Signed (lower right): P. Cézanne

Frankfurt. "Die klassische Malerei Frankreichs im 19 Jahrhundert," July 18–September 30, 1912 not in. cat.

New York. Armory of the Sixty-ninth Regiment. "International Exhibition of Modern Art (The Armory Show)," February 17–March 15, 1913, no. 217 (as "Colline des pauvres," lent by M. A. Vollard).

New York. The Metropolitan Museum of Art. "Landscape Paintings," May 14–September 30, 1934, no. 53.

Philadelphia. Pennsylvania Museum of Art. "Cézanne," November 10–December 10, 1934, no. 41.

Cincinnati Art Museum. "Pictures for Peace: A Retrospective Exhibition Organized from the Armory Show of 1913," March 18–April 16, 1944, no. 4.

Utica, N.Y. Munson-Williams-Proctor Institute. "Masterpieces of French Impressionist Painting," March 1–22, 1953, no catalogue (continuing series of one painting a month).

Aix-en-Provence. Pavillon de Vendôme. "Exposition pour commémorer le cinquantenaire de la mort de Cézanne," July 21–August 15, 1956, no. 52.

Kunsthaus Zürich. "Paul Cézanne, 1839–1906," August 22–October 7, 1956, no. 64.

Haus der Kunst München. "Paul Cézanne, 1839–1906," October–November 1956, no. 46.

Cologne. Kunsthaus Lempertz. "Cézanne," December 1, 1956–January 1, 1957, no. 25.

Amherst, Mass. Amherst College, Mead Arts Building. "The 1913 Armory Show in Retrospect," February 17–March 17, 1958, no. 6.

Paris. Musée National d'Art Moderne. "Les sources du XXe siècle: Les arts en Europe de 1884 à 1914," November 4, 1960–January 23, 1961, no. 84.

Vienna. Österreichische Galerie, Oberes Belvedere. "Paul Cézanne, 1839–1906," April 14–June 18, 1961, no. 35 (as "View of the 'Domaine Saint-Joseph' near Le Tholonet").

Utica. Munson-Williams-Proctor Institute. "1913 Armory Show, 50th Anniversary Exhibition," February 17–March 31, 1963, no. 217.

New York. Armory of the Sixty-ninth Regiment. "1913 Armory Show, 50th Anniversary Exhibition," April 6–28, 1963, no. 217.

Nashville. Fisk University Museum of Art. "100 Years of European Painting," April 28–June 10, 1965, unnum. checklist.

New York. Wildenstein. "Olympia's Progeny," October 28–November 27, 1965, no. 66.

Tokyo. National Museum of Western Art. "Exposition Cézanne," March 30–May 19, 1974, no. 38.

Museum of the City of Kyoto. "Exposition Cézanne," June 1–July 17, 1974, no. 38.

Cultural Center of Fukuoka. "Exposition Cézanne," July 24–August 18, 1974, no. 38.

Paris. Musée National d'Art Moderne, Centre Georges Pompidou. "Paris—New York," June 1–September 19, 1977, unnumbered cat.

Yokohama Museum of Art. "Treasures from The Metropolitan Museum of Art: French Art from the Middle Ages to the Twentieth Century," March 25–June 4, 1989, no. 91.

Aix-en-Provence. Musée Granet. "Sainte-Victoire, Cézanne," June 16–September 2, 1990, no. 26 (as "La colline Saint Joseph").

Sydney. Art Gallery of New South Wales. "Classic Cézanne," November 27, 1998–February 28, 1999, no. 28.

New York. The Metropolitan Museum of Art. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," September 13, 2006–January 7, 2007, no. 39.

Art Institute of Chicago. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," February 17–May 13, 2007, no. 39.

B[ryson]. B[urroughs]. "Recent Accessions: A Landscape by Cézanne." Metropolitan Museum of Art Bulletin 8 (May 1913), pp. 108–9, ill.

[Henry McBride]. "News of Artists New and Old at Metropolitan." New York Sun (May 18, 1913), sec. 6, p. 3, ill.

Walter Pach. Letter to Bryson Burroughs. March 30, 1913.

Cézanne. Paris, 1914, p. 73, pl. LI.

B[ryson]. B[urroughs]. "Nineteenth-Century French Painting." Metropolitan Museum of Art Bulletin 13 (August 1918), pp. 180–81, ill.

Georges Rivière. Le maître Paul Cézanne. Paris, 1923, p. 219.

DeWitt H. Parker. The Analysis of Art. New Haven, 1926, p. 6, fig. 1.

George Sakier. "La Peinture française du XIXe siècle au 'Metropolitan Museum of Art' de New-York." L'Amour de l'art 7 (June 1926), ill. p. 202.

Fritz Neugass. "Paul Cézanne." Creative Art 9 (October 1931), ill. p. 278.

Lionello Venturi. Cézanne: son art—son oeuvre. Paris, 1936, vol. 1, p. 207, no. 660; vol. 2, pl. 211, no. 660.

Fritz Novotny. Cézanne und das Ende der Wissenschaftlichen Perspektive. Vienna, 1938, p. 197, no. 33.

Albert C. Barnes and Violette De Mazia. The Art of Cézanne. New York, 1939, pp. 356–57, 413, no. 110.

Henry McBride. "Collecting from a Critical Viewpoint." Art News, section I (The 1939 Annual), 37, no. 22 (February 25, 1939), p. 66, ill.

Jerome Mellquist. "The Armory Show 30 Years Later." Magazine of Art 36 (December 1943), pp. 299, 301, ill.

Milton W. Brown. American Painting from the Armory Show to the Depression. Princeton, 1955, p. 94.

Exposition pour commémorer le cinquantenaire de la mort de Cézanne. Exh. cat., Pavillon de Vendôme. Aix-en-Provence, 1956, unpaginated, no. 52, ill.

Cézanne. Exh. cat., Kunsthaus Lempertz. Cologne, 1956, p. 48, no. 25, ill.

John Richardson. "Cézanne at Aix-en-Provence." Burlington Magazine 98 (November 1956), p. 412.

A. Hyatt Mayor. "The Gifts that Made the Museum." Metropolitan Museum of Art Bulletin 16 (November 1957), p. 86.

The 1913 Armory Show in Retrospect. Exh. cat., Amherst College. Amherst, 1958, pp. 14–15, no. 6, ill.

Guy Habasque. "L'armory show." L'Oeil 50 (February 1959), pp. 14–15, ill.

Musée National d'Art Moderne. Les sources du XXe siècle: Les arts en Europe de 1884 à 1914. Exh. cat.1960, p. 39, no. 84.

Robert William Ratcliffe. "Cézanne's Working Methods and Their Theoretical Background." PhD diss., Courtauld Institute of Art, London, 1960, p. 262.

Paul Cézanne, 1839–1906. Exh. cat., Vienna Österreichische Galerie, Oberes Belvedere. 1961, p. 28, no. 35.

Léo Marchutz. Letter to Mrs. Leonard Harris. July 15, 1962.

Nelson A. Rockefeller. "Back to the Sixty-ninth Regiment Armory." Art in America 51 (February 1963), p. 59, ill.

Milton W. Brown in 1913 Armory Show, 50th Anniversary Exhibition, 1963. Exh. cat., Munson-Williams-Proctor Institute. Utica, NY, 1963, pp. 37, 51, 185, 210, no. 217, ill.

Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, pp. 115–17, ill.

Margaretta M. Salinger. "Windows Open to Nature." Metropolitan Museum of Art Bulletin 27 (Summer 1968), p. 39, ill.

Frank Elgar. Cézanne. New York, [1969], p. 280, fig. 119.

Sandra Orienti in L'opera completa di Cézanne. [French ed., 1975; English ed., 1985]. Milan, 1970, pp. 116–17, no. 676, ill.

John Rewald. Letter to Everett Fahy. April 5, 1972.

Russell Lynes. Good Old Modern: An Intimate Portrait of the Museum of Modern Art. New York, 1973, p. 40.

John Rewald. "Should Hoving Be De-accessioned?" Art in America 61 (January–February 1973), pp. 27, 29.

Exposition Cézanne. Exh. cat., Musée National d'Art Occidental. 1974, unpaginated, no. 38, ill.

Theodore Reff in Cézanne: The Late Work. Exh. cat., Museum of Modern Art. New York, 1977, pp. 26–27, 51 n. 83, ill.

Hélène Seckel. Paris–New York. Exh. cat., Musée National d'Art Moderne. 1977, p. 277, ill.

Richard Shiff. Cézanne and the End of Impressionism. Chicago, 1984, pp. 121–22, 268 n. 44, fig. 29.

Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art. New York, 1985, pp. 10, 201, 254, ill. (color).

John Rewald. Cézanne: A Biography. New York, 1986, pp. 71, 273, no. 71, ill.

Sjraar van Heutgen et al. in Franse meesters uit het Metropolitan Museum of Art: Realisten en Impressionisten. Exh. cat., Rijksmuseum Vincent van Gogh, Amsterdam. Zwolle, The Netherlands, 1987, p. 13, fig. 3.

John Rewald with the research assistance of Frances Weitzenhoffer in Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. The A. W. Mellon Lectures in the Fine Arts, Princeton, 1989, pp. 192, 200, 203–7, 209 n. 46, pp. 325–26, 346, colorpl. IX.

Denis Coutagne et al. Sainte-Victoire, Cézanne, 1990. Exh. cat., Musée Granet. Aix-en-Provence, 1990, pp. 314, 353, 356, no. 26, fig. 136 (color).

Christian Geelhaar in Mary Louise Krumrine. Paul Cézanne: The Bathers. Exh. cat., Kunstmuseum Basel. Basel, 1990, p. 277.

Maria Teresa Benedetti. Cézanne. [Italian ed., 1995]. Paris, 1995, p. 183, ill. (color).

Charles de Lartigue. Les paysages de Paul Cézanne. Lyons, 1995, p. 30, ill. (color).

Pavel Machotka. Cézanne: Landscape into Art. New Haven, 1996, pp. 22, 55–57, 79–83, ill. (overall and detail).

John Rewald in collaboration with Walter Feilchenfeldt and Jayne Warman in The Paintings of Paul Cézanne: A Catalogue Raisonné. New York, 1996, vol. 1, pp. 337, 341, 405–6, 564, 568, 570–72, no. 612; vol. 2, ill. p. 205.

Terence Maloon in Classic Cézanne. Exh. cat., Art Gallery of New South Wales. Sydney, 1998, pp. 29, 48, 105, 108, no. 28, ill. in color.

Friedrich Teja Bach in Cézanne: Finished, Unfinished. Exh. cat., Kunstforum Wien. 2000, p. 114, fig. 18.

Chiao-Mei Liu Université de Paris. Cézanne: La série de Château Noir. Villeneuve d'Ascq, 2001, pp. 313, 315, no. 25.

Bennard B. Perlman. American Artists, Authors, and Collectors: The Walter Pach Letters, 1906–1958. Albany, 2002, pp. 120–21, ill.

Ann Dumas in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. Exh. cat., The Metropolitan Museum of Art. New York, 2006, fig. 27 (color).

Rebecca A. Rabinow and Jayne S. Warman in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. Exh. cat., The Metropolitan Museum of Art. New York, 2006, p. 286.

Paul Smith in Philip Conisbee and Denis Coutagne. Cézanne in Provence. Exh. cat., National Gallery of Art. Washington, 2006, p. 69, fig. 12 (color).

Jayne S. Warman in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. Exh. cat., The Metropolitan Museum of Art. New York, 2006, p. 341, no. 39, ill.

Gary Tinterow in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, p. 7.

Adrianne O. Bratis in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, pp. 29, 33.

Anabelle Kienle in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, p. 318.

Michael R. Taylor in Cézanne and Beyond. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, p. 412, fig. 15.1 (color).