Art/ Collection/ Art Object
{{img.publicCaption}}

Street Show (Paillasse) (recto); a clown playing a drum (verso)

Artist:
Honoré Daumier (French, Marseilles 1808–1879 Valmondois)
Date:
1825–79
Medium:
Black chalk and watercolor on laid paper (recto); graphite and black chalk (verso)
Dimensions:
14 3/8 x 10 1/16 in. (36.5 x 25.5cm)
Classification:
Drawings
Credit Line:
Rogers Fund, 1927
Accession Number:
27.152.2
Not on view
Signature: Lower right: "h.D."
Paul Bureau; Vendor: Galerie Georges Petit, Paris
Philadelphia Museum of Art. "Daumier, 1808-1879," 1937.

The Metropolitan Museum of Art. "Art Treasures of the Metropolitan," November 07, 1952 - 1953.

École Nationale Supérieure des Beaux-Arts, Paris. "Exposition Daumier, École des Beaux-Arts, Paris," 1921.

Museum of Modern Art, New York. "Corot-Daumier, Museum of Modern Art, New York," October 16, 1930–November 23, 1930.

Fogg Museum, Harvard Art Museums. "Seventy Master Drawings (A loan exhibition arranged in honor of Professor Paul J. Sachs on the occasion of his seventieth birthday)," November 27, 1948–January 6, 1949.

The Metropolitan Museum of Art. "Classicism and Romanticism. French Drawings and Prints," September 15, 1970–November 1, 1970.

The Metropolitan Museum of Art. "Daumier Drawings," February 26, 1993–May 2, 1993.

National Gallery of Canada, Ottawa. "Honore Daumier, 1808-1879," June 11, 1999–September 6, 1999.

Galeries Nationales du Grand Palais. "Honore Daumier, 1808-1879," October 5, 1999–January 3, 2000.

Phillips Collection. "Honore Daumier, 1808-1879," February 19, 2000–May 14, 2000.

The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," October 20, 2008–January 11, 2009.

Stiftung Brandenburger Tor, Max Liebermann Haus, Berlin. ""Daumier ist ungeheuer!" (Max Liebermann): Gemälde, Zeichnungen, Graphik, Bronzen von Honoré Daumier," March 2, 2013–June 2, 2013.

Maison 547 and 538(verso)
Ives/Stuffmann 116
Arsène Alexandre Honoré Daumier, l'homme et l'oeuvre. Paris, 1888, p. 376.

Erich Klossowski Honoré Daumier. Munich, 1923, cat. no. 208.

"Vente de la collection Paul Bureau." Beaux Arts. vol. 5, June 1, 1927, pp. 175-176, ill.

Bryson Burroughs "Two drawings by Daumier." in The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 22, New York, 1927, pp. 291-292, 289, ill.

Eduard Fuchs Der Maler Daumier. 1927, cat. no. 258a, fig. no. pl. 258a, p. 58, ill.

Paul Bureau Collection Galerie Georges Petit, Paris, May 20, 1927, première vente. Galerie Georges Petit, Paris, Paris, May 20, 1927, cat. no. 79, p. 62, ill.

Charles Sterling, Anatole de Monzie, Claude Roger-Marx Daumier: Peintures, aquarelles, dessins. Musée de l'Orangerie, Paris, 1934, cat. no. 106, fig. no. pl. 106, p. 113, ill.

Elise Van Hook, Henri Marceau, David Rosen, Claude Roger-Marx Daumier, 1808-1879. Exh. cat. Philadelphia Museum of Art, Philadelphia, 1937, cat. no. 32, fig. no. pl. 32, p. 33, ill.

Walter Mehring European Drawings from the Collections of The Metropolitan Museum of Art: A Portfolio of Collotype Reproductions [Vol. 1: Italian Drawings; Vol. 2: Flemish, Dutch, German, Spanish, French, and British drawings; Vol. 3: "New Series": Italian, Flemish, Dutch, German, Spanish, French, and British drawings]. The Metropolitan Museum of Art, 3 vols., New York, 1942–44, also N.S., no. 39., cat. no. 42 (vol.2), fig. no. 42, ill.

Fogg Museum, Harvard Art Museums Seventy Master Drawings: A Loan Exhibition Arranged in Honor of Professor Paul J. Sachs on the Occasion of his Seventieth Birthday Exh. cat., Harvar Art Museums, Cambridge (November 27, 1948 - January 6, 1949). Cambridge, 1948, cat. no. 62.

One Hundred Master Drawings. To accompany "Seventy master drawings," a loan exhibition at the Fogg Museum of Art, Nov. 1948-Jan. 1949, held on the occasion of the 70th birthday of Paul J. Sachs, and 30 additional drawings from the museum's collections Exh. cat., Fogg Art Museum, Cambridge. edited by Agnes Mongan, Harvard University Press, Cambridge, 1949, p. 170, ill.

Regina Shoolman, Charles E. Slatkin Six Centuries of French Master Drawings in America. Oxford University Press, New York, 1950, fig. no. pl. 83, p. 146, ill.

Art Treasures of the Metropolitan: A Selection from the European and Asiatic Collections of the Metropolitan Museum of Art. The Metropolitan Museum of Art, Harry N. Abrams, Inc., New York, 1952, cat. no. 67, fig. no. 67, pp. 73, 223, ill.

Jean Adhémar Daumier Dessins et Aquarelles. Paris, [1954], cat. no. 50, pp. 29, 50, ill.

De David à Toulouse-Lautrec: Chefs-D'Oeuvre des Collections Américaines Exh. cat., 20 April - 5 June. Musée de l'Orangerie , Paris, Paris, 1955, cat. no. 66, fig. no. pl. 29, ill.

"MMA Bulletin" French Drawings. The Metropolitan Museum of Art, vol. 17, no. 6, New York, February 1959, p. 168, ill.

Daniel M. Mendelowitz Drawing. New York, 1967, fig. no. 15-11, pp. 349, 351, ill.

K. E. Maison Honoré Daumier: Catalogue Raisonné of the Paintings, Watercolors and Drawings. 2 vols., New York, 1968, Mentioned under nos. 544, 546, cat. no. 547, 538, fig. no. pl. 195, pp. 183, 179, ill.

Linda Boyer Gillies, Colta Ives, Jacob Bean Classicism and Romanticism: French Drawings and Prints, 1800-1860. Ex. cat. The Metropolitan Museum of Art, New York, 1970, cat. no. 11, p. 2.

Daumier's Universe. 1977, p. 51, ill.

Honoré Daumier 1808-1879.. National Gallery of Art, Washington D.C., Washington, 1979, cat. no. 90, ill.

Roger Passeron Daumier témoin de son temps. Fribourg, 1979, fig. no. ill. 155, pp. 218-220, 222, ill.

Nicholas Wadley Impressionist and Post-Impressionist Drawing. Laurence King Publishers, London, 1991, cat. no. 105b, p. 292.

Colta Ives, Martin Sonnabend, Margret Stuffmann, Klaus Herding, Judith Wechsler Daumier Drawings. Ex. cat. The Metropolitan Museum of Art, New York, 1992, cat. no. 116, fig. no. 134, pp. 231, 226, ill.

Claude Keisch, Max Liebermann Haus "Daumier ist ungeheuer!" (Max Liebermann): Gemälde, Zeichnungen, Graphik, Bronzen von Honoré Daumier. Stiftung Brandenburger Tor, Nicolai, Berlin, 2013, cat. no. 8.06 and 8.09 (verso), fig. no. 4 (p. 13), pp. 13, 36-37, n. 31, 190-192, 194, 219, ill.



Related Objects

Standing Figure of a Man with a Staff

Artist: Honoré Daumier (French, Marseilles 1808–1879 Valmondois) Date: 1825–79 Medium: Black chalk and graphite Accession: 1996.280 On view in:Not on view

Impressions et Compressions de Voyage, from Les Chemins de Fer, published in Le Charivari, July 25, 1843

Artist: Honoré Daumier (French, Marseilles 1808–1879 Valmondois) Date: July 25, 1843 Medium: Lithograph; second state of three (Delteil) Accession: 1989.1070 On view in:Not on view

So we are not going home yet?, from 'The good bourgeois,' published in Le Charivari, October 28, 1865

Artist: Honoré Daumier (French, Marseilles 1808–1879 Valmondois) Date: October 28, 1865 Medium: Lithograph on newsprint; third state of three (Delteil) Accession: 63.527.6 On view in:Not on view

Come on, stand up! They are all watching us, from 'News of the day,' published in Le Charivari, October 16, 1866

Artist: Honoré Daumier (French, Marseilles 1808–1879 Valmondois) Date: October 16, 1866 Medium: Lithograph on newsprint; third state of three (Delteil) Accession: 36.21.207 On view in:Not on view

At the theater of politics, the stage never remains empty, from 'News of the day,' published in Le Charivari, November 12, 1866

Artist: Honoré Daumier (French, Marseilles 1808–1879 Valmondois) Date: November 12, 1866 Medium: Lithograph on newsprint; second state of two (Delteil) Accession: 36.21.201 On view in:Not on view