Paris. Galerie Bernheim-Jeune. "Exposition Vincent van Gogh," March 15–31, 1901, no. 49 (as "Blés et cyprès [temps de mistral]," lent by Emile Schuffenecker).

Paris. Galerie E. Druet. "Cinquante tableaux de Vincent van Gogh," November 8–20, 1909, no. 46 (as "Cyprès aux Blés d'or") [See Ref. Meedendorp 2003].

Berlin. Paul Cassirer. "III. Ausstellung," October 25–November 20, 1910, no. 28 (as "Das Getreidefeld 'Kalligraphisch knorrige Wolken'") [see Ref. Feilchenfeldt 1988].

Berlin. Kronprinzenpalais, Nationalgalerie. "Van Gogh—Matisse," 1921, no. ? [see Ref. La Faille 1970].

Milan. Palazzo Reale. "Van Gogh: Dipinti e disegni," February–April, 1952, no. 107 (lent by Dr. E. Bührle, Zürich).

Kunsthaus Zürich. "Vincent van Gogh," October 9–November 21, 1954, not in catalogue.

Kunsthaus Zürich. "Sammlung Emil G. Bührle," June 7–end of September, 1958, no. 243.

Berlin. Schloss Charlottenburg. "Französische Malerei von Manet bis Matisse aus der Sammlung Emil B. Bührle/Zürich," October 5–November 23, 1958, no. 47.

Haus der Kunst München. "Hauptwerke der Sammlung Emil Georg Bührle - Zürich," December 5, 1958–February 15, 1959, no. 74 (as "Das Gelbe Ährenfeld mit Zypressen," October 1889).

Paris. Petit Palais, Musée des Beaux Arts de la Ville de Paris. "De Gericault à Matisse: Chefs-d'œuvre français des collections suisses," March–May 1959, no. 68 (lent by the Collection Bührle, Zürich).

Washington. National Gallery of Art. "The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. Bührle, Zürich," May 6–July 15, 1990, no. 62 (lent from a private collection).

Montreal Museum of Fine Arts. "The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. Bührle, Zürich," August 3–October 14, 1990, no. 62.

Yokohama Museum of Art. "The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. Bührle, Zürich," November 2, 1990–January 13, 1991, no. 62.

London. Royal Academy of Arts. "The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. Bührle, Zürich," February 1–April 9, 1991, no. 62.

New York. The Metropolitan Museum of Art. "Vincent van Gogh: The Drawings," October 12–December 31, 2005, no. 111.

New York. The Metropolitan Museum of Art. "The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions," October 24, 2008–February 1, 2009, online catalogue.

Vincent van Gogh. Letter to his brother Theo. [September 28, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 219, letter no. 608].

Vincent van Gogh. Letter to his brother Theo. [July 2, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 188, letter no. 597].

Lettres de Vincent van Gogh à Émile Bernard. Paris, 1911, pl. 91.

J.-B. de La Faille. L'Oeuvre de Vincent van Gogh: Catalogue Raisonné. Paris, 1928, vol. 1, p. 204, no. 717; vol. 2, pl. 169.

J.-B. de La Faille. Les Faux Van Gogh. Paris, 1930, p. 10, fig. 40.

W. Scherjon. Catalogue des tableaux par Vincent van Gogh décrits dans ses lettres. Périodes: St. Rémy et Auvers sur Oise. Utrecht, 1932, p. 53, no. 48, ill.

Michel Florisoone. Van Gogh. Paris, 1937, ill. pp. 50–51.

W. Scherjon and Jos. De Gruyter. Vincent van Gogh's Great Period: Arles, St. Rémy and Auvers sur Oise (complete catalogue). Amsterdam, 1937, p. 243, St. Rémy no. 48, ill.

J.-B. de La Faille. Vincent van Gogh. London, [1939], pp. 437, 560, 575, 589, ill.

Jean Leymarie. Van Gogh. [Paris], 1951, p. 125.

Werner Weisbach. Vincent van Gogh: Kunst und Schicksal. 2, Basel, [1951], p. 178.

François Daulte. "Le Chef-d'oeuvre d'une vie: La Collection Buhrle." Connaissance des Arts 52 (June 1956), ill. p. 34.

John Rewald. Post-Impressionism: From Van Gogh to Gauguin. [1st ed.]. New York, 1956, ill. p. 324 [3rd, rev. ed., 1978, ill. p. 303].

Marco Valsecchi. Van Gogh. Milan, 1957, colorpl. 23.

Paolo Lecaldano. "Da Arles a Auvers." L'opera pittorica completa di Van Gogh e i suoi nessi grafici. 2, repr. [1st ed., 1966]. Milan, 1977, pp. 218, 220, no. 669, ill.

Alan Bowness. Vincent van Gogh: Paintings and Drawings from the Collection of the Vincent van Gogh Foundation, Amsterdam. Exh. cat., Hayward Gallery. [London], [1968], p. 105.

J.-B. de La Faille. The Works of Vincent van Gogh: His Paintings and Drawings. Amsterdam, 1970, pp. 247, 277, 283, 531, 639, no. 717, ill.

Hope Benedict Werness. "Essays on van Gogh's Symbolism." PhD diss., University of California, Santa Barbara, 1972, p. 219 n. 17, p. 220 n. 27.

Jan Hulsker. The Complete Van Gogh: Paintings, Drawings, Sketches. [1st ed., Amsterdam, 1977]. New York, 1980, pp. 400, 406, no. 1756, ill.

Ronald Pickvance The Metropolitan Museum of Art. Van Gogh in Saint-Rémy and Auvers. New York, 1986, pp. 110, 133, 298, ill. p. 299.

John Leighton in "Vincent van Gogh's 'A Cornfield, with Cypresses'." National Gallery Technical Bulletin 11 (1987), pp. 42–45, fig. 1.

Walter Feilchenfeldt. Vincent van Gogh & Paul Cassirer, Berlin: The Reception of Van Gogh in Germany from 1901 to 1914. Zwolle, The Netherlands, 1988, pp. 36, 115, 148, 155–56, ill.

Walter Feilchenfeldt. "Van Gogh Fakes: The Wacker Affair, with an Illustrated Catalogue of the Forgeries." Simiolus 19, no. 4 (1989), p. 310, ill.

Roland Dorn in Vincent van Gogh and the Modern Movement: 1890–1914. Exh. cat., Museum Folkwang, Essen. Freren, Germany, 1990, p. 172.

Nicole Dubreuil-Blondin. "L'entrepreneur et les impressionnistes." RACAR 17, no. 2 (1990), p. 182.

Stanley David Gedzelman. "The Meteorological Odyssey of Vincent van Gogh." Leonardo 23, no. 1 (1990), p. 110.

Margrit Hahnloser-Ingold in The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. Bührle, Zürich. Exh. cat., National Gallery of Art, Washington. Zürich, 1990, p. 22, ill. p. 28.

Jan Hulsker. Vincent and Theo van Gogh: A Dual Biography. Trans. and rev. ed. [1st ed. Weesp, Holland, 1985]. Ann Arbor, Mich., 1990, p. 360.

Charles S. Moffett in The Passionate Eye: Impressionist and Other Master Paintings from the Collection of Emil G. Bührle, Zürich. Exh. cat., National Gallery of Art, Washington. Zürich, 1990, p. 241, no. 62, ill. in color (overall and detail).

Jonathan Phillips. "Learning from Van Gogh." American Artist 54 (October 1990), pp. 73–74, ill. p. 38 (color).

Ronald Pickvance in Vincent van Gogh: Drawings. Exh. cat., Rijksmuseum Kröller-Müller, Otterlo. Milan, 1990, p. 286.

Evert van Uitert et al. Vincent van Gogh: Paintings. Exh. cat., Rijksmuseum Vincent van Gogh, Amsterdam. Milan, 1990, p. 205, fig. 87c.

Richard Kendall. "Patronage and the Modern Movement: The E.G. Bührle Collection." Apollo 133 (February 1991), pp. 122–23, fig. 1.

J.-B. de La Faille. VIncent van Gogh, The Complete Works on Paper: Catalogue Raisonné. 1, Revised, supplemented ed. [1st ed., Paris, 1928]. San Francisco, 1992, p. 402.

John House. "Exhibition Reviews, New York: The New Nineteenth-Century European Galleries at the Metropolitan Museum." Burlington Magazine 135 (December 1993), p. 856.

Jan Hulsker. Vincent van Gogh: A Guide to His Work and Letters. Amsterdam, 1993, pp. 41, 55, 61, 76.

Michael Kimmelman. "Annenberg Donates a Van Gogh to the Met." New York Times (May 25, 1993), p. C13, ill. p. A1.

Gary Tinterow et al. The New Nineteenth-Century European Paintings and Sculpture Galleries. New York, 1993, p. 84, ill. (color).

Gary Tinterow in "Recent Acquisitions, A Selection: 1992–1993." Metropolitan Museum of Art Bulletin 51 (Fall 1993), pp. [2-3], 50–51, ill. p. 51 (color) and on front cover (color detail).

Ann Hoenigswald. "Reworking Finished Paintings, Gauguin and Van Gogh: A Comparison." Van Gogh: The Songlines of Legend. Melbourne, [1994], p. 43.

Thomas Noll. "Der große Sämann": Zur Sinnbildlichkeit in der Kunst von Vincent van Gogh. Worms, 1994, p. 140.

Matthias Arnold. Vincent van Gogh: Werk und Wirkung. Munich, 1995, pp. 484, 549.

Elizabeth Nicoline Heenk. "Vincent van Gogh's Drawings: An Analysis of Their Production and Uses." PhD diss., Courtauld Institute of Art, 1995, p. 186.

Jan Hulsker. The New Complete Van Gogh: Paintings, Drawings, Sketches. rev. ed. Amsterdam, 1996, pp. 400, 496, no. 1756, ill. p. 406.

Ira Berkow. "Jewels in the Desert." Art News 97 (May 1998), p. 148.

Judith H. Dobrzynski. "Tracing a van Gogh Treasured by the Met." New York Times (February 11, 1998), p. E3, ill. p. E1 (color).

Ronald Pickvance. Van Gogh. Exh. cat., Fondation Pierre Gianadda. Martigny, 2000, pp. 35, 39, 90, 94.

Pierre Cabanne. Van Gogh. Paris, 2002, p. 171, ill p. 170 (color).

Dorothee Hansen in Van Gogh: "Fields". The "Field with Poppies" and the Artists' Dispute. Exh. cat., Kunsthalle Bremen. Ostfildern-Ruit, Germany, 2002, p. 86, ill. p. 39 (color).

Chris Stolwijk and Han Veenenbos. The Account Book of Theo van Gogh and Jo van Gogh-Bonger. Amsterdam, 2002, pp. 144, 187, ill.

Teio Meedendorp in The Paintings of Vincent van Gogh in the Collection of the Kröller-Müller Museum. Otterlo, 2003, p. 418 nn. 3, 4, 10, 17–19.

Gary Tinterow. "Recent Acquisitions, A Selection: 2002–2003." Metropolitan Museum of Art Bulletin 61 (Fall 2003), p. 35.

Marije Vellekoop in Vincent van Gogh: The Drawings. Exh. cat., Van Gogh Museum, Amsterdam. New York, 2005, pp. 312, 314, 316, 318–19, no. 111, ill. (color).

Katharine Baetjer in The Metropolitan Museum of Art, New York: Chefs-d'œuvre de la peinture européenne. Exh. cat., Fondation Pierre Gianadda. Martigny, 2006, p. 24, fig. 15 [Catalan ed., Barcelona, 2006, p. 20, fig. 15].

Martin Bailey in Van Gogh and Britain: Pioneer Collectors. Exh. cat., Compton Verney, Warwickshire. Edinburgh, 2006, p. 82.

Walter Feilchenfeldt. By Appointment Only: Cézanne, Van Gogh and Some Secrets of Art Dealing. English ed. London, 2006, p. 70, ill. p. 102 (color).

Stefan Koldehoff in Van Gogh and Expressionism. Exh. cat., Neue Galerie New York. Ostfildern, 2007, p. 171.

Susan Alyson Stein in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, p. 148.

Susan Alyson Stein in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 170–71, 259, no. 159, ill. (color and bw).

Gary Tinterow in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, fig. 17 (installation photo, color).

Marije Vellekoop, and Roelie Zwikker, with the assistance of Monique Hageman. "Arles, Saint-Rémy & Auvers-sur-Oise, 1888–90." Vincent van Gogh, Drawings. 4, Zwolle, The Netherlands, 2007, part 1, pp. 237, 241, fig. 366d (color).

Jill Elyse Grossvogel. Claude-Emile Schuffenecker: Catalogue Raisonné, Supplement. Chicago, 2008, p. 45.

Marije Vellekoop in Van Gogh: Heartfelt Lines. Exh. cat., Albertina, Vienna. Cologne, 2008, pp. 60–62, 67 n. 1, p. 449, ill. (color).

Karen Wilkin. "Homage at the Metropolitan." New Criterion 27 (December 2008), p. 4.

Denise Willemstein in Van Gogh: Heartfelt Lines. Exh. cat., Albertina, Vienna. Cologne, 2008, pp. 374, 454, ill. (color).