The bow brooch was a component of many Germanic women’s dress. In Frankish territory brooches were generally worn in pairs, as decorative elements on a strap hanging from the belt. The bow refers to the bend or curve that links two terminals.
Probably found in northern France; [ Brummer Gallery, Paris and New York]; Alastair Bradley Martin (American), Glen Head, NY (until 1948)
Miner, Dorothy, ed. Early Christian and Byzantine Art: An Exhibition Held at the Baltimore Museum of Art. Baltimore: Walters Art Museum, 1947. no. 891, p. 171, pl. LVI.
Romans & Barbarians. Boston: Museum of Fine Arts, Boston, 1976. no. 176, p. 142.
Brown, Katharine R. Guide to Provincial Roman and Barbarian Metalwork and Jewelry in the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1981. p. 6-7, fig. 6.
Brown, Katharine R. Migration Art, A.D. 300-800. New York: The Metropolitan Museum of Art, 1995. no. 41, pp. 32-34.
Brown, Katharine R., Dafydd Kidd, and Charles T. Little, ed. From Attila to Charlemagne: Arts of the Early Medieval Period in the Metropolitan Museum of Art. New York and New Haven: The Metropolitan Museum of Art, 2000. pp. 332-333, 357, fig. 20.11.
Artist: Reinhold Vasters (German, Erkelenz 1827–1909 Aachen) Date: ca. 1870–95Medium: Baroque pearl mounted with enameled gold set with pearls, emeralds and rubies and with pendent pearlsAccession: 1982.60.382On view in:Gallery 542