The well-preserved surface and traces of paint provide an idea of what this head looked like when it was being used in worship. The abstracted treatment of the eyes and the intersecting plains defining forehead, eyebrows, and nose are stylistic features shared with imagery produced in north India during the Gupta period. The fact that this north Indian way of presenting the Buddha had penetrated into Afghanistan suggests a shared Buddhist tradition.
[ Emil Trinkler , Bremen, Germany, excavated or purchased in Tibet or Turkestan during 1927–1928 Trinkler expedition; sold to Kleijkamp by 1930]; [ Jan Kleijkamp , New York, by 1930, sold to MMA]
New York. The Metropolitan Museum of Art. "Heads in Sculpture from the Museum Collection," January 16, 1940–March 3, 1940.
New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 14, 1970–June 1, 1971.
New York. The Metropolitan Museum of Art. "The Pala-Sena Period," 2007.
New York. The Metropolitan Museum of Art. "Buddhism Along the Silk Road," June 2, 2012–February 10, 2013.
Artist: Date: late 15th– first quarter 16th century Accession Number: 91.1.607 Date: late 15th– first quarter 16th centuryMedium: Brass; cast and turned, engraved, and inlaid with silver, gold, and black organic compoundAccession: 91.1.607On view in:Gallery 455