Inscribed (edge of woman's cuff): lealt[a] (loyalty)

London. Royal Academy of Arts. "Winter Exhibition," 1877, no. 181.

New York. The Metropolitan Museum of Art. "Exhibition of 1888–89," 1888–89, no. 24.

New York. The Metropolitan Museum of Art. "Florentine Paintings in the Metropolitan Museum," June 15–August 15, 1971, no catalogue.

Washington. National Gallery of Art. "Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women," September 30, 2001–January 6, 2002, no. 3.

Milan. Pinacoteca di Brera. "Fra Carnevale: un artista rinascimentale da Filippo Lippi a Piero della Francesca," October 13, 2004–January 9, 2005, no. 4.

New York. The Metropolitan Museum of Art. "From Filippo Lippi to Piero della Francesca: Fra Carnevale and the Making of a Renaissance Master," February 1–May 1, 2005, no. 4.

London. Victoria and Albert Museum. "At Home in Renaissance Italy," October 6, 2006–January 7, 2007, no. 141.

New York. The Metropolitan Museum of Art. "Art and Love in Renaissance Italy," November 11, 2008–February 16, 2009, no. 118.

Fort Worth. Kimbell Art Museum. "Art and Love in Renaissance Italy," March 15–June 14, 2009, no. 118.

Catalogue of Paintings Purchased by the Rev. John Sanford During his Residence in Italy: 1830 and Following Years. n.d., no. 167 [see Ref. Nicolson 1955].

Catalogue Raisonné of Pictures etc. the Property of the Rev. John Sanford. London, 1847, no. 1 [see Ref. Nicolson 1955].

Exhibition of Works by the Old Masters and by Deceased Masters of the British School. Exh. cat., Royal Academy of Arts. London, 1877, p. 33, no. 181.

W. Bode. "Alte Kunstwerke in den Sammlungen der Vereinigten Staaten." Zeitschrift für bildende Kunst, n.s., 6, no. 1 (1895), p. 17.

B[ernard]. Berenson. "Les peintures italiennes de New-York et de Boston." Gazette des beaux-arts, 3rd ser., 15 (March 1896), p. 200.

Bernhard Berenson. The Florentine Painters of the Renaissance. New York, 1896, p. 129.

Catalogue of the Paintings in the Metropolitan Museum of Art. New York, 1905, p. 115, no. 256.

Bernhard Berenson. The Florentine Painters of the Renaissance. 3rd ed. New York, 1909, p. 186.

Joseph Breck. "A Double Portrait by Fra Filippo Lippi." Art in America 2 (December 1913), pp. 44–55, fig. 1.

Wilhelm Bode. "Letter to the editor." Art in America 2 (June 1914), p. 322.

Joseph Breck. "Letter to the editor." Art in America 2 (February 1914), pp. 170–73.

Bryson Burroughs. Catalogue of Paintings. 1st ed. New York, 1914, p. 131.

Frank Jewett Mather, Jr. "Letter to the editor." Art in America 2 (August 1914), p. 379.

Frank Jewett Mather, Jr. "Letter to the editor." Art in America 2 (February 1914), pp. 169–70.

August Schmarsow. Sandro del Botticello. Dresden, 1923, pp. 54–56.

Raimond van Marle. "The Renaissance Painters of Florence in the 15th Century." The Development of the Italian Schools of Painting. 10, The Hague, 1928, pp. 237, 240, 459–60 n. 2, fig. 156.

[Georg] Gronau in Allgemeines Lexikon der bildenden Künstler. 23, Leipzig, 1929, p. 273.

Philippe Soupault. Paolo Uccello. Paris, 1929, pp. 21–23, 26, pl. VIII.

Lionello Venturi. "Paolo Uccello." L'arte 33 (January 1930), p. 69 n. 1.

B[ernard]. Berenson. "Fra Angelico, Fra Filippo, e la cronologia." Bollettino d'arte 26 (August 1932), pp. 53, 66, fig. 36.

Bernhard Berenson. Italian Pictures of the Renaissance. Oxford, 1932, p. 288.

Georg Pudelko. "Florentiner Porträts der Frührenaissance." Pantheon 15 (January–June 1935), p. 96, ill. p. 95.

Mario Salmi. Paolo Uccello, Andrea del Castagno, Domenico Veneziano. Rome, [1935], p. 87 [French ed., 1937, p. 94].

Bernhard Berenson. Pitture italiane del rinascimento. Milan, 1936, p. 247.

Jean Lipman. "The Florentine Profile Portrait in the Quattrocento." Art Bulletin 18 (March 1936), p. 68 n. 23, pp. 88, 91, 96, 101, fig. 10.

Georg Pudelko. "Per la datazione delle opere di Fra Filippo Lippi." Rivista d'arte 18 (1936), p. 67 n. 2.

F. Mason Perkins. Letter. March 24, 1938.

Richard Offner. "The Barberini Panels and their Painter." Medieval Studies in Memory of A. Kingsley Porter. 1, Cambridge, Mass., 1939, p. 220, fig. 12.

Harry B. Wehle. The Metropolitan Museum of Art: A Catalogue of Italian, Spanish, and Byzantine Paintings. New York, 1940, pp. 29–30, ill.

Robert Oertel. Fra Filippo Lippi. Vienna, 1942, pp. 48, 76, fig. 119.

Millia Davenport. The Book of Costume. New York, 1948, vol. 1, pp. 250, 252, no. 703, ill. p. 251 (cropped).

Luigi Coletti. Letter. December 29, 1949.

Mary Pittaluga. Filippo Lippi. Florence, 1949, p. 209, fig. 73.

r[oberto]. l[onghi]. "Quadri italiani di Berlino a Sciaffusa (1951)." Paragone 3 (September 1952), p. 43.

Ludwig Goldscheider. Letter to Margaretta Salinger. October 7, 1954.

Benedict Nicolson. "The Sanford Collection." Burlington Magazine 97 (July 1955), pp. 208–9, 213, no. 29.

Millard Meiss in "Jan van Eyck and the Italian Renaissance." Venezia e l'Europa: atti del XVIII congresso internazionale di storia dell'arte. Venice, 1956, p. 63, fig. 11.

Bernard Berenson. Italian Pictures of the Renaissance: Florentine School. London, 1963, vol. 1, p. 113.

John Pope-Hennessy. The Portrait in the Renaissance. Princeton, 1966, pp. 41, 44, 48, 59, 309 n. 63, fig. 41.

Josée Mambour. "L'évolution esthétique des profils florentins du Quattrocento." Revue belge d'archéologie et d'histoire de l'art 38 (1969), p. 47, fig. 2.

Bernard Berenson. Homeless Paintings of the Renaissance. Bloomington, 1970, pp. 233, 253, fig. 407 [same text as Ref. Berenson (Bollettino d'arte) 1932].

Everett Fahy. "Florentine Paintings in the Metropolitan Museum: An Exhibition and a Catalogue." Metropolitan Museum of Art Bulletin 29 (June 1971), p. 434, ill.

Everett Fahy. "Letter from New York: Florentine Paintings at the Metropolitan." Apollo 94 (August 1971), p. 152, fig. 3.

Lucia Tongiorgi Tomasi in L'opera completa di Paolo Uccello. Milan, 1971, p. 102, no. 87, ill.

Federico Zeri with the assistance of Elizabeth E. Gardner. Italian Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art, Florentine School. New York, 1971, pp. 85–87, ill.

Burton B. Fredericksen and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972, pp. 106, 522, 605.

Bernard Berenson. Looking at Pictures with Bernard Berenson. New York, 1974, pp. 154–55, ill. [same text as Ref. Berenson (Bollettino d'arte) 1932].

Giuseppe Marchini. Filippo Lippi. Milan, 1975, pp. 96, 103, 167, 203–4, no. 19, fig. 38.

Francis Ames-Lewis. "Fra Filippo Lippi and Flanders." Zeitschrift für Kunstgeschichte 42 (1979), p. 269, fig. 16.

Sheldon Grossman. "Ghirlandaio's 'Madonna and Child' in Frnakfurt and Leonardo's Beginnings as a Painter." Städel-Jahrbuch, n.s., 7 (1979), pp. 117, 125 nn. 47–48, fig. 25.

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, pp. 227, 232–33, fig. 404 (color).

John Pope-Hennessy and Keith Christiansen. "Secular Painting in 15th-Century Tuscany: Birth Trays, Cassone Panels, and Portraits." Metropolitan Museum of Art Bulletin 38 (Summer 1980), pp. 56–57, 59–61, fig. 50, ill. front and back covers (color, overall and detail).

Jeffrey Ruda Harvard University. Filippo Lippi Studies: Naturalism, Style and Iconography in Early Renaissance Art. New York, 1982, p. 36 n. 40, pp. 102, 129 n. 19, p. 131 n. 39.

Liana Castelfranchi Vegas. Italia e Fiandra nella pittura del quattrocento. Milan, 1983, p. 192.

John Pope-Hennessy. "Roger Fry and The Metropolitan Museum of Art." Oxford, China, and Italy: Writings in Honour of Sir Harold Acton on his Eightieth Birthday. London, 1984, p. 231.

Jeffrey Ruda. "Flemish Painting and the Early Renaissance in Florence: Questions of Influence." Zeitschrift für Kunstgeschichte 47, no. 1 (1984), pp. 224–25, fig. 12.

Roberto Salvini. Banchieri fiorentini e pittori di Fiandria. Modena, 1984, pp. 14–15, 56, fig. 20.

Sixten Ringbom. "Filippo Lippis New Yorker Doppelporträt: Eine Deutung der Fenstersymbolik." Zeitschrift für Kunstgeschichte 48, no. 2 (1985), pp. 133–37, fig. 1.

Robert Baldwin. "'Gates Pure and Shining and Serene': Mutual Gazing as an Amatory Motif in Western Literature and Art." Renaissance and Reformation, n.s., 10, no. 1 (1986), pp. 30, 33, 35, 46 n. 35, fig. 1.

Robert Baldwin. "A Window from the Song of Songs in Conjugal Portraits by Fra Filippo Lippi and Bartholomäus Zeitblom." Source: Notes in the History of Art 5 (Winter 1986), pp. 7–14, fig. 1.

Dieter Jansen. "Fra Filippo Lippis Doppelbildnis im New Yorker Metropolitan Museum." Wallraf-Richartz-Jahrbuch 48/49 (1987–88), pp. 97–121, fig. 1.

"Renaissance Revisionism: A Fra Filippo Lippi Portrait in the Met is Re-read." Journal of Art 1 (February–March 1989), p. 29.

Brigitte Tietzel. "Neues vom 'Meister des Schafsnasen': Überlegungen zum New Yorker Doppelbildnis des florentiner Quattrocento." Wallraf-Richartz-Jahrbuch 52 (1991), pp. 17–42, fig. 1.

Patricia Simons. "Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture." The Expanding Discourse : Feminism and Art History. New York, 1992, pp. 43, 50, 54 n. 37, fig. 3.

Jeffrey Ruda. Fra Filippo Lippi: Life and Work, with a Complete Catalogue. London, 1993, pp. 71, 85, 88, 130, 182, 277, 350 n. 19 (from p. 349), pp. 379, 385–86, 413, 468, 510–11, no. 16, colorpls. 45–46 (overall and detail), pl. 217.

Miklós Boskovits. Immagini da meditare: ricerche su dipinti di tema religioso nei secoli XII-XV. Milan, 1994, p. 423 n. 38.

Frank Zöllner. Leonardo da Vinci, Mona Lisa: Das Porträt der Lisa del Giocondo, Legende und Geschichte. Frankfurt am Main, 1994, pp. 32–33, fig. 14.

Marga Cottino-Jones. "The Pen and the Brush: Woman Portraiture in the Renaissance." Da una riva e dall'altra: Studi in onore di Antonio d'Andrea. Florence, 1995, pp. 219–21, fig. 4.

Carole Collier Frick. "Dressing a Renaissance City: Society, Economics and Gender in the Clothing of Fifteenth-Century Florence." PhD diss., University of California at Los Angeles, 1995, p. 403, fig. 48.

Chiara Lachi. Il Maestro della Natività di Castello. Florence, 1995, p. 71, ill. p. 120.

Gloria Fossi in Il ritratto: Gli artisti, i modelli, la memoria. Florence, 1996, p. 63, fig. 79.

Dominique Thiébaut in "Un chef-d'œuvre restauré: le 'Portrait d'un vieillard et d'un jeune garçon' de Domenico Ghirlandaio (1449–1494)." Revue du Louvre 3 (June 1996), p. 49, fig. 11.

Jennifer E. Craven. "A New Historical View of the Independent Female Portrait in Fifteenth-Century Florentine Painting." PhD diss., University of Pittsburgh, 1997, pp. 215–23, no. 2, fig. 2.

Petra Kathke. Porträt und Accessoire: Eine Bildnisform im 16. Jahrhundert. Berlin, 1997, pp. 148, 303–4, fig. 98.

Maria Pia Mannini and Marco Fagioli. Filippo Lippi. Florence, 1997, pp. 92–93, no. 12, ill.

Paola Tinagli. Women in Italian Renaissance Art: Gender, Representation, Identity. Manchester, 1997, pp. 52–53, fig. 14.

Everett Fahy in "How the Pictures Got Here." From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art. Exh. cat., The Metropolitan Museum of Art. New York, 1998, p. 65.

Kathleen Weil-Garris Brandt. Leonardo e la scultura. Florence, 1999, pp. 34–35, fig. 78.

Megan Holmes. Fra Filippo Lippi: The Carmelite Painter. New Haven, 1999, pp. 128–29, 134–35, 268 nn. 59–60, 64, 70, figs. 113, 115 (color, overall and detail).

Gigetta Dalli Regoli. Il gesto e la mano: convenzione e invenzione nel linguaggio figurativo fra Medioevo e Rinascimento. [Florence], 2000, pp. 28–29, fig. 35 (detail).

Alison Wright. "The Memory of Faces: Representational Choices in Fifteenth-Century Florentine Portraiture." Art, Memory, and Family in Renaissance Florence. Cambridge, 2000, p. 96, fig. 15.

David Alan Brown in Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women. Exh. cat., National Gallery of Art. Washington, 2001, pp. 106–9, 172, 174 n. 7, p. 190, no. 3, ill. (color, overall and detail).

Roberta Orsi Landini and Mary Westerman Bulgarella in Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women. Exh. cat., National Gallery of Art. Washington, 2001, pp. 93–94.

Joanna Woods-Marsden in Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women. Exh. cat., National Gallery of Art. Washington, 2001, pp. 65, 67, 84 n. 22.

Carole Collier Frick. Dressing Renaissance Florence: Families, Fortunes, & Fine Clothing. Baltimore, 2002, pp. 192, 194, fig. 9.3.

Miklós Boskovits in Italian Paintings of the Fifteenth Century. Washington, 2003, p. 179 n. 27.

David Alan Brown in Italian Paintings of the Fifteenth Century. Washington, 2003, p. 366 n. 38.

Paula Nuttall. From Flanders to Florence: The Impact of Netherlandish Painting, 1400–1500. New Haven, 2004, pp. 22, 212, 288 nn. 82, 83, colorpl. 227.

Carl Brandon Strehlke. Italian Paintings 1250–1450 in the John G. Johnson Collection and the Philadelphia Museum of Art. Philadelphia, 2004, p. 382 n. 4.

Keith Christiansen in From Filippo Lippi to Piero della Francesca: Fra Carnevale and the Making of a Renaissance Master. Exh. cat., The Metropolitan Museum of Art. New York, 2005, pp. 52, 147, 150–53, 166, 178, no. 4, ill. (color, overall and detail) [Italian ed., "Fra Carnevale . . . ," Milan, 2004, pp. 52, 147–48, 150–53, 166, 178, no. 4, ill. (color, overall and detail)].

Luke Syson. "Fra Carnevale." Burlington Magazine 147 (February 2005), p. 137.

Barnaby Nygren. "'We first pretend to stand at a certain window': Window as Pictorial Device and Metaphor in the Paintings of Filippo Lippi." Source: Notes in the History of Art 26 (Fall 2006), pp. 16, 20–21, fig. 3.

Silvana Seidel Menchi. "Cause matrimoniali e iconografia nuziale: annotazioni in margine a una ricerca d'archivio." I tribunali del matrimonio (secoli XV–XVIII). Bologna, 2006, pp. 672–75, fig. 3 (detail).

Luke Syson in At Home in Renaissance Italy. Exh. cat., Victoria and Albert Museum. London, 2006, pp. 97–98, 361, 374 n. 58, no. 141, colorpl. 6.8.

Esmée Quodbach. "The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art." Metropolitan Museum of Art Bulletin 65 (Summer 2007), pp. 12, 14, fig. 10 (print of Marquand gallery).

Nancy Edwards in Art and Love in Renaissance Italy. Exh. cat., The Metropolitan Museum of Art. New York, 2008, pp. 255–56, no. 118, ill. (color).

Everett Fahy in Art and Love in Renaissance Italy. Exh. cat., The Metropolitan Museum of Art. New York, 2008, pp. 18, 26 n. 8, fig. 4 (color detail).

Hugh Hudson. Paolo Uccello: Artist of the Florentine Renaissance Republic. Saarbrücken, Germany, 2008, pp. 331–32, no. 63.

Deborah L. Krohn in Art and Love in Renaissance Italy. Exh. cat., The Metropolitan Museum of Art. New York, 2008, pp. 9, 103, 124.

Christina Neilson. Parmigianino's "Antea": A Beautiful Artifice. Exh. cat., Frick Collection. New York, 2008, pp. 43–44, 67–68 nn. 301–3, fig. 38 (color).

Paula Bradstreet Richter in Wedded Bliss: The Marriage of Art and Ceremony. Exh. cat., Peabody Essex Museum. Salem, Mass., 2008, p. 50, fig. 9 (color).