Four Tulips: Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind)
Jacob Marrel (German, Frankenthal 1613/14–1681 Frankfurt am Main)
watercolor on vellum
sheet (c.): 13 3/8 x 17 11/16 in. (34 x 44.9 cm)
Rogers Fund, 1968
Not on view
This watercolor on vellum is a remarkable document of a fascinating moment in botanical and economic history, involving a venerated flower and its trade on the stock market. It depicts four different tulip cultivars, each clearly named (Boter man, Joncker, Grote geplumaceerde, Voorwint) and beautifully rendered to record the prized bloom. The sheet comes out of one of several watercolor albums or Tulpenboeken made by the Dutch still-life painter, print- and tulip dealer Jakob Marrel (1613–1681). Married to the widow of the German engraver Matthäus Merian, Marrel was stepfather and teacher of the well-known botanist-artist Maria Sibylla Merian. In addition to flower paintings, Marrel created at least six tulip books, three of which remain intact. Executed while he worked in Utrecht during the late 1630s and early 1640s, his tulip books coincide with the period when the Dutch developed a true passion for the tulip. Known as Tulipomania, the rage for this flower, especially in its variegated or multistriped form, resulted in wild speculation, ending in 1637 with the crash of the bulb commodity market. Still considered Holland's "national flower," the tulip actually was imported in the 1580s from Turkey, where it had been cultivated by the Ottomans from the beginning of the sixteenth century onward. It was the famous, widely traveled Flemish botanist Carolus Clusius (1526–1609), who, as supervisor of the Leiden Botanical Garden, was instrumental in furthering the introduction of the tulip and other exotic bulbs from West Asia, laying the foundation for Holland's modern-day global bulb industry.
Inscription: Left to right in pen and brown ink the names of the four species: Boter man (Butter Man) Joncker (Nobelman) Grote geplumaceerde (The Great Plumed One) Voorwint (With the Wind) Upper left corner in pen and brown ink: WV 23 Upper right corner in pen and brown ink: N24
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Artist: Isaak Ehe (German, Nuremberg 1586–1632 Nuremberg) Date: 1632Medium: Brush and brown, ochre, and gold paint, touches of orange and blue gouache, over a preliminary sketch in grey gouache(?) on vellum prepared with white.Accession: 53.600.32On view in:Not on view