Paris. Bernheim-Jeune. "Exposition Cézanne," January 10–22, 1910, no. 47 (as "La partie de cartes," lent by MM. X . . .).

London. Grosvenor Gallery. "Modern French Art," 1914, no. 7 (lent from a private collection) [see Ref. Sterling and Salinger 1967].

Paris. Bernheim-Jeune. "Exposition de peinture moderne," June 14–23, 1917, no. 4 (as "La partie de cartes").

Kunsthaus Zürich. "Französische Kunst des XIX. und XX. Jahrhunderts," October 5–November 14, 1917, no. 34 (as "Les joueurs de cartes," lent by the B.[ernheim-] J.[eune] collection).

Paris. Bernheim-Jeune. "Exposition Cézanne," December 1–18, 1920, no. 14.

Paris. Bernheim-Jeune. "Rétrospective Paul Cézanne (1839–1906)," June 1–30, 1926, no. 39.

Berliner Künstlerhaus. "Erste Sonderausstellung in Berlin," January 9–mid-February 1927, no. 29 (lent from a private collection).

Paris. Galerie Georges Petit. "Cent ans de peinture française," June 15–30, 1930, no. 28.

Art Institute of Chicago. "A Century of Progress," June 1–November 1, 1933, no. 307 (lent by Mr. Stephen C. Clark, New York).

San Francisco. California Palace of the Legion of Honor. "Exhibition of French Painting from the Fifteenth Century to the Present Day," June 8–July 8, 1934, no. 68 (lent by Mr. Stephen C. Clark, New York).

New York. Museum of Modern Art. "Modern Works of Art," November 20, 1934–January 20, 1935, no. 6 (lent from a private collection).

Paris. Musée de l'Orangerie. "Cézanne," May–October 1936, no. 83 (lent by Stephen C. Clark, New York).

New York. Durand-Ruel. "Exhibition of Masterpieces by Cézanne," March 29–April 16, 1938, no. 17 [see Refs. Sterling and Salinger 1967 and Rewald 1996 who gives incorrect dates].

New York. Museum of Modern Art. "Art in Our Time," May 10–September 30, 1939, no. 62 (lent by Stephen C. Clark, New York).

New York. Museum of Modern Art. "Modern Masters from European and American Collections," January 26–March 24, 1940, no. 9 (lent by Stephen C. Clark, New York).

New York. World's Fair. "Masterpieces of Art: European & American Paintings, 1500–1900," May–October 1940, no. 340 (lent by Mr. Stephen C. Clark, New York).

New York. Paul Rosenberg & Co.. "Paintings by Cézanne (1839–1906)," November 19–December 19, 1942, no. 14 (lent by Mr. and Mrs. Stephen C. Clark).

New York. Museum of Modern Art. "Art in Progress," 1944, unnumbered cat. (ill. p. 25; lent by Stephen C. Clark).

New York. Century Association. "Paintings from the Stephen C. Clark Collection," June 6–September 28, 1946, unnum. checklist.

New York. Wildenstein & Co., Inc.. "Cézanne," March 27–April 26, 1947, no. 45 (lent by Mr. and Mrs. Stephen C. Clark).

Art Institute of Chicago. "Cézanne: Paintings, Watercolors & Drawings," February 7–March 16, 1952, no. 79 (lent by Mr. Stephen C. Clark).

New York. The Metropolitan Museum of Art. "Cézanne: Paintings, Watercolors & Drawings," April 4–May 18, 1952, no. 79.

New York. M. Knoedler & Co.. "A Collectors Taste: Selections from the Collection of Mr. and Mrs. Stephen C. Clark," January 12–30, 1954, no. 11.

New York. Museum of Modern Art. "Paintings from Private Collections," May 31–September 5, 1955, unnumbered cat. (lent by Stephen C. Clark).

New Haven. Yale University Art Gallery. "Pictures Collected by Yale Alumni," May 8–June 18, 1956, no. 111 (lent by Stephen C. Clark).

New York. The Metropolitan Museum of Art. "Paintings from Private Collections: Summer Loan Exhibition," July 1–September 1, 1958, no. 14 (lent by Stephen C. Clark).

New York. The Metropolitan Museum of Art. "Paintings from Private Collections: Summer Loan Exhibition," July 7–September 7, 1959, no. 8 (lent by Stephen C. Clark).

New York. The Metropolitan Museum of Art. "Paintings from Private Collections: Summer Loan Exhibition," July 6–September 4, 1960, no. 13 (lent by Stephen C. Clark).

Washington. Phillips Collection. "Cézanne," February 27–March 28, 1971, no. 18.

Art Institute of Chicago. "Cézanne," April 17–May 16, 1971, no. 18.

Museum of Fine Arts, Boston. "Cézanne," June 1–July 3, 1971, no. 18.

Madrid. Museo Español de Arte Contemporáneo. "Paul Cézanne," March 8–April 30, 1984, no. 40.

Leningrad [St. Petersburg]. State Hermitage Museum. "From Delacroix to Matisse," March 15–May 10, 1988, no. 35.

Moscow. Pushkin State Museum of Fine Arts. "From Delacroix to Matisse," June 10–July 30, 1988, no. 35.

Williamstown. Sterling and Francine Clark Art Institute. "The Clark Brothers Collect: Impressionist and Early Modern Paintings," June 4–September 4, 2006, no. 53.

Museum of Fine Arts, Houston. "The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920," February 4–May 6, 2007, no. 80.

New York. The Metropolitan Museum of Art. "The Clark Brothers Collect: Impressionist and Early Modern Paintings," May 22–August 19, 2007, no. 53.

Philadelphia Museum of Art. "Cézanne and Beyond," February 26–May 31, 2009, unnumbered cat. (pl. 210).

Guillaume Apollinaire. "Exposition Cézanne (Galerie Bernheim)." Paris-Journal (January 20, 1910) [reprinted in "Apollinaire on Art: Essays and Reviews 1902–1918 by Guillaume Apollinaire," ed. Leroy C. Breunig, New York: Viking Press, 1972, p. 57].

Marius-Ary Leblond. Apollon, part 1, 1, no. 6 (1910), p. 99, ill. opp. p. 89.

Charles Louis Borgmeyer. The Master Impressionists. Chicago, 1913, ill. p. 272.

Fritz Burger. Cézanne und Hodler: Einführung in die Probleme der Malerei der Gegenwart. Munich, 1913, vol. 1, pp. 90–91; vol. 2, pl. 72.

Cézanne. Paris, 1914, p. 71, pl. XLIII.

Julius Meier-Graefe. Entwicklungsgeschichte der modernen Kunst. 3, 2nd ed. [English ed. "Cézanne" 1927]. Munich, 1915, pl. 502.

Ambroise Vollard. Paul Cézanne. Paris, 1919, p. 66.

Jacques-E. Blanche. Quatre-vingts ans de peinture libre 1880–1885. Paris, 1920, p. 15, no. 3, ill.

Waldemar George in André Fontainas and Louis Vauxcelles. Histoire générale de l'art français de la révolution à nos jours. Paris, 1922, pp. 234–36, ill.

Georges Rivière. Le maître Paul Cézanne. Paris, 1923, p. 218, ill. opp. p. 168.

Tristan-L. Klingsor. Cézanne. 2nd ed. [1st ed. 1923]. Paris, 1924, p. 38, pl. 32.

Élie Faure. P. Cézanne. Paris, 1926, p. 53.

Lionello Venturi. Il gusto dei primitivi. Bologna, 1926, pp. 324–25, pl. 90.

Roger Fry. Cézanne: A Study of His Development. New York, 1927, pp. 26, 71–72, fig. 36, pl. XXVI.

Julius Meier-Graefe. Cézanne. London, 1927, p. 63, pl. XCVI.

Julius Meier-Graefe. "Die Franzosen in Berlin." Der Cicerone 19 (January 1927), pp. 44, 56, ill.

Max Osborn. "Klassiker der französischen Moderne die Galerien Thannhauser im Berliner Künstlerhaus." Deutsche Kunst und Dekoration 59 (March 1927), pp. 336, 339, ill.

Emil Waldmann. Die Kunst des Realismus und des Impressionismus im 19. Jahrhundert. Berlin, 1927, pp. 105, 499, ill.

D. H. Lawrence. The Paintings of D. H. Lawrence. London, [1929], unpaginated [reprinted in "Cézanne in Perspective," ed. Judith Wechsler, Englewood Cliffs, N.J., 1975, pp. 91–92].

Joachim Gasquet. Cézanne. Berlin, 1930, ill. opp. p. 12.

"Individual Masterpieces." American Magazine of Art 26 (June 1933), p. 287, ill.

"Chicago Show to Present Modern Classics." Art News 31 (May 20, 1933), p. 4, ill.

"The Century of Progress Exhibition of the Fine Arts." Bulletin of the Art Institute of Chicago 27 (April–May 1933), pp. 66, 68, ill.

C. J. Bulliet. Art Masterpieces in a Century of Progress Fine Arts Exhibition at the Art Institute of Chicago. Chicago, 1933, vol. 2, no. 62, ill.

A Century of Progress: Exhibition of Paintings and Sculpture Lent from American Collections. Exh. cat., Art Institute of Chicago. Chicago, 1933, p. 45, no. 307, pl. LX.

Alfred M. Frankfurter. "Art in the Century of Progress." Fine Arts 20 (June 1933), ill. p. 36.

Georges Rivière. Cézanne: le peintre solitaire. Paris, 1933, pp.137, 140, 145, ill.

"Cézanne Only Painter Given Whole Room." Art Digest 7 (May 15, 1933), p. 24, ill.

Modern Works of Art. Exh. cat., Museum of Modern Art. New York, 1934, pp. 11, 23, no. 6, pl. 6.

Lionello Venturi. "Cézanne." L'arte, n.s., 6 (September 1935), p. 394, fig. 21.

René Huyghe. Cézanne. Paris, 1936, pp. 44, 57–58, fig. 41.

René Huyghe. "Cézanne et son oeuvre." L'Amour de l'art 17 (May 1936), fig. 65.

Jacques de Laprade. "L'exposition Cézanne à l'Orangerie." Beaux-Arts no. 177 (May 22, 1936), pp. 1–2, ill.

Charles Sterling. Cézanne. Exh. cat., Musée de l'Orangerie. Paris, 1936, pp. 106–7, no. 83, pl. XV.

Lionello Venturi. Cézanne: son art—son oeuvre. Paris, 1936, vol. 1, pp. 59, 185–86, no. 559; vol. 2, pl. 177, no. 559.

Ambroise Vollard. Paul Cézanne: His Life and Art. [2nd English ed.]. New York, 1937, p. 47, pl. 6.

Alfred M. Frankfurter. "Cézanne: Intimate Exhibition." Art News, no. 26, section II, 36 (March 26, 1938), pp. 16, 30, ill.

Alfred M. Frankfurter. "Cézanne in New York." Burlington Magazine 72 (May 1938), p. 243.

Robert J. Goldwater. "Cézanne in America: The Master's Paintings in American Collections." Art News, section I (The 1938 Annual), 36 (March 26, 1938), pp. 145, 156, ill.

Ambroise Vollard. En écoutant Cézanne, Degas, Renoir. Paris, 1938, p. 35.

Albert C. Barnes and Violette De Mazia. The Art of Cézanne. New York, 1939, p. 87 n. 76, pp. 271, 364, 415, no. 125, ill.

James W. Lane. "Thirty-three Masterpieces in a Modern Collection: Mr. Stephen C. Clark's Paintings by American and European Masters." Art News Annual 37 (February 25, 1939), pp. 133, 143, ill.

Art in our Time. Exh. cat., Museum of Modern Art. New York, 1939, unpaginated, no. 62, ill.

Alfred M. Frankfurter. "383 Masterpieces of Art." Art News, (The 1940 Annual), 38 (May 25, 1940), p. 66.

"Important Cézanne Survey Staged as Benefit for Fighting French." Art Digest 17 (December 1, 1942), pp. 5, 17.

[Paul Rosenberg]. Paintings by Cézanne (1839–1906). Exh. cat., Paul Rosenberg & Co. November 19–December 19, 1942, pp. 16–17, 29–30, no. 14, ill.

Erle Loran. Cézanne's Composition: Analysis of His Form with Diagrams and Photographs of His Motifs. [2nd ed., 1946]. Berkeley, 1943, p. 93.

Edward Alden Jewell. Paul Cézanne. New York, 1944, ill. p. 46.

Preface by Edward Alden Jewell in French Impressionists and Their Contemporaries Represented in American Collections. New York, 1944, ill. p. 116.

Lionello Venturi. Paul Cézanne Water Colours. 2nd ed. [1st ed. 1943]. Oxford, 1944, p. 19.

John Rewald. The History of Impressionism. [revised edition, 1961]. New York, 1946, ill. p. 410.

Introduction by Robert Witt. The Brothers Le Nain. Exh. cat., Toledo Museum of Art. Toledo, 1947, unpaginated, ill.

Bernard Dorival. Cézanne. Fr. ed. [Eng. ed., New York, 1948]. Paris, 1948, pp. 62–65, 166–67, pl. 125.

Alonzo Lansford. "Clark Collection Shown for Charity." Art Digest 22 (March 15, 1948), p. 9.

John Rewald. Paul Cézanne: A Biography. New York, 1948, colorpl. III.

Liliane Guerry. Cézanne et l'expression de l'espace. Paris, 1950, p. 196 n. 61.

James M. Carpenter. "Cézanne and Tradition." Art Bulletin 33 (September 1951), p. 179, fig. 6.

Bernard Myers. "Post-Impressionism: Foundations of Modern Painting." American Artist 15 (October 1951), p. 51, ill.

James Fitzsimmons. "A Cézanne Exhibition, A Definition of Greatness." Art Digest 26 (February 15, 1952), pp. 6, 8, ill.

Dora Panofsky. "Gilles or Pierrot? Iconographic Notes on Watteau." Gazette des beaux-arts, 6th ser., 39 (May–June 1952), p. 339, fig. 13.

Daniel Catton Rich in Cézanne: Paintings, Watercolors & Drawings. Exh. cat., Art Institute of Chicago. [Chicago], 1952, p. 71, no. 79, ill.

Theodore Rousseau Jr. "Cézanne as an Old Master." Art News 51 (April 1952), pp. 29, 33, ill.

Theodore Rousseau Jr. The Metropolitan Museum of Art Miniatures: Paintings by Paul Cézanne. 35, New York, 1952, unpaginated, ill. in color.

Benjamin Storey. "Retrospettiva Cézanne." Emporium 115 (May 1952), pp. 202–3, ill. (detail).

Bernard Berenson. Caravaggio: His Incongruity and His Fame. London, 1953, pp. 23–24, pl. 37.

Ronald Alley Lawrence Gowing in An Exhibition of Paintings by Cézanne. Exh. cat., Royal Scottish Academy Building. Edinburgh, 1954, unpaginated, under no. 52.

Albert Châtelet. Hommage à Cézanne. Exh. cat., Musée de l'Orangerie. Paris, 1954, pp. 21–22, under no. 55.

Douglas Cooper. "Two Cézanne Exhibitions—II." Burlington Magazine 96 (December 1954), p. 380.

A Collector's Taste: Selections from the Collection of Mr. and Mrs. Stephen C. Clark. Exh. cat., M. Knoedler & Co. New York, 1954, unpaginated, no. 11, ill.

Maurice Raynal. Cézanne. Lausanne, 1954, pp. 9, 91, 99–100, ill. (color).

Introduction by Alfred H. Barr Jr. "Paintings from Private Collections." Museum of Modern Art Bulletin 22 (Summer 1955), pp. 11, 30, no. 19, ill.

Henri Perruchot Librairie Hachette. La vie de Cézanne. [Paris], 1958, pp. 317–19.

"Figure Composition." The Artist 55 (August 1958), p. 113, ill.

Alfred Frankfurter. "Midas on Parnassus." Art News Annual 28 (1959), p. 39, ill.

John Rewald. Cézanne, Geffroy et Gasquet suivi de souvenirs sur Cézanne de Louis Aurenche et de lettres inédites. Paris, 1959, p. 34, fig. 11.

Yvon Taillandier. P. Cézanne. New York, [196-], pp. 38, 54, 72, ill. (color).

"Ninety-first Annual Report of the Trustees for the Fiscal Year 1960–1961." Metropolitan Museum of Art Bulletin 20 (October 1961), pp. 42, 64, ill.

Paul Cézanne, 1839–1906. Exh. cat., Vienna Österreichische Galerie, Oberes Belvedere. 1961, p. 27, under no. 33.

"Nouvelles acquisitions dans les musées durant l'année 1961." Chronique des arts et de la curiosité, supplément à la Gazette des beaux-arts, 6th ser., no. 1117 (February 1962), fig. 6.

Michael Levey. A Concise History of Painting from Giotto to Cézanne. London, 1962, p. 310, colorpl. 548.

Peter H. Feist. Paul Cézanne. Leipzig, 1963, pp. 33, 76, pl. 55.

W. G. Constable. Art Collecting in the United States of America. London, 1964, p. 171, fig. 32.

Kurt Badt. The Art of Cézanne. [German ed., 1956]. Berkeley, 1965, pp. 89, 93, 118–19, pl. 9.

Pierre Cabanne in Cézanne (Collection Génies et Réalités). [Paris], 1966, pp. 238–39, 270, fig. 164.

Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, pp. 112–15, ill.

H. H. Arnason. History of Modern Art: Painting, Sculpture, Architecture. New York, [1968], p. 46, fig. 44.

Richard W. Murphy et al. The World of Cézanne: 1839–1906. New York, 1968, pp. 110–11, ill. (color).

Margaretta M. Salinger. "Windows Open to Nature." Metropolitan Museum of Art Bulletin 27 (Summer 1968), p. 37, ill.

Frank Elgar. Cézanne. New York, [1969], pp. 136, 246, 279, fig. 87 (color).

Jack Lindsay. Cézanne: His Life and Art. Greenwich, Conn., 1969, pp. 246, 350, colorpl. II.

Wayne Andersen. Cézanne's Portrait Drawings. Cambridge, Mass., 1970, pp. 37, 39, 43 n. 2, pp. 229–30, fig. 31.

Sandra Orienti in L'opera completa di Cézanne. [French ed., 1975; English ed., 1985]. Milan, 1970, p. 115, no. 634, ill.

Kasimir Malevich. Essays on Art, 1915–33. New York, 1971, fig. 1.

Adrien Chappuis. The Drawings of Paul Cézanne: A Catalogue Raisonné. Greenwich, Conn., 1973, vol. 1, p. 61, under no. 37, pp. 248–50, under nos. 1083, 1091–92.

Fritz Erpel. Paul Cézanne. Berlin, 1973, pp. 42–43, no. 14, ill. (color).

Meyer Schapiro. P. Cézanne. Paris, 1973, pp. 42–43, ill.

Carl R. Baldwin The Metropolitan Museum of Art. The Impressionist Epoch. [New York], 1974, p. 19.

René Huyghe Lydie Huyghe in La Relève du réel: la peinture française au XIXe siècle: impressionnisme, symbolisme. Paris, 1974, fig. 185.

Alan C. Birnholz. "On the Meaning of Kazimir Malevich's 'White on White'." Art International 21 (January 1977), p. 10, ill.

Theodore Reff in Cézanne: The Late Work. Exh. cat., Museum of Modern Art. New York, 1977, pp. 17, 30.

A Recognizable Image: William Carlos Williams on Art and Artists. New York, 1978, p. 180, fig. 28.

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, p. 430, fig. 795 (color).

Theodore Reff. "Cézanne's 'Cardplayers' and Their Sources." Arts Magazine 55 (November 1980), p. 106, fig. 4.

Jean Arrouye. La Provence de Cézanne. Aix-en-Provence, 1982, pp. 68, 75, ill. (color).

John Rewald. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston, 1983, pp. 175–77, under nos. 377–79.

Bruno Ely et al. in Cézanne au Musée d'Aix. Aix-en-Provence, 1984, p. 192, ill.

Paloma Esteban Leal. Paul Cézanne. Exh. cat., Museo Español de Arte Contemporáneo. Madrid, 1984, pp. 150–53, no. 40, ill. in color (overall and detail).

Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art. New York, 1985, pp. 11, 198–99, 254, ill. in color (overall and detail).

Ronald Pickvance in Cézanne. Exh. cat., Isetan Museum of Art. Tokyo, 1986, p. 68, ill.

John Rewald. Cézanne: A Biography. New York, 1986, pp. 200, 277, no. 200, ill. (color).

Dennis Farr and John House in Impressionist & Post-Impressionist Masterpieces: The Courtauld Collection. Exh. cat., Cleveland Museum of Art. New Haven, 1987, unpaginated, under no. 26.

Gary Tinterow et al. "Modern Europe." The Metropolitan Museum of Art. 8, New York, 1987, p. 53, colorpl. 33.

Fritz Erpel. Paul Cézanne. Berlin, 1988, p. 52, ill.

Cézanne by Himself: Drawings, Paintings, Writings. London, 1988, pp. 177, 315, ill. (color).

Hajo Düchting. Paul Cézanne 1839–1906: Natur wird Kunst. [Eng. ed., 1999]. Cologne, 1990, pp. 42, 156, 160, 222, ill. (color).

Mary Louise Krumrine Christian Geelhaar in Paul Cézanne: The Bathers. Exh. cat., Museum of Fine Arts, Basel. Basel, 1990, p. 258 n. 76, p. 259 n. 9, p. 260 n. 31, p. 265 n. 9.

Seven Cézanne Paintings from the Auguste Pellerin Collection. Christie's, London. November 30, 1992, p. 46, fig 1 (color).

Götz Adriani Walter Feilchenfeldt in Cézanne: Gemälde. Exh. cat., Kunsthalle Tübingen. Cologne, 1993, p. 201 n. 1.

Charles Harrison. "Impressionism, Modernism and Originality." Modernity and Modernism: French Painting in the Nineteenth Century. New Haven, 1993, p. 155, pl. 146.

Ulrike Becks-Malorny. Paul Cézanne 1839–1906: Wegbereiter der Moderne. Cologne, 1995, pp. 62–63, ill. (color).

Maria Teresa Benedetti. Cézanne. [Italian ed., 1995]. Paris, 1995, pp. 171, 189, ill. (color).

Jean-Jacques Lévêque. Paul Cézanne: Le précurseur de la modernité, 1839–1906. Paris, 1995, p. 155, ill. (color).

Joyce Medina. Cézanne and Modernism: The Poetics of Painting. Albany, 1995, pp. 153–54, 158, 161, 228 n. 8.

Stéphane Melchior-Durand. L'ABCdaire de Cézanne. Paris, 1995, p. 76.

Geneviève Monnier in The Dictionary of Art. 6, 1996, p. 370.

Linda Nochlin. Cézanne's Portraits. Lincoln, Neb., 1996, p. 20.

John Rewald in collaboration with Walter Feilchenfeldt and Jayne Warman in The Paintings of Paul Cézanne: A Catalogue Raisonné. New York, 1996, vol. 1, pp. 10, 369, 409, 444–45, 491, 495, 563, 566–72, no. 707; vol. 2, p. 243, fig. 707.

Joseph J. Rishel et al. in Cézanne. Exh. cat., Philadelphia Museum of Art. Philadelphia, 1996, pp. 335, 338, 345 [French ed., "Cézanne," Paris, RdMN, 1995, pp. 335, 341, 345].

Richard Shone. "Cézanne." Burlington Magazine 138 (May 1996), p. 341.

Richard Verdi. "Looking for Cézanne in 'Cézanne'." Art Newspaper 7 (March 1996), p. 11.

Richard Kendall in Ann Dumas et al. The Private Collection of Edgar Degas. Exh. cat., The Metropolitan Museum of Art. essays, New York, 1997, pp. 213–14, fig. 291.

Mary Louise Krumrine. "Les 'Joueurs de cartes' de Cézanne: Un jeu de la vie." Cézanne aujourd'hui. Paris, 1997, pp. 65–66, fig. 24 (color).

Theodore Reff. "Cézanne et Chardin." Cézanne aujourd'hui. Paris, 1997, p. 18.

Ten Paintings by Paul Cézanne formerly in the Auguste Pellerin Collection. Sotheby's, New York. November 13, 1997, pp. 13–14.

Christian Geelhaar in Cézanne, Picasso, Braque: Der Beginn des kubistischen Stillebens. Exh. cat., Kunstmuseum Basel. Ostfildern-Ruit, Germany, 1998, p. 149.

Sylvie Patin. "Une étude peinte de Cézanne: 'Le joueur de cartes,' 1890–1892, donnée au musée d'Orsay." Revue des musées de France: Revue du Louvre 48 (February 1998), p. 22.

William Rubin in Cézanne, Picasso, Braque: Der Beginn des kubistischen Stillebens. Exh. cat., Kunstmuseum Basel. Ostfildern-Ruit, Germany, 1998, p. 85, fig. 19.

Mary Tompkins Lewis. "The Path to Les Lauves: A History of Cézanne's Studios." Atelier Cézanne. [Aix-en-Provence], 2002, p. 22.

Nina Maria Athanassoglou-Kallmyer. Cézanne and Provence: The Painter in His Culture. Chicago, 2003, p. 210.

Neil Harris in The Clark Brothers Collect: Impressionist and Early Modern Paintings. Exh. cat., Sterling and Francine Clark Art Institute. Williamstown, Mass., 2006, p. 201.

Sarah Lees in The Clark Brothers Collect: Impressionist and Early Modern Paintings. Exh. cat., Sterling and Francine Clark Art Institute. Williamstown, Mass., 2006, pp. 245, 248, 251, 315, 321, no. 53, fig. 181 (color).

Gilbert T. Vincent and Sarah Lees in The Clark Brothers Collect: Impressionist and Early Modern Paintings. Exh. cat., Sterling and Francine Clark Art Institute. Williamstown, Mass., 2006, pp. 156, 199 n. 154.

Susan Alyson Stein in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, pp. 114–15, 187–88, no. 80, ill. (color and bw).

Susan Alyson Stein in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 131, 222–23, no. 120, ill. (color and bw).

Gary Tinterow in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, p. xix.

Gary Tinterow in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, p. 11.

Roberta Bernstein in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, pp. 467–68, 560 n. 12.

Jean-François Chevrier in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, p. 533, pl. 210 (color).

Anabelle Kienle in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, p. 317, ill. p. 307 (color).

Joseph J. Rishel in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, p. 171, ill. (color).

Karin Sagner. Gustave Caillebotte: Neue Perspektiven des Impressionismus. Munich, 2009, p. 142, fig. 70 (color).

Richard Shiff in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, p. 62.