References Mary Logan. "Compagno di Pesellino et quelques peintures de l'école (2e article)." Gazette des beaux-arts , 3rd ser., 26 (October 1901), pp. 334–35. Werner Weisbach. Francesco Pesellino und die Romantik der Renaissance . Berlin, 1901, pp. 120, 122–25, ill. Attilio Schiaparelli. La casa fiorentina e i suoi arredi nei secoli XIV e XV . 1983 ed. Florence, 1908, vol. 1, p. 285; vol. 2, p. 83 n. 250. B[ryson]. B[urroughs]. "Principal Accessions: Cassone Panels by Pesellino." Metropolitan Museum of Art Bulletin 4 (December 1909), pp. 224–25, ill. p. 223. Morton H. Bernath. New York und Boston . Leipzig, 1912, pp. 71–72, fig. 70. Bryson Burroughs. Catalogue of Paintings . 1st ed. New York, 1914, p. 206. Paul Schubring. Cassoni: Truhen und Truhenbilder der italienischen Frührenaissance . Leipzig, 1915, text vol., pp. 116, 286, nos. 296 and 297; plate vol., pl. LXXI. Osvald Sirén. A Descriptive Catalogue of the Pictures in the Jarves Collection, Belonging to Yale University . New Haven, 1916, pp. 125–28. Osvald Sirén. "Early Italian Pictures at Cambridge." Burlington Magazine 37 (December 1920), pp. 300, 303. Paul Schubring. Cassoni: Supplement . Leipzig, 1923, p. 4. Paul Schubring. "Cassone Pictures in America: Part One." Art in America 11 (August 1923), pp. 242–43, fig. 7. Raimond van Marle. "The Renaissance Painters of Florence in the 15th Century." The Development of the Italian Schools of Painting . 10, The Hague, 1928, pp. 566–67, fig. 340. Bernhard Berenson. Italian Pictures of the Renaissance . Oxford, 1932, p. 585. Bernhard Berenson. Pitture italiane del rinascimento . Milan, 1936, p. 503. Harry B. Wehle. The Metropolitan Museum of Art: A Catalogue of Italian, Spanish, and Byzantine Paintings . New York, 1940, pp. 35–37, ill. Millia Davenport. The Book of Costume . New York, 1948, vol. 1, p. 261, no. 731, ill. p. 262. Allgemeines Lexikon der bildenden Künstler . 37, Leipzig, 1950, p. 24. Hans-Werner Grohn. "Zwei Cassoni mit Darstellungen aus der Erzählung von Amor und Psyche." Staatliche Museen zu Berlin: Forschungen und Berichte 1 (1957), pp. 94, 97, 99, fig. 3. Bernard Berenson. Italian Pictures of the Renaissance: Florentine School . London, 1963, vol. 1, p. 211. Federico Zeri with the assistance of Elizabeth E. Gardner. Italian Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art, Florentine School . New York, 1971, pp. 143–45, ill. Burton B. Fredericksen and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections . Cambridge, Mass., 1972, pp. 28, 472, 606. Everett Fahy Harvard University. Some Followers of Domenico Ghirlandajo . New York, 1976, p. 207. Annarosa Garzelli. La Bibbia di Federico da Montefeltro: un'officina libraria fiorentina, 1476-1478 . Rome, 1977, p. 105. Edward Morris and Martin Hopkinson. Walker Art Gallery, Liverpool: Foreign Catalogue . [Liverpool], 1977, text vol., p. 70, under no. 2809. John Pope-Hennessy and Keith Christiansen. "Secular Painting in 15th-Century Tuscany: Birth Trays, Cassone Panels, and Portraits." Metropolitan Museum of Art Bulletin 38 (Summer 1980), pp. 16, 29, 31, figs. 21–26 (color, overall and details). Attilio Schiaparelli. La casa fiorentina e i suoi arredi nei secoli XIV e XV . Florence, 1983, vol. 2, p. 83 n. 250. Cristina De Benedictis in Il Museo Bardini a Firenze . Milan, 1984, vol. 1, p. 122. Everett Fahy. "The Tornabuoni-Albizzi Panels." Scritti di storia dell'arte in onore di Federico Zeri . Milan, 1984, pp. 236, 241, 244, fig. 240 (detail). Everett Fahy. "The Argonaut Master." Gazette des beaux-arts , 6th ser., 114 (December 1989), pp. 285–87, 289–92, 297 nn. 1, 9–10, figs. 1 and 3 (overall and detail). Colnaghi in America: A Survey to Commemorate the First Decade of Colnaghi New York . New York, 1992, p. 131. Anne B. Barriault. "Spalliera" Paintings of Renaissance Tuscany: Fables of Poets for Patrician Homes . University Park, Pa., 1994, pp. xi, 69, 71, fig. 23.1. Roberto Longhi. Il palazzo non finito: saggi inediti, 1910-1926 . Milan, 1995, pp. 257, 268–72, 285, 291–92, 294 n. 3, p. 562, fig. 101. Roberta Bartoli. Biagio d'Antonio . Milan, 1999, p. 19 n. 25, pp. 147–48, 155, 161, 173–75 nn. 28, 41, 52, pp. 182–85, 230, 235–36, no. 11a, ill. (color). Fonds d'or et fonds peints italiens (1300–1560) . Exh. cat., G. Sarti. Paris, 2002, pp. 121, 127. Caroline Campbell. "Lorenzo Tornabuoni's 'History of Jason and Medea' series: Chivalry and Classicism in 1480s Florence." Renaissance Studies 21 (February 2007), pp. 5–6, fig. 4. Andrea Bayer in Art and Love in Renaissance Italy . Exh. cat., The Metropolitan Museum of Art. New York, 2008, p. 305. Deborah L. Krohn in Art and Love in Renaissance Italy . Exh. cat., The Metropolitan Museum of Art. New York, 2008, pp. 109, 137–38, 293, no. 59a, ill. (color). James Grantham Turner in Art and Love in Renaissance Italy . Exh. cat., The Metropolitan Museum of Art. New York, 2008, p. 181.