Six-panel folding screen; ink, color, and gold leaf on paper
40 3/16 x 113 5/16 in. (102.1 x 287.8 cm)
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Not on view
Wave-based imagery and designs, popular among painters of the Rinpa school, are here combined with another favorite image, the folding fan (ōgi). A screen ornamented with fans acted as a sort of miniature museum where many works of art could be viewed at once. The fans often appeared against a background of flowing water, a type of imagery that may have evolved from the medieval custom of casting fans into the water to float upon the surface. Screens painted with the fans-and-stream motif, known as “fans afloat” (senmen nagashi), were often installed in shogunal residences and may have derived from a tale about a Muromachi-period shogun who accidentally dropped a fan from a bridge.
Mrs. H. O. (Louisine W.) Havemeyer , New York (until d. 1929; bequeathed to MMA).
New York. The Metropolitan Museum of Art. "Arts of Japan," August 19, 2000–February 5, 2001.
New York. The Metropolitan Museum of Art. "A Beautiful Country: Yamato-e in Japanese Art," November 20, 2010–June 5, 2011.
New York. The Metropolitan Museum of Art. "Designing Nature: The Rinpa Aesthetic in Japanese Art," May 26, 2012–January 13, 2013.
Artist:Maruyama Ōkyo (Japanese, 1733–1795) Date:right screen: 1774; left screen: 1793Medium:Pair of six-panel folding screens; ink, color and gold on paperAccession:2015.300.197.1, .2On view in:Gallery 226
Artist:Date: early 17th century Accession Number: 2015.300.105.1, .2 Date:early 17th centuryMedium:Pair of six-panel folding screens; ink, color, copper, gold, and gold leaf on paperAccession:2015.300.105.1, .2On view in:Not on view