Leather; silk worked with silk and metal thread, spangles; long-and-short, satin, knots, and couching stitches; metal bobbin lace
L. 12 1/2 x W. 5 3/4 inches (31.8 x 14.6 cm)
Gift of Mrs. Edward S. Harkness, 1928
Not on view
Gloves are replete with associations to love, honor, and loyalty, and these accessories played an important symbolic role in the portraiture of the sixteenth and seventeenth centuries. As a surrogate for their owner, gloves could be indicative of both romantic love or political allegiance, as when a woman's glove was bestowed upon her chosen contestant to be worn in a tournament.
The gauntlets on this pair of gloves contain small birds and flaming hearts, surely symbols of romantic devotion. The symbol of the flaming heart in a cartouche also appears in a Dutch collection of embroidery designs for fashionable accessories, dating to the 1620s, in the Museum's collection.
Artist: Printed by Robert Barker , London, 1607 Date: ca. 1607Medium: Satin worked with silk and metal thread, spangles; long-and-short, split, satin, couching, brick, and knot stitchesAccession: 64.101.1291On view in:Not on view
Artist: Date: 1600–1620 Accession Number: 64.101.1241 Date: 1600–1620Medium: Linen worked with silk and metal threads, spangles; chain, stem, darning, detached buttonhole, and plaited braid stitchesAccession: 64.101.1241On view in:Not on view
Artist: Possibly after a design by Charles Le Brun (French, Paris 1619–1690 Paris) Date: ca. 1683Medium: Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 per sq. cm.)Accession: 46.43.1On view in:Gallery 531