This sculpture is inspired by Claus Sluter’s Virgin and Child on the trumeau (central pier of a doorway) of the portal of the Chartreuse de Champmol, Dijon, begun in 1390.
Georges Hoentschel (French, Paris 1855–1915 Paris); J. Pierpont Morgan, London and New York
Collections Georges Hoentschel: Volume 1, Moyen Age et Renaissance. Paris: Librairie Centrale des Beaux-Arts, 1908. p. 5, pl. VIII.
Wixom, William D. "Late Medieval Sculpture in the Metropolitan: 1400 to 1530." The Metropolitan Museum of Art Bulletin, n.s., 64, no. 4 (Spring 2007). p. 9.
Kargère, Lucretia Goddard, and Michele D. Marincola. "Conservation in Context: The Examination and Treatment of Medieval Polychrome Wood Sculpture in the United States." Metropolitan Museum Studies in Art, Science, and Technology 2 (2014). pp. 19-20, fig. 8.
Artist: Attributed to Claus de Werve (Netherlandish, active in France, ca. 1380–1439, active Burgundy, 1396–ca. 1439)Date: ca. 1415–17Medium: Limestone with paint and gildingAccession: 33.23On view in:Gallery 305