotny. Cézanne. Vienna, 1937, p. 10, no. 43, pl. 43.

Ambroise Vollard. Paul Cézanne: His Life and Art. [2nd English ed.]. New York, 1937, ill. opp. p. 54 (color).

Robert J. Goldwater. "Cézanne in America: The Master's Paintings in American Collections." Art News, section I (The 1938 Annual), 36 (March 26, 1938), p. 154.

Fritz Novotny. Cézanne und das Ende der Wissenschaftlichen Perspektive. Vienna, 1938, pp. 11, 21, 49, 94 n. 89, p. 203, no. 85.

Albert C. Barnes and Violette De Mazia. The Art of Cézanne. New York, 1939, pp. 357, 412, no. 95.

R. E. Turpin. "Cézanne Still Dominates the Era He Launched." New York Times Magazine (January 15, 1939), ill. p. 6.

Alfred M. Frankfurter. "383 Masterpieces of Art." Art News, (The 1940 Annual), 38 (May 25, 1940), pp. 43, 64, 66, ill.

Erle Loran. Cézanne's Composition: Analysis of His Form with Diagrams and Photographs of His Motifs. [2nd ed., 1946]. Berkeley, 1943, p. 124.

Edward Alden Jewell. Paul Cézanne. New York, 1944, ill. p. 18.

Göran Schildt. Cézanne. Stockholm, 1946, fig. 5.

Bernard Dorival. Cézanne. Fr. ed. [Eng. ed., New York, 1948]. Paris, 1948, pp. 54, 159, pl. 88.

Fritz Novotny. Cézanne. New York, 1948, pl. 39.

Liliane Guerry. Cézanne et l'expression de l'espace. Paris, 1950, pp. 193–94 n. 47.

Erle Loran. "Cézanne in 1952." Art Institute of Chicago Quarterly 46 (February 1, 1952), ill. pp. 10–11.

Art Treasures of the Metropolitan: A Selection from the European and Asiatic Collections of The Metropolitan Museum of Art. Exh. cat., The Metropolitan Museum of Art. New York, 1952, p. 233, no. 149, colorpl. 149.

Meyer Schapiro. Paul Cézanne. 1st ed. New York, 1952, pp. 27, 66–67, 74, ill. (color).

Benjamin Storey. "Retrospettiva Cézanne." Emporium 115 (May 1952), ill. p. 198.

Bernard Berenson. Seeing and Knowing. New York, 1953, pp. 37, 48, pl. 88.

Theodore Rousseau Jr. Paul Cézanne (1839–1906). [English ed., New York, 1953]. Amsterdam, 1954, unpaginated, colorpl. 12.

Charles Biederman. The New Cézanne: From Monet to Mondriaan. Red Wing, Minn., 1958, pp. 36–37, 39, figs. 11 and 12.

John Rewald. Cézanne, Landscapes. [French ed., Paris, 1958]. New York, 1958, pl. 1.

"Cézanne." Sele arte 9 (September–October 1961), fig. 121.

Michael Levey. A Concise History of Painting from Giotto to Cézanne. London, 1962, p. 310, pl. 547 (color).

Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, pp. 107–8, ill.

Richard W. Murphy et al. The World of Cézanne: 1839–1906. New York, 1968, pp. 154–55, ill. (color).

Margaretta M. Salinger. "Windows Open to Nature." Metropolitan Museum of Art Bulletin 27 (Summer 1968), p. 41, ill.

James White. National Gallery of Ireland. New York, 1968, p. 80.

Frank Elgar. Cézanne. New York, [1969], pp. 141, 216.

Chuji Ikegami. Cézanne. Tokyo, 1969, p. 120, no. 23, ill. (b&w and color [overall and detail]).

Sandra Orienti in L'opera completa di Cézanne. [French ed., 1975; English ed., 1985]. Milan, 1970, p. 106, no. 436, ill.

Edith A. Standen in Masterpieces of Painting in The Metropolitan Museum of Art. Exh. cat., Museum of Fine Arts, Boston. New York, [1970], p. 81, ill. (color).

Adrien Chappuis. The Drawings of Paul Cézanne: A Catalogue Raisonné. Greenwich, Conn., 1973, vol. 1, p. 216, under no. 896.

Meyer Schapiro. P. Cézanne. Paris, 1973, unpaginated, colorpl. 18.

René Huyghe Lydie Huyghe in La Relève du réel: la peinture française au XIXe siècle: impressionnisme, symbolisme. Paris, 1974, fig. 190.

Nicholas Wadley. Cézanne and His Art. London, 1975, p. 71, pl. 69 (color).

Georges A. Embiricos. "Cézanne et la répétition." Connaissance des arts no. 315 (May 1978), pp. 68–70, ill. (color).

James David Draper and Joan R. Mertens. Treasures from The Metropolitan Museum of Art, New York: Memories and Revivals of the Classical Spirit. Exh. cat., National Pinakothiki, Alexander Soutzos Museum. Athens, 1979, pp. 260–61, no. 102, ill. (color).

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, p. 430, fig. 774 (color).

John Rewald. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston, 1983, p. 142, under nos. 239 and 240.

Richard Shiff. Cézanne and the End of Impressionism. Chicago, 1984, pp. 121, 216–18, figs. 28 and 55.

Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art. New York, 1985, pp. 192–93, 254, ill. (color).

John Rewald. Cézanne: A Biography. New York, 1986, pp. 157, 276, no. 157, ill. (color).

Frances Weitzenhoffer. The Havemeyers: Impressionism Comes to America. New York, 1986, pp. 142–43, 256, pl. 108.

Gary Tinterow et al. Capolavori impressionisti dei musei americani. Exh. cat., Museo di Capodimonte, Naples. Milan, 1987, pp. 20–21, no. 5, ill. (color).

Gary Tinterow et al. "Modern Europe." The Metropolitan Museum of Art. 8, New York, 1987, p. 48, colorpl. 29.

Cézanne by Himself: Drawings, Paintings, Writings. London, 1988, ill. p. 144 (color).

John Rewald with the research assistance of Frances Weitzenhoffer in Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. The A. W. Mellon Lectures in the Fine Arts, Princeton, 1989, pp. 125, 128 n. 44, pp. 311, 347, fig. 70.

Denis Coutagne et al. Sainte-Victoire, Cézanne, 1990. Exh. cat., Musée Granet. Aix-en-Provence, 1990, pp. 113–15, 200, 318, 321, 355, colorpl. 65 (overall and detail).

Anne Distel. Impressionism: The First Collectors. New York, 1990, p. 242.

Hajo Düchting. Paul Cézanne: Bilder eines Berges. Munich, 1990, pp. 12, 59, colorpl. 1.

Hajo Düchting. Paul Cézanne 1839–1906: Natur wird Kunst. [Eng. ed., 1999]. Cologne, 1990, pp. 116, 119, ill. (color).

Brett Gorvy. "Exhibition Preview: Cézanne and Poussin." Antique Collector 61 (August 1990), ill. p. 17 (color).

Lawrence Gowing. "Edinburgh: Cézanne and Poussin." Burlington Magazine 132 (October 1990), p. 733, fig. 63.

Christoph Jamme. "The Loss of Things: Cézanne—Rilke—Heidegger." Kunst & Museumjournaal 2, no. 1 (1990), ill. p. 39.

Richard Verdi. Cézanne and Poussin: The Classical Vision of Landscape. Exh. cat., National Gallery of Scotland. Edinburgh, 1990, pp. 7, 35–37, 50, 137–39, 141, 143, 149, 181, 193, no. 38, ill. in color (fig. 16 and detail on cover).

Götz Adriani Walter Feilchenfeldt in Cézanne: Gemälde. Exh. cat., Kunsthalle Tübingen. Cologne, 1993, p. 117 n. 1, p. 214 n. 1, p. 260 n. 1.

Richard Kendall. "The Figure in the Landscape." Cézanne & Poussin: A Symposium. Sheffield, 1993, p. 88, colorpl. 15.

Susan Alyson Stein in Splendid Legacy: The Havemeyer Collection. Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. 230.

Gary Tinterow. "The Havemeyer Pictures." Splendid Legacy: The Havemeyer Collection. Exh. cat., The Metropolitan Museum of Art. New York, 1993, pp. 47–48, colorpl. 51.

Gretchen Wold in Splendid Legacy: The Havemeyer Collection. Exh. cat., The Metropolitan Museum of Art. New York, 1993, pp. 303–4, no. A74, ill.

Belinda Thomson. The Post-Impressionists. 2nd ed., reprint [1st ed. London, 1983; 2nd ed., 1990]. London, 1994, pp. 160, 164, fig. 164 (color).

Maria Teresa Benedetti. Cézanne. [Italian ed., 1995]. Paris, 1995, p. 157, ill. (color).

Charles de Lartigue. Les paysages de Paul Cézanne. Lyons, 1995, pp. 107, 114, ill. (color).

Alan Riding. "Cézanne: The Hot New Artist of the 90's." New York Times (October 24, 1995), ill. p. C13.

Karen Wilkin. "Cézanne at the Grand Palais." New Criterion 14 (December 1995), p. 16.

Linda Nochlin. "Cézanne: Studies in Contrast." Art in America 84 (June 1996), p. 64, ill. p. 65 (color).

John Rewald in collaboration with Walter Feilchenfeldt and Jayne Warman in The Paintings of Paul Cézanne: A Catalogue Raisonné. New York, 1996, vol. 1, pp. 346–49, 569–70, 572–73, no. 511; vol. 2, p. 165, fig. 511.

Joseph J. Rishel et al. in Cézanne. Exh. cat., Philadelphia Museum of Art. Philadelphia, 1996, pp. 252–53, 259–60, 264, 266, 310, 574, no. 89, ill. (color) [French ed., "Cézanne," Paris, RdMN, 1995, pp. 252–53, 259–60, 263, 266, 310, 574, no. 89, ill. (color)].

Gary Tinterow in La collection Havemeyer: Quand l'Amérique découvrait l'impressionnisme. Exh. cat., Musée d'Orsay. Paris, 1997, p. 71, 106, no. 37, ill. (color).

Erik Verhagen in Le sentiment de la montagne. Exh. cat., Musée de Grenoble. Grenoble, 1998, p. 251, no. 208, ill.

Impressionist, Nineteenth and Twentieth Century Works on Paper. Christie's, London. July 1, 1999, p. 28 (under no. 831).

Friedrich Teja Bach in Cézanne: Finished, Unfinished. Exh. cat., Kunstforum Wien. 2000, p. 304, fig. 1.

Maria Teresa Benedetti. Cézanne: il padre dei moderni. Exh. cat., Complesso del Vittoriano. Rome, 2002, p. 74.

George S. Keyes. "Reconsideration of Late Variants of Cézanne's Theme of Mont Sainte-Victoire." Bulletin of the Detroit Institute of Arts 77 (2003), pp. 34, 37 n. 6.

Philip Conisbee. "Watercolours by Cézanne." Burlington Magazine 147 (January 2005), p. 70 n. 2.

Richard R. Brettell and Stephen F. Eisenman. Nineteenth-Century Art in the Norton Simon Museum. 1, New Haven, 2006, pp. 305–6, n. 4.

Philip Conisbee in Philip Conisbee and Denis Coutagne. Cézanne in Provence. Exh. cat., National Gallery of Art. Washington, 2006, pp. 16, 18, 284.

Denis Coutagne. Cézanne en vérité(s). [Arles], 2006, pp. 474–75, 512 nn. 175, 182.

Bruno Ely in Philip Conisbee and Denis Coutagne. Cézanne in Provence. Exh. cat., National Gallery of Art. Washington, 2006, pp. 159, 319, 339 n. 17, no. 67, colorpl. 67.

Anne Roquebert in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. Exh. cat., The Metropolitan Museum of Art. New York, 2006, p. 227, fig. 239 (color) [French ed., "De Cézanne à Picasso: Chefs-d'oeuvre de la galerie Vollard," Paris, 2007, p. 328, ill. p. 243 (color)].

Jayne S. Warman in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. Exh. cat., The Metropolitan Museum of Art. New York, 2006, pp. 339–40, no. 36, ill.

Linda Nochlin. Courbet. New York, 2007, pp. 188–89, fig. 79.

Gary Tinterow in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 126, 220, no. 115, ill. (color and bw).

Anabelle Kienle in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, p. 318.

Katherine Sachs in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, p. 532, pl. 199 (color).

Michael R. Taylor in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, p. 559 n. 31.