Signatures, Inscriptions, and Markings Signed (upper right): J.De heem
Gallery Label De Heem's earliest paintings are precocious fruit pieces produced in his native Utrecht under the influence of Balthasar van der Ast. He moved to Leiden about 1626 and to Antwerp ten years later. This panel of about 1640 is a simple paean to bacchic pleasure, and to textures and light.
Provenance [Léon Gauchez, Paris, with Alexis Febvre, Paris, until 1870; sold to Blodgett]; William T. Blodgett, Paris and New York (1870–71; sold half share to Johnston); William T. Blodgett, New York, and John Taylor Johnston, New York (1871; sold to MMA
Exhibition History Dallas Museum of Fine Arts. "30 Masterpieces: An Exhibition of Paintings from the Collection of the Metropolitan Museum of Art," October 4–November 23, 1947, unnumbered cat.
Bloomington. Indiana University. "30 Masterpieces: An Exhibition of Paintings from the Collection of the Metropolitan Museum of Art," April 18–May 16, 1948, no catalogue.
Iowa City. State University of Iowa, School of Fine Arts. "30 Masterpieces: An Exhibition of Paintings from the Collection of the Metropolitan Museum of Art," January 9–March 31, 1948, unnumbered cat.
Grand Rapids, Mich. Grand Rapids Art Museum. "A Moral Compass: Seventeenth and Eighteenth Century Painting in the Netherlands," April 16–August 15, 1999, no. 11.
Albany Institute of History & Art. "Matters of Taste: Food and Drink in Seventeenth-Century Dutch Art and Life," September 2002, no. 24.
New York. The Metropolitan Museum of Art. "The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art," September 18, 2007–January 6, 2008, no catalogue.
References Louis Decamps. "Un musée transatlantique (2e article)." Gazette des beaux-arts , 2nd ser., 5 (May 1872), p. 437. Edith Greindl. Les peintres flamands de nature morte au XVIIe siècle . Brussels, 1956, pp. 105, 173. Edith Greindl. Les peintres flamands de nature morte au XVIIe siècle . Sterrebeek, 1983, pp. 127, 361, no. 98. Fred G. Meijer. Letter to Walter Liedtke . February 13, 1995. Henry M. Luttikhuizen et al. in A Moral Compass: Seventeenth and Eighteenth Century Painting in the Netherlands . Exh. cat., Grand Rapids Art Museum. Grand Rapids, Mich., 1999, pp. 64–65, 103, no. 11, ill. (color). Donna R. Barnes and Peter G. Rose. Matters of Taste: Food and Drink in Seventeenth-Century Dutch Art and Life . Exh. cat., Albany Institute of History & Art. Albany, 2002, p. 76–77, no. 24, ill. (color). Nancy T. Minty in Matters of Taste: Food and Drink in Seventeenth-Century Dutch Art and Life . Exh. cat.Albany, 2002, p. 7. Katharine Baetjer. "Buying Pictures for New York: The Founding Purchase of 1871." Metropolitan Museum Journal 39 (2004), pp. 197, 214, 245, appendix 1A no. 125, ill. Walter Liedtke. Dutch Paintings in The Metropolitan Museum of Art . New York, 2007, vol. 1, pp. xi, 316–17, no. 74, colorpl. 74.