Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)
sheet: 11 13/16 x 8 9/16 in. (30 x 21.8 cm)
Rogers Fund, 1920
Not on view
Saint Anthony gazes serenely out at the viewer as frenzied demons grab at his limbs, clothes, and hair and pound him with sticks. Schongauer depicted these imagined creatures in a remarkably convincing way. His realistic description of their scales and fur point to his direct observation of animals, yet he compiled these naturalistic details to produce some of the most fantastic and grotesque fabrications in the history of printmaking. Although this is one of Schongauer's earliest prints, it was probably his most influential: Vasari recounted that even Michelangelo made a color drawing of the work at the age of thirteen.
Prince Paar; Alfred Morrison (British, 1821–1897)
The Metropolitan Museum of Art. "The Print in the North," May 06, 1997 - July 13, 1997.
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," April 25, 2005–July 24, 2005.
L.54, state I-II;Bartsch VI.140.47
Adam von Bartsch "Le Peintre Graveur". Leipzig, 1876, cat. no. VI., p. 140.
Suzanne Boorsch, Nadine Orenstein "The Print in the North: The Age of Albrecht Durer and Lucas van Leyden." The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 54, no. 4, Spring 1997, p. 17.