Album d'Études–Poses, Louis Igout (French, 1837–1881), Albumen silver prints from glass negatives

Album d'Études–Poses

Louis Igout (French, 1837–1881)
A. Calavas (French)
ca. 1880
Albumen silver prints from glass negatives
Credit Line:
Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1993
Accession Number:
Not on view
This album is an excellent example of the type of photography produced in the nineteenth century as an aid to artists in the study of contour, modeling, and proportion, and as a vocabulary of expression, gesture, and pose sanctioned by the art of antiquity and the Old Masters. Groupings representing Cain and Abel, the Drunken Silenus, Hercules and Antaeus, the Dying Gaul, the Cnidian Aphrodite, and others are recognizable among the photographs. Single prints showing sixteen small images, such as the page shown here, served as a type of stock catalogue, allowing clients to survey a broad range of possible poses and order larger prints of those which best served their needs.
Inscription: Library catalog number affixed to spine; newspaper clippings affixed to front fly-leaf; extensive inscriptions in ink and pencil on front fly-leaf
[...]; [Daniel Wolf, New York]

The Metropolitan Museum of Art. "Nineteenth Century Portraits, Landscapes, and Nudes," September 10, 1993–January 2, 1994.

The Metropolitan Museum of Art. "Naked before the Camera," March 27, 2012–September 9, 2012.