Manuscript Leaf with the Assumption of the Virgin in an Initial V, from an Antiphonary
Niccolò di ser Sozzo (Italian, Siena, active ca. 1334, died 1363)
Made in Siena, Italy
Tempera, ink, and gold on parchment
Overall: 22 5/8 x 15 7/8 in. (57.5 x 40.4 cm) Illumination: 7 3/16 x 5 3/16 in. (18.2 x 13.1 cm) stave ht.: 1 3/16 in. (3 cm) Mat size: 27 15/16 x 22 in. (71 x 55.9 cm)
Manuscripts and Illuminations
Gift of Louis L. Lorillard, 1896, transferred from the Library
Not on view
The Assumption of the Virgin, celebrated on August 15, is an especially important holiday in Siena. Niccolò di ser Sozzo, one of the city's renowned illuminators of the fourteenth century, painted it numerous times. The Virgin Mary, in a diaphanous gown, rises effortlessly as choirs of angels guide her path.
#2841. The Assumption of the Virgin in an Initial V
New York. The Metropolitan Museum of Art. "Choirs of Angels: Painting in Italian Choir Books, 1300-1500," November 25, 2008–April 12, 2009.
Prato. Museo di Palazzo Pretorio. "Legati da una cintola: l''Assunta' di Bernardo Daddi e l'identità di una città," September 8, 2017–February 25, 2018.
Milliken, William M. "An Illuminated Miniature by Niccolo di ser Sozzo Tegliacci." Art in America and Elsewhere 13, no. 4 (June 1925). pp. 161-6.
Fehm, Sherwood A. Jr. The Collaboration of Niccolò Tegliacci and Luca di Tommè. Malibu: J. Paul Getty Museum, 1973. no. 5.
van Os, Henk. Studies in Early Tuscan Painting. London, 1992. pp. 123-163, fig. 1-43.
Kanter, Laurence B. "The Illuminators of Early Renaissance Florence." In Painting and Illumination in Early Renaissance Florence, 1300–1450, edited by Laurence B. Kanter, and Barbara Drake Boehm. New York: The Metropolitan Museum of Art, 1994. pp. 9-10.
Boehm, Barbara Drake. "Choirs of Angels: Painting in Italian Choir Books, 1300-1500." The Metropolitan Museum of Art Bulletin, n.s., 66, no. 3 (Winter 2009). p. 35, fig. 40.
Museo di Palazzo Pretorio. Legati da una cintola: l'Assunta di Bernando Daddi e l'identità di una città, edited by Andrea De Marchi, and Cristina Gnoni Mavarelli. Prato: Mandragora, 2017. no. 19, pp. 159–60.