Description Griffin
Before literacy became widespread, seals served for identification or to mark ownership. While the first seals may have been made of organic materials that have perished, the earliest surviving examples are of clay. During the Early Minoan period (ca. 2600-2000 B.C.), various easily worked materials, such as ivory, bone, shell, and the soft stones, serpentine and steatite, were adopted. During the Middle Minoan and Late Minoan periods, harder stones, such as rock crystal, haematite, jasper, agate, and chalcedony, gained favor. The general dating of seals is correlated with that of the palaces that were the centers of culture on Crete. The apogee of Minoan gem engraving occurred during the time of the second palaces, between about 1600 and 1450 B.C., when semiprecious stones, such as agate, were engraved with consummately rendered figural subjects, particularly animals. This gem, slightly later in date, depicts in the Aegean style a griffin, a powerful mythical creature with the head and wings of a bird and the body of a lion.
Selected Bibliography Richter, G. M. A. 1915. "Department of Classical Art Accessions of 1914: Terracottas, Bronzes, Glass, and Gems." MMA Bulletin 10: 212.
Richter, G. M. A. 1920. Catalogue of Engraved Gems of the Classical Style. New York: The Metropolitan Museum of Art, p. 10, no. 9.
Boardman, J. 1970. Greek Gems and Finger Rings: Early Bronze Age to Late Classical. New York: Abrams, p. 101, pl. 84.
Kenna, V. E. G. 1972. Corpus der minoischen und mykenischen Siegel. Vol. 12, Nordamerika I: New York, The Metropolitan Museum of Art. Berlin: Gebr. Mann, p. 342, no. 247.
Pini, I. 2000. "Der Cut Style in der spätbronzezeitlichen ägäischen Glyptik." In Munus: Festschrift für Hans Wiegartz, edited by Torsten Mattern. Münster: Scriptorium, p. 216, n. 60.
Picón, C. A., et al. 2007. Art of the Classical World in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, p. 411, no. 18, ill. p. 39.