Exhibition History Frankfurt. "Die klassische Malerei Frankreichs im 19 Jahrhundert," July 18–September 30, 1912 not in. cat.
New York. Armory of the Sixty-ninth Regiment. "International Exhibition of Modern Art (The Armory Show)," February 17–March 15, 1913, no. 217 (as "Colline des pauvres," lent by M. A. Vollard).
New York. The Metropolitan Museum of Art. "Landscape Paintings," May 14–September 30, 1934, no. 53.
Philadelphia. Pennsylvania Museum of Art. "Cézanne," November 10–December 10, 1934, no. 41.
Cincinnati Art Museum. "Pictures for Peace: A Retrospective Exhibition Organized from the Armory Show of 1913," March 18–April 16, 1944, no. 4.
Utica, N.Y. Munson-Williams-Proctor Institute. "Masterpieces of French Impressionist Painting," March 1–22, 1953, no catalogue (continuing series of one painting a month).
Aix-en-Provence. Pavillon de Vendôme. "Exposition pour commémorer le cinquantenaire de la mort de Cézanne," July 21–August 15, 1956, no. 52.
Kunsthaus Zürich. "Paul Cézanne, 1839–1906," August 22–October 7, 1956, no. 64.
Haus der Kunst München. "Paul Cézanne, 1839–1906," October–November 1956, no. 46.
Cologne. Kunsthaus Lempertz. "Cézanne," December 1, 1956–January 1, 1957, no. 25.
Amherst, Mass. Amherst College, Mead Arts Building. "The 1913 Armory Show in Retrospect," February 17–March 17, 1958, no. 6.
Paris. Musée National d'Art Moderne. "Les sources du XXe siècle: Les arts en Europe de 1884 à 1914," November 4, 1960–January 23, 1961, no. 84.
Vienna. Österreichische Galerie, Oberes Belvedere. "Paul Cézanne, 1839–1906," April 14–June 18, 1961, no. 35 (as "View of the 'Domaine Saint-Joseph' near Le Tholonet").
Utica. Munson-Williams-Proctor Institute. "1913 Armory Show, 50th Anniversary Exhibition," February 17–March 31, 1963, no. 217.
New York. Armory of the Sixty-ninth Regiment. "1913 Armory Show, 50th Anniversary Exhibition," April 6–28, 1963, no. 217.
Nashville. Fisk University Museum of Art. "100 Years of European Painting," April 28–June 10, 1965, unnum. checklist.
New York. Wildenstein. "Olympia's Progeny," October 28–November 27, 1965, no. 66.
Tokyo. National Museum of Western Art. "Exposition Cézanne," March 30–May 19, 1974, no. 38.
Museum of the City of Kyoto. "Exposition Cézanne," June 1–July 17, 1974, no. 38.
Cultural Center of Fukuoka. "Exposition Cézanne," July 24–August 18, 1974, no. 38.
Paris. Musée National d'Art Moderne, Centre Georges Pompidou. "Paris—New York," June 1–September 19, 1977, unnumbered cat.
Yokohama Museum of Art. "Treasures from The Metropolitan Museum of Art: French Art from the Middle Ages to the Twentieth Century," March 25–June 4, 1989, no. 91.
Aix-en-Provence. Musée Granet. "Sainte-Victoire, Cézanne," June 16–September 2, 1990, no. 26 (as "La colline Saint Joseph").
Sydney. Art Gallery of New South Wales. "Classic Cézanne," November 27, 1998–February 28, 1999, no. 28.
New York. The Metropolitan Museum of Art. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," September 13, 2006–January 7, 2007, no. 39.
Art Institute of Chicago. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," February 17–May 13, 2007, no. 39.
References B[ryson]. B[urroughs]. "Recent Accessions: A Landscape by Cézanne." Metropolitan Museum of Art Bulletin 8 (May 1913), pp. 108–9, ill. [Henry McBride]. "News of Artists New and Old at Metropolitan." New York Sun (May 18, 1913), sec. 6, p. 3, ill. Walter Pach. Letter to Bryson Burroughs . March 30, 1913. Cézanne . Paris, 1914, p. 73, pl. LI. B[ryson]. B[urroughs]. "Nineteenth-Century French Painting." Metropolitan Museum of Art Bulletin 13 (August 1918), pp. 180–81, ill. Georges Rivière. Le maître Paul Cézanne . Paris, 1923, p. 219. DeWitt H. Parker. The Analysis of Art . New Haven, 1926, p. 6, fig. 1. George Sakier. "La Peinture française du XIXe siècle au 'Metropolitan Museum of Art' de New-York." L'Amour de l'art 7 (June 1926), ill. p. 202. Fritz Neugass. "Paul Cézanne." Creative Art 9 (October 1931), ill. p. 278. Lionello Venturi. Cézanne: son art—son oeuvre . Paris, 1936, vol. 1, p. 207, no. 660; vol. 2, pl. 211, no. 660. Fritz Novotny. 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The 1913 Armory Show in Retrospect . Exh. cat., Amherst College. Amherst, 1958, pp. 14–15, no. 6, ill. Guy Habasque. "L'armory show." L'Oeil 50 (February 1959), pp. 14–15, ill. Musée National d'Art Moderne. Les sources du XXe siècle: Les arts en Europe de 1884 à 1914 . Exh. cat.1960, p. 39, no. 84. Robert William Ratcliffe. "Cézanne's Working Methods and Their Theoretical Background." PhD diss., Courtauld Institute of Art, London, 1960, p. 262. Paul Cézanne, 1839–1906 . Exh. cat., Vienna Österreichische Galerie, Oberes Belvedere. 1961, p. 28, no. 35. Léo Marchutz. Letter to Mrs. Leonard Harris . July 15, 1962. Nelson A. Rockefeller. "Back to the Sixty-ninth Regiment Armory." Art in America 51 (February 1963), p. 59, ill. Milton W. Brown in 1913 Armory Show, 50th Anniversary Exhibition, 1963 . Exh. cat., Munson-Williams-Proctor Institute. Utica, NY, 1963, pp. 37, 51, 185, 210, no. 217, ill. Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." 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Richard Shiff. Cézanne and the End of Impressionism . Chicago, 1984, pp. 121–22, 268 n. 44, fig. 29. Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art . New York, 1985, pp. 10, 201, 254, ill. (color). John Rewald. Cézanne: A Biography . New York, 1986, pp. 71, 273, no. 71, ill. Sjraar van Heutgen et al. in Franse meesters uit het Metropolitan Museum of Art: Realisten en Impressionisten . Exh. cat., Rijksmuseum Vincent van Gogh, Amsterdam. Zwolle, The Netherlands, 1987, p. 13, fig. 3. John Rewald with the research assistance of Frances Weitzenhoffer in Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921 . The A. W. Mellon Lectures in the Fine Arts, Princeton, 1989, pp. 192, 200, 203–7, 209 n. 46, pp. 325–26, 346, colorpl. IX. Denis Coutagne et al. Sainte-Victoire, Cézanne, 1990 . Exh. cat., Musée Granet. Aix-en-Provence, 1990, pp. 314, 353, 356, no. 26, fig. 136 (color). Christian Geelhaar in Mary Louise Krumrine. 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