Inscribed (lower left): [MI]CHELANG[ELO].DA CARAVA / [G]GIO

Fort Worth Art Center. "Inaugural Exhibition," October 8–31, 1954, no. 6.

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New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 15, 1970–February 15, 1971, no. 271.

Cleveland Museum of Art. "Caravaggio and His Followers," October 27, 1971–January 2, 1972, no. 15.

Naples. Museo Nazionale di Capodimonte. "Caravaggio e il suo tempo," May 14–June 30, 1985, no. 69.

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Athens. National Gallery Alexandros Soutzos Museum. "From El Greco to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington, and The Metropolitan Museum of Art, New York," December 13, 1992–April 11, 1993, no. 6.

Rome. Palazzo Ruspoli. "Michelangelo Merisi da Caravaggio," March 26–May 24, 1992, no. 3.

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Milan. Pinacoteca di Brera. "Caravaggio ospita Caravaggio," January 17–March 29, 2009, unnumbered cat.

Inventory of the Collection of Cardinal Francesco Maria del Monte. 1627, fol. 581v [Archivo di Stato, Rome, 30 Notai Capitolini, Paulus Vespignanus, ufficio 28, vol. 138; published in Ref. Frommel 1971].

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Fritz Baumgart. "Die Anfänge Caravaggios." Zeitschrift für Kunstwissenschaft 6, no. 1–2 (1952), pp. 97–98, fig. 7.

D. Graham Burns. "'Una Musica' by Caravaggio." Burlington Magazine 94 (April 1952), p. 119 [text similar to Ref. Burns 1952 (Whitehaven News)].

D. Graham Burns. "Letters to the Editor: That £50,000 Picture." Whitehaven News (January 31, 1952), p. ?.

R. F. C. "New York: Un Caravaggio è entrato nelle collezioni del Metropolitan Museum." Emporium 116 (November 1952), pp. 229, 231, ill.

Roberto Longhi. Il Caravaggio. Milan, 1952, p. 19, fig. 1 and ill. p. 9 (detail).

R[oberto]. L[onghi]. "Novelletta del Caravaggio 'invertito'." Paragone 3 (January 1952), p. 62.

Denis Mahon. "Addenda to Caravaggio." Burlington Magazine 94 (January 1952), pp. 3–4, 7–10, 19, figs. 1, 2 (overall and detail).

Denis Mahon. "An Addition to Caravaggio's Early Period." Paragone 3 (January 1952), pp. 20–31, pls. 14–17 (overall and details).

Fritz Neugass. "Wiedergefundenes Meisterwerk Caravaggios." Weltkunst 22 (August 1, 1952), p. 3, ill.

[Benedict Nicolson]. "Editorial note." Burlington Magazine 94 (April 1952), p. 120.

"Caravaggio's 'Una Musica'." Times (January 29, 1952), p. ?, ill.

Bernard Berenson. Caravaggio: His Incongruity and His Fame. London, 1953, p. 7, pl. 9.

Roger Hinks. Michelangelo Merisi da Caravaggio: His Life—His Legend—His Works. London, 1953, pp. 44–45, 50, 95–96, 98, no. 6, pls. 5 (detail), 7.

Denis Mahon. "Contrasts in Art-historical Method: Two Recent Approaches to Caravaggio." Burlington Magazine 95 (June 1953), p. 216 n. 27.

Denis Mahon. "On Some Aspects of Caravaggio and His Times." Metropolitan Museum of Art Bulletin 12 (October 1953), pp. 33, 35, 38, 43–44, ill. (overall, details, and x-radiograph of detail), and in color on cover.

Stella Mary Pearce. "Costume in Caravaggio's Painting." Magazine of Art 47 (April 1953), p. 147, ill.

Theodore Rousseau Jr. "Notes on Condition [at end of Ref. Mahon 1953]." Metropolitan Museum of Art Bulletin 12 (October 1953), p. 45, ill. (detail).

Fritz Baumgart. "Die Caravaggio-Forschung Seit 1943." Zeitschrift für Kunstgeschichte 17 (1954), pp. 196–98, 201 n. 8.

Walter Friedländer. "Review of Ref. Hinks 1953." Art Bulletin 36 (June 1954), p. 149.

Jacob Hess. "Modelle e modelli del Caravaggio." Commentari 5 (October–December 1954), p. 273 [reprinted in Kunstgeschichtliche Studien zu Renaissance und Barock, Rome, 1967, vol. 1, p. 276].

Theodore Rousseau Jr. "A Guide to the Picture Galleries." Metropolitan Museum of Art Bulletin 12, part 2 (January 1954), p. 4, ill. p. 25.

Hanns Swarzenski. "Caravaggio and Still Life Painting: Notes on a Recent Acquisition." Bulletin of the Museum of Fine Arts, Boston 52 (June 1954), p. 31.

"Judgment upon Caravaggio." Times Literary Supplement (January 15, 1954), p. 40, ill. p. 1.

Fritz Baumgart. Caravaggio: Kunst und Wirklichkeit. Berlin, 1955, pp. 19, 94, no. 5.

Jan Bialostocki. Caravaggio. Warsaw, 1955, pp. 26–27, 56, figs. 6–7 (overall and detail).

Ágnes Czobor. "Autoritratti del giovane Caravaggio." Acta Historiae Artium 2, fasc. 3–4 (1955), pp. 204, 206, 208–11, 213 nn. 20, 39, 43, 48, figs. 6–7 (details).

Walter Friedlaender. Caravaggio Studies. Princeton, 1955, pp. xxiv, 81–82, 84, 101, 141, 145, 147–48, no. 5, pls. 5, 5A, 5B (overall and details).

Sunday Times (October 2, 1955), p. 1.

T[atiana]. Znamerovskaia. Michelangelo da Caravaggio. Moscow, 1955, pp. 29–30, 95 n. 16, ill. opp. p. 28.

Kurt Bauch. "Zur Ikonographie von Caravaggios Frühwerken." Kunstgeschichtliche Studien für Hans Kauffmann. Berlin, 1956, pp. 260–61.

David Wynne-Morgan. "New York Wants that 'Junk-Shop Old Master'." Daily Express (July 5, 1956), p. 3.

Victor Opalski. "Zur Analyse des Caravaggio." Weltkunst 26 (May 1, 1956), p. 4, ill.

Sergio Samek Ludovici. Vita del Caravaggio dalle testimonianze del suo tempo. Milan, 1956, pp. 96–97 n. 24, p. 121.

Weltkunst 26 (March 15, 1956), p. 10, ill.

Hugo Wagner. Michelangelo da Caravaggio. Bern, 1958, pp. 21–23, 33, 45–46, 90, 177–78 nn. 62–71, p. 191 n. 246, p. 226.

Edoardo Arslan. "Nota caravaggesca." Arte antica e moderna 6 (April–June 1959), pp. 192–93, 195, 198–99, 211 n. 6, p. 213 n. 32, pl. 95b (x-radiograph of detail).

[André] Berne Joffroy. Le dossier Caravage. [Paris], 1959, pp. 297, 301, 308–9, 328–31, 333, 336–37, 366, 375, no. 32, pl. CXLIX.

Ágnes Czobor. Caravaggio. Budapest, 1960, pp. 21–22, 26, figs. 11–12 (overall and detail).

Roberto Longhi. "Un originale del Caravaggio a Rouen e il problema delle copie Caravaggesche." Paragone 11 (January 1960), p. 29.

Patricia Egan. "'Concert' Scenes in Musical Paintings of the Italian Renaissance." Journal of the American Musicological Society 14 (Summer 1961), p. 193, pl. XII.

René Jullian. Caravage. Lyons, 1961, pp. 49–50, 59 nn. 70–72, pp. 76, 78 nn. 48, 53, p. 226, pls. III (fig. 2, overall), IX (fig. 3, detail).

Janina Michalkowa. "Une Musique Caravagesque." Bulletin du Musée National de Varsovie 2, no. 1 (1961), pp. 18–19, fig. 7.

Alfred Moir. "'Boy with a Flute' by Bartolomeo Manfredi." Bulletin of the Art Division, Los Angeles County Museum 13, no. 1 (1961), pp. 7, 15 n. 9, fig. 6.

Denys Sutton. "The English Taste for Italian Seventeenth-century Painting." Sotheby's Annual Review, 218th Season (October 1961–August 1962), p. xxiv, fig. 1.

All the Paintings of Caravaggio. New York, 1962, pp. 9–10, 19, 27, pl. 9.

Silvino Borla. "Note e commenti, 1593: Arrivo del Caravaggio a Roma." Emporium 135 (January 1962), p. 16.

Ellis Waterhouse. Italian Baroque Painting. London, 1962, pp. 22–23, fig. 17.

Silvino Borla. "Note e commenti: Opere milanesi del Caravaggio." Emporium 138 (October 1963), pp. 158–59, 161, ill.

Lionello Venturi. Il Caravaggio. 2nd ed., rev. and enl. Novara, 1963, pp. 19, 51–52, fig. 4.

Giuseppe De Logu. Caravaggio. New York, [1964], pp. 22, 31–32, 34, 36, 44, 144–45, 161, no. 5, colorpl. IV.

Raffaello Causa. Caravaggio. Milan, 1966, vol. 1, unpaginated, fig. 2.

Duncan T. Kinkead. "Poesia e simboli nel Caravaggio: Temi religiosi." Palatino 10 (April–June 1966), p. 112, fig. 4.

Mario Lepore. Caravaggio. Verona, 1966, p. 13, ill. (color).

Luigi Salerno. "Poesia e simboli nel Caravaggio: I dipinti." Palatino 10 (April–June 1966), pp. 108, 117 n. 9, fig. 4.

B. R. Vipper. Problema realizma v ital'ianskoi zhivopisi XVII–XVIII vekov. Moscow, 1966, pp. 35–36, ill. p. 38.

Robert Hughes. Caravaggio. [London], 1967, p. 2, fig. 1.

Michael Kitson. The Complete Paintings of Caravaggio. New York, 1967, pp. 86–87, no. 12, ill.

Alfred Moir. The Italian Followers of Caravaggio. Cambridge, Mass., 1967, vol. 1, pp. 1, 3, 86, 221–22; vol. 2, p. 55, no. A4.

Angela Ottino della Chiesa in L'opera completa del Caravaggio. Milan, 1967, pp. 85–86, no. 3, ill.

Maurizio Fagiolo dell'Arco. "Le 'Opere de misericordia': Contributo alla poetica del Caravaggio." L'arte 1 (1968), p. 58 n. 32.

Roberto Longhi. Caravaggio. Leipzig, 1968, pp. 15, 34.

Alfred Moir. "Did Caravaggio Draw?" Art Quarterly 32, no. 4 (1969), pp. 369–70 n. 7.

Giuliana Zandri. "Un probabile dipinto murale del Caravaggio per il Cardinale Del Monte." Storia dell'arte 3 (1969), p. 340 n. 10.

Maurizio Fagiolo dell'Arco and Maurizio Marini. "Rassegna degli studi caravaggeschi 1951–1970." L'arte 11–12 (1970), pp. 117, 121.

Christoph Luitpold Frommel. "Caravaggio und Seine Modelle." Castrum Peregrini 96 (1970), pp. 32–34, 36, 38–39, 42, pl. VII.

Maurizio Marini. "Due ipotesi caravaggesche: La Susanna per il cavalier Marino e la cortigiana con una rosa." Arte illustrata 3 (October–December 1970), p. 77.

Alfonso E. Pérez Sánchez. Pintura italiana del siglo XVII. Exh. cat., Museo Nacional del Prado. Madrid, 1970, p. 118.

Luigi Salerno. "Caravaggio e i caravaggeschi." Storia dell'arte 7/8 (1970), pp. 237, 242.

Calvin Tomkins. Merchants and Masterpieces: The Story of The Metropolitan Museum of Art. New York, 1970, p. 315 [rev., enl. ed., 1989].

S. N. Vsevolozhskaia. Kartiny Karavadzho i ego shkoly v Ermitazhe. Leningrad [St. Petersburg], 1970, p. 10.

Andrea Busiri Vici. I Poniatowski e Roma. Florence, 1971, pp. 330–31, 359 n. 34, fig. 151.

Maurizio Calvesi. "Caravaggio o la ricerca della salvazione." Storia dell'arte 9/10 (1971), pp. 110–11, 141 [reprinted in "Il Caravaggio," Rome, 1987; revised and included in Maurizio Calvesi, "Le realtà del Caravaggio," Turin, 1990, pp. 26–27, 71 n. 55, fig. 27 (detail)].

Gian Alberto Dell'Acqua Mia Cinotti in Il Caravaggio e le sue grandi opere da San Luigi dei francesi. Milan, 1971, pp. 18, 20, 64, 92–94, 181, no. 153, fig. 6 (color).

Christoph Luitpold Frommel. "Caravaggios Frühwerk und der Kardinal Francesco Maria Del Monte." Storia dell'arte 9/10 (1971), pp. 14–15, 17–18, 23–24, 35, 50–51, pl. 7.

Christoph Luitpold Frommel. "Caravaggio und seine Modelle." Castrum peregrini 96 (1971), pp. 32–34, 37–39, 42, pl. VII.

W. Chandler Kirwin. "Addendum to Cardianl Francesco del Monte's Inventory: The Date of the Sale of Various Notable Paintings." Storia dell'arte 9/10 (1971), pp. 53, 55.

Justus Müller Hofstede. "Abraham Janssens: Zur Problematik des flämischen Caravaggismus." Jahrbuch der Berliner Museen 13 (1971), p. 222.

Donald Posner. Annibale Carracci: A Study in the Reform of Italian Painting around 1590. New York, 1971, vol. 1, p. 11.

Donald Posner. "Caravaggio's Homo-erotic Early Works." Art Quarterly 34 (Fall 1971), pp. 303–4, 306–8, 313, 320 nn. 6, 16, p. 321 n. 27, pp. 322–23 nn. 39, 41, 45, fig. 3.

Richard E. Spear. Caravaggio and His Followers. Exh. cat., Cleveland Museum of Art. Cleveland, 1971, pp. 3, 31, 69 n. 10, pp. 70–71, 136, 195, no. 15, ill.

Luigi Spezzaferro. "La cultura del cardinal Del Monte e il primo tempo del Caravaggio." Storia dell'arte 9/10 (1971), pp. 57, 84–85, 87 n. 147.

Evelina Borea. "Considerazioni sulla mostra 'Caravaggio e i suoi seguaci' a Cleveland." Bollettino d'arte 57, nos. 3–4 (1972), p. 154.

Burton B. Fredericksen and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972, pp. 44, 501, 608.

Mina Gregori. "Caravaggio dopo la mostra di Cleveland." Paragone 23 (January 1972), pp. 43–44.

Julius S. Held. "Caravaggio and His Followers." Art in America 60 (May–June 1972), p. 42.

Benedict Nicolson. "Caravaggesques at Cleveland." Burlington Magazine 114 (February 1972), p. 113.

D. Stephen Pepper. "Caravaggio riveduto e corretto: La mostra di Cleveland." Arte illustrata 5 (March 1972), p. 170.

Richard E. Spear. "Unknown Pictures by Caravaggisti (with Notes on 'Caravaggio and His Followers')." Storia dell'arte 14 (1972), p. 157.

Carlo Volpe. "Annotazioni sulla mostra caravaggesca di Cleveland." Paragone 23 (January 1972), pp. 60–61.

Mahonri Sharp Young. "Letter from U.S.A.: The Ruin of Painting." Apollo 95 (January 1972), pp. 60–61, fig. 1.

Arnauld Brejon de Lavergnée and Jean-Pierre Cuzin. I caravaggeschi francesi. Exh. cat., Villa Medici. Rome, [1973], p. 98 [French ed., "Valentin et les caravagesques français," Grand Palais, Paris, 1974, p. 100].

Mia Cinotti in Immagine del Caravaggio. Exh. cat., Comune di Bergamo. Milan, 1973, pp. 63–64, 181, no. 6, pl. VIII [reprinted in "Il Caravaggio dal corso del Prof. Maurizio Calvesi . . .," ed. Stefania Macioce, Rome, 1987, pp. 25–26, no. 6].

Francis Haskell. "Review of Ref. Busiri Vici 1971." Burlington Magazine 115 (August 1973), p. 549.

Valerio Mariani. Caravaggio. Rome, 1973, pp. 39–40.

Volker Scherliess. "Zu Caravaggios 'Musica'." Mitteilungen des Kunsthistorischen Institutes in Florenz 17, no. 1 (1973), pp. 141–48, fig. 1.

Arturo Bovi. Caravaggio. Florence, 1974, pp. 17, 148–49, ill.

Cesare Brandi. "L''episteme' caravaggesca." Caravaggio e i caravaggeschi. Rome, 1974 [published in "Accademia Nazionale dei Lincei" 371, no. 205 (1974), p. 16].

Maurizio Marini. Io Michelangelo da Caravaggio. Rome, 1974, pp. 18, 20–22, 66 n. 133, pp. 331, 333, 337, 340, 342–46, 351, 358, 461, 468, 472, no. 8, ill. pp. 96–97 (overall and details).

Benedict Nicolson. "Caravaggio and His Circle in the British Isles." Burlington Magazine 116 (October 1974), p. 559.

Herwarth Röttgen. Il Caravaggio: Ricerche e interpretazioni. Rome, 1974, pp. 173, 183, 189–91, 198, pl. 92.

Mina Gregori. "Significato delle mostre caravaggesche dal 1951 a oggi." Novità sul Caravaggio. Milan, 1975, p. 30, pl. 131, a.1 and b.1 (details).

S. Vsevolozhskaya and I. Linnik. Caravaggio and His Followers. Leningrad [St. Petersburg], 1975, unpaginated, ill.

Eric Zafran in Master Paintings from The Hermitage and The State Russian Museum, Leningrad. Exh. cat., National Gallery of Art, Washington. New York, 1975, pp. 26, 28, fig. 7.

Giovanni Pietro Bellori. Le vite de' pittori, scultori e architetti moderni. Turin, 1976, p. 216 n. 6.

Mina Gregori. "Addendum to Caravaggio: The Cecconi 'Crowning with Thorns' Reconsidered." Burlington Magazine 118 (October 1976), p. 679.

Madlyn Millner Kahr. Velázquez: The Art of Painting. New York, 1976, p. 17.

Alfred Moir. Caravaggio and His Copyists. New York, 1976, pp. 84–85, 123 n. 183, no. 7.

Luigia Torti. Naturalismo e polemica sociale nella pittura del Caravaggio: Saggio di estetica. Pavia, 1976, p. 25.

Jean-Pierre Cuzin. La diseuse de bonne aventure de Caravage. Exh. cat., Musée du Louvre. Paris, 1977, p. 15.

Linda Murray. The Dark Fire. New York, 1977, pp. 10–11, 148–49.

Carmen Scano. Michel Angelo io pittore da Caravaggio (La sua vita. I suoi tempi. Il Seicento.). Milan, 1977, p. 25.

Françoise Bardon. Caravage ou l'expérience de la matière. Paris, 1978, pp. 56–59, 62, 88 n. 74, p. 89 n. 95, p. 219, pl. VIII.

Seymour Howard. "Identity Formation and Image Reference in the Narrative Sculpture of Bernini's Early Maturity: 'Hercules and Hydra' and 'Eros Triumphant'." Art Quarterly, n.s., 2, no. 2 (1979), pp. 161, 171 n. 69, fig. 33.

Benedict Nicolson. The International Caravaggesque Movement. Oxford, 1979, pp. 34, 217 [2nd ed., rev. and enl. by Luisa Vertova, "Caravaggism in Europe," Turin, 1989, vol. 1, pp. 82, 241; vol. 2, pl. 9].

John Gash. Caravaggio. London, 1980, p. 35, pls. 3, 3a (overall and detail).

Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, pp. 293, 305, fig. 545.

Alfred Moir. Caravaggio. New York, 1982, pp. 17, 38, 70, fig. 60 (x-radiograph of detail), colorpl. 4.

Pico Cellini. "La Fornarina: Adesso sono sicuro, non è di Raffaello." Giornale dell'arte no. 4 (September 1983), p. 6.

Gian Alberto Dell'Acqua and Mia Cinotti in "Il seicento." I pittori bergamaschi dal XIII al XIX secolo. Bergamo, 1983, vol. 1, pp. 214, 270, 282, 431, 433, 436, 441, 448–50, 476–79, 486, 500, 509, 519, 554–56, no. 38, ill. p. 582, figs. 3, 4 (overall and x-radiograph detail).

Howard Hibbard. Caravaggio. New York, 1983, p. 23 n. 5, pp. 31–33, 35, 37, 40, 46, 55–56, 87, 258, 264, 273–76, 278–82, 285, 287, 352, 363, no. 15, ill.

Maurizio Marini. "Al Metropolitan: Rimessi a nuovo i Musici di Caravaggio." Giornale dell'arte no. 2 (June 1983), p. ?, ill. (before and after treatment).

Franca Trinchieri Camiz and Agostino Ziino. "Caravaggio: Aspetti musicali e committenza." Studi musicali 12, no. 1 (1983), pp. 68–72.

Richard E. Spear. "Stocktaking in Caravaggio Studies." Burlington Magazine 126 (March 1984), p. 162.

Maurizio Calvesi. "Le realtà del Caravaggio: Seconda parte (I dipinti)." Storia dell'arte no. 55 (September–December 1985), pp. 264, 266 [reprinted in "Il Caravaggio," Rome, 1987; revised and included in Maurizio Calvesi, "Le realtà del Caravaggio," Turin, 1990, pp. 216, 219, 271 n. 198, p. 272 n. 207, fig. 27 (detail)].

Mina Gregori in The Age of Caravaggio. Exh. cat., The Metropolitan Museum of Art. New York, 1985, pp. 228–35, no. 69, ill. pp. 230 (color), 231 (x-radiograph), 233 (stripped state), 235 (detail) [Italian ed., "Caravaggio e il suo tempo," Naples, 1985].

Giovanni Previtali. "Caravaggio e il suo tempo." Prospettiva no. 41 (April 1985), p. 79 n. 21.

H. Colin Slim. "Musical Inscriptions in Paintings by Caravaggio and His Followers." Music and Context: Essays for John M. Ward. Cambridge, Mass., 1985, pp. 241–42.

Carel van Tuyll. "New York and Naples: Caravaggio." Burlington Magazine 127 (July 1985), p. 487, fig. 70.

Karin Wolfe. "Caravaggio: Another 'Lute Player'." Burlington Magazine 127 (July 1985), p. 451.

Keith Christiansen. "Caravaggio and 'L'esempio davanti del naturale'." Art Bulletin 68 (September 1986), pp. 423–24, figs. 2, 3 (x-radiograph).

Maurizio Marini. Caravaggio: Michelangelo Merisi da Caravaggio 'pictor praestantissimus'. Rome, 1987, pp. 21, 25, 30–33, 35, 88 n. 64, p. 90 nn. 135, 146, p. 91 n. 154, pp. 128–29, 359, 363–64, 367, 370–71, 374–81, 383, 389–90, 393, 399–400, no. 12, ill. (color and x-radiograph).

Jan Bialostocki. "Der schwarze und der farbige Raum: Caravaggio und die Niederländer." Hendrick ter Brugghen und die Nachfolger Caravaggios in Holland. Braunschweig, 1988, p. 11.

Lizzie Boubli. Letter to Keith Christiansen. March 15, 1988.

Jean-Claude Boyer and Isabelle Volf. "Rome à Paris: Les tableaux du maréchal de Créquy (1638)." Revue de l'art no. 79 (1988), pp. 23, 31, 39 n. 98, fig. 16.

Denis Mahon. "Fresh Light on Caravaggio's Earliest Period: His 'Cardsharps' Recovered." Burlington Magazine 130 (January 1988), p. 24 n. 95.

Mia Cinotti. "Vita del Caravaggio: Novità 1983–1988." Quaderni di Palazzo Venezia 6 (1989), pp. 80–81.

Silvana Milesi. Caravaggio. Bergamo, 1989, pp. 23–24, 52, 54, 58–60, ill. (color).

Gianni Papi in La pittura in Italia: il Seicento. revised and expanded ed. Milan, 1989, vol. 2, p. 667.

Erich Schleier in La pittura in Italia: il Seicento. revised and expanded ed. Milan, 1989, vol. 1, pp. 409–10.

Claudio Strinati. "Caravaggio nel 1601." Quaderni di Palazzo Venezia 6 (1989), p. 168.

Franca Trinchieri Camiz. "La 'Musica' nei quadri del Caravaggio." Quaderni di Palazzo Venezia 6 (1989), pp. 198, 200, 203, fig. 87.

Maurizio Calvesi. Le realtà del Caravaggio. Turin, 1990, pp. 26–27, 216, 219, 271 n. 198, p. 272 n. 207, p. 421, fig. 27 (detail).

Keith Christiansen. A Caravaggio Rediscovered: The Lute Player. Exh. cat., The Metropolitan Museum of Art. New York, 1990, pp. 11, 23–28, 32, 41–42, 44–45, 51 n. 38, pp. 57–60, 68, 72, no. 3, figs. 8, 9 (in color, overall and detail), ill. p. 57 (black and white).

Denis Mahon. "The Singing 'Lute-Player' by Caravaggio from the Barberini Collection, Painted for Cardinal Del Monte." Burlington Magazine 132 (January 1990), p. 12 n. 61, p. 19.

Avigdor W. G. Posèq. "Bacchic Themes in Caravaggio's Juvenile Works." Gazette des beaux-arts, 6th ser., 115 (March 1990), pp. 113, 116, 118–19 nn. 8–11, fig. 3.

Giorgio Bonsanti. Caravaggio. rev. ed. Florence, 1991, pp, 8–9, 11, colorpl. 7.

Mia Cinotti. Caravaggio: La vita e l'opera. Bergamo, 1991, pp. 31, 36, 198, fig. 9.

Elizabeth Cropper. "The Petrifying Art: Marino's Poetry and Caravaggio." Metropolitan Museum Journal 26 (1991), p. 194, fig. 1.

Roberta Lapucci in Michelangelo Merisi da Caravaggio: Come nascono i capolavori. Exh. cat., Palazzo Pitti, Florence. Milan, 1991, pp. 35, 43, 87, 92, 114, 117–19, 122, ill. pp. 110, 111 (stripped state), 112 (x-radiograph), 113 (color), 115, 117, 121, 123 (color details), 116, 118–20 (details, before restoration).

Gianni Papi et al. in Michelangelo Merisi da Caravaggio: Come nascono i capolavori. Exh. cat., Palazzo Pitti, Florence. Milan, 1991, pp. 24, 64, 78, 96, 110–14, 128, 139, no. 3, ill. pp. 110, 111 (stripped state), 112 (x-radiograph), 113 (color), 115, 117, 121, 123 (color details), 116, 118–20 (details, before restoration).

Franca Trinchieri Camiz. "Music and Painting in Cardinal del Monte's Household." Metropolitan Museum Journal 26 (1991), pp. 213, 218, 220–22, fig. 3.

Ferdinando Bologna. L'incredulità del Caravaggio e l'esperienza delle "cose naturali". Turin, 1992, pp. 300–301, 305, 464 n. 55, no. 8.

Deborah Krohn et al. in From El Greco to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington, and The Metropolitan Museum of Art, New York. Exh. cat., National Gallery Alexandros Soutzos Museum. Athens, 1992, pp. 16, 36–37, 306, no. 6, ill. in color (overall and detail, and detail on cover) [catalogue section unpaginated].

Herwarth Röttgen. Caravaggio: Der irdische Amor. Frankfurt, 1992, p. 62, fig. 34.

Mina Gregori. Caravaggio. Milan, 1994, pp. 11–12, 145, no. 7, ill. pp. 38 (color), 39 (color detail), 145.

Antoine Schnapper. "Œuvres d'art: curieux du grand siècle." Collections et collectionneurs dans la France du XVIIe siècle. 2, Paris, 1994, pp. 141, 145, pl. 39.

John Gash in The Dictionary of Art. 5, New York, 1996, pp. 706, 717.

Francesca Cappelletti in Da Caravaggio a Ceruti: La scena di genere e l'immagine dei 'pitocchi' nella pittura italiana. Exh. cat., Museo di Santa Giulia, Brescia. Milan, 1998, p. 298.

Helen Langdon. Caravaggio: A Life. New York, 1998, pp. 109–11, 113, colorpl. 4.

Catherine Puglisi. Caravaggio. London, 1998, pp. 87, 91–92, 95, 425 n. 12, no. 9, colorpls. 41, 42 (detail).

Leonard J. Slatkes. "Utrecht and Delft: Vermeer and Caravaggism." Vermeer Studies. Washington, 1998, pp. 87–88.

Dennis P. Weller. Sinners & Saints, Darkness and Light: Caravaggio and His Dutch and Flemish Followers. Exh. cat., North Carolina Museum of Art. Raleigh, 1998, p. 206, no. 3, ill.

Sergio Benedetti in Saints and Sinners: Caravaggio and the Baroque Image. Exh. cat., McMullen Museum of Art, Boston College. Chestnut Hill, Mass., 1999, p. 209.

Stefania Macioce in Caravaggio. Exh. cat., Museo Nacional del Prado. [Madrid], 1999, pp. 5, 24, 84–89, ill. in color (overall and details).

Mina Gregori in La luce del vero: Caravaggio, La Tour, Rembrandt, Zurbarán. Exh. cat., Galleria d'Arte Moderna e Contemporanea, Bergamo. Cinisello Balsamo (Milan), 2000, p. 27.

Stefania Macioce et al. in Caravaggio: La luce nella pittura lombarda. Exh. cat., Accademia Carrara, Bergamo. Milan, 2000, pp. 31, 57, 198–201, no. 23, ill. p. 136 (color).

Maurizio Marini. Caravaggio "pictor praestantissimus": l'iter artistico completo di uno dei massimi rivoluzionari dell'arte di tutti i tempi. 3rd, rev. ed. Rome, 2001, pp. 22, 28, 33–36, 38, 111 nn. 152, 160, p. 112 n. 170, pp. 162–63, 370–71, 374–75, 378, 380–85, 387, 389–91, 394–400, 413–15, 422–23, no. 17, ill. (color and x-radiograph).

Brian Sewell. "The Caravaggio Phenomenon." Art Newspaper (January 2001), p. 12, ill.

Rossella Vodret and Claudio Strinati et al. in The Genius of Rome, 1592–1623. Exh. cat., Royal Academy of Arts. London, 2001, pp. 23, 25–26, 92–94, 96, 98, 106–7, 111, 113 n. 22, p. 114 n. 41, pp. 324, 375, no. 28, ill. in color, and color details on front and back covers [Italian ed., "Il genio di Roma, 1592–1623," Palazzo Venezia, Rome, 2001].

Andrea Bayer in Painters of Reality: The Legacy of Leonardo and Caravaggio in Lombardy. Exh. cat., The Metropolitan Museum of Art. New York, 2004, p. 114 [Italian ed., "Pittori della realtà: le ragioni di una rivoluzione da Foppa e Leonardo a Caravaggio e Ceruti," (Milan), 2004, p. 144].

Keith Christiansen in Painters of Reality: The Legacy of Leonardo and Caravaggio in Lombardy. Exh. cat., The Metropolitan Museum of Art. New York, 2004, p. 174 [Italian ed., "Pittori della realtà: le ragioni di una rivoluzione da Foppa e Leonardo a Caravaggio e Ceruti," (Milan), 2004, p. 249].

Gennaro Toscano. "Giovanni Bellini et la France (XVIe–XXe siècles): les aléas d'une reconnaissance." Da Bellini a Veronese: temi di arte veneta. Venice, 2004, p. 200 n. 9.

Keith Christiansen. "Going for Baroque: Bringing 17th-Century Masters to the Met." Metropolitan Museum of Art Bulletin 62 (Winter 2005), pp. 9, 17, 19, 26, fig. 12 (color).

Sergio Guarino and Michele Maccherini in Siena & Roma: Raffaello, Caravaggio e i protagonisti di un legame antico. Exh. cat., Santa Maria della Scala. Siena, 2005, pp. 406–7, 410, no. 6.3, ill. (color).

Pierre Rosenberg. Only in America: One Hundred Paintings in American Museums Unmatched in European Collections. Milan, 2006, p. 76.

Tiziana Scarpa in Omaggio a Capodimonte. Exh. cat., Museo di Capodimonte. Naples, 2007, pp. 38–41, no. 11, ill. (color, overall and detail).

Leonard J. Slatkes and Wayne Franits. The Paintings of Hendrick ter Brugghen, 1588–1619: Catalogue Raisonné. Amsterdam, 2007, pp. 50, 199–200, fig. 61.

Clovis Whitfield. "The 'camerino' of Cardinal Del Monte." Paragone 59 (January 2008), p. 31.

Keith Christiansen in Philippe de Montebello and The Metropolitan Museum of Art, 1977–2008. New York, 2009, pp. 36–37.

Gianni Papi in Caravaggio ospita Caravaggio. Exh. cat., Pinacoteca di Brera. Milan, 2009, pp. 22–23, 26, 46, 50, ill. pp. 20, 51, 53 (color, overall and details).