Lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e on nashiji ground
H. 2 3/8 in. (6 cm); W. 9 3/8 in. (23.8 cm); L. 10 1/4 in. ( 26 cm)
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Not on view
The writing box contains only a water dropper. The lid is embellished with a flowering plum tree and a warbler singing among the branches. The first song of the warbler is the harbinger of spring and, as an auspicious motif symbolizing a new beginning, is often featured in classical literature. (It is the main theme of chapter 23 of The Tale of Genji, centered on an exchange of New Year’s greetings.) The inside of the box is decorated with a frog among fallen plum blossoms and four characters that refer to the murmur of the river (see ill.). The frog is also associated with spring. In the kana preface of the Kokin wakashū by Ki no Tsurayuki, there is an often cited sentence: “The song of the warbler among the blossoms, the voice of the frog dwelling in the water—these teach us that every living creature sings.”
Mrs. H. O. (Louisine W.) Havemeyer , New York (until d. 1929; bequeathed to MMA)
New York. The Metropolitan Museum of Art. "The Resonant Image: Tradition in Japanese Art (Part Two)," April 27, 1998–September 27, 1998.
New York. The Metropolitan Museum of Art. "Birds, Flowers, and Buddhist Paradise Imagery in Japanese Art," February 14, 2004–June 13, 2004.
New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Spring and Summer," December 17, 2005–June 4, 2006.
Artist: Date: first half of the 17th century Accession Number: 2015.300.293 Date: first half of the 17th centuryMedium: Lacquered wood with gold, silver hiramaki-eAccession: 2015.300.293On view in:Not on view
Artist: Date: early 14th century Accession Number: 2015.300.280a, b Date: early 14th centuryMedium: Lacquered wood with gold togidashimaki-e on nashiji (“pear-skin” ground)Accession: 2015.300.280a, bOn view in:Not on view