Art/ Collection/ Art Object


Silver mounts by Antoine Daroux (master 1735, died 1789)
ca. 1751–52
French, Mennecy
Soft-paste porcelain, silver
Height: 2 1/8 in. (5.4 cm)
Credit Line:
The Jack and Belle Linsky Collection, 1982
Accession Number:
On view at The Met Fifth Avenue in Gallery 538
In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Marking: Struck on one end of box rim: [1] Crowned fleur-de-lis, two grains de remède, AD, device a miter (maker's mark for Antoine Daroux); [2] Ox head (Paris charge mark for gold and small silver, 1750–56); [3] Crowned L (Paris warden's mark, 1751–52); Struck on opposite end of box rim: [4] Hen's head (Paris discharge mark for gold and small silver, 1750–56)
J. Pierpont Morgan (sale, Parke-Bernet, New York, Jan. 8, 1944, lot 465) ; Jack and Belle Linsky (until 1982; to MMA)
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