The Adoration of the Shepherds | Andrea Mantegna | All | European Paintings | Collection Database | Works of Art

Gallery LabelMantegna, one of the prodigies of Italian painting, had already established his reputation by the age of eighteen. This work must have been painted when he was in his early twenties, and it already shows the painter's astonishing descriptive gifts fully developed. It may have been commissioned by Borso d'Este, duke of Ferrara, and its style seems to be a response to the ideas of his court humanists, who admired detailed description. Although slightly cut down on the right side, and transferred from wood to canvas, the painting is in excellent condition.

NotesA drawing of the Madonna and Child (Galleria degli Uffizi, Florence) is now generally thought to be a copy after the painting, rather than a study for it. A drawing of the two shepherds and the two figures on the bridge (Royal collection, Windsor) is likewise considered to be a copy. The Windsor drawing includes a tree trunk in the right foreground which also appears, along with a third figure behind the woman on the bridge, in a painted fragment formerly in the Martin Le Roy collection (current whereabouts unknown). The MMA painting has been cut down on the right side; the third figure and the tree trunk were undoubtedly included in the original composition.

Provenance?Este family, Ferrara; ?Margherita Gonzaga, duchessa di Ferrara (in 1586, as "Prosepio de Andrea Mantegna"); Cardinal Pietro Aldobrandini, Villa Aldobrandini a Montemagnapoli, Rome (by 1603–d. 1621; inv., 1603, no. 24); his nephew, Cardinal Ippolito Aldobrandini, Rome (1621–d. 1638; inv., 1626, no. 23; inv., 1638, f. 102); his niece, Olimpia Aldobrandini Borghese Pamphili, Villa Aldobrandini a Montemagnapoli, Rome (1638–d. 1681; inv., n.d. [before 1665], no. 24; inv., 1682, no. 303); Giovanni Battista Pamphili, Rome (1682–1710); Cardinal Girolamo Pamphili (1710–d. 1760; his estate, 1760–68); Paolo Borghese Aldobrandini, Palazzo Borghese, Rome (1768–d. 1792); his nephew, Giovanni Battista Borghese Aldobrandini, Villa Aldobrandini (from 1792; sold to Day); [Alexander Day, Rome and London, by 1800]; [William Buchanan, London, until 1808; sale, private contract, May 24, 1808, no. 5]; Richard Payne Knight, Downton Castle, Ludlow, Shropshire (until d. 1824; cat., ms., n.d.); his brother, Thomas Andrew Knight, Downton Castle (1824–d. 1838); his grandson, Andrew Johnes Rouse-Boughton-Knight, Downton Castle (1838–d. 1909); his son, Charles Andrew Rouse-Boughton-Knight, Downton Castle (1909–24; sold to Ruck); [A. Ruck, London, 1924; sold to Duveen]; [Duveen, London, Paris, and New York, 1924–25; sold to Mackay]; Clarence H. Mackay, Roslyn, N.Y. (1925–32; cat., 1926, no. 6)

Exhibition History

London. Royal Academy of Arts. "Winter Exhibition," January–March 1882, no. 186.

London. Royal Academy of Arts. "Winter Exhibition," January 1–March 9, 1912, no. 42.

New York. Jacques Seligmann. "Loan Exhibition of Religious Art," March–April 1927, no. III.

New York. M. Knoedler & Co.. "Loan Exhibition of Primitives," February 1929, no. 13.

London. Royal Academy of Arts. "Italian Art, 1200–1900," January 1–March 8, 1930, no. 187.

Philadelphia Museum of Art. "Diamond Jubilee Exhibition: Masterpieces of Painting," November 4, 1950–February 11, 1951, no. 12.

New York. The Metropolitan Museum of Art. "Art Treasures of the Metropolitan," November 7, 1952–September 7, 1953, no. 85.

Museum of Fine Arts, Boston. "Masterpieces of Painting in The Metropolitan Museum of Art," September 16–November 1, 1970, unnumbered cat.

New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 15, 1970–February 15, 1971, no. 196.

Milan. Museo Poldi Pezzoli. "Le muse e il principe: Arte di corte nel Rinascimento padano," September 20–December 1, 1991, no. 78.

London. Royal Academy of Arts. "Andrea Mantegna," January 17–April 5, 1992, no. 8.

New York. The Metropolitan Museum of Art. "Andrea Mantegna," May 5–July 12, 1992, no. 8.

Paris. Musée du Louvre. "Mantegna, 1431–1506," September 26, 2008–January 5, 2009, no. 50.

References

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Luciano Bellosi in Mantegna, 1431–1506. Exh. cat., Musée du Louvre. Paris, 2008, p. 105.

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Andrea Canova in Mantegna, 1431–1506. Exh. cat., Musée du Louvre. Paris, 2008, p. 286.

Andrea De Marchi in Mantegna, 1431–1506. Exh. cat., Musée du Louvre. Paris, 2008, pp. 162–63, no. 50, ill. (color).

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