Pre-Islamic forms can be seen in bracelets such as this one, indicating traditionalism in the production of jewelry. At the back of each of the four hemispheres around the clasp there is a flat disk of gold decorated by pouncing it over a coin; the four stones originally on the front are now missing. The twisted decoration probably derives from Greek bracelets; Byzantine jewelry often incorporated coins.
Inscription: In Arabic, on imitation coins: "Justice! There is no god save Allah, and he has no associate. Al-Kadir billah." (H. McAllister, trans.)
[ E. Safani, New York, until 1957; sold to MMA]
New York. The Metropolitan Museum of Art. "Gold," April 14, 1973–September 9, 1973, no catalogue.
New York. Forbes Galleries. "Masterpieces of Ancient Jewelry: Exquisite Jeweled Objects from the Cradle of Civilization," September 22, 2008–December 31, 2008, p. 107.
Chicago. Field Museum of Natural History. "Masterpieces of Ancient Jewelry: Exquisite Jeweled Objects from the Cradle of Civilization," February 13, 2009–June 14, 2009, p. 107.
Paris. Institut du Monde Arabe. "Masterpieces of Ancient Jewelry: Exquisite Jeweled Objects from the Cradle of Civilization," April 19, 2010–July 25, 2010, p. 107.
"Gold." Metropolitan Museum of Art Bulletin vol. 31, no. 2 (Winter 1972/1973). pp. 69-121.
Jenkins-Madina, Marilyn, and Manuel Keene. Islamic Jewelry in the Metropolitan Museum of Art. New York, 1983. no. 16, p. 40, ill. (b/w).
Welch, Stuart Cary. The Islamic World. vol. 11. New York: The Metropolitan Museum of Art, 1987. p. 39, ill. fig. 26 (color).
de Montebello, Philippe, and Kathleen Howard, ed. The Metropolitan Museum of Art Guide. 6th ed. New York: The Metropolitan Museum of Art, 1992. p. 315, ill. fig. 10 (color).
Ettinghausen, Richard, Oleg Grabar, and Marilyn Jenkins-Madina. Islamic Art and Architecture 650–1250. 2nd ed. New Haven and London: Yale University Press, 2001. p. 171, ill. fig. 263 (color).
Price, Judith. "Exquisite Objects from the Cradle of Civilization." In Masterpieces of Ancient Jewelry. Philadelphia; London, 2008. p. 107, ill. (color).