Exhibition History New York. The Metropolitan Museum of Art. "The H. O. Havemeyer Collection," March 10–November 2, 1930, no. 8 [2nd ed., 1958, no. 64].
Philadelphia. Pennsylvania Museum of Art. "Cézanne," November 10–December 10, 1934, no. 42.
San Francisco Museum of Art. "Paul Cézanne: Exhibition of Paintings, Water-colors, Drawings and Prints," September 1–October 4, 1937, no. 31.
New York. Wildenstein & Co., Inc.. "Six Masters of Post-Impressionism," April 8–May 8, 1948, no. 9.
Detroit Institute of Arts. "Thirty-Eight Great Paintings from The Metropolitan Museum of Art," October 2–October 28, 1951, no catalogue.
Art Gallery of Toronto. "Thirty-Eight Great Paintings from The Metropolitan Museum of Art," November 14–December 12, 1951, no catalogue.
City Art Museum of St. Louis. "Thirty-Eight Great Paintings from The Metropolitan Museum of Art," January 6–February 4, 1952, no catalogue.
Seattle Art Museum. "Thirty-Eight Great Paintings from The Metropolitan Museum of Art," March 1–June 30, 1952, no catalogue.
West Palm Beach, Fla. Norton Gallery and School of Art. "French Painting—David to Cézanne," February 4–March 1, 1953, no. 24.
Coral Gables, Fla. Lowe Gallery. "French Painting—David to Cézanne," March 11–31, 1953, no. 24.
Hartford. Wadsworth Atheneum. "Twentieth Century Painting from Three Cities," October 19–December 4, 1955, no. 9.
Berlin. Schloss Charlottenburg. "Die Ile de France und ihre Maler," September 29–November 24, 1963, no. 5.
Tokyo National Museum. "Treasured Masterpieces of The Metropolitan Museum of Art," August 10–October 1, 1972, no. 102.
Kyoto Municipal Museum of Art. "Treasured Masterpieces of The Metropolitan Museum of Art," October 8–November 26, 1972, no. 102.
New York. Museum of Modern Art. "Cézanne: The Late Work," October 7, 1977–January 3, 1978, no. 8.
Museum of Fine Arts, Houston. "Cézanne: The Late Work," January 25–March 21, 1978, no. 8.
Paris. Galeries Nationales du Grand Palais. "Cézanne: les dernières années (1895–1906)," April 20–July 23, 1978, no. 58.
Bordeaux. Galerie des Beaux-Arts. "Profil du Metropolitan Museum of Art de New York: de Ramsès à Picasso," May 15–September 1, 1981, no. 116.
New York. The Metropolitan Museum of Art. "Splendid Legacy: The Havemeyer Collection," March 27–June 20, 1993, no. A79.
Paris. Galeries Nationales du Grand Palais. "Cézanne," September 25, 1995–January 7, 1996, no. 158.
London. Tate Gallery. "Cézanne," February 8–April 28, 1996, no. 158.
Philadelphia Museum of Art. "Cézanne," May 30–September 1, 1996, no. 158.
Paris. Musée d'Orsay. "La collection Havemeyer: Quand l'Amérique découvrait l'impressionnisme...," October 20, 1997–January 18, 1998, no. 38.
Musée des Beaux-Arts, Marseilles. "Right under the Sun: Landscape in Provence from Classicism to Modernism (1750–1920)," May 18–August 21, 2005, no. 34.
Montreal Museum of Fine Arts. "Right under the Sun: Landscape in Provence from Classicism to Modernism (1750–1920)," September 22, 2005–January 8, 2006, no. 34.
References "Havemeyer Collection at Metropolitan Museum: Havemeyers Paid Small Sums for Masterpieces." Art News 28 (March 15, 1930), p. 43. Frank Jewett Mather Jr. "The Havemeyer Pictures." The Arts 16 (March 1930), pp. 450, 483. "The H. O. Havemeyer Collection." Parnassus 2 (March 1930), p. 7. Harry B. Wehle. "The Exhibition of the H. O. Havemeyer Collection." Metropolitan Museum of Art Bulletin 25 (March 1930), p. 58. H. O. Havemeyer Collection: Catalogue of Paintings, Prints, Sculpture and Objects of Art . n.p., 1931, p. 57. Erle Loran. "Cézanne at the Pennsylvania Museum." American Magazine of Art (February 1935), p. 89, ill. Lionello Venturi. Cézanne: son art—son oeuvre . Paris, 1936, vol. 1, p. 209, no. 673; vol. 2, pl. 216, no. 673. Robert J. Goldwater. "Cézanne in America: The Master's Paintings in American Collections." Art News , section I (The 1938 Annual), 36 (March 26, 1938), pp. 156, 158, ill. Albert C. Barnes and Violette De Mazia. The Art of Cézanne . New York, 1939, p. 43 n. 77, p. 419, no. 171. Six Masters of Post-Impressionism . Exh. cat., Wildenstein & Co., Inc. New York, 1948, pp. 17, 25, no. 9, ill. Meyer Schapiro. Paul Cézanne . 1st ed. New York, 1952, pp. 118–19, ill. (color). Lillian Ross. Portrait of Hemingway . New York, 1961, p. 60. Leopold Reidemeister. Auf den Spuren der Maler der Ile de France . Berlin, 1963, ill. p. 35. Douglas Cooper. Letter to Margaretta Salinger . March 13, 1964. Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art . 3, New York, 1967, p. 117, ill. Richard W. Murphy et al. The World of Cézanne: 1839–1906 . New York, 1968, pp. 90–91, ill. in color (overall and detail). Frank Elgar. Cézanne . New York, [1969], pp. 175–76, 279, fig. 100. Chuji Ikegami. Cézanne . Tokyo, 1969, p. 133, no. 54, ill. (colorpl. 54 and b&w). Sandra Orienti in L'opera completa di Cézanne . [French ed., 1975; English ed., 1985]. Milan, 1970, pp. 116–17, no. 691, ill. John Rewald. Letter to Margaretta Salinger . May 9, 1971. Adrien Chappuis. The Drawings of Paul Cézanne: A Catalogue Raisonné . Greenwich, Conn., 1973, vol. 1, p. 263, under no. 1155. Meyer Schapiro. P. Cézanne . Paris, 1973, unpaginated, colorpl. 36. René Huyghe Lydie Huyghe in La Relève du réel: la peinture française au XIXe siècle: impressionnisme, symbolisme . Paris, 1974, p. 436, fig. 182. Theodore Reff in Cézanne: The Late Work . Exh. cat., Museum of Modern Art. New York, 1977, pp. 22–23, ill. John Rewald in Cézanne: The Late Work . Exh. cat., Museum of Modern Art. New York, 1977, p. 389, no. 8, pl. 67 [French ed., "Cézanne, les dernières années (1895–1906)," Paris, RdMN, 1978, pp. 156–58, no. 58, ill.]. Donald E. Gordon. "The Expressionist Cézanne." Artforum 16 (March 1978), p. 38, ill. Douglas Cooper. "Masters, Maniacs & Magna-opera." Books and Bookmen 24 (April 1979), p. 30. Howard Hibbard. The Metropolitan Museum of Art . New York, 1980, p. 430, fig. 796 (color). François Duret-Robert. "New York—Bordeaux." Connaissance des arts . Exh. cat.no. 353, July 1981, p. 76, ill. (color). John Pope-Hennessy in Profil du Metropolitan Museum of Art de New York: de Ramsès à Picasso . Exh. cat., Galerie des Beaux-Arts. Bordeaux, 1981, pp. 28, 97, no. 116, ill. (color and b&w). Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art . New York, 1985, pp. 202–3, 254, ill. (color). Gary Tinterow et al. "Modern Europe." The Metropolitan Museum of Art . 8, New York, 1987, pp. 9, 55, colorpl. 34. Ann Dumas in Sarah Faunce and Linda Nochlin. Courbet Reconsidered . Exh. cat., Brooklyn Museum. Brooklyn, 1988, p. 141, under no. 36. Cézanne by Himself: Drawings, Paintings, Writings . London, 1988, pp. 218, 316, ill. (color). John Rewald with the research assistance of Frances Weitzenhoffer in Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921 . The A. W. Mellon Lectures in the Fine Arts, Princeton, 1989, p. 128 n. 44, pp. 311, 349, fig. 158. Susan Alyson Stein in Splendid Legacy: The Havemeyer Collection . Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. 285. Gary Tinterow. "The Havemeyer Pictures." Splendid Legacy: The Havemeyer Collection . Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. 47, colorpl. 52. Gretchen Wold in Splendid Legacy: The Havemeyer Collection . Exh. cat., The Metropolitan Museum of Art. New York, 1993, pp. 303–4, no. A79, ill. Elizabeth Murray in Michael Kimmelman. "At the Met with Elizabeth Murray: Looking for the Magic in Painting." New York Times (October 21, 1994), p. C28. Maria Teresa Benedetti. Cézanne . [Italian ed., 1995]. Paris, 1995, pp. 170, 212, ill. (color). Pavel Machotka. Cézanne: Landscape into Art . New Haven, 1996, pp. xiv, 26–27, 92–94, 102, fig. 62 (color). Geneviève Monnier in The Dictionary of Art . 6, 1996, p. 370. John Rewald in collaboration with Walter Feilchenfeldt and Jayne Warman in The Paintings of Paul Cézanne: A Catalogue Raisonné . New York, 1996, vol. 1, pp. 469–70, 532–33, 568–73, no. 775; vol. 2, p. 268, fig. 775. Joseph J. Rishel et al. in Cézanne . Exh. cat., Philadelphia Museum of Art. Philadelphia, 1996, pp. 381–83, 486, 574, no. 158, ill. (color) [French ed., "Cézanne," Paris, RdMN, 1995, pp. 381–83, 486, 574, no. 158, ill.]. Richard Schiff. "Dense Cézanne." Apollo 143 (June 1996), pp. 53–54, colorpl. 1. Gary Tinterow in La collection Havemeyer: Quand l'Amérique découvrait l'impressionnisme . Exh. cat., Musée d'Orsay. Paris, 1997, pp. 71–72, 106, no. 38, ill. Toshio Yamanashi. Paul Cézanne, à la recherche de l'absolut . Tokyo, 1997, pp. 98, 126, ill. (color). Friedrich Teja Bach in Cézanne: Finished, Unfinished . Exh. cat., Kunstforum Wien. 2000, pp. 79–80, fig. 28. Mary Tompkins Lewis. Cézanne . London, 2000, p. 297, fig. 185 (color). Chiao-Mei Liu Université de Paris. Cézanne: La série de Château Noir . Villeneuve d'Ascq, 2001, pp. 82, 84–85, 87, 320, fig. 45. Guy Cogeval in Right under the Sun: Landscape in Provence from Classicism to Modernism (1750–1920) . Exh. cat., Montreal Museum of Fine Arts. Montreal, 2005, pp. 176–77, 249, no. 34, ill. (color). Philip Conisbee in Philip Conisbee and Denis Coutagne. Cézanne in Provence . Exh. cat., National Gallery of Art. Washington, 2006, pp. 198–200, fig. 14 (color). Kimberly Jones in Kimberly Jones. In the Forest of Fontainebleau: Painters and Photographers from Corot to Monet . Exh. cat., National Gallery of Art. Washington, 2008, p. 27, fig. 32 (color).