After Martin Ferdinand Quadal (Austrian, 1736–1811)
Mezzotint; proof state
sheet: 25 1/2 x 31 3/8 in. (64.7 x 79.7 cm)
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2003
Not on view
Members of the Vienna Academy are represented sketching, painting, and sculpting from a live model. Quadal, who specialized in portraits and animal subjects, sits sketching in the right foreground. Jacobé taught mezzotint—an intaglio technique in which subtle gradations of light and shade form the image—at the Vienna Academy. Thanks to his professorship, Vienna produced the only significant school of mezzotint artists in the late eighteenth century outside of London. This impression is a proof, a step in the working process, and the names of the artists had yet to be engraved on the plate. They were added by hand in brown ink in the bottom margin.
Signature: Signed and annotated by the artist in the lower margin.
Vendor: Emanuel von Baeyer (London)
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," July 27, 2004–October 25, 2004.
New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection".
Nagler Lexikon VI. 387.3; Andresen Handbuch II.708.6 state I
Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome)Date: ca. 1749–50Medium: Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)Accession: 37.45.3(27)On view in:Not on view
Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)Date: 1658Medium: Etching, drypoint, and engraving on japan paper; second of six statesAccession: 29.107.28On view in:Not on view