Signed and inscribed: (upper right) G. de La Tour Fecit Luneuilla Lothar: (Lunéville Lorraine); (on young man's watch chain) AMOR (love) FIDES (faith)

New York. The Metropolitan Museum of Art. "The Splendid Century, French Art: 1600–1715," March 8–April 30, 1961, suppl. no. 168.

Museum of Fine Arts, Boston. "Masterpieces of Painting in The Metropolitan Museum of Art," September 16–November 1, 1970, unnumbered cat.

Paris. Musée de l'Orangerie. "Georges de La Tour," May 10–September 25, 1972, no. 12.

Moscow. State Pushkin Museum. "100 Paintings from the Metropolitan Museum," August 28–November 2, 1975, no. 47.

Art Institute of Chicago. "France in the Golden Age: Seventeenth-century French Paintings in American Collections," September 18–November 28, 1982, no. 39.

New York. The Metropolitan Museum of Art. "France in the Golden Age: Seventeenth-century French Paintings in American Collections," May 26–August 22, 1982, no. 39.

Paris. Galeries Nationales du Grand Palais. "La Peinture française du XVIIe siècle dans les collections américaines," January 29–April 26, 1982, no. 39.

Kunsthistorisches Museum Wien. "Georges de La Tour bei der Wahrsagerin," January 28–May 24, 1987, unnumbered cat.

Washington. National Gallery of Art. "Georges de La Tour and his World," October 6, 1996–January 5, 1997, no. 18.

Fort Worth. Kimbell Art Museum. "Georges de La Tour and his World," February 2–May 11, 1997, no. 17.

Galeries Nationales du Grand Palais. "Georges de La Tour," October 3, 1997–January 26, 1998, no. 27.

Vitale Bloch. Georges de La Tour. Amsterdam, 1950, p. 74.

Charles Sterling. "Observations sur Georges de La Tour, apropos d'un livre récent [review of Ref. Bloch 1950]." Revues des arts 1 (September 1951), pp. 149–50, 152.

Vitale Bloch. "Geroges de la Tour Once Again." Burlington Magazine 96 (March 1954), p. 81.

"Spectacular Buy for the Metropolitan." Art News 59 (Summer 1960), p. 26, ill.

"La 'Buona Ventura' di Georges de La Tour." Arte antica e moderna 10 (April–June 1960), pp. 214–15, pl. 62d.

Juan Antonio Gaya Nuño. "L'exile des objets d'art: rebondissement de notre article de février 1960." Connaissance des arts 102 (August 1960), pp. 50–51, ill.

Fritz Neugass. "Sturm der Entrüstung über eine Neuerwerbung des Metropolitan Museum." Weltkunst 30 (July 1960), pp. 7–8, ill.

Theodore Rousseau Jr. The Splendid Century: French Art, 1600–1715. Exh. cat.Washington, 1960, supplement, p. 1, no. 168.

François-Georges Pariset. "A Newly Discovered La Tour: The Fortune Teller." Metropolitan Museum of Art Bulletin 19 (March 1961), pp. 198–205, ill.

A.-M. Bougier. Georges de La Tour, peintre du roy. Paris, 1963, pp. 136–38.

Albert Châtelet and Jacques Thuillier. French Painting from Fouquet to Poussin. Geneva, 1963, p. 180.

François-Georges Pariset. "La Tour." Enciclopedia universale dell'arte. 8, Venice, 1963, p. 543.

Hermann Voss. "Die Darstellungen des Hl. Franziskus im Werk von Georges de La Tour." Pantheon 23 (1965), p. 404.

Anna Ottani Cavina. La Tour (Maestri del Colore). Milan, 1966, unpaginated, ill. cover, pl. 3 (color).

Hidemichi Tanaka. "L'oeuvre de Georges de La Tour." PhD diss., Université de Strasbourg, 1969, pp. 39, 59–61, 64–67, 71, 74, 95–96, 111, 126–28, 131, ill. (whole and detail).

Anthony Blunt. Art and Architecture in France, 1500 to 1700. 2nd ed. [1st ed. 1953]. Baltimore, 1970, p. 159.

Adolph S. Cavallo. Letter to Theodore Rousseau and Claus Virch. June 3, 1970.

Diana de Marly. "Letters, Miss de Marley writes:." Burlington Magazine 112 (October 1970), p. 701.

Diana de Marly. "Note on the Metropolitan 'Fortune Teller'." Burlington Magazine 112 (June 1970), pp. 388–91, ill. (whole and details).

Donald King. "The Metropolitan 'Fortune Teller'." Burlington Magazine 112 (October 1970), pp. 700–701.

Introduction by Kenneth Clark in Masterpieces of Fifty Centuries. Exh. cat., The Metropolitan Museum of Art. New York, 1970, p. 266, no. 292, ill. (color).

Edith A. Standen in Masterpieces of Painting in The Metropolitan Museum of Art. Exh. cat., Museum of Fine Arts, Boston. New York, [1970], p. 63, ill. (color).

Emma H. Mellencamp. "Fake" Costumes by Georges de La Tour. 1971, pp. 1–26, and notes.

Benedict Nicolson. Letter to Everett Fahy. May 20, 1971.

Vitale Bloch. "Georges de La Tour." Kunstchronik (August 1972), pp. 222, 224, 241, ill.

Anthony Blunt. "Georges de La Tour at the Orangerie." Burlington Magazine 114 (August 1972), pp. 519–20, 523–25, fig. 13 (detail).

Anna Ottani Cavina. "La Tour all'Orangerie e il suo primo tempo caravaggesco." Paragone 23 (November 1972), pp. 17–18.

François-Georges Pariset. "L'Exposition de Georges de La Tour à l'Orangerie, Paris." Gazette des beaux-arts 80 (October 1972), pp. 208–9.

Raymond Picard. "L'unité spirituelle de Georges de La Tour." Gazette des beaux-arts 80 (October 1972), pp. 214–18, ill. (details).

Pierre Rosenberg and Jacques Thuillier. Georges de La Tour. Exh. cat., Orangerie des Tuileries. Paris, 1972, pp. 7–8, 14, 16–18, 102, 112, 148–151, 156, no. 12, ill. p. 38 (color) and pp. 148 and 151 (overall and details).

Jacques Thuillier. "La Tour: Between Yesterday and Tomorrow." Art News 71 (Summer 1972), pp. 25–26.

Jacques Thuillier. "Georges de La Tour, trois paradoxes." L'Oeil no. 208 (April 1972), pp. 2–3, ill.

F. Grossmann. "Some Observations on Georges de La Tour and the Netherlandish Tradition." Burlington Magazine 115 (September 1973), pp. 579–80.

Pierre Rosenberg and François Macé de L'Épinay. Georges de La Tour: vie et oeuvre. Fribourg, Switzerland, 1973, pp. 10, 24, 28, 42, 116, 118, 120–21, 156, 184, 201, 202, no. 206, ill. pp. 31 and 33 (color, whole and detail) and 121 (the signature).

François Solesmes. Georges de La Tour. Lausanne, 1973, pp. 63, 70–73, 100, 120, 125–26, 130, 153, 155, ill. color (whole and detail).

Jacques Thuillier. L'opera completa di Georges de La Tour. Milan, 1973, pp. 6–7, 13–14, 85, 90–91, ill. (whole and details), colorpls. 20–24.

Maurizio Marini. Io Michelangelo da Caravaggio. Rome, 1974, p. 351.

Benedict Nicolson and Christopher Wright. Georges de La Tour. London, 1974, pp. 13–15, 18–19, 21, 25–28, 42, 188–89, no. 48, ill. (overall and details) and frontispiece (color detail).

Ferdinando Bologna. "A New Work from the Youth of La Tour." Burlington Magazine 117 (April 1976), pp. 437–38.

Pierre Rosenberg. "Benedict Nicolson and Cristopher Wright, Georges de La Tour, 1974." Art Bulletin 58 (September 1976), p. 453.

Erich Schleier. "Georges de La Tour: Essendes Bauernpaar Zu einer Neuerwerbung der Gemäldegalerie." Jahrbuch Preußischer Kulturbesitz (1976), p. 237.

Richard E. Spear. "A New Book on La Tour [review of Ref. Nicolson and Wright 1972]." Burlington Magazine 118 (April 1976), pp. 233–35.

B[enedict]. N[icolson]. "'The Fortune Teller' at the Louvre." Burlington Magazine 119 (August 1977), p. 597.

Edward J. Sullivan. "Jaques Callot's 'Les Bohémiens'." Art Bulletin 59 (June 1977), p. 220.

Christopher Wright. Georges de La Tour. London, 1977, pp. 7, 150–53, ill. in color.

Martha Kellogg Smith. "Georges de La Tour's 'Old Man' and 'Old Woman' in San Francisco." Burlington Magazine 121 (May 1979), p. 294.

Benedict Nicolson. The International Caravaggesque Movement. Oxford, 1979, p. 65 [2nd ed., rev. and enl. by Luisa Vertova, "Caravaggism in Europe," Turin, 1989, vol. 1, p. 135; vol. 2, colorpls. 894–95 (overall and detail)].

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, p. 302, 320, 324, fig. 542 (color).

John Pope-Hennessy. "Fake?" Apollo 112 (November 1980), p. 363.

Christopher Wright and Diana de Marly. "Fake? 'The Fortune Teller' in the Metropolitan Museum of Art, New York." Connoisseur 205 (September 1980), pp. 22–25, ill. in color (whole and detail on cover).

John M. Brealey and Pieter Meyers. "'The Fortune Teller' by Georges de La Tour." Burlington Magazine 123 (July 1981), pp. 442–44, ill. (color and x-radiograph).

Diana de Marly. "Indecent Exposure." Connoisseur 206 (January 1981), pp. 1–2.

Pierre Rosenberg. "'The Fortune Teller' by Georges de La Tour." Burlington Magazine 123 (August 1981), pp. 487–88.

Brian Sewell. "'The Fortune Teller' by Georges de la Tour." Burlington Magazine 123 (September 1981), pp. 549–50.

Anthony Blunt. "French Seventeenth-Century Painting: The Literature of the Last Ten Years." Burlington Magazine 124 (November 1982), p. 705.

Hugh Brigstocke. "France in the Golden Age." Apollo 116 (July 1982), pp. 9–10, ill.

"Art News: The Kimbell Art Museum." Connoisseur 209 (January 1982), p. 9.

Philippe de Montebello. "Where '60 Minutes' Erred." Connoisseur 210 (June 1982), p. 16, ill.

Carl Goldstein. "Seventeenth-Century French Paintings." Art Journal 42 (Winter 1982), pp. 328–30, ill.

Sylvia Hochfield. "Can 'The Fortune Teller' be Trusted?" Art News 81 (Summer 1982), pp. 73–77, ill. in color.

Pierre Rosenberg. France in the Golden Age: Seventeenth-century French Paintings in American Collections. Exh. cat., The Metropolitan Museum of Art. 1982, pp. 75–76, 82–84, 256–59, 354, no. 39, ill. in color (whole), details (black and white) [French ed., La peinture française du XVIIe siècle dans les collections américaines, Paris, 1982].

Pierre Rosenberg. "France in the Golden Age: A Postscript." Metropolitan Museum Journal 17 (1982), p. 29, no. 39.

Richard E. Spear. Letter to Ralph T. Coe [Director of William Rockhill Nelson Gallery and Atkins Museum of Fine Arts]. March 26, 1982.

Christopher Wright. "Opinion: Georges de la Tour Controversy." Connoisseur 208 (November 1982), unpaginated, opinion page.

Christopher Wright. The Art of the Forger. London, 1984, pp. 1ff., ill. (whole and details).

Wolfgang Prohaska. Georges da La Tour bei der Wahrsagerin. Vienna, 1987, pp. 1–16, ill. (detail, and whole in color on cover).

Pierre Rosenberg and Marion C. Stewart. French Paintings 1500–1825, The Fine Arts Museums of San Francisco. San Francisco, 1987, p. 64.

Federico Zeri. Behind the Image: The Art of Reading Paintings. New York, 1987, p. 85, fig. 23.

Philip Conisbee in The Ahmanson Gifts: European Masterpieces in the Collection of the Los Angeles County Museum of Art. Los Angeles, 1991, p. 49.

Robert Gibbs. "The Art of Artifice, review of Ref. Zeri 1987." Times Literary Supplement (January 24, 1992), p. 18.

Jacques Thuillier. Georges de La Tour. Paris, 1992, pp. 136–38, 142–47, 286–87, 296, no. 31, ill. in color (whole and details).

Maurice Bernard in Georges de La Tour ou les chefs-d'oeuvre révélés. Exh. cat., Églises des Carmes, Vic-sur-Seille. Metz, 1993, pp. 116–17, ill. (whole, color and x-radiograph).

Alain Mérot. La peinture française au XVIIe siècle. Paris, 1994, pp. 165–66.

Jean-Claude Le Floch. La Tour, le clair et l'obscur. Paris, 1995, pp. 8, 24–25, ill. in color (whole and details).

Paulette Choné. Georges de La Tour: Un peintre lorrain au XVIIe siècle. Paris, 1996, pp. 120–21, ill. in color.

Philip Conisbee et al. Georges de La Tour and his World. Exh. cat., National Gallery of Art. Washington, 1997, pp. 67–69, 94, 152, 168, 172, 174, 176, 184–85, 196, 207, 246–47, 253-54, 268, no. 17, ill. (color, overall and details) and frontispiece (color).

Jean-Pierre Cuzin and Pierre Rosenberg. Georges de La Tour. Exh. cat., Galeries Nationales du Grand Palais. Paris, 1997, pp. 150–53, no. 27, ill. in color.

Jean-Pierre Cuzin and Dimitri Salmon. Georges de la Tour: Histoire d'une redécouverte. Paris, 1997, pp. 79–84, ill. in color (whole and details).

Robert Fohr Éditions Serpenoise. Georges de La Tour: Le maître des nuits. Metz, 1997, p. 48, ill. in color.

Pierre Rosenberg. La Tour. Milan, 1998, pp. 60–62, ill. in color (whole and detail).

Daniel Wildenstein and Yves Stavridès. Marchands d'art. Paris, 1999, pp. 152–62.

Mina Gregori in La luce del vero: Caravaggio, La Tour, Rembrandt, Zurbarán. Exh. cat., Galleria d'Arte Moderna e Contemporanea, Bergamo. Cinisello Balsamo (Milan), 2000, p. 33.

Bruno Ferté in La luce del vero: Caravaggio, La Tour, Rembrandt, Zurbarán. Exh. cat.Milan, 2002, pp. 101–2.

Paola Astrua. La buona ventura di Georges de La Tour e aspetti del caravaggismo nordico in Piemonte. Exh. cat., Galleria Sabauda. Milan, 2003, pp. 18–19, no. 1, ill. in color (whole and in detail on cover).

Anna Maria Bava. La buona ventura di Georges de La Tour e aspetti del caravaggismo nordico in Piemonte. Exh. cat., Galleria Sabauda. Milan, 2003, p. 8.

Joseph Baillio et al. The Arts of France from François Ier to Napoléon Ier. Exh. cat., Wildenstein & Co., Inc. New York, [2005], pp. 51, 71, no. 10, ill.

Pierre Rosenberg. Only in America: One Hundred Paintings in American Museums Unmatched in European Collections. Milan, 2006, pp. 98–99, 232, ill. (color).

Esmée Quodbach. "The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art." Metropolitan Museum of Art Bulletin 65 (Summer 2007), p. 22.