Coolers were set near the table on a credenza or sideboard, visible to diners and within easy reach of servants. They are designed to be viewed from any side, but especially from above when empty. When not in use, coolers remained in place to convey the owner’s refined taste and, due to the relatively inexpensive medium, personal modesty.
Inscription: On underside of foot, black-bordered rectangular label: ON LOAN FROM / A Barker esq. / August 22 1860 (South Kensington Museum loan label)
Alexander Barker , London (by 1860–ca. 1870; sold, with the Barker collection, too Cook); Sir Francis Cook , Doughty House, Richmond, Surrey (ca. 1870–d. 1901; to his son, Wyndham); Wyndham Francis Cook , London (from 1901; to his son, Humphrey) ; Humphrey Wyndham Cook , London (until 1925; his sale, Christie's, London, July 7–10, 1925, no. 82; sold for £346 10s. to Durlacher Brothers); [ Durlacher Brothers , New York, from 1925 ] ; Michael Friedsam , New York (until d. 1931; bequeathed to MMA)
Artist: Painted by Fra Xanto Avelli da Rovigo (ca. 1486–1582) Date: 1532Medium: Maiolica (tin-glazed earthenware)Accession: 32.100.378On view in:Not on view
Artist: Workshop of the Patanazzi family (Italian, active ca. 1580–1620) Date: 1584Medium: Maiolica (tin-glazed earthenware)Accession: 32.100.363a–fOn view in:Gallery 503
Artist: Probably "In Castel Durante" Painter (Italian, active Castel Durante, first half of 16th century) Date: ca. 1522–25Medium: Maiolica (tin-glazed earthenware)Accession: 65.6.9On view in:Gallery 503