Dated (on pilaster): [15]26.

London. Royal Academy of Arts. "Winter Exhibition," January–March 1882, no. 193.

London. New Gallery. "Exhibition of Pictures by Masters of the Flemish and British Schools," 1899–1900, no. 96.

London. Royal Academy of Arts. "Winter Exhibition," 1908, no. 25.

New York. The Metropolitan Museum of Art. "From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art," September 22, 1998–February 21, 1999, no. 99.

[Max J.] Friedländer. "Die Leihausstellung der New Gallery in London, Januar–März 1900.—Hauptsächlich niederländische Gemälde des XV. und XVI. Jahrhunderts." Repertorium für Kunstwissenschaft 23 (1900), p. 25.

Walter Cohen. Studien zu Quinten Metsys: Ein Beitrag zur Geschichte der Malerei in den Niederlanden. Bonn, 1904, pp. 73, 88.

Jean de Bosschère. Quinten Metsys. Brussels, 1907, pp. 39–40, 133, ill. opp. p. 26.

Harald Brising. Quentin Matsys und der Ursprung Italianismus in der Kunst der Niederlande. Leipzig, 1908, p. 52, no. 68.

Marcel Nicolle. "La Collection Rodolphe Kann." Revue de l'art ancien et moderne 23 (January–June 1908), p. 193.

[Hippolyte] Fierens-Gevaert. "Débuts du XVIe siècle: Fin de l'idéal gothique." La peinture en Belgique: Les primitifs flamands. 3, Brussels, 1910, p. 196.

B. B[urroughs]. "The Adoration of the Kings by Quentin Metsys." Metropolitan Museum of Art Bulletin 6 (December 1911), pp. 228, ill. on cover.

Gustav Glück. "Ein Studienkopf von Quinten Metsys." Die Graphischen Künste. 34, 1911 [reprinted in "Aus drei Jahrhunderten Europäischer Malerei," Vienna, 1933, pp. 76, 78].

Wilhelm R. Valentiner. The Art of the Low Countries. English ed. Garden City, N.Y., 1914, p. 91.

Martin Conway. The Van Eycks and Their Followers. London, 1921, p. 319.

Friedrich Winkler. Die altniederländische Malerei: Die Malerei in Belgien und Holland von 1400–1600. Berlin, 1924, p. 203.

Willy Burger. Die Malerei in den Niederlanden 1400–1550. Munich, 1925, p. 91, pl. 152.

Max J. Friedländer. "Quentin Massys." Die altniederländische Malerei. 7, Berlin, 1929, pp. 40, 50, 60, 115, no. 8, pl. 14.

Ludwig Baldass. "Gotik und Renaissance im Werke des Quinten Metsys." Jahrbuch der kunsthistorischen Sammlungen in Wien, n.s., 7 (1933), pp. 139, 148, 166, fig. 119 (detail).

E. P. Richardson. "Quentin Massys." Art Quarterly 4 (1941), p. 172, fig. 10.

K. G. Boon in "Bouts–David–Geertgen tot St Jans–Moro–Breugel." Palet-Serie: Een reeks monografieën over hollandse en vlaamse schilders. Amsterdam, [1942], pp. 45, 47, ill.

E. P. Richardson. Letter to Margaretta Salinger. April 7, 1943.

W. Vanbeselaere. Peter Bruegel en het Nederlandsche Manierisme. Tielt, Belgium, 1944, p. 65, fig. 34.

Ernest Lotthé. La pensée chrétienne dans la peinture flamande et hollandaise. Lille, 1947, vol. 1, pp. 84–85, pl. 48; vol. 2, p. 325, n. 134.

Harry B. Wehle and Margaretta Salinger. The Metropolitan Museum of Art: A Catalogue of Early Flemish, Dutch and German Paintings. New York, 1947, pp. 108–10, ill.

Luís Reis-Santos. Le Portrait de Saint Bernadin de Sienne par Quentin Metsys. Lisbon, 1949, pp. 21–22, 26 n. 16.

Leo van Puyvelde. La peinture flamande au siècle des van Eyck. Paris, 1953, pp. 320–21.

Luigi Mallé. "Quinten Metsys." Commentari 6, no. 2 (April–June 1955), pp. 104–5.

Erik Larsen. Les primitifs flamands au Musée Metropolitain de New York. Utrecht, 1960, pp. 85, 127–28, fig. 28.

Karl Arndt. "Gerard Davids 'Anbetung der Könige' nach Hugo van der Goes." Münchner Jahrbuch der bildenden Kunst, 3rd ser., 12 (1961), p. 174 n. 81.

Charles D. Cuttler. Northern Painting from Pucelle to Bruegel. New York, 1968, p. 423.

Leo van Puyvelde. La peinture flamande des van Eyck à Metsys. Brussels, 1968, p. 231.

B. Völker. Die Entwicklung des erzählenden Halbfigurenbildes in der niederländischen Malerei des 15 und 16 Jahrhunderts. Göttingen, 1968, pp. 102–3, 113–14.

Elie Konigson. La Representation d'un mystère de la Passion à Valenciennes en 1547. Paris, 1969, pl. 3.

Gert von der Osten and Horst Vey. Painting and Sculpture in Germany and the Netherlands 1500 to 1600. Baltimore, 1969, p. 149.

Max J. Friedländer H. Pauwels in "Quentin Massys." Early Netherlandish Painting. 7, New York, 1971, pp. 35, 65, 81, no. 48, suppl. no. 169, pl. 49.

Leon Voet. Antwerp, the Golden Age: The Rise and Glory of the Metropolis in the Sixteenth Century. Antwerp, 1973, pp. 18–21, ill. (color, whole and detail).

A. de Bosque. Quentin Metsys. Brussels, 1975, pp. 220, 225–26, 366, fig. 278.

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, pp. 205, 212, fig. 382 (color).

Larry Silver. The Paintings of Quinten Massys with Catalogue Raisonné. Montclair, N.J., 1984, pp. 28 n. 55, pp. 47, 82, 91–92, 95, 121, 127, 180, 184, 191, 217, 221–23, 225–30, 239–40 n. 40, pl. 79.

Introduction by James Snyder in The Metropolitan Museum of Art: The Renaissance in the North. New York, 1987, pp. 13, 64–65, ill. (color).

Robert A. Koch, Selected by Guy C. Bauman, and Walter A. Liedtke, Introduction by Walter A. Liedtke in Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America. Antwerp, 1992, p. 104–5, no. 28, ill. (color).

Paul Philippot. La peinture dans les anciens pays-bas, XVe–XVIe siècles. Paris, 1994, p. 122, ill.

Emmanuelle Revel. Le Prêteur et sa femme de Quentin Metsys. Paris, 1995, pp. 74–75, ill.

Véronique Sintobin in From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art. Exh. cat., The Metropolitan Museum of Art. New York, 1998, pp. 37, 58, 66, 74, 258, 318, 321, 332, 368–70, no. 99, ill. in color (overall and detail).

Carmen García-Frías Checa in Patinir: Essays and Critical Catalogue. Exh. cat., Museo Nacional del Prado. Madrid, 2007, p. 276.