Art/ Collection/ Art Object


ca. 1650–60
probably Paris
French, probably Paris
Steel, gold, wood, copper alloy
L. 41 in. (104.1 cm); L. of blade 34 1/2 in. (87.5 cm)
Credit Line:
Purchase, Arthur Ochs Sulzberger Gift, 2011
Accession Number:
On view at The Met Fifth Avenue in Gallery 376
While it was typical in Europe from at least the Middle Ages for a nobleman to wear a sword on a daily basis, not until the sixteenth century was there a pronounced difference between the swords worn with armor during times of war and those worn with civilian dress or in peacetime. During the Renaissance noblemen regularly wore long, lethal, and frequently ornate swords known as rapiers, both for self-defense and as a necessary costume accessory. In the early seventeenth century rapiers became smaller, lighter, and more refined, developing into what are known as smallswords, which continued to be worn by gentlemen until the late eighteenth century.

This early smallsword is a rare and beautiful example of the form, design, and ornamentation that distinguishes the best French swords of the early Louis XIV period. Its intricately damascened gold decoration is derived from contemporary print sources. Of the few comparable smallswords that exist, three are in current or former royal dynastic collections: Windsor Castle, the Musée de l'Armée in Paris, and the Royal Armory in Stockholm, a further indication of their quality and importance. Although highly decorated, swords of this type were still fully functional as weapons.
Inscription: Stamped within each groove on the blade: XX INTE X DOMINE X ESPADERO X, with an anchor-like cross at the forward end of the groove followed by three flat indents.
Sir John Martin Harvey, Surrey; Sir Guy F. Laking, London; Hans von Schulthess, Zurich[Peter Finer, Ilmington, England, until 2011; sold to MMA].
New York. The Metropolitan Museum of Art. "Arms and Armor: Notable Acquisitions 2003–2014," November 11, 2014–December 6, 2015.

Christie, Manson & Woods. Catalogue of The Collection of Arms and Armour and Objects of Art Formed by Sir Guy Francis Laking, Bart. London: Christie, Manson & Woods, April 19–22, 1920. no. 192.

Laking, Guy Francis, Charles Alexander Cosson, and Francis Henry Cripps-Day. A Record of European Armour and Arms Through Seven Centuries. Vol. V. London: G. Bell and Sons, 1922. pp. 84–86, fig. 1500.

Blair, Claude. Arms, Armour and Base-Metalwork: The James A. De Rothschild Collection at Waddesdon Manor. James A. de Rothschild Collection at Waddesdon Manor. Fribourg: Office du Livre, 1974. p. 116.

Finer, Peter. Peter Finer [dealer's catalogue]. London: Peter Finer, 2010. pp. 89–92, no. 19.

The Metropolitan Museum of Art. "Recent Acquisitions: A Selection: 2010–2012." The Metropolitan Museum of Art Bulletin (Fall 2012), p. 37, ill.

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