New York. F. Kleinberger Galleries. "Flemish Primitives," 1929, no. 17.

Bruges. Musée Communal des Beaux-Arts. "Le siècle des primitifs flamands," June 26–September 11, 1960, no. 25.

Detroit Institute of Arts. "Masterpieces of Flemish Art: Van Eyck to Bosch [cat. entitled "Flanders in the Fifteenth Century: Art and Civilization"]," October–December 1960, no. 20.

New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 15, 1970–February 15, 1971, no. 207.

New York. The Metropolitan Museum of Art. "From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art," September 22, 1998–February 21, 1999, no. 7.

Friedrich Winkler. Die altniederländische Malerei: Die Malerei in Belgien und Holland von 1400–1600. Berlin, 1924, p. 114.

Louis Demonts. "Essai sur Juste de Gand: À propos d'une "Adoration des Mages" et d'une "Mort de la Vierge"." Revue d'art 25 (January–June 1925), pp. 56–62, 65–66, 68–69, 72, ill. [same article published in Dutch in Onze Kunst, vol. 41, January–June 1925, pp. 51–70].

Max J. Friedländer. "Dierick Bouts und Joos van Gent." Die altniederländische Malerei. 3, Berlin, 1925, pp. 84–86, 129, no. 101, pl. 83.

Stella Rubinstein-Bloch. "Paintings—Early Schools." Catalogue of the Collection of George and Florence Blumenthal. 1, Paris, 1926, unpaginated, pl. 46.

[Friedrich] Winkler in Allgemeines Lexikon der bildenden Künstler. 19, Leipzig, 1926, p. 354.

Otto Pächt. "Review of M. J. Friedländer, Dierick Bouts—Joos van Gent, 1925." Kritische Berichte 1–2 (1927–29), p. 49.

Franz Dülberg. Niederländische Malerei der Spätgotik und Renaissance. Potsdam, 1929, p. 80.

[Hippolyte] Fierens-Gevaert and Paul Fierens. "La maturité de l'art flamand." Histoire de la peinture flamande des origines à la fin du XVe siècle. 3, Paris, 1929, p. 36.

Sidney P. Noe. "Flemish Primitives in New York." American Magazine of Art 21 (January 1930), pp. 34–35.

Chandler Rathfon Post. "The Hispano-Flemish Style in Northwestern Spain." A History of Spanish Painting. 4, Cambridge, Mass., 1933, part 1, p. 26.

G. J. Hoogewerff. Vlaamsche kunst en Italiaansche Renaissance. Mechelen, [1935?], pp. 62–63.

Hans Tietze. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935, p. 333, pl. 133 [English ed., "Masterpieces of European Painting in America," New York, 1939, p. 318, pl. 133].

J. Lavalleye in "De vlaamsche schilderkunst tot ongeveer 1480." Geschiedenis van de vlaamsche kunst. Antwerp, 1936, p. 207.

Jacques Lavalleye. Juste de Gand: Peintre de Frédéric de Montefeltre. Louvain, 1936, pp. 79–81, pl. 6.

Francis Henry Taylor. "The Blumenthal Collection." Metropolitan Museum of Art Bulletin 36 (October 1941), p. 197.

Hulin de Loo. Pedro Berruguete et les portraits d'Urbin. [Brussels], 1942, pp. 15–16 n. 2.

Harry B. Wehle. "A Painting by Joos van Gent." Metropolitan Museum of Art Bulletin 2 (December 1943), pp. 133–36, ill. p. 137, and color detail on front cover.

Ernest Lotthé. La pensée chrétienne dans la peinture flamande et hollandaise. Lille, 1947, vol. 1, pp. 74–75, pl. 40; vol. 2, p. 324.

Harry B. Wehle and Margaretta Salinger. The Metropolitan Museum of Art: A Catalogue of Early Flemish, Dutch and German Paintings. New York, 1947, pp. 54–56, ill.

Erwin Panofsky. Early Netherlandish Painting: Its Origins and Character. Cambridge, Mass., 1953, vol. 1, pp. 340–42, 503 n. 2 (to p. 341); vol. 2, pl. 292.

Leo van Puyvelde. La peinture flamande au siècle des van Eyck. Paris, 1953, pp. 239, 242, ill. (detail).

Paul Eeckhout. "Un peintre flamand a la cour d'Urbino, Juste de Gand." Jardin des arts 37 (November 1957), pp. 14, 16, ill.

Jacques Lavalleye in Juste de Gand, Berruguete, et la cour d'Urbino. Exh. cat., Museum voor Schone Kunsten, Ghent. Ghent, 1957, pp. 9, 14–15, 176, ill.

A. Hyatt Mayor. "The Gifts that Made the Museum." Metropolitan Museum of Art Bulletin 16 (November 1957), p. 104, ill.

Friedrich Winkler. "Dieric Bouts und Joos van Gent: Ausstellungen in Brüssel und Gent." Kunstchronik 11 (January 1958), p. 8.

Colin Eisler. "Juan de Flandes's Saint Michael and Saint Francis." Metropolitan Museum of Art Bulletin 18 (December 1959), pp. 129, 131, ill.

Jacqueline Folie in Flanders in the Fifteenth Century: Art and Civilization. Exh. cat., Detroit Institute of Arts Groeninge Museum. Detroit, 1960, pp. 113–16, no. 20, ill.

Erik Larsen. Les primitifs flamands au Musée Metropolitain de New York. Utrecht, 1960, pp. 66, 117, fig. 15.

Karl Arndt. "Gerard Davids 'Anbetung der Könige' nach Hugo van der Goes." Münchner Jahrbuch der bildenden Kunst, 3rd ser., 12 (1961), p. 175 n. 88.

Germain Seligman. Merchants of Art: 1880–1960, Eighty Years of Professional Collecting. New York, 1961, p. 127, pl. 136.

Paul Philippot. "La fin du XVème siècle et les origines d'une nouvelle conception de l'image dans la peinture des Pays-Bas." Musées Royaux des Beaux-Arts Bulletin 11 (March–June 1962), p. 10.

Henri Pauwels. Musée Groeninge: Catalogue. Exh. cat.Bruges, 1963, p. 65.

Jacques Lavalleye. Le palais ducal d'Urbin [Les primitifs flamands, I. Corpus de la peinture des anciens pays-bas méridionaux au quinzième siècle, vol. 7]. Brussels, 1964, pp. 25–27.

Friedrich Winkler. Das Werk des Hugo van der Goes. Berlin, 1964, pp. 308–9.

Ursula Nilgen. "The Epiphany and the Eucharist: On the Interpretation of Eucharistic Motifs in Mediaeval Epiphany Scenes." Art Bulletin 49 (December 1967), pp. 315–16, fig. 15.

Ignace Vandevivere. La cathédrale de Palencia et l'église paroissiale de Cervera de Pisuerga [Les primitifs flamands I. Corpus de la peinture des anciens pays-bas méridionaux au quinzième siècle, vol. 10]. Brussels, 1967, p. 102.

Charles D. Cuttler. Northern Painting from Pucelle to Bruegel. New York, 1968, pp. 148–49, ill.

Max J. Friedländer comments and notes by Nicole Veronée-Verhaegen in "Dieric Bouts and Joos van Gent." Early Netherlandish Painting. 3, New York, 1968, pp. 47–49, 74, no. 101, pl. 105.

Jan Bialostocki. "The Eye and the Window." Festschrift für Gert von der Osten. [Cologne], 1970, p. 167.

Calvin Tomkins. Merchants and Masterpieces: The Story of The Metropolitan Museum of Art. New York, 1970, p. 281 [rev., enl. ed., 1989].

Marilyn Aronberg Lavin. "Notes on the Iconography of Piero della Francesca's Fresco of Sigismondo Pandolfo Malatesta before St. Sigismund . . ." Art Bulletin 56 (September 1974), p. 365 n. 99.

Alfons W. Biermann. "Die Miniaturenhandschriften des Kardinals Albrecht von Brandenburg (1514–1545)." Aachener Kunstblätter 46 (1975), p. 122.

J. P. De Bruyn in Gent, duizend jaar kunst en cultuur: Muurschilderkunst, schilderkunst, tekenkunst, graveerkunst, beeldhouwkunst. Exh. cat., Museum voor Schone Kunsten. 1, Ghent, 1975, p. 119.

V. Denis. La peinture flamande 15e–16e–17e siècles. Brussels, 1976, p. 90.

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, p. 193, fig. 355.

Paul Vandenbroeck. "Laatmiddeleeuwse doekschilderkunst in de Zuidelijke Nederlanden: Repertorium der nog bewaarde werken." Jaarboek van het Koninklijk Museum voor Schone Kunsten Antwerpen (1982), pp. 30, 56.

Catheline Périer-d'Ieteren. "La technique picturale de la peinture flamande du XVe siècle." La pittura nel XIV e XV secolo: il contributo dell'analisi tecnica alla storia dell'arte (Atti del XXIV congresso internazionale di storia dell'arte, 3). Bologna, [1983], p. 15.

Paul H. D. Kaplan Boston University. The Rise of the Black Magus in Western Art. Ann Arbor, Mich., 1985, pp. 113, 278 n. 77.

James Snyder. Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575. New York, 1985, pp. 165–66.

Ignace Vandevivere. Juan de Flandes. Exh. cat., Memlingmuseum. Bruges, 1985, pp. 44, 46, ill. (detail).

Ignace Vandevivere. Juan de Flandes. Exh. cat., Museo Nacional del Prado. [Madrid], 1986, p. 61.

Introduction by James Snyder in The Metropolitan Museum of Art: The Renaissance in the North. New York, 1987, pp. 10, 30–32, ill. (color).

Diane Wolfthal. "The Technique of Early Netherlandish Canvases." Le dessin sous-jacent dans la peinture. Colloque 6, Louvain-la-Neuve, 1987, p. 86.

Colin Eisler. "What Takes Place in the Getty Annunciation?" Gazette des beaux-arts, 6th ser., 111 (March 1988), p. 193.

Hans J. van Miegroet. Gerard David. Antwerp, 1989, pp. 43, 46, 78, 90 n. 33, ill. (color).

Diane Wolfthal. The Beginnings of Netherlandish Canvas Painting: 1400–1530. Cambridge, 1989, pp. 23, 25, 32–34, 41–42, 204–5, nn. 1–6 to cat no. 5, no. 5, figs. 19, 23, 26, 39, 45, 62, 63 (whole, details, and reverse).

Paul Eeckhout. "Hugo van der Goes et le mythe de Joos van Wassenhove." Bulletin des Musées Royaux des Beaux-Arts de Belgique (1992–93), pp. 20, 30–31, 33, ill.

Robert A. Koch, Selected by Guy C. Bauman, and Walter A. Liedtke, Introduction by Walter A. Liedtke in Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America. Antwerp, 1992, pp. 70–71, no. 14, ill. (color).

Hans Belting and Christiane Kruse. Die Erfindung des Gemäldes: Das erste Jahrhundert der niederländischen Malerei. Munich, 1994, pp. 222–23, pls. 162–63.

Paul Eeckhout in Les primitifs flamands et leur temps. Louvain-la-Neuve, 1994, pp. 422–23, ill.

Paul Philippot. La peinture dans les anciens pays-bas, XVe–XVIe siècles. Paris, 1994, pp. 46–47, 289, ill.

Mark L. Evans in The Dictionary of Art. 20, New York, 1996, p. 781.

Paula Nuttall in The Dictionary of Art. 17, New York, 1996, pp. 702–3.

Richard C. Trexler. The Journey of the Magi: Meanings in History of a Christian Story. Princeton, 1997, pp. 111, 114, ill.

Mary Sprinson de Jesús in From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art. Exh. cat., The Metropolitan Museum of Art. New York, 1998, pp. 25, 41, 43, 70–71, 84, 105–6, 302, 397, no. 7, ill. (color, the whole and detail).

Roland Krischel in Genie ohne Namen: Der Meister des Bartholomäus-Altars. Exh. cat., Wallraf-Richartz-Museum. Cologne, 2001, pp. 39, 330, ill.

Catheline Périer-d'Ieteren. Dieric Bouts: The Complete Works. Brussels, 2006, p. 209.