Signed and dated (lower right): Rosa Bonheur 1853.5

Paris. Salon. May 15, 1853–?, no. 134 (as "Marché aux chevaux de Paris").

Ghent. Palais de l'Université. "Exposition nationale et triennale," August 21–?, 1853, no. 29 [see Refs. Art-Journal 1853 and Sterling and Salinger 1966].

Bordeaux. Galerie de la société des amis des arts. "Salon des amis des arts de Bordeaux [5ème exposition]," November 12–?, 1854, no. 78 [see Ref. Sterling and Salinger 1966].

London. Pall Mall Gallery. "Second Annual Exhibition of the French School of Fine Arts," July 17–September 5, 1855, no. 24 [see Refs. Klumpke 1908, Sterling and Salinger 1966, Maas 1975].

Glasgow. location unknown. "French School of Fine Arts," after September 5, 1855–before February 1856, no catalogue? [see Refs. Klumpke 1908, Sterling and Salinger 1966, Maas 1975].

Liverpool. location unknown. "French School of Fine Arts," February 1856, no catalogue? [see Refs. Klumpke 1908, Sterling and Salinger 1966, Maas 1975].

Manchester. Royal Institution. "French School of Fine Arts," April 1–?, 1856, no. 27 [see Refs. Klumpke 1908, Sterling and Salinger 1966, Maas 1975].

Birmingham. Everitt and Hill's Gallery. "French School of Fine Arts," by August 13, 1856, no catalogue? [see Refs. Klumpke 1908, Sterling and Salinger 1966, Maas 1975].

Sheffield. James Gilbert. "French School of Fine Arts," March 15–April 4, 1857, no catalogue? [see Refs. Klumpke 1908, Sterling and Salinger 1966, Maas 1975].

London. German Gallery. August 1857, no catalogue [see Refs. Art-Journal 1857 and Maas 1975].

New York. Williams, Stevens and Williams Gallery. October 2, 1857–January 2, 1858, no catalogue [see Refs. New York Times 1857 and Ashton 1981].

New York. The Metropolitan Museum of Art. "The Taste of the Seventies," April 2–September 10, 1946, no. 64.

Dallas Museum of Fine Arts. "30 Masterpieces: An Exhibition of Paintings from the Collection of the Metropolitan Museum of Art," October 4–November 23, 1947, unnumbered cat.

Iowa City. State University of Iowa, School of Fine Arts. "30 Masterpieces: An Exhibition of Paintings from the Collection of the Metropolitan Museum of Art," January 9–March 31, 1948, unnumbered cat.

Bloomington. Indiana University. "30 Masterpieces: An Exhibition of Paintings from the Collection of the Metropolitan Museum of Art," April 18–May 16, 1948, no catalogue.

Minneapolis Institute of Arts. "The Past Rediscovered: French Painting, 1800–1900," July 3–September 7, 1969, no. 4.

Bordeaux. Galerie des Beaux-Arts. "Rosa Bonheur (1822–1899)," May 24–August 31, 1997, no. 12.

"Art in Continental States." Art-Journal (October 1, 1853), p. 262.

L[ouis]. Clément de Ris. "Salon de 1853: Lettres à un ami, à Bruxelles. II, Les Paysagistes." L'Artiste, 5e sér., 10 (June 15, 1853), pp. 148–49.

Horsin Déon. Rapport sur le Salon de 1853. Paris, 1853, pp. 12–13.

Frederic Henriet. Coup d'oeil sur le Salon de 1853. Paris, 1853, p. 18 [see Refs. Sterling and Salinger 1966, Watson 1983].

Édouard Houssaye. "Gravures du numéro." L'Artiste, 5e sér., 11 (August 15, 1853), p. 32, ill. opp. p. 32 (engraving by Veyrassat).

Henry de la Madelène. Le Salon de 1853. Paris, 1853, pp. 55–56 [see Ref. Sterling and Salinger 1966].

Claude Vignon. Salon de 1853. Paris, 1853, pp. 115–16.

"Art in Continental States." Art-Journal (June 1, 1855), p. 193.

"Minor Topics of the Month." Art-Journal (August 1, 1855), p. 243.

"Fine-Art Gossip." Athenæum (August 4, 1855), pp. 905–6.

"French School of the Fine Arts—Mdlle. Rosa Bonheur." Atlas (July 21, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, p. 48].

Court Journal (July 28, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, pp. 54–55].

"Art and Artists: Rosa Bonheur." Critic 14 (August 1, 1855), p. 372.

Daily News (July 26, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, pp. 51–54].

"Rosa Bonheur's 'Horse Fair at Paris'." Daily News (July 19, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, pp. 45–47].

"'The Horse Fair' in Paris." Examiner (August 11, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, pp. 59–61].

Guardian (July 25, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, pp. 50–51].

"Fine Arts Department." Illustrated London News (July 21, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, pp. 47–48].

"The Exhibition of French Paintings, Pall Mall." Lady's Newspaper and Pictorial Times (August 11, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, pp. 61–62].

"Madame de Bonheur's Conversazione." Morning Advertiser (July 23, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, pp. 49–50].

"French Gallery, Pall Mall." Morning Post (July 18, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, pp. 43–45].

"Rosa Bonheur's 'Horse Fair'." Observer (August 19, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, pp. 62–64].

"French Exhibition of Painters, Pall Mall." Press (July 21, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, pp. 48–49].

"The French Exhibition." Spectator (August 4, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, p. 62].

"The Horse Fair." Sunday Times (July 29, 1855) [reprinted in Ref. Lepelle de Bois-Gallais 1857, p. 55].

"French Exhibition." Times (July 18, 1855), p. 11.

"Minor Topics of the Month." Art-Journal (April 1, 1856), p. 126.

Anatole de la Forge. La Peinture contemporaine en France. Paris, 1856, pp. 334–35.

"Affairs in France." New York Daily Times (August 16, 1856), p. 2.

"Minor Topics of the Month." Art-Journal (August 1, 1857), p. 262.

F. Lepelle de Bois-Gallais. Memoir of Mademoiselle Rosa Bonheur. New York, 1857, pp. 34–35, 41–64.

"Rosa Bonheur's Horse Fair." New York Times (October 1, 1857), p. 4.

Eugène de Mirecourt. Rosa Bonheur. Paris, 1867, pp. 60–62.

M. de Saint-Santin. "J.-R. Brascassat." Gazette des beaux-arts 24 (June 1868), pp. 575–76.

Cicerone. "Private Galleries: Collection of the Estate of Alexander Turney Stewart. III." Art Amateur (September 1879), p. 74.

Cicerone. "Private Galleries: I. Collection of the Estate of Alexander Turney Stewart." Art Amateur 1 (June 1879), p. 6.

Cicerone. "Private Galleries: Collection of the Estate of Alexander Turney Stewart. II. The Meissoniers." Art Amateur 1 (July 1879), p. 29.

"The Stewart Art Gallery." Harper's Weekly 23 (May 3, 1879), p. 350, ill. pp. 348–49 (wood engraving of the Stewart gallery, including this picture).

The Art Treasures of America. reprint, 1977. New York, 1879, vol. 1, pp. 23, 25, 48, 52, ill. (engraving).

"Gallery and Studio: The Metropolitan Museum of Art." Art Amateur 18 (December 1887), p. 7.

"The Fine Arts: Recent Gifts to the Metropolitan Museum." Critic (April 16, 1887), p. 193.

"The Fine Arts: Further Gifts to the Metropolitan Museum." Critic (May 7, 1887), p. 232.

É[mile]. Durand-Gréville. "La peinture aux États-Unis: les galeries privées (2e et dernier article)." Gazette des beaux-arts, 2nd ser., 36 (September 1887), p. 250.

"The New Pictures at The Metropolitan Museum." Harper's Weekly (May 14, 1887), p. ?.

Montezuma [Montague Marks]. "My Note Book." Art Amateur 16 (May 1887), p. 122.

Montezuma [Montague Marks]. "My Note Book." Art Amateur 17 (June 1887), p. 3.

"For the People to Enjoy: Rosa Bonheur's Great Work in the Art Museum." New York Times (March 27, 1887), p. 9.

"Two Great Masterpieces: Meissonier and Bonheur Excite the Bidders." New York Times (March 26, 1887), p. 1.

John Oldcastle. "An American Millionaire's Gallery." Art Journal, n.s., (1887), pp. 154–56, ill. (engraving of the Stewart gallery, including this picture).

Mrs. Schuyler van Rensselaer. "The Wolfe Collection at the Metropolitan Museum. I." Independent 39 (November 17, 1887), p. 6.

M[ariana]. G[riswold]. van Rensselaer. "Pictures of the Season in New York. III." American Architect and Building News 21 (April 23, 1887), p. 195.

Mrs. Schuyler van Rensselaer. "Fine Arts: Gifts to the Metropolitan Museum." Independent 39 (April 21, 1887), p. 6.

Walter Rowlands. "Art Sales in America." Art Journal, n.s., (1887), p. 294.

Clarence Cook. Art and Artists of Our Time. New York, 1888, vol. 1, pp. 254, 257–58.

J.-K. Huysmans. Certains. Paris, 1889, p. 124.

René Peyrol. Rosa Bonheur: Her Life and Work. London, 1889, pp. 8–10, 25–26, ill. (frontispiece, etching by L. Flameng) [reprinted in Esther Singleton, ed., "Modern Paintings As Seen and Described by Great Writers," New York, 1911, pp. 169–74, ill.].

Cyclopedia of Painters and Paintings. New York, 1892, vol. 1, pp. 177–78.

Philip Gilbert Hamerton. The Present State of the Fine Arts in France. London, 1892, p. 19.

John Durand. The Life and Times of A. B. Durand. New York, 1894, p. 193.

"The Metropolitan Museum of Art—The French Painters." New York Times (May 22, 1895), p. 4.

Catalogue of the Paintings in the Metropolitan Museum of Art. New York, 1898, pp. 186–87, no. 654.

"Louvre of Nations." New York Times (September 17, 1898), p. RBA618.

"True History of Bonheur's 'Horse Fair'." New York Times (January 1, 1898), p. RBA6.

William Sharp. "The Art Treasures of America (Concluded.)." Living Age, 7th ser., 1 (December 3, 1898), pp. 605–6.

Arthur Hoeber. The Treasures of The Metropolitan Museum of Art of New York. New York, 1899, p. 79.

L[éon]. Roger-Milès. Rosa Bonheur: Sa vie – son oeuvre. Paris, 1900, pp. 50–53, 56, 59–60, 62, 65, 170.

Masters in Art: Rosa Bonheur 4 (1903), pp. 321–22, 327, 331–33, pl. II.

Frank Hird. Rosa Bonheur. London, 1904, pp. 25, 27–28, 31, 44, 47, 59, 70–77, 79, 81–83, 86.

John Ruskin. The Works of John Ruskin. 14, London, 1904, p. 173 n. 1, p. 174.

Théodore Guédy. Manuel pratique du collectioneur de tableaux comprenant les principales ventes des XVIII, XIX siècles jusqu'à nos jours... Paris, [1905], p. 20.

Georges Riat. Gustave Courbet peintre. Paris, 1906, p. 104.

Anna Klumpke. Rosa Bonheur: Sa vie, son oeuvre. Paris, 1908, pp. 1, 18, 110, 217–32, 243, 267–68, 324, 368, 382, 414, 424, 432, ill. between pp. 226 and 227 [English ed., "Rosa Bonheur: The Artist's (Auto)biography," Ann Arbor, 1997, pp. xi–xii, 5, 13, 69, 147–53, 162, 175–76, 213, 217, 236, 243, 260, 276].

[François Crastre]. Rosa Bonheur. Paris, [1912], pp. 39–43.

Muriel Ciolkowska. "Rosa Bonheur's Centenary." International Studio 75 (August 1922), pp. 367, 369–70, ill. p. 371.

Albert Ten Eyck Gardner. "The Taste of the Seventies." Metropolitan Museum of Art Bulletin 4 (April 1946), ill. pp. 196, 199 (installation photos).

Harry B. Wehle. "Seventy-Five Years Ago." Metropolitan Museum of Art Bulletin 4 (April 1946), p. 202.

Theodore Rousseau Jr. "A Guide to the Picture Galleries." Metropolitan Museum of Art Bulletin 12, part 2 (January 1954), p. 6, ill. p. 49.

Charles Sterling and Margaretta M. Salinger. "XIX Century." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 2, New York, 1966, pp. 160–64, ill.

Martin Davies with additions and some revisions by Cecil Gould in French School: Early 19th Century, Impressionists, Post-Impressionists, etc. London, 1970, pp. 10–11, under no. 621.

François Duret-Robert Preface by René Huyghe in L'Impressionnisme. [Paris], 1971, p. 302.

John Rewald. "Should Hoving Be De-accessioned?" Art in America 61 (January–February 1973), p. 28.

Carl R. Baldwin The Metropolitan Museum of Art. The Impressionist Epoch. [New York], 1974, p. 25.

Eleanor Tufts. Our Hidden Heritage: Five Centuries of Women Artists. New York, 1974, pp. 148–49, fig. 84.

Jay E. Cantor. "A Monument of Trade: A. T. Stewart and the Rise of the Millionaire's Mansion in New York." Winterthur Portfolio 10 (1975), p. 188, fig. 22 (installation photo).

Jeremy Maas. Gambart: Prince of the Victorian Art World. London, 1975, pp. 73–76, 79–80, 92–94, 104, 132, 158–61, 176, 181–82, ill. opp. p. 97.

Frederick Baekeland. "Collectors of American Painting, 1813 to 1913." American Art Review 3 (November–December 1976), p. 136.

Rae Becker in Ann Sutherland Harris and Linda Nochlin. Women Artists: 1550–1950. Exh. cat., Los Angeles County Museum of Art. Los Angeles, 1976, pp. 11, 224, fig. 32.

Reminiscences of Rosa Bonheur. reprint ed. (1st ed., 1910). New York, 1976, pp. 30, 42, 124–25, 139, 221, 294, 314, 363, 378–85, 387, 404, ill. on title page.

Denys Sutton in Paris—New York: A Continuing Romance. Exh. cat., Wildenstein. New York, 1977, p. 18, pl. V.

Donna G. Bachmann and Sherry Piland. Women Artists: An Historical, Contemporary and Feminist Bibliography. Metuchen, N.J., 1978, pp. 150–51, ill.

Lois Marie Fink. "French Art in the United States, 1850–1870: Three Dealers and Collectors." Gazette des beaux-arts, 6th ser., 92 (September 1978), pp. 88, 95, fig. 1.

Fine Eighteenth, Nineteenth and Twentieth Century European Paintings and Works of Islamic Interest. Sotheby's, London. April 19, 1978, unpaginated, under no. 163.

Paul Spencer-Longhurst. "Art and Artists under the Second Empire." Connoisseur 199 (December 1978), p. 276, fig. 8.

Hélène Toussaint. Gustave Courbet, 1819–1877. Exh. cat., Royal Academy of Arts. [London], 1978, p. 104 [French ed., 1977, p. 117].

James Harding. Artistes Pompiers: French Academic Art in the 19th Century. London, 1979, p. 29.

Alexandra R. Murphy in Corot to Braque: French Paintings from the Museum of Fine Arts, Boston. Exh. cat., Museum of Fine Arts, Boston. Boston, 1979, pp. xvii, xx, xxv.

Danielle Digne. Rosa Bonheur ou l'insolence: L'Histoire d'une vie, 1822–1899. Paris, 1980, pp. 83, 86, 88, 90–95, 98, 105, 108, 147, 155, 160, 171, pl. 1.

Gabriel P. Weisberg. The Realist Tradition: French Painting and Drawing 1830–1900. Exh. cat., Cleveland Museum of Art. Cleveland, 1980, p. 270.

Dore Ashton and Denise Browne Hare. Rosa Bonheur: A Life and a Legend. New York, 1981, pp. 82–97, 104, 106, 112–14, 135, 140, 144, 155, 159, 177-78, 185-86, 188, 192–94, ill.

Albert Boime. "The Case of Rosa Bonheur: Why Should a Woman Want to Be More Like a Man?" Art History 4 (December 1981), pp. 397, 405, pl. 29.

Mary Ann Tighe. "Portrait of an Artist." New York Times (May 24, 1981), p. BR15.

Albert Boime. "The Second Empire's Official Realism." The European Realist Tradition. Bloomington, 1982, p. 97.

William R. Johnston. The Nineteenth Century Paintings in the Walters Art Gallery. Baltimore, 1982, p. 87.

Rosalia Shriver. Rosa Bonheur: With a Checklist of Works in American Collections. Philadelphia, 1982, pp. 29, 31–33, 37, 56, ill. p. 90.

Richard Alan Watson. "A Study of Rosa Bonheur's The Horse Fair." Master's thesis, Southern Methodist University, 1983, pp. iv, 1–4, 21, 32–33, 35–37, 40–82, 98–101, fig. 1.

John Pope-Hennessy. "Roger Fry and The Metropolitan Museum of Art." Oxford, China, and Italy: Writings in Honour of Sir Harold Acton on his Eightieth Birthday. London, 1984, p. 231.

Carol Troyen. "Innocents Abroad: American Painters at the 1867 Exposition Universelle, Paris." American Art Journal 16 (Autumn 1984), pp. 19–20, fig. 18 (installation photo).

Maureen C. O'Brien in Maureen C. O'Brien. In Support of Liberty: European Paintings at the 1883 Pedestal Fund Art Loan Exhibition. Exh. cat., Parrish Art Museum. Southampton, N.Y., 1986, pp. 32, 49 n. 18, p. 134, under no. 6.

John Milner. The Studios of Paris: The Capital of Art in the Late Nineteenth Century. New Haven, 1988, p. 71.

and Zoë Urbanek Anne Henderson. Rosa Bonheur: Selected Works from American Collections. Exh. cat., Meadows Museum, Southern Methodist University. Dallas, 1989, unpaginated.

Walter Liedtke. The Royal Horse and Rider: Painting, Sculpture, and Horsemanship, 1500–1800. New York, 1989, pp. 85, 323, pl. 212 (detail).

Whitney Chadwick. Women, Art, and Society. London, 1990, pp. 180–81, colorpl. 93.

Anne Distel. Impressionism: The First Collectors. New York, 1990, p. 233.

Virgilia Heimsath Pancoast. "Bonheur in Baton Rouge." IFARreports 12 (August–September 1991), pp. 2–4.

Stephen N. Elias. Alexander T. Stewart: The Forgotten Merchant Prince. Westport, Conn., 1992, pp. 154–55.

James M. Saslow. "'Disagreeably Hidden': Construction and Constriction of the Lesbian Body in Rosa Bonheur's 'Horse Fair'." The Expanding Discourse: Feminism and Art History. New York, 1992, pp. 187, 189–94, 196–97, 200, 202, figs. 1, 2 (detail and overall).

Whitney Chadwick. "The Fine Art of Gentling: Horses, Women and Rosa Bonheur in Victorian England." The Body Imaged: The Human Form and Visual Culture Since the Renaissance. Cambridge, 1993, pp. 89–96, 98–100, 107, 196 n. 3, pl. 19.

Tamar Garb. "Gender and Representation." Modernity and Modernism: French Painting in the Nineteenth Century. New Haven, 1993, pp. 233, 239, pl. 207.

John House. "Exhibition Reviews, New York: The New Nineteenth-Century European Galleries at the Metropolitan Museum." Burlington Magazine 135 (December 1993), p. 856.

Bethany Tarbell. "Rosa Bonheur's Menagerie." Art & Antiques 15 (November 1993), pp. 60, 63, ill. pp. 58–59 (color detail).

John Fairley. The Art of the Horse. New York, 1995, pp. 141–42, colorpl. 90.

19th Century European Paintings, Drawings and Sculpture. Sotheby's, New York. November 1, 1995, unpaginated, under no. 156.

M. Sue Kendall in The Dictionary of Art. 29, New York, 1996, p. 651.

Heather McPherson in The Dictionary of Art. 4, New York, 1996, p. 318.

Dominique Cante in Rosa Bonheur (1822–1899). Exh. cat., Galerie des Beaux-Arts, Bordeaux. Bordeaux, 1997, pp. 28–29, 158, no. 12, ill.

"Rosa Bonheur's Remarkable Art and Life is Celebrated in First International Retrospective." Dahesh Muse (Autumn 1997), unpaginated.

"Bonheur Panels, Gérôme Painting in Major Exhibitions." Dahesh Muse (Winter 1997), unpaginated.

Bernard Denis in Rosa Bonheur (1822–1899). Exh. cat., Galerie des Beaux-Arts, Bordeaux. Bordeaux, 1997, p. 150.

Dominique Dussol in Rosa Bonheur (1822–1899). Exh. cat., Galerie des Beaux-Arts, Bordeaux. Bordeaux, 1997, pp. 39–40, 45–47, ill. pp. 52–53 (color).

Bruno Foucart in Rosa Bonheur (1822–1899). Exh. cat., Galerie des Beaux-Arts, Bordeaux. Bordeaux, 1997, pp. 14, 19.

Evelyne Helbronner in Rosa Bonheur (1822–1899). Exh. cat., Galerie des Beaux-Arts, Bordeaux. Bordeaux, 1997, p. 113.

Elizabeth Martin and Vivian Meyer. Female Gazes: Seventy-Five Women Artists. Toronto, 1997, pp. 36–37, ill. (color).

Annie-Paule Quinsac in Rosa Bonheur (1822–1899). Exh. cat., Galerie des Beaux-Arts, Bordeaux. Bordeaux, 1997, p. 104.

Francis Ribemont in Rosa Bonheur (1822–1899). Exh. cat., Galerie des Beaux-Arts, Bordeaux. Bordeaux, 1997, pp. 9–11, 95, 128, 133, ill. on cover (color).

Gabriel Weisberg in Rosa Bonheur (1822–1899). Exh. cat., Galerie des Beaux-Arts, Bordeaux. Bordeaux, 1997, pp. 56–70.

Britta C. Dwyer in Rosa Bonheur: All Nature's Children. Exh. cat., Dahesh Museum. 1998, pp. 66, 68.

Patricia Mainardi in Courbet: Artiste et promoteur de son oeuvre. Exh. cat., Musée cantonal des Beaux-Arts de Lausanne. Paris, 1998, p. 116, fig. 134.

Cristina Portell in Rosa Bonheur: All Nature's Children. Exh. cat., Dahesh Museum. New York, 1998, pp. 90, 92.

Annie-Paule Quinsac in Rosa Bonheur: All Nature's Children. Exh. cat., Dahesh Museum. New York, 1998, p. 26.

Rebecca A. Rabinow. "Catharine Lorillard Wolfe: The First Woman Benefactor of the Metropolitan Museum." Apollo 147 (March 1998), p. 53.

Gabriel Weisberg in Rosa Bonheur: All Nature's Children. Exh. cat., Dahesh Museum. New York, 1998, pp. viii, xii–xiv, 1–4, 6–18, fig. 1.

Lionel Lambourne. Victorian Painting. London, 1999, pp. 319–20.

Jean Strouse. Morgan: American Financier. New York, 1999, p. 273.

Laurel Lampela. "Daring to Be Different: A Look at Three Lesbian Artists." Art Education 54 (March 2001), p. 48, ill. (overall and detail).

Hollis Clayson. Paris in Despair: Art and Everyday Life under Siege (1870–71). Chicago, 2002, pp. 285, 294, 298, 445 n. 26.

Valérie Bajou. Courbet. Paris, 2003, p. 94.

Louise Lippincott and Andreas Blühm. Fierce Friends: Artists and Animals, 1750–1900. Exh. cat., Van Gogh Museum, Amsterdam. London, 2005, pp. 108–9, 140.

Petra ten-Doesschate Chu. Nineteenth-Century European Art. 2nd ed. Upper Saddle River, N.J., 2006, pp. 288–89, ill. p. 268 and fig. 12-24 (color, detail and overall).

Neil Harris in The Clark Brothers Collect: Impressionist and Early Modern Paintings. Exh. cat., Sterling and Francine Clark Art Institute. Williamstown, Mass., 2006, p. 221.

Ross King. The Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism. New York, 2006, pp. 241, 249, 369.

19th Century European Art. Sotheby's, New York. April 18, 2007, pp. 173–74, under no. 114.

Gary Tinterow in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, p. 9, figs. 5, 14 (installation photos, bw and color).

Gary Tinterow in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. x, xvii, 68–69, 213, no. 63, ill. (overall and detail, color and bw) and figs. 5, 14 (installation photos, bw and color).

Sylvain Amic in Gustave Courbet. Exh. cat., The Metropolitan Museum of Art, New York. Ostfildern, 2008, p. 342 [French ed., Paris, 2007].