Textile: H. 27 1/2 in. (69.9 cm) W. 28 in. (71.1 cm) Mount: H. 33 in. (83.8 cm) W. 33 in. (83.8 cm)
Gift of the Hajji Baba Club, in recognition of Dr. Maurice Dimand's long and distinguished service in the field of Islamic Art at the Metropolitan Museum, 1959
Not on view
Raw silk as well as silk velvets and brocades were major exports to Europe from the Safavid Empire. Contemporary paintings show that rich brocades were equally popular for clothing among the Iranian aristocracy. This fragment has a dark red ground with rows of stylized composite flowers in shades of green, blue, white, tan, and pink arranged in straight rows paired with abstract sundry leaves. Like their Mughal and Deccan counterparts, such textiles may have been inspired by printed Dutch and English botanicals.
Hajji Baba Club, New York (until 1959; gifted to MMA through Joseph McMullan)
New York. Asia Society. "Shah Abbas and the Arts of Isfahan," October 11, 1973–December 2, 1973, no. 66.
Boston. Fogg Museum, Harvard Art Museums. "Shah Abbas and the Arts of Isfahan," January 19, 1974–February 19, 1974, no. 66.
Welch, Anthony, ed. Shah 'Abbas and the Arts of Isfahan. Cambridge and New York: Asia House Gallery, 1973. no. 66, pp. 95, 101, ill. p. 95 (b/w).
"Masterpieces from The Metropolitan Museum of Art New York." In The Arts of Islam. Berlin, 1981. no. 94, p. 226-227, ill. p. 227 (b/w).