Signed, dated, and inscribed: (lower center) HTB [monogram] fecit / 162[ ]; (on cross) IN RI

Baltimore Museum of Art. "Hendrick Terbrugghen in America," December 19, 1965–January 30, 1966, no. 9.

Dayton Art Institute. "Hendrick Terbrugghen in America," October 15–November 28, 1965, no. 9.

Museum of Fine Arts, Boston. "Masterpieces of Painting in The Metropolitan Museum of Art," September 16–November 1, 1970, unnumbered cat.

Washington. National Gallery of Art. "Gods, Saints & Heroes: Dutch Painting in the Age of Rembrandt," November 2, 1980–January 4, 1981, no. 11.

Amsterdam. Rijksmuseum. "God en de Goden: Verhalen uit de bijbelse en klassieke oudheid door Rembrandt en zijn tijdgenoten," May 18–July 19, 1981, no. 11.

Detroit Institute of Arts. "Gods, Saints & Heroes: Dutch Painting in the Age of Rembrandt," February 16–April 19, 1981, no. 11.

Utrecht. Centraal Museum. "Nieuw Licht op de Gouden Eeuw: Hendrick ter Brugghen en tijdgenoten," November 13, 1986–January 12, 1987, no. 21.

Braunschweig. Herzog Anton Ulrich-Museum. "Holländische Malerei in neuem Licht: Hendrick ter Brugghen und seine Zeitgenossen," February 12–April 12, 1987, no. 21.

Fine Arts Museums of San Francisco. "Masters of Light: Dutch Painters in Utrecht During the Golden Age," September 13–November 30, 1997, no. 8.

Baltimore. Walters Art Gallery. "Masters of Light: Dutch Painters in Utrecht During the Golden Age," January 11–April 5, 1998, no. 8.

London. National Gallery. "Masters of Light: Dutch Painters in Utrecht During the Golden Age," May 6–August 2, 1998, no. 8.

New York. The Metropolitan Museum of Art. "The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art," September 18, 2007–January 6, 2008, no catalogue.

Posthumous inventory of Johannes de Renialme. June 27, 1657, no. 137 [published in A. Bredius, "Künstler-Inventare," vol. 1, The Hague, 1915, p. 237].

"A Record Price at an Outstanding Picture Sale." Illustrated London News (December 8, 1956), p. 974, ill.

"£27,000 for a Corot: Sale Total £224,000 at Sotheby's." Times (November 29, 1956), p. 12.

Weltkunst 36 (December 15, 1956), p. 19, ill.

Horst Gerson. Het Vaderland (February 16, 1957) [see Ref. Nicolson 1958].

Horst Gerson. "Herwaardering van H. ter Bruggen." Het Vaderland (February 23, 1957), ill. [see Ref. Nicolson 1958].

James J. Rorimer and Dudley T. Easby Jr. "Review of the Year 1956–1957." Metropolitan Museum of Art Bulletin 16 (October 1957), pp. 38, 40, ill. p. 43.

S[amson]. Lane Faison Jr. A Guide to the Art Museums of New England. New York, 1958, p. 140.

Benedict Nicolson. Hendrick Terbrugghen. The Hague, 1958, pp. 6, 8, 22, 41, 45, 79–82, no. A49, pls. 53, 54, 55c, 56, 57 (overall and details).

Benedict Nicolson. "De Heilige Hieronymus van Hendrick Terbrugghen." Bulletin Museum Boymans-van Beuningen 9, no. 3 (1958), pp. 88, 90, fig. 4 (detail).

Claus Virch. "The Crucifixion by Hendrick Terbrugghen." Metropolitan Museum of Art Bulletin 16 (April 1958), pp. 217–26, ill. (detail, and in color on cover).

Alfred Frankfurter. "Midas on Parnassus." Art News Annual 28 (1959), p. 62, ill. (color).

H[orst]. Gerson. "Review of Ref. Nicolson 1958." Kunstchronik 12 (November 1959), p. 317.

K. E. Maison. Art Themes and Variations. New York, 1960, p. 215, fig. 61.

Benedict Nicolson. "Second Thoughts about Terbrugghen." Burlington Magazine 102 (November 1960), p. 470 n. 22.

J. Richard Judson. "Review of Ref. Nicolson 1958." Art Bulletin 43 (December 1961), p. 347.

H[orst]. Gerson in Kindlers Malerei Lexikon. 1, Zürich, 1964, pp. 563–64.

Leonard J. Slatkes. Dirck van Baburen (c. 1595–1624): A Dutch Painter in Utrecht and Rome. Utrecht, 1965, pp. 52–53 n. 27, p. 91.

Leonard J. Slatkes in Hendrick Terbrugghen in America. Exh. cat., Dayton Art Institute. Dayton, 1965, pp. 28–30, no. 9, ill.

Wolfgang Stechow in Hendrick Terbrugghen in America. Exh. cat., Dayton Art Institute. Dayton, 1965, pp. 7–9.

Wolfgang Stechow. "Terbrugghen in America." Art News 64 (October 1965), pp. 49–50, fig. 1 (color).

Jakob Rosenberg and Seymour Slive in Dutch Art and Architecture: 1600 to 1800. Baltimore, 1966, p. 24.

Arthur von Schneider. I seguaci del Caravaggio nei Paesi Bassi. Milan, 1966, unpaginated.

Connoisseur 172 (November 1969), p. CCXXX, ill. (color).

Edith A. Standen in Masterpieces of Painting in The Metropolitan Museum of Art. Exh. cat., Museum of Fine Arts, Boston. New York, [1970], p. 38, ill. (color).

P. J. J. van Thiel. "De aanbidding der koningen en ander vroeg werk van Hendrick ter Brugghen." Bulletin van het Rijksmuseum 19 (December 1971), p. 109.

J. M. Nash. The Age of Rembrandt and Vermeer. New York, 1972, unpaginated section, fig. 23.

Eduard Plietzsch. Holländische und flämische Maler des XVII. Jahrh. 2nd ed. Leipzig, 1972, pp. 143, 145.

Jakob Rosenberg and Seymour Slive in Dutch Art and Architecture: 1600 to 1800. rev. ed. Harmondsworth, England, 1972, pp. 38–39.

Richard E. Spear. "Baroque Paintings from Ligozzi to Hogarth." Apollo 103 (February 1976), p. 106.

Rüdiger Klessmann in Jan Lievens: ein Maler im Schatten Rembrandts. Exh. cat., Herzog Anton Ulrich-Museum. Braunschweig, 1979, p. 54, under no. 9.

Benedict Nicolson. The International Caravaggesque Movement. Oxford, 1979, p. 98 [2nd ed., rev. and enl. by Luisa Vertova, "Caravaggism in Europe," Turin, 1989, vol. 1, p. 190].

Walther Bernt. Die Niederländischen Maler und Zeichner des 17. Jahrhunderts. 3, 4th, rev. ed. Munich, 1980, no. 1249, ill.

Albert Blankert in Gods, Saints & Heroes: Dutch Painting in the Age of Rembrandt. Exh. cat., National Gallery of Art. Washington, 1980, p. 15 [Dutch ed., "God en de Goden: Verhalen uit de bijbelse en klassieke oudheid door Rembrandt en zijn tijdgenoten," Amsterdam, 1981; reprinted in "Selected Writings. . . ," Zwolle, 2004, pp. 102–3, fig. 85 (color)].

Christopher Brown in Gods, Saints & Heroes: Dutch Painting in the Age of Rembrandt. Exh. cat., National Gallery of Art. Washington, 1980, pp. 104–5, no. 11, ill. [Dutch ed., "God en de Goden: Verhalen uit de bijbelse en klassieke oudheid door Rembrandt en zijn tijdgenoten," Amsterdam, 1981].

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, pp. 299, 308, fig. 537 (color).

Erik de Jong [sic for E. de Jongh?]. Een schilderij centraal: De Slapende Mars van Hendrick ter Brugghen. Exh. cat., Centraal Museum. Utrecht, 1980, pp. 10, 31 n. 52.

Peter Hecht. "Review of Exh. Washington et al. 1980–81." Simiolus 12, no. 2/3 (1981–82), p. 185.

Michael Kitson. "'Gods, Saints and Heroes' at the Rijksmuseum, Amsterdam." Burlington Magazine 123 (July 1981), p. 444, fig. 70.

Albert Blankert in Nieuw Licht op de Gouden Eeuw: Hendrick ter Brugghen en tijdgenoten. Exh. cat., Centraal Museum. Utrecht, 1986, p. 28 [German ed., "Holländische Malerei in neuem Licht: Hendrick ter Brugghen und seine Zeitgenossen," Braunschweig, (1986)].

Marten Jan Bok in Nieuw Licht op de Gouden Eeuw: Hendrick ter Brugghen en tijdgenoten. Exh. cat., Centraal Museum. Utrecht, 1986, p. 71 [German ed., "Holländische Malerei in neuem Licht: Hendrick ter Brugghen und seine Zeitgenossen," Braunschweig, (1986)].

Peter Hecht and Ger Luijten. "Nederland verzamelt oude meesters. Tien jaar aankopen en achtergronden." Kunstschrift/Openbaar Kunstbezit 6 (1986), p. 194, ill.

Leonard J. Slatkes in Nieuw Licht op de Gouden Eeuw: Hendrick ter Brugghen en tijdgenoten. Exh. cat., Centraal Museum. Utrecht, 1986, pp. 46, 50, 76, 103–4, 110, 129–30, 133–36, no. 21, ill. [German ed., "Holländische Malerei in neuem Licht: Hendrick ter Brugghen und seine Zeitgenossen," Braunschweig, (1986)].

Peter C. Sutton. A Guide to Dutch Art in America. Grand Rapids, Mich., 1986, p. 180, fig. 255.

Volker Bauermeister. "Review of Exh. Braunschweig 1987." Das Kunstwerk 40 (June 1987), p. 72.

"Torino: Un Ter Bruggen romano." Giornale dell'arte no. 50 (November 1987), p. 61.

Michael Kitson. "Brunswick, Herzog Anton Ulrich-Museum, Hendrick ter Brugghen and his Contemporaries." Burlington Magazine 129 (February 1987), p. 137.

J. A. L. de Meyere. "Hendrick ter Brugghen en tijdgenoten (I): Nieuw Licht op de Gouden Eeuw." Antiek 6 (January 1987), p. 350, fig. 16.

Bernhard Schnackenburg. "Höllandische Malerei in neuem Licht: Hendrick ter Brugghen und seine Zeitgenossen." Kunstchronik 40 (April 1987), p. 172.

Maestri fiamminghi ed olandesi del XVI e XVII secolo. Exh. cat., Caretto Gallerie. Turin, 1987, p. 42, ill. on foldout.

Jan Bialostocki. "Der schwarze und der farbige Raum: Caravaggio und die Niederländer." Hendrick ter Brugghen und die Nachfolger Caravaggios in Holland. Braunschweig, 1988, p. 11.

Christopher Brown. "The London 'Jacob and Laban' and ter Brugghen's Italian Sources." Hendrick ter Brugghen und die Nachfolger Caravaggios in Holland. Braunschweig, 1988, pp. 93, 97 nn. 19, 23, fig. 124.

Wouter Th. Kloek. "The Caravaggisti and the Netherlandish Tradition." Hendrick ter Brugghen und die Nachfolger Caravaggios in Holland. Braunschweig, 1988, p. 51.

Christopher Wright. Dutch Paintings in the Seventeenth Century: Images of a Golden Age in British Collections. Exh. cat., Birmingham City Museums and Art Gallery. London, 1989, p. 47.

Walter Liedtke. "Dutch Paintings in America: The Collectors and Their Ideals." Great Dutch Paintings from America. Exh. cat., Mauritshuis, The Hague. Zwolle, The Netherlands, 1990, p. 55.

Albert Blankert. A Newly Discovered Painting by Hendrick ter Brugghen. Zwolle, The Netherlands, 1991, pp. 15, 20, 24, 39 n. 6, p. 40 n. 18, figs. 5, 10 (overall and detail).

R[obert]. Schillemans. "Schilderijen in Noordnederlandse katholieke kerken uit de eerste helft van de 17e eeuw." De zeventiende eeuw 8, no. 1 (1992), p. 42.

Maria Giulia Aurigemma. "Gherardo, Enrico, Teodoro ed altri simili." L'asino iconoclasta: Seicento olandese, Proposte di lettura, problemi di metodo e di interpretazione. Sant'Oreste (Rome), 1993, pp. 50–52, fig. 8.

Robert Schillemans. "Over Hendrick ter Brugghen's 'Kruisigingen' en de aanspraak van Adriaen Ploos op een adellijke afkomst." De zeventiende eeuw 9, no. 2 (1993), pp. 137–51, fig. 1.

Albert Blankert in "Fiamenghi che vanno e vengono non li si puol dar regola", Paesi Bassi e Italia fra Cinquecento e Seicento: pittura, storia e cultura degli emblemi. Sant'Oreste (Rome), 1995, p. 134, fig. 27.

Seymour Slive. Dutch Painting 1600–1800. New Haven, 1995, p. 20.

A[lbert]. Blankert in Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. 14, Munich, 1996, pp. 504–5.

Marten Jan Bok. "Laying Claims to Nobility in the Dutch Republic: Epitaphs, True and False." Simiolus 24, no. 2/3 (1996), pp. 210, 212, fig. 4.

Leonard J. Slatkes. "Bringing Ter Brugghen and Barburen [sic] up-to-date." Bulletin du Musée National de Varsovie 37, no. 3–4 (1996), pp. 217–18.

Christopher Brown. Utrecht Painters of the Dutch Golden Age. Exh. cat., Fine Arts Museums of San Francisco. London, 1997, p. 33.

Ghislain Kieft in La pittura nei Paesi Bassi. Milan, 1997, vol. 2, p. 410, fig. 379 (color).

Ben Olde Meierink and Angelique Bakker in Masters of Light: Dutch Painters in Utrecht During the Golden Age. Exh. cat., Fine Arts Museums of San Francisco. Baltimore, 1997, p. 79.

Leonard J. Slatkes in Masters of Light: Dutch Painters in Utrecht During the Golden Age. Exh. cat., Fine Arts Museums of San Francisco. Baltimore, 1997, pp. 151–55, 411, no. 8, ill. (color).

Joaneath A. Spicer in Masters of Light: Dutch Painters in Utrecht During the Golden Age. Exh. cat., Fine Arts Museums of San Francisco. Baltimore, 1997, pp. 20, 394 n. 20.

Dennis P. Weller. Sinners & Saints, Darkness and Light: Caravaggio and His Dutch and Flemish Followers. Exh. cat., North Carolina Museum of Art. Raleigh, 1998, p. 213, no. 3, ill.

Arthur K. Wheelock Jr. "Utrecht painters in Baltimore." Apollo 142 (April 1998), p. 52.

Liesbeth M. Helmus Centraal Museum. Schilderkunst tot 1850. Utrecht, 1999, vol. 2, p. 769.

Larry Silver. "'Caravaggism's Missing Link, or what ter Brugghen brought home from Rome'." Pantheon 58 (2000), p. 191.

Richard Beresford and Peter Raissis. The James Fairfax Collection of Old Master Paintings, Drawings, and Prints. Exh. cat., Art Gallery of New South Wales. Sydney, 2003, p. 42.

Liesbeth M. Helmus in Caravaggio e l'Europa: Il movimento caravaggesco internazionale da Caravaggio a Mattia Preti. Exh. cat., Palazzo Reale. Milan, 2005, p. 97 n. 52.

Stichting Victor IV: "The Crucifixion with Members of the Family of Adriaen Willemsz. Ploos" after Hendrick ter Brugghen, 1624? Exh. cat., Centraal Museum. Utrecht, 2005, unpaginated [see Ref. Slatkes and Franits 2007].

Pierre Rosenberg. Only in America: One Hundred Paintings in American Museums Unmatched in European Collections. Milan, 2006, pp. 15, 82, ill.

Natasha Therese Seaman. "Archaism and the Critique of Caravaggio in the Religious Paintings of Hendrick ter Brugghen." PhD diss., Boston University, 2006, vol. 1, pp. vi, 6–9, 15, 26, 62, 64, 116, 124, 129, 132–58, 165–66, 171–72, 184, 213; vol. 2, fig. 9.

Nigel Foxell. "The £75 Masterpiece." Art News 106 (October 2007), p. 204.

Walter Liedtke. "Resurrection of a Crucifixion." Art News 106 (October 2007), pp. 202–5, ill. (color).

Walter Liedtke. Dutch Paintings in The Metropolitan Museum of Art. New York, 2007, vol. 1, pp. x–xi, 109–18, no. 25, colorpl. 25, fig. 22 (color detail); vol. 2, p. 893.

Helmut Nickel. "The Sun, the Moon, and an Eclipse: Observations on 'The Crucifixion with the Virgin and Saint John,' by Hendrick Ter Brugghen." Metropolitan Museum Journal 42 (2007), pp. 121–24, fig. 1, colorpl. 4.

Esmée Quodbach. "The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art." Metropolitan Museum of Art Bulletin 65 (Summer 2007), pp. 50, 52–53, 61, fig. 60 (color).

Leonard J. Slatkes and Wayne Franits. The Paintings of Hendrick ter Brugghen, 1588–1619: Catalogue Raisonné. Amsterdam, 2007, pp. 31, 38 n. 28, 40–43, 65, 71, 103–10 n. 26, pp. 111–12, 114, 127, 134–35, 167, 193, 222, 241, 246, 268, 280, no. A19, pl. 18.