Signed, dated, and inscribed (left center): HRegnault [initials in monogram] / Rome 1870

Paris. Salon. May 1–June 20, 1870, no. 2390 (lent by M. Durand-Ruel).

Paris. École des Beaux-Arts. "Oeuvres de Henri Regnault," March 1872, no. 55 (lent by Mme de Cassin).

Philadelphia. location unknown. "The Centennial Exhibition and the Philadelphia & Erie, and Pennsylvania Railroads," 1876, not in catalogue [see Ref. Sterling and Salinger 1966].

Paris. Galerie Georges Petit. "Une Collection particulière," October 1–December 10, 1884, no. 41.

New York. Grand Central Palace. "The Allied Bazaar," June 3–14, 1916, unnumbered cat.

New York. Knoedler. "An Exhibition of Paintings and Prints of Every Description, on the Occasion of Knoedler, One Hundred Years, 1846–1946," April 1–27, 1946, no. 82.

Hartford. Wadsworth Atheneum. "The Romantic Circle: French Romantic Painting, Delacroix and his Contemporaries," October 15–November 30, 1952, no. 62.

New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 15, 1970–February 15, 1971, no. 370.

New York. The Metropolitan Museum of Art. "Impressionism: A Centenary Exhibition," December 12, 1974–February 10, 1975, not in catalogue.

New York. Wildenstein. "Sarah Bernhardt and her Times," November 13–December 28, 1984, unnumbered cat.

Henri Regnault. Letter to M. Montfort. April 15, 1869 [published in Ref. Duparc 1904, p. 261].

Henri Regnault. Letters to his father. June–October 1869 [published in Ref. Duparc 1904, pp. 275, 277–79, 321].

Zacharie Astruc. "Le Salon." L'Écho des beaux-arts (May 20, 1870), p. 2 [excerpt published in Ref. Gotlieb 2004, p. 74].

Jules Castagnary. "Salon de 1870." Le Siècle (May 27, 1870) [reprinted in Castagnary, "Salons (1857–1870)," Paris, 1892, vol. 1, pp. 398–99].

Marius Chaumelin. "Salon de 1870." La Presse (June 27, 1870) [reprinted in Chaumelin, "L'Art contemporain," Paris, 1873, pp. 371–74].

Victor Fournel. "Le Salon de 1870." Gazette de France (May 20, 1870) [excerpt published in Ref. Gotlieb 2004, p. 73].

J. Goujon. Beaux-arts, Salon de 1870 propos en l'air. Paris, 1870, pp. 92–93.

Camille Lemonnier. Salon de Paris, 1870. Paris, 1870, pp. 75–78.

René Ménard. "Salon de 1870 (1er article)." Gazette des beaux-arts, 2nd ser., 3 (June 1870), pp. 503–5.

B. de Mezin. Promenades en long et en large au Salon de 1870. Paris, 1870, p. 22.

Henri Regnault. Letters to his father. March 3, May 8, 1870 [published in Ref. Duparc 1904, pp. 342–43, 357–58].

Henri Regnault. Letter to A. Duparc. March 8, 1870 [published in Ref. Duparc 1904, p. 345].

Elie Sorin. Le Salon de 1870: Peinture et sculpture. Angers, 1870, pp. 10, 19 [reprinted in "Revue historique, littéraire et archéologique de l'Anjou," 4ème sér, vol. 7 (1872), pp. 34, 43].

Henri Baillière. Henri Regnault,1843–1871. Paris, 1871, p. 18.

Eugène Fromentin. Letter to Ferdinand Humbert. September 6, 1871 [published in Ref. Wright 1995, p. 1699, no. 1083].

Henri Baillière. Henri Regnault,1843–1871. Paris, 1872, pp. 30–31, 58–62, 73, 93.

Henri Cazalis. Henri Regnault: Sa vie et son œuvre. Paris, 1872, pp. 73–75, 187–88.

Théophile Gautier. Oeuvres de Henri Regnault. Exh. cat., École des Beaux-Arts. [Paris], [1872], pp. 17–25, 64, no. 55.

Paul Mantz. "Henri Regnault." Gazette des beaux-arts, 2nd ser., 5 (January 1872), pp. 78–80, ill. opp. p. 78 (etching by Rajon).

Jules Claretie. Peintres et sculpteurs contemporains. Paris, 1873, pp. 325, 338, 345, 351.

Lucy H. Hooper. "From Abroad: Our Paris Letter." Appletons' Journal 14 (July 31, 1875), p. 155.

Charles Blanc. Les Artistes de mon temps. Paris, 1876, pp. 361–62, ill. p. 353 (engraving by Albert Duvivier).

Philip Gilbert Hamerton. Modern Frenchmen: Five Biographies. London, 1878, pp. 396–97.

A. Angellier. Étude sur Henri Regnault. Paris, 1879, pp. 61–63, 72–73.

Hermann Billung. "Henri Regnault." Zeitschrift für bildende Kunst 15 (1880), pp. 98–100.

Alice Meynell. "Henri Regnault." Magazine of Art 4 (1881), pp. 71–73, ill. (engraving).

Jules Claretie. Peintres et sculpteurs contemporains. Paris, 1882, vol. 1, pp. 13, 18, 20–21.

G. W. Sheldon. Hours with Art and Artists. reprint, 1978. New York, 1882, pp. 77–79, ill. (engraving by Albert Duvivier).

Adolf Rosenberg. "Henri Regnault." Die Grenzboten 42 (1883), pp. 523–26.

Victor Fournel. Les Artistes français contemporains: Peintres—sculpteurs. Tours, 1884, pp. 476, 478–80, ill. opp. p. 475 (etching by Rajon).

André Michel. "A propos d'une collection particulière (Collection de Mme de Cassin; Galerie G. Petit)." Gazette des beaux-arts, 2nd ser., 30 (December 1884), p. 500.

Th[éodore]. Duret. Critique d'avant-garde. Paris, 1885, pp. 52–53.

Roger Marx. Henri Regnault, 1843–1871. Paris, [1886], pp. 66–69, 99, ill. (etching by Rajon).

Theodore Child. "Madame de Cassin's Pictures." Art Amateur 17 (September 1887), pp. 75–78, ill. (engraving by Duvivier).

Charles Bigot. Peintres français contemporains. Paris, 1888, pp. 121–23.

Clarence Cook. Art and Artists of Our Time. New York, 1888, vol. 1, pp. 147–50, ill.

Camille Lemonnier. Les Peintres de la vie. Paris, 1888, pp. 94–96.

Gustave Larroumet. Henri Regnault, 1843–1871. Paris, 1889, pp. 23, 65.

Jules Breton. Nos peintres du siècle. Paris, [189?], p. 208.

Alfred de Lostalot. L'École française de Delacroix à Regnault. Paris, [1891], pp. 152, 156, ill. (frontispiece, etching by Rajon).

Alphonse Bacheret. Une centaine de peintres: The Works of One Hundred Great Masters (Engraved) with Descriptive Text. Philadelphia, [1895?], vol. 9-10, pl. 59.

Correspondance de Henri Regnault. Paris, 1904, pp. 260–61, 273, 275, 277, 279, 321, 326, 342–45, 357–67, 391, 429.

Léonce Bénédite. "Regnault (Henri): Salomé." Les Maîtres contemporains no. 10 (1912), unpaginated, no. 55, ill. (color).

Raymond Bouyer. "Galeries et collections: la Collection Carcano." Revue de l'art ancien et moderne 31 (April 1912), p. 313, ill. opp. p. 312.

R[obert]. E. D[ell]. "Art in France." Burlington Magazine 21 (July 1912), pp. 235–36, 240.

"Want 'Salome' in Louvre." New York Times (May 29, 1912), p. 5.

"France to Keep 'Salome'." New York Times (May 30, 1912), p. 4.

"Regnault 'Salome' Coming to America." New York Times (May 31, 1912), p. 6.

"'Salome' May Come Here." New York Times (June 14, 1912), p. 4.

"Our Gain in Art Disturbs France." New York Times (June 9, 1912), p. C3.

"Louvre Has Option to Buy 'Salome'." New York Times (June 1, 1912), p. 3.

"Reveals Romance of Salome Model." New York Times (June 29, 1912), p. 1.

"More Time to Buy 'Salome'." New York Times (July 1, 1912), p. 6.

Robert Dell. "Paris Letter: New Galleries." American Art News 11 (April 12, 1913), p. 5.

"'Salome' for America." New York Times (January 5, 1913), p. C2.

B[ryson]. B[urroughs]. "Regnault's Salome." Metropolitan Museum of Art Bulletin 11 (August 1916), pp. 164–66, ill. on cover.

"Art Museum Gets Regnault's Salome." New York Times (August 11, 1916), pp. 1, 9.

H. T. Sudduth. "Regnault's 'Salome'." New York Times (August 20, 1916), p. E2, ill. p. RP1.

"The 'Salome' of Henri Regnault." Vanity Fair 6 (August 1916), p. 47, ill. p. 46.

Florence N. Levy. "The Art Market." American Magazine of Art 9 (November 1917), pp. 10, 12, ill. p. 2.

Georges Rivière. Renoir et ses amis. Paris, 1921, p. 47.

Henri Focillon. La Peinture aux XIXe et XXe siècles: Du réalisme à nos jours. Paris, 1928, p. 101.

Joseph C. Sloane. French Painting Between the Past and the Present: Artists, Critics, and Traditions, from 1848 to 1870. [reprint 1973]. Princeton, 1951, p. 177, fig. 87.

Theodore Rousseau Jr. "A Guide to the Picture Galleries." Metropolitan Museum of Art Bulletin 12, part 2 (January 1954), p. 7, ill. p. 54.

John Rewald. The History of Impressionism. rev., enl. ed. New York, 1961, pp. 242, 268 n. 8a, ill.

Charles Sterling and Margaretta M. Salinger. "XIX Century." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 2, New York, 1966, pp. 201–4, ill.

Introduction by Kenneth Clark in Masterpieces of Fifty Centuries. Exh. cat., The Metropolitan Museum of Art. New York, 1970, p. 312, no. 370, ill.

Carl R. Baldwin. "The Salon of '72." Art News 71 (May 1972), p. 20, ill.

Christopher Sells. "Paris." Burlington Magazine 114 (February 1972), p. 110.

Carl R. Baldwin The Metropolitan Museum of Art. The Impressionist Epoch. [New York], 1974, p. 11.

Julius Kaplan. Gustave Moreau. Exh. cat., Los Angeles County Museum of Art. Los Angeles, 1974, p. 34, fig. 21.

Fine Continental Pictures of the 19th and 20th Centuries. Christie's, London. May 7, 1976, p. 25, under no. 111.

Anthea Callen. Renoir. London, 1978, p. 11, fig. 4.

Gudrun Schubert. "Women and Symbolism: Imagery and Theory." Oxford Art Journal 3 (April 1980), p. 30.

Donald A. Rosenthal. Orientalism: The Near East in French Painting 1800–1880. Exh. cat., Memorial Art Gallery of the University of Rochester. Rochester, N.Y., 1982, p. 85, fig. 83.

Anne Hudson Jones and Karen Kingsley. "Salome in Late Nineteenth-Century French Art and Literature." Studies in Iconography 9 (1983), pp. 108–11, 123, fig. 1.

T. J. Clark. The Painting of Modern Life: Paris in the Art of Manet and His Followers. New York, 1984, pp. 115–16, 294 n. 122, fig. 39.

Richard Shiff. Cézanne and the End of Impressionism. Chicago, 1984, pp. 85, 87, 95, fig. 13.

Lucy Oakley in Recent Acquisitions: A Selection, 1986–1987. New York, 1987, p. 39.

Geneviève Lacambre. "Le Temps du Salon." L'Art du XIXe siècle, 1850–1905. Paris, 1990, p. 42.

Mireille Dottin-Orsini. "'Salomé' de Henri Regnault, genèse et description d'un tableau légendaire." Textes, Images, Musique. Toulouse, 1992, pp. 30–45, ill.

Jean-Patrice Marandel in Frédéric Bazille: Prophet of Impressionism. Exh. cat., Musée Fabre, Montpellier. Brooklyn, 1992, p. 73, fig. 35.

Murielle Gagnebin. "Cranach et l'excès: Les aventures d'une table trop blanche." La Part de l'Oeil no. 9 (1993), p. 59, ill.

Chuji Ikegami. "Period of Impressionism." New History of World Art. 22, Tokyo, 1993, pp. 433–34, ill. p. 434 and colorpl. 179.

John House. Renoir, Master Impressionist. Exh. cat., Queensland Art Gallery, Brisbane. Sydney, 1994, pp. 45–46, fig. 18.

Gary Tinterow and Henri Loyrette. Origins of Impressionism. Exh. cat., The Metropolitan Museum of Art. New York, 1994, pp. 33, 324, 337, fig. 40.

"1859–1876." Correspondance d'Eugène Fromentin. 2, [Paris], 1995, p. 1699 n. 2.

Hollis Clayson. Paris in Despair: Art and Everyday Life under Siege (1870–71). Chicago, 2002, pp. 238, 251.

Roger Benjamin. Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880–1930. Berkeley, 2003, pp. 25, 27.

Céline Eidenbenz in Helen Bieri Thomson and Céline Eidenbenz. Salomé: Danse et décadence. Exh. cat., Fondation Neumann. Gingins, Switzerland, 2003, p. 7.

Caterina Y. Pierre. "'A New Formula for High Art': The Genesis and Reception of Marcello's 'Pythia'." Nineteenth-Century Art Worldwide. 2, Autumn 2003, pp. 2–4, fig. 2 (color).

Marc Gotlieb. "De Rome à Tanger: Cadre et trajectoire d'une formation à caractère subversif." Peut-on enseigner l'art? Paris, 2004, pp. 71–77, 84, fig. 4.

Marc Gotlieb. "Legends of the Painter Hero: Remembering Henri Regnault." Nationalism and French Visual Culture, 1870–1914. Washington, 2005, pp. 103–4, 118, 121, 124 n. 3, fig. 1.

Gary Tinterow and Asher Ethan Miller in The Wrightsman Pictures. New York, 2005, p. 396, fig. 1.

Atsuko Ogane. La Genèse de la danse de Salomé: L'"Appareil scientifique" et la symbolique polyvalente dans "Hérodias" de Flaubert. Tokyo, 2006, p. 7 n. 29, p. 173 n. 3, p. 174.

Marc Bochet. Salomé, du voile au dévoilé: Métamorphoses littéraires et artistiques d'une figure biblique. Paris, 2007, p. 41 nn. 3–4, pp. 83, 100.

Rebecca A. Rabinow in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 158, 295–96, no. 147, ill. (color and bw).

Gary Tinterow in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, p. xvii.

Gary Tinterow in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, p. 9.

Marc Gotlieb. "Figures of Sublimity in Orientalist Painting." Dialogues in Art History, from Mesopotamian to Modern: Readings for a New Century. Washington, 2009, pp. 328–36, 340 nn. 64–65, p. 341 n. 80, fig. 7 (color).