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Staff Publications

Current and former departmental staff are noted in bold.

Bruno, Lisa, Sara Levin, Nick Pedemonti. "Giovanni della Robbia’s Resurrection of Christ; Conserving a Monumental Renaissance Relief." In Da Brooklyn al Bargello; Giovanni della Robbia, la Lunetta Antinori e Stefano Arienti, edited by Ilaria Ciseri, 82–97. Genoa: Sagep Editori, 2017.

Hausdorf, Daniel. "Reflectance Transformation Imaging (RTI): Eine fotografische Methode zur Dokumentation und visuellen Untersuchung von Oberflächen." In Die Kunst der Ebenisten: Quellenschriften, technologische Untersuchungen und innovative Verfahren in der Holzrestaurierung, edited by Jörg Weber, 140–47. Potsdam: Verlag der Fachhochschule Potsdam, 2017.

Hemingway, Seán, and Dorothy H. Abramitis. "The Use of Inlays in Early Greek Bronzes." In Artistry in Bronze: The Greeks and Their Legacy: The Greeks and Their Legacy (XIXth International Congress on Ancient Bronzes), edited by Jens M. Daehner, Kenneth Lapatin, and Ambra Spinelli, 116‒22. Los Angeles: J. Paul Getty Museum; Getty Conservation Institute, 2017.

Holakooei, Parviz, Sebastiano Soldi, Jean-François de Lapérouse, and Federico Carò. "Glaze Composition of the Iron Age Glazed Ceramics from Nimrud, Hasanlu and Borsippa Preserved at The Metropolitan Museum of Art." Journal of Archaeological Science: Reports 16 (December 2017): 224–32.

Riccardelli, Carolyn. "Egyptian Faience: Technology and Production." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. (December 2017)

Schorsch, Deborah. "Gold in Ancient Egypt." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum Art, 2000‒. (January 2017)

Dandridge, Pete, and Lisa Ellis. "Workshop Practices." In Small Wonders: Late-Gothic Boxwood Micro-Carvings from the Low Countries, edited by Frits Scholten, 514–77. Amsterdam: Rijksmuseum Publications Department, 2016.

Hagelskamp, Christina. "Aspects of the Manufacture of Chinese Kuancai Lacquer Screens." Postprints of the Wooden Artifacts Group. The American Institute for Conservation of Historic & Artistic Works. Washington, DC (2016): 25–35.

Hagelskamp Christina, Arlen Heginbotham, and Paul van Duin. "Bending Asian Lacquer in Eighteenth Century Paris: New Discoveries." Studies in Conservation 61, supplement 3 (December 2016): 91–96.

Hill, Marsha, and Deborah Schorsch. "Ptah’s Profile." In Another Mouthful of Dust. Egyptological Studies in Honor of Geoffrey Thorndike Martin, edited by Jaap van Dijk, 251– 307. Orientalia Lovaniensia Analecta 246. Leuven; Paris; Bristol, CT: Peeters, 2016.

Holakooei, Parviz, Jean-François de Lapérouse, Martina Rugiadi, and Federico Carò. "Early Islamic Pigments at Nishapur, North-eastern Iran: Studies on the Painted Fragments Preserved at The Metropolitan Museum of Art." Archaeological and Anthropological Sciences 2016, 1–21.

Patris, Pascale. "Decorative Surface Finishes: Bronzing, Patina-Antiqua, Verd-Antique in NY Furniture 1810–1830: New York Workshops Practices 1810–1830." Color Research and Application 41, no. 3 (June 2016): 232–40.

Rosewitz, Jessica, Christina Muir, Carolyn Riccardelli, Nima Rahbar, and George Wheeler. "A Multimodal Study of Pinning Selection for Restoration of a Historic Statue." Materials & Design 98 (May 2016): 294–304.

Smyth, Andrew, Patrick Brewick, Raphael Greenbaum, Manolis Chatzis, Anna Serotta, and Isabel Stünkel. "Vibration Mitigation and Monitoring: A Case Study of Construction in a Museum." Journal of the American Institute for Conservation 5, no. 1 (2016): 32–55.

Cunningham, Patrick, Michael Bak, and Carolyn Riccardelli. "The Fall and Rise of Adam." ANSYS Advantage 9, no. 3 (2015): 33–37.

Grady, Anne, and Jennifer Hickey. "Treatment of Izhar Patkin's The Black Paintings—Collaboration and Compromise." In The AIC Paintings Specialty Group Postprints, vol. 25 (2012): Papers Presented at the 40th Annual Meeting of the American Institute for Conservation of Historic and Artistic Works, Albuquerque, New Mexico, May 8-11, 2012, 24–30. Washington, DC: American Institute for the Conservation of Historic & Artistic Works, 2015. 

Heywood, Ann. "A Statuette of Two Men and a Boy from the Amarna Period." In The Art and Culture of Ancient Egypt: Studies in Honor of Dorothea Arnold (Bulletin of the Egyptological Seminar 19), edited by Adela Oppenheim and Ogden Goelet, 379–88. New York: Egyptological Seminar of New York, 2015.

LaGamma, Alisa, with contributions by Josiah Blackmore, Christine Giuntini, James Green, Ellen G. Howe, Phyllis M. Martin, Adriana Rizzo, John K. Thornton, and Kristen Windmuller-Luna. Kongo: Power and Majesty. New York: The Metropolitan Museum of Art, 2015.

Parry, Vicki. "Nishapur Ceramics in The Metropolitan Museum of Art: 70 Years of Restoration Techniques." In Greater Khorasan: History, Geography, Archaeology, and Material Culture (Studies in the History and Culture of the Middle East 29), edited by Rocco Rante, 141–50. Boston: Walter de Gruyter, 2015.

Pearlstein, Ellen, Mark Mackenzie, Emily Kaplan, Ellen G. Howe, and Judith Levinson. "Tradition and Innovation: Cochineal and Andean Keros." In A Red Like No Other, edited by Carmella Padilla and Barbara Anderson, 44–51. Santa Fe, NM: Museum of International Folk Art, 2015.

Pilosi, Lisa. "Memories of David Whitehouse, a Mentor and Friend." Journal of Glass Studies 57 (2015): 237–42.

Riccardelli, Carolyn, and Jack Soultanian, with Michael Morris, Lawrence Becker, George Wheeler, and Ronald Street. "New Life for Adam." ICOM News 68 (2) (September 2015): 4–5.

Schorsch, Deborah. "Bastet Goes Boating." In The Art and Culture of Ancient Egypt: Papers in Honor of Dorothea Arnold (Bulletin of the Egyptological Seminar 19), edited by Ogden Goelet and Adela Oppenheim, 271–84. New York: Egyptological Seminar of New York, 2015.

Schorsch, Deborah. "Supplement: Technical Study of the Sithathoryunet Pectoral." In Ancient Egypt Transformed: The Middle Kingdom, edited by Adela Oppenheim, Dorothea Arnold, Dieter Arnold, and Kei Yamamoto, 115–16. New York: The Metropolitan Museum of Art, 2015.

Schorsch, Deborah. "Technical Examination of the Temple Pendant of the Goddess Nephthys (MMA 2014.159)," in Marsha Hill, "A Gilded-Silver Pendant of Nephthys Naming Mereskhonsu," Revue d'Egyptologie 66 (2015): 33–49; 43–45.

Van Keuren, Frances, Julia Cox, Donato Attanasio, Walter Prochaska, John J. Herrmann, Jr., and Dorothy H. Abramitis. "Parian Lychnites and the Badminton Sarcophagus in New York." In ASMOSIA X, Proceedings of the Tenth International Conference Interdisciplinary Studies on Ancient Stone. Rome, 21–26 May 2012, edited by Patrizio Pensabene and Eleonora Gasparini, 403–12. Rome: L'Erma di Bretschneider, 2015.

Aruz, Joan, with technical comments by Jean-François de Lapérouse. "Cauldrons" and "Nimrud Ivories." In Assyria to Iberia at the Dawn of the Classical Age, edited by Joan Aruz, Yelena Rakic, and Sarah Graff, 148–50, 273. New York: The Metropolitan Museum of Art, 2014.

Barack, Sarah, and Beth Edelstein. "From One Student to Many: Multi-Level Approaches to Conservation Outreach in the K–12 Arena." In Proceedings of Playing to the Galleries and Engaging New Audiences: The Public Face of Conservation, edited by Emily Williams, 96–103. London: Archetype Books, 2014.

Becker, Lawrence, Donna Strahan, and Ariel O'Connor. "Technical Observations on Casting Technology in First-Millennium Cambodia, Thailand, and Vietnam." In Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, by John Guy, 267–71. New York: The Metropolitan Museum of Art, 2014.

Delivré, Jean, Cécile Dupeux, and Lucretia Kargère. "Les sculptures du jubé de la cathédrale de Strasbourg: une étude technique comparative entre New York et Strasbourg." Technè 39 (2014): 78–81.

Hagelskamp, Christina. "Tracing the Origins of Japanese Export Lacquer on an Eighteenth–Century French Side Table." Metropolitan Museum Studies in Art, Science, and Technology 2 (2014): 173–79.            

Kargère, Lucretia. "L'expérience américaine. À propos de quelques Vierges romanes conservées aux États-Unis." Technè 39 (2014): 13–22.

Kargère, Lucretia, and Michele Marincola. "Conservation in Context: The Examination and Treatment of Medieval Polychrome Wood Sculpture in America." Metropolitan Museum Studies in Art, Science, and Technology 2 (2014): 11–49.

Kargère, Lucretia, Pierre-Yves Le Pogam, Juliette Lévy, and Nathalie Pingaud. "Un Christ roman auvergnat retrouve son unité grâce à l'étude de la polychromie." Technè 39 (2014): 60–5.

Lapérouse, Jean-François de. "Cuneiform Documents as Artifacts." In Cuneiform Texts in The Metropolitan Museum of Art, Volume IV: The Ebabbar Temple Archive and Other Texts from the Fourth to the First Millennium B.C., edited by Ira Spa and Michael Jursa, 243–45. New York: The Metropolitan Museum of Art, 2014.

Lapérouse, Jean-François de, Stefan Heidemann, and Vicki Parry. "The Large Audience: Life Sized Stucco Figures of Royal Princes from the Seljuq Period." Muqarnas 31 (2014): 35–71.

Laursen, Sarah, and Donna Strahan. "Art and Technology in a Chinese Gold Cicada Plaque." Archives of Asian Art 64, no. 1 (2014): 43–57.

Pilosi, Lisa. "Appendix: Technical Observations," appended to Timothy B. Husband, "A Reverse-Painted Glass 'Paten' at the Cloisters: Imagery and Style." Journal of Glass Studies 56 (2014): 115–16.

Pilosi, Lisa, and Drew Anderson. "The Chariot of Poseidon by Jean Dupas and Jacques-Charles Champigneulle at The Metropolitan Museum of Art." Journal of Glass Studies 56 (2014): 219–28.

Riccardelli, Carolyn, Jack Soultanian, Michael Morris, Lawrence Becker, George Wheeler, and Ronald Street. "The Treatment of Tullio Lombardo's Adam: A New Approach to the Conservation of Monumental Marble Sculpture." Metropolitan Museum Journal 49 (2014): 49–116.

Rizzo, Adriana, Mechthild Baumeister, Beth Edelstein, Arianna Gambirasi, and Anke Scharrahs, with contributions by Julia Schultz and Daniel P. Kirby. "A Rediscovered Opulence: The Surface Decoration of an Early 18th-Century Damascene Reception Room at The Metropolitan Museum of Art." In Architectural Paint Research: Sharing Information, Sharing Decisions, edited by Rachel Faulding and Sue Thomas, 117–31. London: Archetype Books, 2014.

Schorsch, Deborah. "A Conservator's Perspective on Ancient Metallurgy." In Archeometallurgy in Global Perspective, edited by Benjamin W. Roberts and Christopher Thornton, 268–302. New York: Springer, 2014.

Schorsch, Deborah. "Lebanese Mountain Figures: Advances in the Study of Levantine Anthropomorphic Metal Statuary." Metropolitan Museum Studies in Art, Science, and Technology 2 (2014): 115–55.

Serotta, Anna. "An Investigation of Tool Marks on Ancient Egyptian Hard Stone Sculpture: Preliminary Report." Metropolitan Museum Studies in Art, Science, and Technology 2 (2014): 197–201.

Serotta, Anna, and Federico Carò. "Evidence for the Use of Corundum Abrasive in Egypt from the Great Aten Temple at Amarna." Horizon 14 (Spring 2014): 2–4.

Strahan, Donna, and Simone Korolnik. "Archaeological Conservation." In Troia 1987–2012: Grabungen und Forschungen 1: Forschungsgeschichte, Methoden und Landschaft, edited by Ernst Pernicka, Charles Brian Rose, and Peter Jablonka, vol. 2, 520–33. Bonn: Habelt, 2014.

Strahan, Donna, and Masahiko Tsukada. "Measuring Mercury Emissions from Cinnabar Lacquer Objects." Studies in Conservation 59, supplement 1 (2014): S137–S40.

Barack, Sarah, and Beth Edelstein. "Restoring the Immaterial: Using New Media to Communicate Context." In Objects Specialty Group Postprints, Volume Twenty, 2013, Proceedings of the Objects Specialty Group Sessions, May 29–June 1, 2013, edited by Emily Hamilton and Kari Dodson. American Institute for Conservation of Historic & Artistic Works, 2013.

Borsch, Linda, and Federico Carò. "Technical Notes." In "Abraham Lincoln: The Man (Standing Lincoln): A Bronze Statuette by Augustus Saint-Gaudens," by Thayer Tolles. Metropolitan Museum Journal 48 (2013): 234–35.

Hemingway, Seán, Sarah McGregor, and Dylan Smith. "The Bronze Statue of Trebonianus Gallus in The Metropolitan Museum of Art: Restoration, Technique, and Interpretation." In The Restoration of Ancient Bronzes: Naples and Beyond, edited by Erik Risser and David Saunders, 113–36. Los Angeles: The J. Paul Getty Museum, 2013.

Kargère, Lucretia. "The Metropolitan Museum of Art's Saint Roch: Looking at Artistic Workshops around the Elsloo Group." In A Masterly Hand: Interdisciplinary Research on the Late-Medieval Sculptor(s) Master of Elsloo in an International Perspective, Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels, 20–21 October 2011 (Scientia Artis 9), edited by Famke Peters, 276–85. Brussels: Royal Institute for Cultural Heritage, 2013.

Patris, Pascale, and Adriana Rizzo. "An Unfolding Tale: The Making and Transformation of the Golden Harpsichord." The Journal of American Musical Instrument Society 39 (2013): 62–88.

Pilosi, Lisa, and David Whitehouse. "Early Islamic and Byzantine Silver Stain." In New Light on Old Glass: Recent Research on Byzantine Mosaics and Glass (British Museum Research Publication 179), edited by Chris Entwistle and Liz James, 329–37. London: British Museum, 2013.

Schorsch, Deborah. "Appendix: Technical Note on the Amphoroid Krater and Tripod." In AMILLA: The Quest for Excellence. Studies in Honor of Günter Kopcke in Celebration of His 75th Birthday, edited by Robert B. Koehl, 303–8. Philadelphia: INSTAP Academic Press, 2013.

Stamm, Karen, Gorazc Lemajič, and Lisa Pilosi. "Vacuum-Formed PVC Molds for Casting Resin Fills in Glass Objects." In Recent Advances in Glass, Stained-Glass, and Ceramics Conservation 2013, ICOM-CC Glass and Ceramics Working Group Interim Meeting and Forum of the International Scientific Committee for the Conservation of Stained Glass (Corpus Vitrearum-ICOMOS), edited by Hannelore Roemich and Kate van Lookeren Campagne, 69–75. Zwolle: SPA Uitgevers, 2013.

Abend, Karen, Linda Borsch, Julia Day, Janis Mandrus, and Lisa Pilosi. "Conservation of Eighteenth-Century Lighting Fixtures in The Metropolitan Museum of Art." In The Artifact, Its Context and Their Narrative: Multidisciplinary Conservation in Historic House Museums, the Getty Research Institute, Los Angeles, November 6–9, 2012; Proceedings of the Joint Conference of ICOM-DEMHIST and Three ICOM-CC Working Groups (Sculpture, Polychromy, and Architectural Decoration; Wood, Furniture, and Lacquer; Textiles), edited by Kate Seymour and Malgorzata Sawicki. ICOM-CC & ICOM-DEMHIST, 2012.

Baumeister, Mechthild. "The Hidden History of a Roentgen Commode." In Extravagant Inventions: The Princely Furniture of the Roentgens, by Wolfram Koeppe, 222–28. New York: The Metropolitan Museum of Art, 2012.

Ducey-Gessner, Aimée, Claudia Beyer, Jean Dommermuth, Michele Marincola, Deborah Lee Trupin, and Costanza Perrone Da Zara. "Building an Effective Decision-Making Model for Conservation of the Acton Collection, Villa La Pietra, New York University in Florence." In The Artifact, Its Context and Their Narrative: Multidisciplinary Conservation in Historic House Museums, the Getty Research Institute, Los Angeles, November 6–9, 2012; Proceedings of the Joint Conference of ICOM-DEMHIST and Three ICOM-CC Working Groups (Sculpture, Polychromy, and Architectural Decoration; Wood, Furniture, and Lacquer; Textiles), edited by Kate Seymour and Malgorzata Sawicki. ICOM-CC & ICOM-DEMHIST, 2012.

Kargère, Lucretia. "La sculpture romane polychrome sur bois en Auvergne et Bourgogne: Étude technique." In Gestes et techniques de l'artiste à l'époque romane: Actes des XLIIIe Journées romanes de Cuxa, 6–13 Julliet 2011 (Cahiers de Saint-Michel de Cuxa 43), 113–24. Codalet: Association culturelle de Cuxa, 2012.

Pilosi, Lisa, Karen Stamm, and Mark T. Wypyski. "An Islamic Cameo Glass Fragment in The Metropolitan Museum of Art." In Annales du 18e Congrès de l'Association Internationale pour l'Histoire du Verre, Thessaloniki, 2009, edited by Despina Ignatiadou and Anastassios Antonaras, 341–45. Thessaloniki: ZITI Publishing, 2012.

Riccardelli, Carolyn, George Wheeler, Christina Muir, George Scherer, and Joe Vocaturo. "An Examination of Pinning Materials for Marble Sculpture." In Objects Specialty Group Postprints: American Institute for Conservation 38th Annual Meeting, Milwaukee, WI, edited by Christine del Re, 95–112. Washington, D.C.: American Institute for Conservation of Historic & Artistic Works, 2012.

Stone, Richard E. "Riccio: Technology and Connoisseurship." In Andrea Riccio: Renaissance Master of Bronze, by Denise Allen with Peta Motture, Julia Leonor Valiela, and Caitlin Ford Henningsen, 81–96. New York: The Frick Collection; London: P. Wilson, 2012.

Stone, Richard E. "Understanding Antico's Patinas." In Antico, The Golden Age of Renaissance Bronzes, by Eleonora Luciano, Denise Allen, Claudia Kryza-Gersch, and Stephen J Campbell, 179–82. Washington, D.C.: National Gallery of Art; London: Paul Holberton Publishing, 2012.

Strahan, Donna. "An Enlightened Journey: Transitions in Casting of Chinese Buddhist Images." In Scientific Research in the Field of Asian Art, edited by Janet Douglas, Paul Jett, and John Winter, 73–82. London: Archetype Books, 2012.

Van Keuren, Frances, Shelby Hipol, Julia Cox, Donato Attanasio, John J. Herrmann, Jr., L. Peter Gromet, and Dorothy H. Abramitis. "Three Fragments of a Marsyas Sarcophagus: Multimethod Marble Analyses." In Interdisciplinary Studies on Ancient Stone. Proceedings of the IX Association for the Study of Marbles and Other Stones in Antiquity (ASMOSIA) Conference (Tarragona 2009), edited by Anna Gutiérrez Garcia-M., Pilar Lapuente Mercadal, and Isabel Rodà de Llanza, 344–54. Tarragona: Institut Català d'Arqueologia Clàssica, 2012.

Aylward, William, William Marx, and Donna Strahan. "Elemental Identification of Artifacts and Pigments from Ancient Ilion with X-Ray Fluorescence." Studia Troica 19 (2011): 57–68.

Bayne, David, Nancy Britton, and Deborah Lee Trupin. "The Camelback Sofa—An Example of Late 18th-Century American Upholstery Techniques." In The Forgotten History, Upholstery Conservation, edited by Karen Lohm, 232–75. Linköping: Linköping University, 2011.

Britton, Nancy. "Stitches in Time: The Integration of 18th- and 21st-Century Technologies and Techniques across Three Cultures." In Preprints of the 8th North American Textile Conservation Conference: Plying the Trades: Pulling Together in the 21st Century, Oaxaca, Mexico, November 8–11, 2011. Madison, WI: Omnipress, 2011.

Britton, Nancy, with Mark Anderson. "The Evolution of American Upholstery Techniques." In The Forgotten History, Upholstery Conservation, edited by Karen Lohm, 30–80. Linköping: Linköping University, 2011.

Britton, Nancy, and Heather Porter. "Upholstery Springs: Their Introduction and Early Development in Britain and America." In The Forgotten History, Upholstery Conservation, edited by Karen Lohm, 118–47. Linköping: Linköping University, 2011.

Caldeira, Susana. "Caso de Estudo: A conservação de instrumentos musicais históricos." Binocular 1, no. 1 (January–April 2011): 11–22.

Carboni, Stefano, and Daniel Hausdorf. "Panel (Lid from a Chest)." In Masterpieces from the Department of Islamic Art in The Metropolitan Museum, edited by Maryam D. Ekhtiar, Priscilla P. Soucek, Sheila R. Canby, and Navina Najat Haidar, 43–44. New York: The Metropolitan Museum of Art, 2011.

Dandridge, Pete, and Mark T. Wypyski. "Sword and Dagger Pommels Associated with the Crusades, Part II: A Technical Study." Metropolitan Museum Journal 46 (2011): 145–52.

Dandridge, Pete, and Mark T. Wypyski. "Technical Study of Two Silver and Niello Kolty in The Metropolitan Museum of Art." In Jewellery of Princely Kiev: The Kievan Hoards in the British Museum and The Metropolitan Museum of Art and Related Material, by Ljudmila Pekarska (Monographien des Römisch-Germanischen Zentralmuseums 92), edited by Barry Ager and Dafydd Kidd, 78–80. Mainz: Römisch-Germanischen Zentralmuseums and London: British Museum, 2011.

Kargère, Lucretia, and Michele Marincola. "The Conservation of Polychrome Wood Sculpture in the United States: An Historical Overview, 1870–1970." In ICOM-CC: 16th Triennial Conference, Lisbon, 19–23 September 2011. Almada, Portugal: Critério–Produção Gráfica, Lda., 2011.

Kenney, Ellen, and Mechthild Baumeister. "Reception Room, Qa'a." In Masterpieces from the Department of Islamic Art in the Metropolitan Museum, edited by Maryam D. Ekhtiar, Priscilla P. Soucek, Sheila R. Canby, and Navina Hajat Haidar, 333–37. New York: The Metropolitan Museum of Art, 2011.

Keppler, Roos, Beth Edelstein, Sarah Barack, and Batyah Shtrum. "The Stars Align: The Preservation of the Zodiac Cycle Murals at the Stanton Street Shul." In ICOM-CC: 16th Triennial Conference, Lisbon, 19–23 September 2011. Almada, Portugal: Critério–Produção Gráfica, Lda., 2011.

Lapérouse, Jean-François de. "Conservation Work for the New Galleries." In Masterpieces from the Department of Islamic Art in The Metropolitan Museum, edited by Maryam D. Ekhtiar, Priscilla P. Soucek, Sheila R. Canby, and Navina Najat Haidar, X–XI. New York: The Metropolitan Museum of Art, 2011.

Lapérouse, Jean-François de. "Techniques of Turkmen and Central Asian Jewelry." In Turkmen Jewelry: Silver Ornaments from the Marshall and Marilyn Wolf Collection, by Layla Diba, 39–43. New York: The Metropolitan Museum of Art, 2011.

Marincola, Michele, and Sarah Maisey. "To Err Is Human: Understanding and Sharing Mistakes in Conservation Practice." In ICOM-CC: 16th Triennial Conference, Lisbon, 19–23 September 2011. Almada, Portugal: Critério–Produção Gráfica, Lda., 2011.

Patris, Pascale. "A Few Remarks Resulting from the Examination of the Bernstorff Suite." ICOM-CC Wood, Furniture, and Lacquer Newsletter 2 (January 2011): 10–14.

Pitthard, Václav, Richard E. Stone, Sabine Stanek, Martina Griesser, and Claudia Kryza-Gersch. "Organic Patinas on Renaissance and Baroque Bronzes: Interpretation of Compositions of the Original Patination by Using a Set of Simulated Varnished Bronze Coupons." Journal of Cultural Heritage 12, no. 1 (March 2011): 44–53.

Strahan, Donna. "Uranium in Glass, Glazes, and Enamels." In Health & Safety for Museum Professionals, edited by Catharine Hawks, Michael McCann, Kathryn Makos, Lisa Goldberg, David Hinkamp, Dennis Ertel, Jr., and Patricia Silence, 456. New York: Society for the Preservation of Natural History Collections, 2011.

Theiss, Harald, and Jack Soultanian. "Heilige Barbara" and "Heilige Katharina von Alexandrien." In Niclaus Gerhaert: Der Bildhauer des Spaten Mittelalters, edited by Stefan Roller, 248–50. Frankfurt: Liebieghaus, 2011.

Theiss, Harald, Jack Soultanian, and Lucretia Kargère. "Muttergottes (sogenannte Rothschild-Madonna)." In Niclaus Gerhaert: Der Bildhauer des Spaten Mittelalters, edited by Stefan Roller, 277–79. Frankfurt: Liebieghaus, 2011.

Anderson, Drew, Alice Cooney Frelinghuysen, and Janis Mandrus. "Rediscovering Henry E. Sharp: The Conservation of the Faith and Hope Window at The Metropolitan Museum of Art." In The Art of Collaboration: Stained-Glass Conservation in the Twenty-first Century (Corpus Vitrearum United States Occasional Papers 2), edited by Mary B. Shepard, Lisa Pilosi, and Sebastian Strobl, 83–91. Turnhout: Harvey Miller Publications for the American Corpus Vitrearum, 2010.

Baumeister, Mechthild, Beth Edelstein, Adriana Rizzo, Arianna Gambirasi, Timothy Hayes, Roos Keppler, and Julia Schultz. "A Splendid Welcome to the 'House of Praises, Glorious Deeds and Magnanimity.'" In Conservation and the Eastern Mediterranean. International Institute for Conservation of Historic and Artistic Works (IIC), Contributions to the Istanbul Congress, 20–24 September 2010, edited by Christina Rozeik, Ashok Roy, and David Saunders, 126–33. London: International Institute for Conservation of Historic and Artistic Works, 2010.

Becker, Lawrence. "Technical Study of Two Northern Wei Altarpieces Dedicated to the Buddha Maitreya." In Wisdom Embodied: Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art, edited by Denise Patry Leidy and Donna Strahan, 198–205. New York: The Metropolitan Museum of Art, 2010.

Becker, Lawrence, and Deborah Schorsch. "The Practice of Objects Conservation in The Metropolitan Museum of Art (1870–1942)." Metropolitan Museum Studies in Art, Science, and Technology 1 (2010): 11–37.

Castelnuovo-Tedesco, Lisbeth, and Jack Soultanian. Italian Medieval Sculpture in The Metropolitan Museum of Art and The Cloisters. New York: The Metropolitan Museum of Art, 2010.

Heywood, Ann. "Evidence for the Use of Azurite and Natural Ultramarine Pigments in Ancient Egypt." Metropolitan Museum Studies in Art, Science, and Technology 1 (2010): 73–81.

Heywood, Ann. "Lead Cladding on a Wooden Royal Figure: An Unusual Ancient Surface Reconstructed." In Decorated Surfaces on Ancient Egyptian Objects: Technology, Deterioration and Conservation, edited by Julie Dawson, Christina Rozeik, and Margaret M. Wright, 9–15. London: Archetype Books, 2010.

Kargère, Lucretia, and Adriana Rizzo. "Twelfth-Century French Polychrome Sculpture in The Metropolitan Museum of Art: Materials and Techniques." Metropolitan Museum Studies in Art, Science, and Technology 1 (2010): 39–72.

Leidy, Denise Patry, and Donna Strahan, eds. Wisdom Embodied: Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2010.

Lightfoot, Christopher, Lisa Pilosi, and Mark T. Wypyski. "The Purple Agate Glass in The Metropolitan Museum of Art." Journal of Glass Studies 52 (2010): 240–43.

Rahbar, Nima, Mersedeh Jorjani, Carolyn Riccardelli, George Wheeler, Ismaiel Yakub, Ting Tan, and Winston O. Soboyejo. "Mixed Mode Fracture of Marble/Adhesive Interfaces." Materials Science and Engineering: A 527, nos. 18–19 (15 July 2010): 4939–46.

Shepard, Mary B., Lisa Pilosi, and Sebastian Strobl, eds. The Art of Collaboration: Stained-Glass Conservation in the Twenty-first Century (Corpus Vitrearum United States Occasional Papers 2). Turnhout: Harvey Miller Publications for the American Corpus Vitrearum, 2010.

Stone, Richard E. "Organic Patinas on Small Bronzes of the Italian Renaissance." Metropolitan Museum Journal 45 (2010): 107–24.

Strahan, Donna. "Piece-Mold Casting: A Chinese Tradition for Fourth and Fifth-Century Bronze Buddha Images." Metropolitan Museum Studies in Art, Science, and Technology 1 (2010): 133–53.

Baumeister, Mechthild, Adriana Rizzo, Melanie Brussat, Erika Sanchez Goodwillie, and Batyah Shtrum. "A Re-evaluation of Three Period Rooms in the Wrightsman Galleries at The Metropolitan Museum of Art in New York." In Architectural Finishes in the Built Environment, edited by Mary A. Jablonski and Catherine R. Matsen, 201–16. London: Archetype Books, 2009.

Frantz, Tony, Dorothy H. Abramitis, Linda Borsch, and Mark T. Wypyski. "Roman Variscite Beads: In Situ Analysis by X-Ray Microdiffraction." Metropolitan Museum Bulletin 67, no. 1 (Summer 2009): 20–25.

Jorjani, Mersedeh, George Wheeler, Carolyn Riccardelli, Winston O. Soboyejo, and Nima Rahbar. "An Evaluation of Potential Adhesives for Marble Repair." In Holding It All Together: Ancient and Modern Approaches to Joining, Repair and Consolidation, edited by Janet Ambers, Catherine Higgitt, Lynne Harrison, and David Saunders, 143–49. London: Archetype Books, 2009.

Meincke, Angela, Daniel Hausdorf, Nonie Gadsden, Mechthild Baumeister, Michele Derrick, Richard Newman, and Adriana Rizzo. "Cellulose Nitrate Coatings on Furniture of the Company of Master Craftsmen." Journal of the American Institute for Conservation 48, no. 1 (2009): 1–24.

Roth, Kendra E., and Kate Moomaw. Review of Plastics: Looking at the Future and Learning from the Past: Papers from the Conference Held at the Victoria and Albert Museum, London, 23–25 May 2007, edited by Brenda Keneghan and Louise Egan. Studies in Conservation 54 (2009): 192–93.

Schorch, Deborah, and Mark T. Wypyski. "Seth, 'Figure of Mystery.'" Journal of the American Research Center in Egypt 45 (2009): 1–24.

Soultanian, Jack. "Lucretia." In Daniel Mauch: Bildhauer im Zeitalter der Reformation, edited by Eva Leistenschneider, 302–4. Ulm: Ulmer Museum, 2009.

Strahan, Donna. "Lacquer: The Conservation Challenge." In The Conservation of Asian Lacquer: Case Studies at the Asian Art Museum of San Francisco, by Jane L. Williams, 7–11. San Francisco: Asian Art Museum, 2009.

Chapuis, Julien, and Michele Marincola. "Bemerkungen zum Meister der Biberacher Sippe und zu einem hl. Rochus in The Cloisters." In Nicht die Bibliothek, sondern das Auge: Westeuropäische Skulptur und Malerei an der Wende zur Neuzeit, Beiträge zu Ehren von Hartmut Krohm; Akten des Kolloquiums vom 11.–12. November 2005 an den Staatlichen Museen zu Berlin und der Technischen Universität Berlin, 66–75. Petersberg: Michael Imhof Verlag; Berlin: Staatliche Museen zu Berlin—Stiftung Preussischer Kulturbesitz, 2008.

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Jorjani, Mersedeh, George Wheeler, Carolyn Riccardelli, Winston O. Soboyejo, and Nima Rahbar. "An Evaluation of Potential Adhesives for Marble Repair." In Objects Specialty Group Postprints Volume Fifteen, 2008, compiled by Howard Wellman, Christine Del Re, Patricia Griffin, Emily Hamilton, Kari Kipper, and Carolyn Riccardelli, 95–107. Washington, D.C.: American Institute for Conservation of Historic & Artistic Works, 2008.

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Lapérouse, Jean-François de. "Technical Notes on the Metropolitan Museum Ivories" and catalogue entries 23, 24, 25, 30, 45, 46a–b, 106, 107, 108, and 109. In Beyond Babylon: Art, Trade, and Diplomacy in the Second Millennium B.C., edited by Joan Aruz, Kim Benzel, and Jean M. Evans, 52, 54–55, 58, 81, 83–85, 180–4. New York: The Metropolitan Museum of Art, 2008.

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Meincke, Angela, Daniel Hausdorf, Nonie Gadsden, Mechthild Baumeister, Michele Derrick, Richard Newman, and Adriana Rizzo. "Early Cellulose Nitrate Coatings on Furniture of the Company of Modern Craftsmen." In Plastics: Looking at the Future, Learning from the Past, edited by Brenda Keneghan and Louise Egan, 3–11. London: Archetype Books, 2008.

Piechatschek, Nadine, and Nancy Britton. "Sleeping Beauty: Treatment of a 1880s Herter Brothers Bergere." In Postprints: Papers Delivered at the Textile Subgroup Session, American Institute for Conservation Annual Meeting, 1–20. Washington, D.C.: Textile Specialty Group, American Institute for Conservation of Historic and Artistic Works, 2008.

Pilosi, Lisa, Sarah Barack, and Mark T. Wypyski. "Early Acid Etching of Stained Glass." In Le vitrail et les traités du Moyen Âge à nos jours, Actes du XXIIIe colloque international du Corpus Vitrearum, Tours, 3–7 juillet 2006, edited by Karine Boulanger and Michel Hérold, 97–110. Berne and New York: Peter Lang, 2008.

Strahan, Donna. "Seismic Mitigation at the Asian Art Museum in San Francisco." In Advances in the Protection of Museum Collections from Earthquake Damage: Papers from a Symposium Held at the J. Paul Getty Museum at the Villa on May 3–4, 2006, edited by Jerry Podany, 107–13. Los Angeles: J. Paul Getty Museum, 2008.

Vuori, Jan, and Nancy Britton. "A Preliminary Investigation of Digital Inkjet Printing on Sheer Fabrics for Textile Conservation." In 15th Triennial Conference, New Delhi, 22–26 September 2008, Preprints, vol. 2, 1002‒11. New Delhi: Allied Publishers, 2008.

Anderson, Drew. "L.C. Tiffany's Earliest Surviving Domestic Window." Techniques du vitrail au XIXe siècle, Forum pour la conservation et la restauration des vitraux, Namur 14–16 juin 2007, edited by Isabelle Lecocq and Jacques Barlet, 81–89. Les Dossiers de l'IPW 3. Namur: Institut de patrimoine wallon, 2007.

Bewer, Francesca G., Richard E. Stone, and Shelly Sturman. "Reconstructing the Casting Technique of Lorenzo Ghiberti's Gates of Paradise." In The Gates of Paradise: Lorenzo Ghiberti's Renaissance Masterpiece, edited by Gary M. Radke, 156–82. New Haven: Yale University Press, 2007.

Gudenrath, William, Lisa Pilosi, Marco Verità, David Whitehouse, and Mark T. Wypyski. "Notes on the Byzantine Painted Bowl in the Treasury of San Marco, Venice." Journal of Glass Studies 49 (2007): 57–62.

Hill, Marsha, and Deborah Schorsch, eds. Gifts for the Gods: Images from Egyptian Temples. New York: The Metropolitan Museum of Art, 2007.

Lapérouse, Jean-François de, Karen Stamm, and Vicki Parry. "Re-examination and Treatment of Mina'i Ceramics at The Metropolitan Museum of Art." Glass and Ceramics Conservation 2007: Preprints of the Interim Meeting of the ICOM-CC Working Group, August 27–30, 2007, Nova Gorica, Slovenia, edited by Lisa Pilosi, 112–19. Nova Gorica: Goriški Muzej Kromberk, 2007.

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Schorsch, Deborah. "Fragment of a Wig," "Seth," "Amun," and "Torso Fragment of Pedubaste." In Gifts for the Gods: Images from Egyptian Temples, edited by Marsha Hill and Deborah Schorsch, 32–33, 34–37, 84–87, 90–91, 203, 205. New York: The Metropolitan Museum of Art, 2007.

Schorsch, Deborah. "The Manufacture of Metal Statuary in Ancient Egypt: 'Seeing the Workshops of the Temple of the Amun.'" In Gifts for the Gods: Images from Egyptian Temples, edited by Marsha Hill and Deborah Schorsch, 189–99. New York: The Metropolitan Museum of Art, 2007.

Strahan, Donna, and Mark Fenn. "A Transfer of Technology: Jade Abrasive Methods Used to Create Inscriptions in Ancient Chinese Bronzes." In Scientific Research on the Sculptural Arts of Asia, edited by Janet Douglas, Paul Jett, and John Winter, 26–36. London: Archetype Books, 2007.

Barnet, Peter, and Pete Dandridge, eds. Lions, Dragons & Other Beasts: Aquamanilia of the Middle Ages, Vessels for Church and Table. New Haven: Yale University Press, 2006.

Britton, Nancy. "Xavier Bonnet: Traditional French Upholsterer." In French-American Partnership, April 2006, edited by David Bayne and Jon Vara. Washington, D.C.: American Institute for Conservation and Florence Gould Foundation, 2006.

Britton, Nancy, Chris Paulocik, and Jan Vuori. "Wide Format Digital Inkjet Printing for Textile Conservation." In Postprints: Papers Delivered at the Textile Subgroup Session, American Institute for Conservation Annual Meeting, 75–85. Washington, D.C.: Textile Specialty Group, American Institute for Conservation of Historic and Artistic Works, 2006.

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Edelstein, Beth, Silvia A. Centeno, and Mark T. Wypyski. "Illuminating a Complex History: The Materials and Techniques of the Tombs of Urgell at the Cloisters." In The Object in Context: Crossing Conservation Boundaries: Contributions to the Munich Congress, 28 August–1 September 2006, edited by David Saunders, Joyce H. Townsend, and Sally Woodcock, 204–10. London: The International Institute for Conservation of Historic and Artistic Works, 2006.

Abramitis, Dorothy H. "Conservation Report, Bacchus Seated on a Panther" in "A Giustiniani Bacchus and François Duquesnoy," by Olga Raggio. Metropolitan Museum Journal 40 (2005): 220–21.

Baumeister, Mechthild, and Stéphanie Rabourdin. "A Seventeenth-Century Parisian Ebony Cabinet Restored by Herter Brothers." In Postprints of the Wooden Artifacts Group, Presented at the 33rd Annual Meeting of the American Institute for Conservation, Minneapolis, Minnesota, 2–21. Washington, D.C.: American Institute for Conservation of Historic and Artistic Works of Art, 2005.

Becker, Lawrence, and Christine Kondoleon. The Arts of Antioch: Art Historical and Scientific Approaches to Roman Mosaics and a Catalogue of the Worcester Art Museum Antioch Collection. Worcester, MA: Worcester Art Museum, 2005.

Dandridge, Pete. "The Exhibition of Unlacquered Silver at The Metropolitan Museum of Art." Journal of the American Institute for Conservation 44, no. 3 (Fall/Winter 2005): 175–83.

Hill, Marsha, and Deborah Schorsch. "Art Historical and Technological Information." In The Sacred Animal Necropolis at North Saqqara: The Falcon Complex and Catacomb: The Archaeological Report, by Sue Davies and H. S. Smith, 100, 109. London: Egyptian Exploration Society, 2005.

Hill, Marsha, and Deborah Schorsch. "The Gulbenkian Torso of King Pedubaste: Investigations into Egyptian Large Bronze Statuary." Metropolitan Museum Journal 40 (2005): 163–95.

Kondoleon, Christine, and Lawrence Becker. "New Findings from the Atrium House Triclinium in Antioch-on-the-Orontes." In La mosaïque gréco-romaine IX: Actes du IXe colloque international pour l'étude de la mosaïque antique et médiévale organisé à Rome sous l'égide de l'École Française de Rome et de la Soprintendenza Archeologica di Roma, 5–10 novembre 2001 (Collection de l'École Française de Rome 352), edited by Hélène Morlier and Christophe Bailly, vol. 1, 427–33. Rome: École Française de Rome, 2005.

Manuels, Marijn, and Thayer Tolles. "William Rush's Eagle for St. John's Evangelical Church, Philadelphia." Metropolitan Museum Journal 40 (2005): 217–33.

Pilosi, Lisa, and Drew Anderson. "New Guidelines for the Conservation of Stained Glass: From the Corpus Vitrearum Medii Aevi's 22nd International Colloquium." Stained Glass Quarterly of the Stained Glass Association of America 100, no. 4 (Winter 2005): 296–99.

Wypyski, Mark T., and Lisa Pilosi. "Preliminary Compositional Study of Glass from the Crusader Castle at Montfort." In Annales du 16e Congrès de l'Association Internationale pour l'Histoire du Verre, London 2003, 194–98. Nottingham: AIHV, 2005.

Biron, Isabelle, Pete Dandridge, and Mark T. Wypyski. "Emaux sur or réalisés autour de 1400: étude en laboratoire." In Paris: 1400, Les arts sous Charles VI, edited by Elisabeth Taburet-Delahaye, 380–87. Paris: Réunion des Musées Nationaux; Fayard, 2004.

Britton, Nancy. "Assessing the Development of Upholstery Conservation in France." In Wooden Artifacts Group Furniture in France Study Tour, May 2004, 95–101. Washington, D.C.: American Institute for Conservation Wooden Artifacts Group, 2004.

Dandridge, Pete. "Icon with the Virgin Eleousa." In Byzantium: Faith and Power (1261–1557), edited by Helen C. Evans, 217–18. New York: The Metropolitan Museum of Art, 2004.

Heywood, Ann, and Leslie Gat. "A New Gateway to Egypt." Met Objectives: Treatment and Research Notes 5, no. 2 (Spring 2004): 7–9.

Koestler, Robert J., Črtomir Tavzes, and Franc Pohleven. "A New Approach on Conservation of Wooden Heritage." In The International Research Group on Wood Preservation. Group 4. Processes and Properties, unpaginated. Ljubljana, Slovenia, 2004.

Marincola, Michele. "Riemenschneider's Use of the Decorative Punch." In Tilman Riemenschneider, c. 1460–1531, Proceedings of the Symposium "Tilman Riemenschneider: A Late Medieval Master Sculptor," Center for the Advanced Study in the Visual Arts, Washington, D.C., December 3–4, 1999 (Studies in the History of Art 65), edited by Julien Chapuis, 131–47. Washington, D.C.: National Gallery of Art, 2004.

Marincola, Michele. "Polychromy." In Encyclopedia of Sculpture, edited by Antonia Bostrōm, vol. 3, 1318–22. New York: Fitzroy Dearborn, 2004.

Mathews, Thomas F., and Edmund P. (Pete) Dandridge. "The Ruined Reliquary of the True Cross of the Great Lavra, Mt. Athos." In Byzance et les reliques du Christ (Monographies [Centre de Recherche d'Histoire et Civilisation de Byzance] 17), edited by Jannic Durand and Bernard Flusin, 107–22. Paris: Association des Amis du Centre d'Histoire et Civilisation de Byzance, 2004.

Schorsch, Deborah. "Appendix 3: Technical Examination of Catalogue No. 242." In Royal Bronze Statuary from Ancient Egypt, with Special Attention to the Kneeling Pose (Egyptological Memoirs 3), by Marsha Hill, 259–60. Leiden: Brill, 2004.

Soultanian, Jack. "Technical Note: A Late Fifteenth-Century German Polychrome Wood Madonna and Child." Record of the Princeton University Art Museum 63 (2004): 58–61.

Stone, Richard E., Robert Cohon, Paul Benson, and Pieter Meyers. "A Case of Mistaken Millennia: A Wounded Barbarian in Kansas City." Antike Kunst 47 (2004): 55–64.

Wheeler, George E. "The Met Comes Clean." Met Objectives: Treatment and Research Notes 5, no. 2 (Spring 2004): 10–11.

Bonaventura, Maria Pia di, Rob de Salle, James Bonacum, and Robert J. Koestler. "Phylogenetic Trees, Fungal Infections and the Tiffany's Drawings." In Molecular Biology and Cultural Heritage: Proceedings of the International Congress on Molecular Biology and Cultural Heritage, 4–7 March 2003, Sevilla, Spain, edited by Cesario Saiz-Jimenez, 131–35. Rotterdam: A. A. Balkema Publishers, 2003.

Bonaventura, Maria Pia di, Rob de Salle, Douglas E. Eveleigh, Ann Baldwin, and Robert J. Koestler. "Studies of Fungal Infestations of Tiffany's Drawings: Limits and Advantages of Classical and Molecular Techniques." In Art, Biology, and Conservation: Biodeterioration of Works of Art, edited by Robert J. Koestler, Victoria H. Koestler, A. Elena Charola, and Fernando E. Nieto-Fernandez, 94–109. New York: The Metropolitan Museum of Art, 2003.

Kargère, Lucretia. "The Use of Lapis Lazuli as a Pigment in Medieval Europe." Met Objectives: Treatment and Research Notes 4, no. 2 (Spring 2003): 5–7.

Kavenagh, Claudia, and George Wheeler. "Evaluation of Cleaning Methods for the Brooklyn Historical Society." Journal of the American Institute for Conservation 42, no. 1 (Spring 2003): 97–112.

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Lapérouse, Jean-François de. "Stone Sculpture Production," "Metalworking Techniques," "Lost Wax Casting," "Copper Alloys and Metal Sources," and catalogue entries 15a–b, 40, 41, 43, 136, 153a–b, 169a–b, 173a–c, 184, 205, 254, and 255. In Art of the First Cities: The Third Millennium B.C. from the Mediterranean to the Indus, edited by Joan Aruz with Ronald Wallenfels, 48, 62, 79–82, 85, 210–12, 223, 265, 267–68, 281, 309–10, 363. New York: The Metropolitan Museum of Art, 2003.

Lapérouse, Jean-François de. "Mixed Media: An Islamic Writing Cabinet." Met Objectives: Treatment and Research Notes 4, no. 2 (Spring 2003): 1–3.

McGregor, Sarah E., and Dylan Smith. "Examination of a Third-Century Roman Bronze." Met Objectives: Treatment and Research Notes 5, no. 1 (Fall 2003): 1–3.

Manuels, Marijn. "Hudson Valley Wall Paneling." Met Objectives: Treatment and Research Notes 5, no. 1 (Fall 2003): 9–11.

Patris, Pascale. "Preserving a Herter Brothers Side Chair." Met Objectives: Treatment and Research Notes 4, no. 2 (Spring 2003): 8–10.

Schorsch, Deborah, and Elizabeth Hendrix. "Ambition and Competence in Late Bronze Age Cyprus." Report of the Antiquities Organization, Cyprus (2003): 53–77.

Schorsch, Deborah, and Elizabeth Hendrix. "The Production of Relief Ornament on Cypriot Bronze Castings of the Late Bronze Age." In Archaeometallurgy in Europe, vol. 2, 47–56. Milan: Associazione Italiana de Metallurgia, 2003.

Suzuki, Jun, and Robert J. Koestler. "Visual Assessment of Biocide Effects on Japanese Paint Materials." In Art, Biology, and Conservation: Biodeterioration of Works of Art, edited by Robert J. Koestler, Victoria H. Koestler, A. Elena Charola, and Fernando E. Nieto-Fernandez, 410–25. New York: The Metropolitan Museum of Art, 2003.

Tavzes, Črtomir, Juri Pohleven, Franc Pohleven, and Robert J. Koestler. "The Use of Anoxic Conditions to Eradicate Fungi in Wooden Objects." In Art, Biology, and Conservation: Biodeterioration of Works of Art, edited by Robert J. Koestler, Victoria H. Koestler, A. Elena Charola, and Fernando E. Nieto-Fernandez, 426–39. New York: The Metropolitan Museum of Art, 2003.

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Abramitis, Dorothy H. "Initial Investigation of a Fifteenth-Century Polychromed Ceiling from Italy." In Gilded Wood Conservation and History, edited by Deborah Bigelow, Elisabeth Cornu, Gregory J. Landrey, and Cornelis van Horne, 301–07. Madison, CT: Sound View Press, 1991.

Abramitis, Dorothy H. "Statue of an Old Woman: A Case Study in the Effects of Restorations on the Visual Aspect of Sculpture." Metropolitan Museum of Art Bulletin 55, no. 3 (Winter 1997–98): 30–37.

Artal-Isbrand, Paula, Lawrence Becker, and Mark T. Wypyski. "Remains of Gilding and Ground Layers on a Roman Marble Statue of the Goddess Hygieia." In ASMOSIA 5: Interdisciplinary Studies on Ancient Stone: Proceedings of the Fifth International Conference of the Association for the Study of Marble And Other Stones Used In Antiquity, Museum Of Fine Arts, Boston, 1998, edited by John J. Herrmann, Norman Herz, and Richard Newman, 196–200. London: Archetype, 2002.

Ballard, Mary W., Robert J. Koestler, and Norman Indictor. "Recent Results Concerning the Degradation of Historic Silk Flags. In ICOM Committee for Conservation, 9th Triennial Meeting, Dresden, German Democratic Republic. 26–31 August 1990: Preprints, edited by Kirsten Grimstad, 2 vol., I, 277–82. Los Angeles: ICOM Committee for Conservation, 1990.

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Ballard, Mary W., Robert J. Koestler, Christopher Blair, and Norman Indictor. "Historical Silk Flags Studied by Scanning Electron Microscopy–Energy Dispersive X-ray Spectrometry. In Archaeological Chemistry IV, edited by Ralph O. Allen, 419–28. Advance in Chemistry Series. Washington, DC: American Chemical Society, 1989.

Ballard, Mary W., Robert J. Koestler, Christopher Blair, Claudia Santamaria, and Norman Indictor. "Historic Silk flags from Harrisburg." In Historic Textiles and Paper Materials II: Conservation and Characterization: Developed from a Symposium sponsored by the Cellulose, Paper, and Textile Division at the 196th National Meeting of the American Chemical Society, Los Angeles, California, September 25–30, 1988, edited by S. Haig Zeronian and Howard L Needles, 134–42. ACS Symposium Series 410. Washington, DC: American Chemical Society, 1989.

Bamberger, Joseph A., Ellen G. Howe, and George E. Wheeler. "A Variant Oddy Test Procedure for Evaluating Materials used in Storage and Display Cases." Studies in Conservation 44, no. 2 (1999): 86–90.

Baumeister, Mechthild. "Die Fluoreszenzmikroskopie als Untersuchungsmethode für historische Möbeloberflächen." Restauro 2 (1988): 100–105.

Baumeister, Mechthild. "Jean Dunand–A French Art Déco Artist Working with Asian Lacquer." In Postprints of the Wooden Artifacts Group, Presented at the 30th Annual Meeting of the American Institute for Conservation, Miami, Florida, 2–16. Washington, DC: American Institute for Conservation of Historic and Artistic Works of Art, 2002.

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Baumeister, Mechthild, and Wolfram Koeppe. Review of "Bernard Molitor, 1775–1833: Ébeniste parisien d'origine luxembourgeoise" Exhibition. Villa Vauban, Luxembourg. Studies in the Decorative Arts 4, no. 1 (Fall–Winter 1996–97): 138–40.

Baumeister, Mechthild, Jaap Boonstra, Robert A. Blanchette, Christian-Herbert Fischer, and Deborah Schorsch. "Gebeizte Maserfurniere auf historischen Möbeln." In Lacke des Barock und Rokoko, edited by Katherina Walch and Johann Koller, 251–96. Bayerisches Landesamt für Denkmalpflege Arbeitsheft 81. Munich: Bayerisches Landesamt für Denkmalpflege, 1997.

Becker, Lawrence, Lisa Pilosi, and Deborah Schorsch. "An Egyptian Silver Statuette of the Saite Period―A Technical Study." Metropolitan Museum Journal 29 (1994): 37–56.

Becker, Lawrence, Deborah Schorsch, Jane L. Williams, and Mark T. Wypyski. "Technical and Material Studies." In The Art of Late Rome and Byzantium, A Catalogue of the Collection in the Virginia Museum of Fine Arts, edited by Anna Gonosová and Christine Kondoleon, 32–147, passim, 406–15. Richmond: The Museum, 1994.

Bianchetti, Pier Luigi, A. Elena Charola, Robert J. Koestler, and Marisa Laurenzi Tabasso. "The Ruins of San Ignacio Mini, Misiones, Argentina—Characterization of the Stones Used in their Construction" In Proceedings of the 7th International Congress on Deterioration and Conservation of Stone held in Lisbon, Portugal, 15–18 June 1992, edited by José Delgado Rodrigues, Fernando Henriques, and F. Telmo Jeremias, 725–33. Lisbon: Laboratório Nacional de Engenharia Civil, 1992.

Biron, Isabelle and Mark T. Wypyski. "Les apports du laboratoire à la connaissance de l'émail limousine." In L'oeuvre de Limoges. Art et histoire au temps des Plantagenêts. Actes du colloque organisé au museé du Louvre par le Service culturel les 16 et 17 novembre 1995, 83–105. Paris: Museé du Louvre, 1998.

Biron, Isabelle, Pete Dandridge, and Mark T. Wypyski. "Émaux limousins, recette de jouvence." La Recherche 281 (Nov. 1995): 68–71.

Biron, Isabelle, Pete Dandridge, and Mark T. Wypyski. "Techniques and Materials in Limoges Enamels." In Enamels of Limoges: 1100–1350, edited by Barbara Drake Boehm and Elisabeth Taburet-Delahaye, 48–62, 445–50. Exh. cat. New York: The Metropolitan Museum of Art, 1997

Blanchette, Robert A., Antoine M. Wilmering, and Mechthild Baumeister. "The Use of Green-Stained Wood Caused by the Fungus Chlorociboria in Intarsia Masterpieces from the 15th Century." Holzforschung 46, no. 3 (1992): 225–33.

Blanchette, Robert A., John E. Haight, Robert J. Koestler, Pamela B. Hatchfield, and Dorothea Arnold. "Assessment of Deterioration in Archaeological Wood from Ancient Egypt." Journal of the American Institute of Conservation 33, no. 1 (Summer 1994): 55–70.

Blanchette, Robert A., Kory R. Cease, André R. Abad, Robert J. Koestler, Elizabeth Simpson, and G. Kenneth Sams. "An Evaluation of Different Forms of Deterioration Found in Archaeological Wood." International Biodeterioration and Biodegradation 28 (1991): 3–22.

Bloom, Jonathan M., Ahmed Toufiq, Stefano Carboni, Jack Soultanian, Antoine M. Wilmering, Mark D. Minor, Andrew Zawacki, and El Mostafa Hbibi. The Minbar from the Kutubiyya Mosque. New York: The Metropolitan Museum of Art, 1998.

di Bonaventura, Maria Pia, and Robert J. Koestler. "The Fungal Genome Project." Met Objectives, Research and Treatment Notes 3, no. 2 (Spring 2002): 10.

Borsch, Linda. "The Greek Vase Desalination Project." Met Objectives, Treatment and Research Notes 1, no. 1 (Fall 1999): 1–2, 5.

Britton, Nancy. "Basket Cases: Two Upholstery Treatments Composed of Plant Materials." In AIC Textile Conservation Postprints 4, 27–38. Nashville: American Institute of Conservation, 1994.

Britton, Nancy. "Treatment Decisions for the Exhibition of a 1697 English State Bed." In Fabric of an Exhibition: An Interdisciplinary Approach, 71–76. Ottawa: Canadian Conservation Institute, 1997.

Britton, Nancy. "The Use of Textile Pigments in Conservation Applications." In Textile Group Postprints 7, 40–47. Washington DC: American Institute of Conservation for Historic and Artistic Works, 1997.

Britton, Nancy. "Upholstered Replacement Showcovers and Furnishings Approached as Compensation for Loss." In Textile Group Postprints 7, 108–15. Washington DC: American Institute of Conservation for Historic and Artistic Works, 1997.

Britton, Nancy. "The American Coach Lace Industry." In Creating Textiles: Makers, Methods, Market. Proceedings of the Sixth Biennial Symposium of the Textile Society of America, Inc., New York, New York 1998, 81–89. Earleville, MD: Textile Society of America, 1999.

Britton, Nancy. "Bridging the Fabric Gap: Considerations in the Use of Replacement Textiles for Furniture Upholstery." News from the Wooden Artifacts Specialty Group, January 1999. AIC News 38, no. l (1999): 1–2, 8.

Britton, Nancy. "The Marsh Coach Lace Companies." The New England Journal of History 57, no. 1 (Fall 2000): 23–42.

Britton, Nancy. "The Upholstery Conservation of George Hunzinger's Star-Tufted Fancy Chair." In Proceedings of the Textile History Forum, Cooperstown, July 7–9, 2000, 153–60. Cooperstown: Textile History Forum in association with the New York State Historical Association, 2000.

Britton, Nancy. "Reconciling Conservation and Interpretation: Strategies for Long-term Display of a Late Seventeenth-Century Bed." In Upholstery Conservation: Principles and Practice, edited by Kathryn Gill and Dinah Eastop, 61–73. Oxford and Boston: Butterworth-Heinemann, 2001.

Britton, Nancy. "A Replacement Showcover for a Dessoir Suite." Met Objectives, Treatment and Research Notes 2, no. 2 (Spring 2001): 8–10.

Carboni, Stefano, Lisa Pilosi, and Mark T. Wypyski. "A Gilded and Enameled Glass Plate in the Metropolitan Museum of Art." In The Prehistory and History of Glassmaking Technology, edited by Patrick McCray, Esther Lense, and W. D. Kingery, 79–102. Ceramics and Civilization 8. Columbus, OH: American Ceramic Society, 1998.

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Centeno, Silvia A., and Deborah Schorsch. "The Characterization of Gold Layers on Copper Artifacts from the Piura Valley (Peru) in the Early Intermediate Period." In Gilded Metals: History, Technology and Conservation, edited by Terry Drayman-Weisser, 223–40. London: Archetype, 2000.

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Charola, A. Elena, Robert J. Koestler, and G. Lombardi, eds. Lavas and Volcanic Tuffs. Proceedings of the International Meeting, Easter Island, Chile, 25–31 October, 1990. Rome: ICCROM, 1994.

Charola, A. Elena, Marisa Laurenzi Tabasso, and U. Santamaria. "The Effect of Water on the Hydrophobic Properties of an Acrylic Resin." In Proceedings: Vth International Congress on Deterioration and Conservation of Stone, Lausanne, 25–27.9.1985 / Laboratoire de conservation de la pierre, Ecole polytechnique fédérale de Lausanne, edited by G. Félix, 739–47. Lausanne: Presses polytechniques romandes, 1985.

Charola, A. Elena, Antonella Tucci, and Robert J. Koestler. "On the Reversibility of Treatments with Acrylic/Silicone Resin Mixtures." Journal of the American Institute of Conservation 25, no. 2 (Autumn 1986): 83–92.

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Charola, A. Elena, Lorenzo Lazzarini, George E. Wheeler, and Robert J. Koestler. "The Spanish Apse from San Martin de Fuentiduena at The Cloisters, MMA." In Case Studies in the Conservation of Stone and Wall Paintings Preprints of the Contributions to the Bologna Congress, 21–26 September 1986, edited by Norman S. Brommelle and Perry Smith, 18–21. London: International Institute for Conservation, 1986.

Charola, A. Elena, Raffaella Rossi-Manaresi, Robert J. Koestler, George E. Wheeler, and Antonella Tucci. "SEM Examination of Limestones Treated with Silanes or Prepolymerized Silicone Resin in Solution." In Adhesives and Consolidants, Preprints of the Contributions to the Paris Congress, 2–8 September 1984, edited by Norman S. Brommelle, Elizabeth M. Pye, Perry Smith, and Gary Thomson, 182–84. London: International Institute for Conservation, 1984.

Charola, A. Elena, Monica Bahamondez Prieto, Carlos A. Weber, Maria E. de Maele-Silva, Angel E. Cabeza, and Robert J. Koestler. "The Human Factor in the Preservation of the Monumental Heritage of Easter Island." In Proceedings of RILEM/UNESCO Congress, Paris, June 29–July 1, 1993, edited by M.-J. Thiel, 3–10. RILEM Proceedings 21. London: E & FN Spon, 1993.

Charola, A. Elena, L. Aires-Barros, Silvia A. Centeno, M. J. Basto, Robert J. Koestler. "Analysis of the Colour Traces on the Cloister of the Jeronimos Monastery in Lisbon." International Journal for Restoration of Buildings and Monuments 8, no. 2 (Oct. 2002): 447–74.

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Indictor, Norman, Robert J. Koestler, and Richard J. Sheryll. "The Detection of Mordants by Energy Dispersive X-ray Spectrometry. Part I: Dyed Woolen Textile Fibers Spectrometry." Journal of the American Institute of Conservation 24, no. 2 (Spring 1985): 104–09.

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Koestler, Robert J., Norman Indictor, and Betty Fiske. "Characterization of Japanese Papers using Energy Dispersive X-ray Spectrometry." Restaurator 13 (1992): 58–77.

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Koestler, Robert J., Thomas Warscheid, and Fernando E. Nieto-Fernandez. "Biodeterioration: Risk Factors and their Management." In Saving Our Architectural Heritage: The Conservation of Historic Stone Structures: Report of the Dahlem Workshop on Saving Our Architectural Heritage: Conservation of Historic Stone Structures, Berlin, March 3–8, 1996, edited by Norbert S. Baer and Rolf Snethlage, 25–36. Chichester: John Wiley & Sons Ltd, 1997.

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Lilyquist, Christine, Robert H. Brill, Mark T. Wypyski, and Robert J. Koestler. "Part 2. Glass." In Studies in Early Egyptian Glass, edited by Christine Lilyquist and Robert H. Brill, 23–58. New York: The Metropolitan Museum of Art, 1993.

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Mass, Jennifer L., Richard E. Stone, and Mark T. Wypyski. "The Mineralogical and Metallurgical Origins of Roman Opaque Colored Glass." In The Prehistory and History of Glassmaking Technology, edited by Patrick McCray, 121–44. Ceramics and Civilization 8. Columbus, Ohio: American Ceramic Society, 1998.

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Mishara, Joan, and Pieter Meyers. "Technical Examination of a Bronze Iranian Beaker." American Journal of Archaeology 78 (1974): 252–54.

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Montegut, Denyse, Candace Adelson, Norman Indictor, and Robert J. Koestler. "Examination of Metal Threads from some XV/XVI century Italian Textiles by Scanning Electron Microscopy-Energy Dispersive X-ray Spectrometry." In Materials Issues in Art and Archaeology III: Symposium held April 27–May 1, 1992, San Francisco, California, U.S.A., edited by Pamela B. Vandiver, George E. Wheeler, and Ian C. Freestone, 309–17. Materials Research Society Symposium Proceedings 267. Pittsburgh, PA: Materials Research Society, 1993.

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