Signed and dated (lower right): Claude Monet 1880

New York. The Metropolitan Museum of Art. "Fiftieth Anniversary Exhibition," May 8–August 1920, unnumbered cat. (p. 10, as "Vétheuil," lent by William Church Osborn).

New York. The Metropolitan Museum of Art. "Loan Exhibition of Impressionist and Post-Impressionist Paintings," May 3–September 15, 1921, no. 75 (as "Vetheuil," lent by William Church Osborn).

New York. Durand-Ruel. "French Masterpieces of the Late XIX Century," 1928, no. 14 (lent anonymously) [see Ref. Sterling and Salinger 1967].

New York. Wildenstein. "From Paris to the Sea Down the River Seine," January 28–February 27, 1943, no. 48 (as "Vétheuil," lent by Mr. William Church Osborn).

New York. Wildenstein. "A Loan Exhibition of Paintings by Claude Monet for the Benefit of the Children of Giverny," April 11–May 12, 1945, no. 33 (lent by Mr. William Church Osborn).

New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 15, 1970–February 15, 1971, not in catalogue.

Naples. Museo di Capodimonte. "Capolavori Impressionisti dei Musei Americani," December 3, 1986–February 1, 1987, no. 31.

Milan. Pinacoteca di Brera. "Capolavori Impressionisti dei Musei Americani," March 4–May 10, 1987, no. 31.

Fort Lauderdale. Museum of Art. "Corot to Cézanne: 19th Century French Paintings from The Metropolitan Museum of Art," December 22, 1992–April 11, 1993, no catalogue.

Art Institute of Chicago. "Claude Monet, 1840–1926," July 22–November 26, 1995, no. 60.

San Diego Museum of Art. "Monet: Late Paintings of Giverny from the Musée Marmottan," June 27–August 30, 1998, not in catalogue.

Edinburgh. Royal Scottish Academy. "Monet: The Seine and the Sea, 1878–1883," August 6–October 26, 2003, no. 33.

"French, English, and American Paintings." Metropolitan Museum of Art Bulletin 15 (September 1920), p. 207.

Arsène Alexandre. Claude Monet. Paris, 1921, ill. opp. p. 74.

Camille Mauclair. Claude Monet. London, [1925], pl. 26 [French ed., Paris, 1924].

Marthe de Fels. La Vie de Claude Monet. Paris, 1929, p. 237.

John Rewald. The History of Impressionism. [revised edition, 1961]. New York, 1946, ill. p. 339.

Oscar Reuterswärd. Monet. Stockholm, 1948, p. 283.

The Metropolitan Museum of Art Miniatures, French Impressionists: Manet, Monet, Pissarro, Renoir, and Boudin. 27, Album 51, New York, 1951, unpaginated, ill. (color).

Jean Leymarie. Impressionism. Lausanne, 1955, vol. 2, ill. p. 79 (color).

John Rewald. The History of Impressionism. rev., enl. ed. New York, 1961, ill. p. 431.

William Innes Homer. Seurat and the Science of Painting. Cambridge, Mass., 1964, pp. 60, 63, 89, fig. 24.

Luigina Rossi Bortolatto. L'opera completa di Claude Monet, 1870–1889. Milan, 1966, p. 101, no. 203, ill. p. 102 and colorpl. XXXVI–XXXVII.

Charles Theodore Price. "Naturalism and Convention in the Painting of Charles-François Daubigny." PhD diss., Yale University, 1967, p. 249, fig. 86.

Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, pp. 130–31, ill.

Douglas Cooper. "The Monets in the Metropolitan Museum." Metropolitan Museum Journal 3 (1970), pp. 291–92, 302, 304–5, fig. 10.

Denis Rouart in Monet, Water-Lilies: Or the Mirror of Time. New York, 1974, p. 46 [French ed., 1972].

Daniel Wildenstein. "1840–1881: Peintures." Claude Monet: Biographie et catalogue raisonné. 1, Lausanne, 1974, pp. 115, 372–73, no. 605, ill.

Robert Herbert. "Method and Meaning in Monet." Art in America 67 (September 1979), p. 108.

Sylvie Gache in Hommage à Claude Monet (1840–1926). Exh. cat., Galeries Nationales du Grand Palais. Paris, 1980, p. 194.

Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art. New York, 1985, pp. 10–11, 128–29, 252, ill. (color).

Monet: A Retrospective. New York, 1985, colorpl. 51.

Daniel Wildenstein. "1899–1926: Peintures." Claude Monet: Biographie et catalogue raisonné. 4, Lausanne, 1985, p. 30 n. 255.

Douglas Skeggs. River of Light: Monet's Impressions of the Seine. New York, 1987, pp. 121, 125, ill. (color).

Gary Tinterow et al. Capolavori impressionisti dei musei americani. Exh. cat., Museo di Capodimonte, Naples. Milan, 1987, pp. 72–73, no. 31, ill. (color).

Monet by Himself. London, 1989, ill. p. 91 (color).

Karin Sagner-Düchting. Claude Monet, 1840–1926: Ein Fest für die Augen. Cologne, 1990, pp. 108, 117, ill. (color).

Roger Hurlburt. "Free Spirits." Sun-Sentinel (Fort Lauderdale) (December 20, 1992), p. 4D.

Helen Kohen. "Lasting Impressions." Miami Herald (December 20, 1992), p. 6I.

Charles F. Stuckey. Claude Monet, 1840–1926. Exh. cat., Art Institute of Chicago. Chicago, 1995, pp. 82, 204, 206, 235, no. 60, ill. (color).

Daniel Wildenstein. "Catalogue raisonné–Werkverzeichnis: Nos. 1–968." Monet. 2, 2nd ed. Cologne, 1996, pp. 232–33, no. 605, ill. (color).

Michael Clarke and Richard Thomson. Monet: The Seine and the Sea, 1878–1883. Exh. cat., Royal Scottish Academy. Edinburgh, 2003, pp. 92–93, 169, no. 33, ill. (color).

Eric M. Zafran. "Monet in the United States: The Early Years." Claude Monet–A Hymn to Light. Exh. cat., Hiroshima Prefectural Museum. 2004, p. 194.

Eric M. Zafran in Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff. Exh. cat., Wildenstein & Co., Inc. New York, 2007, p. 110.

Christine I. Oaklander. "Jonathan Sturges, W. H. Osborn, and William Church Osborn: A Chapter in American Art Patronage." Metropolitan Museum Journal 43 (2008), pp. 188–89, 191, fig. 28 (color).