Exhibition History Paris. 28, avenue de l'Opéra. "4me exposition de peinture [4th Impressionist exhibition]," April 10–May 11, 1879, no. 74.
New York. American Art Association. "Works in Oil and Pastel by the Impressionists of Paris," April 10–28, 1886, no. 63.
New York. National Academy of Design. "Works in Oil and Pastel by the Impressionists of Paris," May 25–June 30, 1886, no. 63.
New York. The Metropolitan Museum of Art. "Patterns of Collecting: Selected Acquisitions, 1965–1975," December 6, 1975–March 23, 1976, unnumbered cat.
New York. The Metropolitan Museum of Art. "Degas in the Metropolitan," February 26–September 4, 1977, no. 23.
New York. The Metropolitan Museum of Art. "Degas," September 27, 1988–January 8, 1989, no. 218.
New York. The Metropolitan Museum of Art. "Splendid Legacy: The Havemeyer Collection," March 27–June 20, 1993, no. A226.
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Arsène Alexandre. "Degas: Nouveaux aperçus." L'Art et les artistes , n.s., 29 (February 1935), ill. p. 167. Georges Rivière. Mr. Degas: Bourgeois de Paris . Paris, 1935, ill. p. 83. Ambroise Vollard. Recollections of a Picture Dealer . London, 1936, pp. 19–20. Sam A. Lewisohn. Painters and Personality: A Collector's View of Modern Art . [New York], 1937, pl. 42. Camille Mauclair. Degas . London, [1937], p. 167, pl. 130. John Rewald. Edgar Degas . Mulhouse, France, [194_?], fig. 41. P[aul]. A[ndré]. Lemoisne. Degas et son œuvre . [reprint 1984]. Paris, [1946–49], vol. 1, p. 116; vol. 2, pp. 248–49, no. 450, ill. Jeanne Baudot. Renoir: Ses amis, ses modèles . Paris, 1949, p. 23. Lillian Browse. Degas Dancers . New York, [1949], pp. 371–72, pl. 101. Douglas Cooper. Pastels by Edgar Degas . New York, [1952?], p. 18, under no. 11. Peter A. Wick. "Degas' Violinist." Bulletin of the Museum of Fine Arts, Boston 57, no. 310 (1959), p. 97. Jean Sutherland Boggs. Drawings by Degas . Exh. cat., City Art Museum of Saint Louis. St. Louis, 1966, p. 154. Fiorella Minervino in L'opera completa di Degas . Milan, 1970, p. 110, no. 503, ill. "Outstanding Recent Accessions." Metropolitan Museum of Art Bulletin 30 (April/May 1972), p. 257, ill. on cover (color) and p. 257. Anthony M. Clark in The Metropolitan Museum of Art: Notable Acquisitions, 1965–1975 . New York, 1975, p. 91, ill. Theodore Reff. The Notebooks of Edgar Degas: A Catalogue of the Thirty-Eight Notebooks in the Bibliothèque Nationale and Other Collections . Oxford, 1976, vol. 1, p. 137 (notebook 31, p. 67). Ian Dunlop. Degas . New York, 1979, colorpl. 128. Joel Isaacson. The Crisis of Impressionism: 1878–1882 . Exh. cat., University of Michigan Museum of Art. [Ann Arbor, Mich.], 1979, pp. 34, 88, fig. 3. Charles S. Moffett. Degas: Paintings in The Metropolitan Museum of Art . New York, 1979, p. 11, colorpl. 22. Ronald Pickvance. Degas 1879 . Exh. cat., National Gallery of Scotland. Edinburgh, 1979, p. 23, under no. 25. Keith Roberts. Degas . rev., enl. ed. [1st ed., 1976]. Oxford, 1982, fig. 7. Frances Weitzenhoffer. "The Creation of the Havemeyer Collection, 1875–1900." PhD diss., City University of New York, 1982, pp. 301–2, 315–16 n. 37, fig. 111. Philippe Brame and Theodore Reff. Degas et son oeuvre: A Supplement . New York, 1984, p. 108, under no. 99. Götz Adriani. Degas: Pastels, Oil Sketches, Drawings . Exh. cat., Kunsthalle Tübingen. New York, 1985, p. 377, under no. 138. John House in Renoir . Exh. cat., Hayward Gallery. [London], 1985, pp. 266–67, 306, 308, fig. a [French ed., pp. 296, 387, 390, fig. 51]. Ronald Pickvance in The New Painting: Impressionism 1874–1886 . Exh. cat., National Gallery of Art, Washington. San Francisco, 1986, p. 268. Frances Weitzenhoffer. The Havemeyers: Impressionism Comes to America . New York, 1986, p. 133, pl. 90. Michael Pantazzi in Degas . Exh. cat., Galeries Nationales du Grand Palais, Paris. New York, 1988, pp. 333–35, no. 218, ill. (color). Impressionist and Modern Paintings, Drawings and Sculpture . Sotheby's, London. April 4, 1989, unpaginated, under no. 11. Gary Tinterow and Anne Norton. "Degas aux expositions impressionnistes." Degas inédit: Actes du Colloque Degas . Paris, 1989, p. 323. Anne Distel. Impressionism: The First Collectors . New York, 1990, pp. 260–61. Carol Armstrong. Odd Man Out: Readings of the Work and Reputation of Edgar Degas . Chicago, 1991, p. 142, fig. 78. Henri Loyrette. Degas . Paris, 1991, p. 612. Jean Sutherland Boggs and Anne Maheux. Degas Pastels . New York, 1992, p. 181. Philippe de Montebello in Splendid Legacy: The Havemeyer Collection . Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. viii. Louisine W. Havemeyer. Sixteen to Sixty: Memoirs of a Collector . 3rd ed. [1st ed. 1930, repr. 1961]. New York, 1993, pp. 257, 337 n. 376. Susan Alyson Stein in Splendid Legacy: The Havemeyer Collection . Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. 225, colorpl. 213. Gretchen Wold in Splendid Legacy: The Havemeyer Collection . Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. 331, no. A226, ill. p. 330. Jean Sutherland Boggs in Degas Portraits . Exh. cat., Kunsthaus Zürich. London, 1994, p. 94. Anne Distel in Gustave Caillebotte: Urban Impressionist . Exh. cat., Galeries Nationales du Grand Palais, Paris. Chicago, 1995, pp. 319–20, 324, fig. 9 [French ed., "Gustave Caillebotte, 1848–1894," Paris, 1994, pp. 31–32, 38–39, fig. 9]. "Documentation: Volume I, Reviews and Volume II, Exhibited Works." The New Painting: Impressionism 1874–1886 . San Francisco, 1996, vol. 1, pp. 205, 210, 212–13, 251; vol. 2, p. 111, no. IV-74, ill. p. 130. Rebecca A. Rabinow in Degas and America: The Early Collectors . Exh. cat., High Museum of Art. Atlanta, 2000, p. 38, fig. 6 (color). David Bomford et al. in Art in the Making: Degas . Exh. cat., National Gallery. 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